“How do you describe PhotoShelter to others?”

[Caption: Stanley is speaking to the staff at the PhotoShelter headquarters in New York City. Photo by David White]

“How do you describe PhotoShelter to others?” was the question I was asked while speaking to those working at PhotoShelter’s NYC offices.

PhotoShelter is a system for photographers to deliver images to clients and those searching for ideas to find the photographer’s photos.

That is my response to that question. I realized this past week that when I had to ship a strobe in to be repaired that when I logged into my FedEx account, it had been a LONG time since I had used it.

I was used to weekly shipping with FedEx CDs and DVDs to clients. It has been a few years since I have delivered images to clients using FedEx. I now put those images up online using PhotoShelter.

Here are some of the things I use PhotoShelter to do for me:

  • Showcase my portfolio
  • Contact information to reach me for assignments
  • Deliver photos by way of a secure gallery accessed;
    • Password – Link and password can be easily shared
    • Email + Password – this makes it even more secure
  • Clients can order:
    • Prints
    • Fine Art Prints
    • Gallery Canvas Wrapped Prints
    • Cards / Prints with Envelopes
    • Clothing
    • Other products like Key Tag, coffee mugs, etc
    • Rights Managed Stock Photography Sales with pricing supported by fotoQuote
    • Downloads
      • Can control the size from small to the original size

The key thing I like the most is uploading the images once at the highest resolution, adding pricing profiles, and not doing anything except watching the sales and transactions through email updates. 

Touch It Once – Productivity Principle

This is one of the most fundamental principles of productivity and time management. It’s called the “touch it once” principle.

Stanley speaks to the PhotoShelter staff in New York City, and for lunch, they ordered Chick-fil-A. Photo by: David White

When I told the staff at PhotoShelter that I was coming to town, they wanted me to drop by and speak to their team. I have participated in many meetings where Chick-fil-A brought in their operators and customers and asked them to help them learn how to do a better job.

Companies actively listening to the customer will do a better job of getting and keeping clients.

When did you last sit down with your client and ask questions about how you could do a better job?

You may have never done this, but the time is now that you need to act. Take a customer to lunch and ask them what they like that you do and if they have things that they would recommend you do to improve in some way.

Photo by David White

I started my talk with PhotoShelter folks with what do you want to know from me? I did show them my workflow. Here is a blog post that walks through what I shared with them.

I shared some of the work I do. You can find that on my main website here www.StanleyLeary.com.

Kristin, who works with their Libris product, interviewed me on various topics on video and will be using this on their blog and other places to promote their product. I received this email from her after our time together.

Hi Stanley, 

Thank you so much for coming in to talk to the team today. Our staff members loved your talk, and your interview will help us share Libris and PhotoShelter with others. Thank you. 

All the best to you and David – hope you have a nice afternoon in NYC! 

Thanks, 

Kristin

The marketing director also sent me a note.

Hi Stanley,

Great session with the team today. You definitely had their full attention!

Kevin G. Davis 

While I love the product, I was asked what I would like to improve. I shared some of my wishes, which some have already started working on.

I am pretty proud of asking for a dashboard for Libris that helps one dissect how users use the system. Many companies would like to know their ROI [Return On Investment], allowing them to see the product’s value.

Every photographer needs to be recommending to their clients Libris that have a need. Anyone who hires photographers regularly will benefit from having their images online and accessible worldwide.

Having photos accessible for an organization rather than on someone’s computer, DVD in their office drawer, or who knows where can turn those one-time huge budget shoots into multiple usages and stretch those dollars and more than likely have more images used more often with communications for their organization.

The photographer who introduces them to Libris will most likely be their “GO TO GUY” for photography because they are the one who knows how to help them get a better ROI.

Click on this for the personal system.
Click on this for the corporate system

Be sure and tell them I referred you. This helps to support this blog. I recommend PhotoShelter, and here is a link to signup.

Working with a recording artist Sydney Rhame

Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, AC-9, AC-3, PocketWizard Mini TT1, TT5, Paul Buff Vagabond, Alienbees B1600, ISO 320, ƒ/2.8, 1/640

Today I was privileged to work with Sydney Rhame who was on The Voice this year. To get those chairs to turn as she did you have to be comfortable in front of the camera.

Sydney on iTunes.

Here is her Facebook fan page

Sydney needed little direction. I just needed to spend a little time before we started asking what she was looking for in her photos.

This is one of my favorite photos today. I used the high speed sync using he Pocketwizard TTL system with the Alienbees. This let me shoot at 1/640 shutter speed. Here is the lighting diagram.

The trick was to take a few test shots until I was able to get the rich colors in the background balanced with the flashes.

The photo on the left [ISO 100, ƒ/2.8, 1/500] and the right [ISO 320, ƒ/2.8, 1/400]. I also dialed the flash down in power on the right.

This is what I call experimenting to get the look you are wanting.

Nikon D4, Nikon 85mm ƒ/1.8G, AC-3, PocketWizard Mini TT1, TT5, Paul Buff Vagabond, Alienbees B1600, ISO 100, ƒ/1.8, 1/640

I also like to have subjects bring a variety of outfits and let us try a few looks.

This is the setup where I have main light on her face and separate light to just add a little kicker in the back.

Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, AC-9, AC-3, PocketWizard Mini TT1, TT5, Paul Buff Vagabond, Alienbees B1600, ISO 320, ƒ/2.8, 1/640

For this photo I took the white umbrella off the light behind Sydney to give a little more kick on the hair.

I also believe you really mix up the backgrounds and looks when you are helping someone with things like model portfolios, PR kits for musicians and actresses.

Nikon D750, Nikon 85mm ƒ/1.8G, ISO 100, ƒ/4, 1/200–Alienbees and Softboxes

Here is more of a traditional headshot.

Now to give a different look that this I just shot with the available light with the same setup.

Nikon D750, Nikon 85mm ƒ/1.8G, ISO 1250, ƒ/1.8, 1/200

I believe we were getting some variety throughout the photo shoot. As Sydney and I got more comfortable with each other the expressions just got better and better.

Nikon D750, Nikon 85mm ƒ/1.8G, ISO 100, ƒ/4, 1/160

While backing up and showing more of Sydney gave a different look, my favorites where up close where you can see her eyes.

 

Nikon D750, Nikon 85mm ƒ/1.8G, ISO 1250, ƒ/1.8, 1/200

When shooting at ƒ/1.8 her eyelashes are not even in focus, just her eyes.

Now shooting at ƒ/4 gave a little bit more depth-of-field.

 

Nikon D750, Nikon 85mm ƒ/1.8G, ISO 100, ƒ/4, 1/200

While the shallow depth-of-field looks great it is difficult to get all your photos in focus.

Going for “look” can sacrifice great “moments”

Because you choose to want that silky smooth BOKEH means that you will be tossing out photos just because they are not sharp where you need them to be. Therefore you may lose the best “moment” because the “look” is more important to you.

This is one of the reasons I am not shooting at wide open all the time. I prefer to stop down just a bit to get some leeway allowing me to more likely not to toss out the great “moment” because I missed the focus due to such a shallow depth-of-field.

Use flash outside

By using the strobes outside on an overcast day I was able to help the subject pop and not look flat due to the natural light.

Using high speed sync let me shoot at wide apertures and just crank the shutter speed up to control the available light.