Photographer, are you well suited and prepared for business?

 
Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 500, ƒ/5.6, 1/2000

These football players know the play; what’s the goal, and their competition. Are you this focused on your business?

Metaphors

A metaphor is a great way to get our heads around something we must work on. Now the bible uses a lot of metaphors. I think today’s football is very similar to the metaphor used in Ephesians 6:11, where Paul writes, “Put on all the armor that God gives so that you can defend yourself…”

Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 500, ƒ/5.6, 1/2000

Defense 

Today in football, you will notice that more than ever, the defense isn’t just trying to bring down the guy with the ball—they are trying to strip and turn it into a fumble.

Today you must be gripping the football with everything you got, or your competition will turn your big play into their big play.

You need to know your core values for your business and hold on to them just as if you were having others trying to make you fumble.

Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 1000, ƒ/5.6, 1/2000

Offense

You can break free of your competition and reach your goals daily—if you execute the plays you practiced repeatedly.

Worthy Opponents

Your competition isn’t your “enemy.” These are your colleagues. Like the NFL or MLB, you can get traded and play on their team the following week.

What you will notice is a worthy opponent makes you better. You also appreciate winning more when you have a worthy opponent than with no competition.

Questions for you

  • What is my goal?
  • Who are the players? Who is my client, and who is my competition?
  • What is my weakness that my competition is reaching for and trying to make me fumble?
  • What are the weaknesses of my competition?
  • Why should a client pick me when they have other choices?
  • What kind of preparation should I be doing now? Just like athletes train and watch game films to prepare for game day, is there something I can do to prepare?
  • Who is my coach?
  • Who is my trainer?
  • During my off-season, what am I doing to transform myself to be even better?

What to include or exclude in a photo

 
Nikon D4, Nikon 85mm ƒ/1.8G, ISO 140, 1/100

Theater

A great place to practice your craft is in the theater. For this production of Steel Magnolias at Roswell High School, I sat in the back row for a good reason.

On the back row, you can see the actors’ feet; on the front row; you often find the angle that has you missing their feet. Another great reason is you can shoot above the heads of the audience and be somewhat out of the audience’s view.

Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 1250, ƒ/5.6, 1/100

You can use your long glass for more than a football game. So here I am, shooting on a monopod and sitting on the back row. I am shooting zoomed-in with a 600mm lens at ƒ/5.6. From the first photo to this one, I can get pretty tight on the actors on the stage.

So do you shoot wide or tight? The answer is simple—BOTH.

Lighting

The good news is the stage crew and lighting crew have taken care of just about everything for you. Here I just set the white balance to tungsten, found the correct exposure, and just shot away. However, the lighting changes just once in the production to a darker scene, which makes sense as the color temperature is a little warmer.

Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 1600, ƒ/5.6, 1/100

I prefer shooting with a cinematic approach. Cinematic is where you are thinking of filling the frame so that the viewer will experience the photos, assuming more of the screen size in a movie theater. So the size is more about proportions of 16×9 or 3×2. You are not thinking of cropping to a square or vertical.

Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 1800, ƒ/5.6, 1/100

I choose to fill the frame of my Nikon D4. Filling the frame means watching the frame edges to see what to include or exclude. Here in this photo, I am letting the actors on either side determine the width, and I am watching the curtains and the feet to be sure they have a little room. Too much higher, and you see the top of the set.

Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 1250, ƒ/5.6, 1/100

Now I am also thinking about what the play is all about. The actors are in a hair salon, and when I think of this place, I think of the gossip. So, I could have cropped this photo to show the two on the right much tighter. But instead, I am letting the actress sit, and the picture up on the wall shows how this is a place for eavesdropping.

Nikon D4, Nikon 85mm ƒ/1.8G, ISO 140, 1/100

Sometimes I include more around the edges to help establish the scene inside a High School theater. I am intentionally showing the audience as they watch the production.

Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 1600, ƒ/5.6, 1/100

In this last photo, you can see that the bottom of the image includes the bottom of the chair, and the top includes the pictures on the wall. Those photos are then proportioned left to right to keep the whole frame filled. Now, if this were for a print piece, I may crop a little on the left and right, but this is a great example where you make the very best you can of the composition. Again, I tried to go tighter but thought the bottom of the chair helped to anchor this photo much better.

Fuji X-E2, FUJINON XF 55-200mm, ISO 4000, ƒ/4.8, 1/500

I returned the second night to get some photos with the show’s second cast. I decided to shoot some of these photos with my Fuji X-E2 with the FUJINON XF 55-200mm ƒ/4.8 lens. The Fuji camera worked great.

Fuji X-E2, FUJINON XF 55-200mm, ISO 4000, ƒ/4.8, 1/500

Key to growing your business—Surprise your Customer.

 
Nikon D4, Nikon 85mm ƒ/1.8G, ISO 50, ƒ/4, 1/160—off-camera flash using the Neewer TT850 flash & Neewer 433MHz Wireless 16 Channel Flash Remote Trigger with flash at 1/128 Power

How to make emotional connections

There are brands like Apple, Starbucks, Ritz Hotels and others you can think of that have some of the most loyal customers. These are what we call Raving Fans.

As Ken Blanchard wrote in his book, Raving Fans, a raving fan is “a customer who is so devoted to your products and services that they wouldn’t dream of taking their business elsewhere and will sing from the rooftops about just how good you are.”

So how do you get these loyal fans of your brand?

Ken Blanchard says to give the customers what they are asking for, and then give them 1% more. That 1% more is what I call the surprise.

Knowing what customers are asking for is the key ingredient. However, Steve Jobs did more than give customers what they were asking for, Apple anticipated needs that customers didn’t even know they had until they saw the Apple product.

Probably the most famous example of total customer service empowerment is the carte blanche monetary discretion The Ritz-Carlton have given to staff members for decades: $2,000 per employee per customer, to be used to solve any customer complaint in the manner the employee felt was appropriate.

Nikon D4, Nikon 85mm ƒ/1.8G, ISO 400, ƒ/1.8, 1/200—off-camera flash using the Neewer TT850 flash & Neewer 433MHz Wireless 16 Channel Flash Remote Trigger with flash at 1/128 Power
 
I don’t have $2,000 to spare

There are more ways to give great customer service and surprises than with money.

Quick & Inexpensive Gestures

  • Listen and Remember—You have to really care about your customers to pull this off. This is where you listen for not just what they need but what is going on in their life. How you remember is the next time just asking them about the family member they told you about.
  • Thank You Note—Just a simple hand written thank you note goes a long way.
  • Mix Thank You Note & Remembering—Maybe the customer said something that made your day. Tell them about how that thought stuck with you and made your day.
  • Piece of Candy—I had a defective part from MagMod. I wrote to them and they sent me a new one and also just a small fun size bag of M&Ms. That was a great surprise. Cost very little but I have never had a company do anything like it before.
  • Operational Excellence—You cannot do any surprises if you product isn’t top notch. While your competition is doing everything to keep costs down, sometimes you need to spend a little more and keep that quality. One thing I notice my work stands out from many is skin tones. Too many people shoot on Auto White balance but I work hard to dial in the white balance to be very precise.
  • Quick Turn Around—When all your competition is always on a two week delivery, just turn your product delivery time faster. The one industry I think this is terrible is weddings. That is because many of those wedding shooters have other jobs. I know many shooters who are booked up because they deliver great images quickly.
  • Small Gift—You can remember their birthday or at a holiday just send a card, gift card or small gift just to let them know you are thinking of them. This works best if it is later after the job is complete and near a significant moment for the customer.
  • Celebrate their accomplishments—Keep in touch with your customers. If they like your facebook page you can see their posts. If something great happened in their life, comment on their post, give them a phone call or send a card. 

Biggest Surprise

 
How you talk about your competition and your colleagues can surprise your customer in one of two ways—Positive or Negative.

James 3:16-18 Contemporary English Version (CEV)
16 Whenever people are jealous or selfish, they cause trouble and do all sorts of cruel things. 17 But the wisdom that comes from above leads us to be pure, friendly, gentle, sensible, kind, helpful, genuine, and sincere. 18 When peacemakers plant seeds of peace, they will harvest justice.

You may have heard if you have nothing nice to say then say nothing at all. That is great advice. I challenge you to also say something nice about your competition when you can think of nothing but something positive to say.

I often have clients call me and I am booked. I tell them I can find someone for them or I tell them let me send you a couple of names and links to their websites that I recommend for them.

I do my very best to talk about all the reasons these other photographers are great for the client. I have had even a few of those photographers come back and ask to use my recommendation for others. They had never had anyone talk so positive about them and their work.

Because I talk up the photographers the customers actually get excited to meet them and ask about some of the things I have bragged about on them.

Who will you surprise today?

Peak Action + Exposure/Focus + Post Processing = Great Football Action Photo

 
Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 1100, ƒ/5.6, 1/2000

If Ansel Adams had shot football games like many photographers, he would have never become famous.

Ansel Adams is not a great photographer because he was able to capture a great moment and compose it compellingly. However, he is a great photographer because he went beyond just the capture and spent months trying to process and print images just right.

Today’s cameras help you capture the zone system with little skill required by the photographer. But unfortunately, this technology can be a problem today. Too many photographers shoot football games, for example, and crop the photograph and then publish the photo.

The same photo as above, but this is with no post-processing other than a slight crop.

Post Processing is Key

You can see the difference between the photo above that I took into Adobe Lightroom and worked on to give me the results above versus the same Nikon RAW NEF file exported from PhotoMechanic to a JPEG after a slight crop.

Here is another example for you to see the comparison.

Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 500, ƒ/5.6, 1/2000
No processing other than slight crop

Comparing the Histogram on the top photo

Before
After

You are not trying to get a perfect bell curve histogram. You are trying to be sure that in the top Histogram, you can see a lot of information on the far right. On the far right of the Histogram are the highlighted details. You are recovering this by sliding your highlights to the left to retrieve that information.

These are just the adjustments I made for the top photo. In the middle of the daylight, faces in helmets go black and white shirts lose details. I am trying to open up the shadows and recover the highlights.

Here you can see the area I then dodged in the photo to be sure you could see the player’s face. Here are the actual slider settings for the dodge here:

RAW vs. JPEG

I understand that shooting RAW takes more space and more time to process than just shooting a JPEG and using that image. However, I hope I have established this is not the way to make your work stand out.

With the RAW image, you have all the information that landed on the CMOS chip of the Nikon D4. I have a more dynamic range in the picture than can be seen by my computer monitor.

With a JPEG, the camera’s computer makes some assumptions and then tosses out some of that information to save space for your image file size.

If you shoot JPEGs for daytime football, that will become difficult for you to correct later in post-processing.

First, if your white balance is not just perfect and you want to correct it later, the nuances of color shifting this to what is possible is no longer there. So you have tossed out some of that information.

Second, all the information in those blown-out highlights is no longer there. So, for example, your ability to add folds back into those white jerseys will not be possible.

Third, the amount of information in those shadows is also lost. The camera software assumed you wanted black areas, so you have less information to open up those shadows.

Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 900, ƒ/5.6, 1/2000

Which photo do you prefer? Is this one just above or the one just below?

When it comes to evaluating the two photos, there is one thing that I look for in sports photos that is hard to see in the second unprocessed image—expression. I believe your sports photos are better when you can show the faces of the athletes; you help communicate the effort and competition of the peak action.

Notice the highlights blowing out in the lower photo and how many of the shadows are too dark.

Post-processing matters with your photos. Do more than crop your pictures and add captions; you will stand out from the pack.

Great portraits require trust between the photographer and the subject

 
 
Nikon D4, 85mm ƒ/1.8, ISO 100, ƒ/1.8, 1/400

Three things for a great portrait

  1. Expression
  2. Expression
  3. Expression
Every time I get ready to do a portrait session, I have butterflies. I get incredibly nervous and anxious.
 
I believe most seasoned photographers and artists feel the same way. Of course, they may react differently from each other, but there is something scary when your ability to do your best relies not on just you but another person.
 
Yesterday I photographed Jane, and as always, I started with those butterflies and anxiety, and as time went on, I began to calm down and enjoy our time.
 

It’s not all about you.
 
In the case of portraits, it is all about capturing the subject’s best expressions.
 
Nikon D4, 85mm ƒ/1.8, ISO 50, ƒ/2.8, 1/200, 20″x30″ softbox powered by Alienbees B1600 and Vagabond battery pack
Jane has been one of my favorite subjects for a very long time. She made for such an excellent subject because she was willing to try just about anything, and also she enjoyed giving me a range of expressions.
 

First the technical
 
The very first thing I am doing is getting the camera settings and lighting set just right. Also, I am trying to pick a good location for the shooting site.
 
Nikon D4, 85mm ƒ/1.8, ISO 100, ƒ/4, 1/250, 20″x30″ softbox powered by Alienbees B1600 and Vagabond battery pack
Here is my very first photo of Jane. I noticed what she was wearing when she arrived and noted the color. I thought the dress was similar to the color of the bricks of the Roswell Mill—just a little lighter.
 
An excellent complementary color to what she was wearing was green. I liked this set but quickly realized it was too busy for my taste. I felt like the setting was competing with Jane too much.
 
Nikon D4, 85mm ƒ/1.8, ISO 50, ƒ/2.8, 1/60, 20″x30″ softbox powered by Alienbees B1600 and Vagabond battery pack
This photo is one of my favorites from the day. You may ask why I like this so much. Well, I believe a photographer should be able to articulate why they want a specific photograph over another.
 
This photo, to me, feels like a Dove commercial. Dove brand has done a great deal through the years to define beauty, and having great skin and expression was core to their brand.
 
Today, the Dove Real Beauty Campaign is for girls and women to understand that their power and beauty do not come from a tube, airbrush, or cream but rather from their personalities and passion.
 

Authenticity
 
The key is for the photographer to be authentic with the subject. I listened a lot to Jane and her mother. I heard with my ears and eyes.
 
“What kind of look are you going for?” was my question, and they had an answer. Jane liked the model’s look from the 60’s Twiggy and Taylor Swift.
 

While that was the look, I was also interested in capturing her personality. Jane is such a ham and loves to goof around, and I tried to be sure and encourage her to be herself. So here are some other photos from our time:

One thing that helps me capture the best in people is when I am really in tune with their personalities and recognize moments that accentuate them. By the way, I am reminded repeatedly through interviews with major recording artists that most of them get butterflies and anxious just before they step onto the stage. I think those that understand how fragile relationships really are and how much they must work at them will succeed more often than those who plow ahead.

Nikon D4 Analyzing Your Focus

 
Nikon D4, Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 28735, ƒ/5.6, 1/2000

FOCUS

The most significant issue I find with many photographers’ sports images is out-of-focus photos. If your focus point is on the subject, it is most likely going to be in focus. So how do you know where your focus point was when you are editing your images?

I have two software solutions for tracking my focus.

Nikon ViewNX 2 software is a great way to see where your focus point was when you shot your image.

In the software, you just click on showing the Focus Point. So I have shown you here all you need to do.

Once you have this, you can see if your focus point was in the right place to be sure your subject is sharp and focused.

I just discovered a new software plugin for Adobe Lightroom called Show Focus Points.   It is a Beta version, and it is free, so if you don’t like it, you have not wasted any money.

I like the information this gives you that is missing in the Nikon Software.

The icons let you know more than just where you tracked for focusing.

I love the information that it gives you. It is a lot more detailed and helps me analyze what went wrong.

The only thing I don’t like is that you cannot make this stay up and just toggle between photos. I hope later on; Lightroom incorporates this into upgrades.

Covering Football: Action, Reaction and more

 
Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 28735, ƒ/5.6, 1/2000

ACTION!

The most apparent photos from a football game are the action during the game. If you only shoot this, you will miss much of what the game is all about.

Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 51200, ƒ/5.6, 1/1600

REACTION

The fans care about the game and the outcome. Look for photos in the stands. The fans’ reaction is just as compelling as the action on the field.

Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 25600, ƒ/5.6, 1/2000

Go back and shoot more action. It is best to get the big plays. You can turn the camera away from the field during the time between plays.

 
Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 25600, ƒ/5.6, 1/800
A lot happens in those stands. So keep your ears tuned in around you as well as your eyes.
 
Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, ISO 25600, ƒ/5.6, 1/1000
After central touchdowns, many school cheerleaders have traditions of celebrating on the sideline or, like here, in the endzone.
 
Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 25600, ƒ/5.6, 1/2000
After big plays like this one, you will find fans reacting. Sometimes you will see coaches on the sidelines interacting with the referees.
 
Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 28735, ƒ/5.6, 1/2000
The idea is if you are at a game, it is a big event with many people doing different things and roles.
 
Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 18102, ƒ/5.6, 1/2000
Bands perform before the game, during the game, and at halftime. College bands are a college course, and the games are concerts for them.
 
Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 10000, ƒ/5.6, 1/2000
Not so obvious
 
Nikon D4,  Nikon 14-24mm ƒ/2.8, ISO 560, ƒ/5.6, 1/100
I take photos of people I work with on the sidelines during games. I try and then send them a copy of the picture. Taking and giving snapshots to volunteers helps to build relationships so that the next round when I need some help with access, these friends are now seeing me as someone they want to help.
 
Look for different angles.
 
Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 25600, ƒ/5.6, 1/1600
I like to go up into or onto press boxes to get a different perspective of the game. Don’t shoot all the action from the same position the entire game. Don’t move around so much that you are missing the action.
 
Nikon D4,  Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 25600, ƒ/5.6, 1/800
Hopefully, you will have editors cheering with your coverage. The key is to give them variety; hopefully, these tips will have you looking for different photos at your next football game.
 
Nikon D4,  Nikon 14-24mm ƒ/2.8, ISO 4000, ƒ/9, 1/200
Don’t leave early
 

Stay shooting after the game. There are still photos to be taken.

Nikon D4,  Sigma 70-200mm f/2.8 EX DG APO OS HSM, ISO 800, ƒ/5.6, 1/100

Working under Mercury-Vapor Lights

If you read my blog regularly, my favorite way to set my white balance is to do a custom white balance setting using ExpoDisc. So here is a quick reminder–skip down if you want to see another way to set your white balance.

Remember under fluorescent and mercury vapor to set the white balance at shutter speeds of 1/100 or slower. Then, after custom white balancing the camera, you can later shoot under a faster shutter speed.

ExposDisc goes in front of the lens, and then you use it to get an incident reading rather than a reflective reading of the light.
Notice the direction of the light hitting the subject. Next, you move to the same position to get the light reading below.
Point the camera toward the direction of the light falling on the subject.

The latest upgraded version has introduced the warming filters you place before the ExpoDisc. They are light blue, and since the camera tries to neutralize the colors will add yellow to your photos, thus warming them up. The actual color blends cyan and blue, adding red/yellow to your photos. Depending on your taste, they come in different densities to allow you to add just a little or more.

Presets in Nikon D4

Check your manual for your camera because this is for the Nikon D4. Then, somewhere in your menu, you can adjust using presets for white balance.


On my Nikon D4, in the menu for White Balance, you can choose up to seven different presets for fluorescent. However, I have found a significant problem trying this method; it isn’t easy to pick the right color because the monitor on the back of the camera isn’t that easy to see color in all situations.

Fluorescent lamps are manufactured to alter the mixture of phosphors inside the tube. Warm-white fluorescents have a color spectrum of 2700 K and are famous for residential lighting. Neutral-white fluorescents have a color spectrum of 3000 K or 3500 K. Cool-white fluorescents have a color spectrum of 4100 K and are renowned for office lighting. Finally, daylight fluorescents have a color spectrum of 5000 K to 6500 K, bluish-white.

Note that on the Nikon D4, you also have a preset for those awful Mercury-Vapor lights. Sometimes I have found that I prefer one of the fluorescent settings under some of the newer mercury-vapor lights when using this system instead of the custom white balance.

Business Tips from Truett Cathy for Photographers

Truett Cathy promoted his book “How did you do it, Truett?”

Shortly after making this photo of Truett Cathy, Chick-fil-A put me on retainer. For the past eleven years, I have had the privilege to work with such a wonderful organization.

I have learned a great deal from Truett Cathy, and here are some tips for you.

Truett Cathy, the founder of Chick-fil-A, had a Bible verse he used as a compass for his life.

Proverbs 22:1 — “A good name is rather to be chosen than great riches and loving favor than silver and gold.” [King James Version (KJV)]

Here is a more modern translation from The Voice that I prefer, “A good reputation is preferable to riches, and the approval of others is better than precious silver or gold.”

Every time I was around Truett, I was inspired and entertained. He loved to have fun as hard as he worked.

Here are some quotes from Truett that I think every business person should adopt and would make them more successful.

“Fall in love with your work, and you’ll never have to work a day in your life.”

Truett would follow up with this comment: If you are not having fun, then you are not doing something right.

One of the keys to understanding this principle is learning the difference between GIVING and GETTING.

Too many people are focused on themselves. It’s not all about you. Once you understand this, it is easier to experience the joy of life.

“My riches are my family and my foster children. I try to store any material wealth in my hand, not my heart, so I always feel free to give it away when the opportunity arises.” 

Being around Truett, you see he was very frugal, and when he did spend money, he often got a great deal. I heard more stories about a great deal Truett would get, and I was always impressed.

“Nearly every moment of every day, we have the opportunity to give something to someone else—our time, love, resources. I had always found more joy in giving when I did not expect anything in return.”

No strings attached was the way Truett operated. He was the first to put a restaurant into a mall, and to get people aware of his Chick-fil-A sandwich; he gave away free samples.

 

If you met Truett, you most likely were given a BOG—Be Our Guest card. All you had to do was go to a Chick-fil-A restaurant and provide them with the card, and they gave you a sandwich. You don’t have to buy anything to get it.

“My business grew on my understanding that customers are always looking for somebody who is dependable and polite and will take care of them.”

Every day, Chick-fil-a checks to see that their standards for food preparation are at the highest they can be. First, they hire consultants to come into their restaurants and measure the operational side of the business. Then, they look for ways to improve the experience for the customer and cut waste.

Chick-fil-A has a training program that helps train and retrain everyone to keep the customer always first.

“Many of the unexpected opportunities we encounter are small but significant.”

Words are carefully analyzed so that the customer feels appreciated. Truett Cathy trained the entire workforce that when someone says thank you, the proper response is “My Pleasure.” I learned more about this little phrase through the years.

Many respond with “No Problem” when someone says “Thank You.” I began to understand that “No Problem” communicates that this is not my job, but I did it anyway. However, “My Pleasure” expresses that it is my job and I love to help you.

“Looking back, I can see that I had been preparing to open the first Chick-fil-A restaurant for twenty-one years.”

Truett started the Dwarf House in Hapeville, GA, back in 1946. He expanded to two restaurants, but the second one burned down one day. He started the restaurant with his brother Ben, but two years into their business Ben died in a plane crash.

Later the original Dwarf House had a fire, and Truett made all the repairs over the weekend and kept on going.

“Sometimes success is disguised as hard work.”

 
As you can see, there were many opportunities for Truett to give up and do something else.
 
Many of my photographer colleagues are going through some tough times. But, besides winning the lottery, hard work is the only other way to succeed.
 
“One of the most meaningful truisms I have learned about leadership is that it’s all about action.”
 

I have talked to many struggling photographers, and the most common thing I hear from them is I know what I should do, but I don’t get around to doing it.

Truett learned his work ethic from his mother. Truett teared up during an interview. The person interviewing Truett asked if he was OK. Truett said he just realized that he only saw his mother’s eyes closed when she was in the coffin.

While Truett worked very hard, we will most likely remember him for the blue signs for Chick-fil-A on the highways, which also say, “Closed on Sunday.”

“Businesses are not dishonest or greedy; people are. Thus, a successful or not business is merely a reflection of the character of its leadership.”

Years ago, one magazine wrote about the success of Chick-fil-A, making about 1.5 Billion that year. They said closing on Sunday left half a billion dollars on the table. When someone asked Truett about it, he disagreed.

Truett believed by giving all his employees one day a week off; they worked harder those six days. The restaurants that never close drain their employees. They need a day of rest to be with their families and attend church if they choose.

“Why would I retire from something I enjoy doing? I can hardly wait to get here.”

Truett was in his forties when he invented the Chicken Sandwich. He was 46 when the first Chick-fil-A restaurant opened in Greenbriar Mall.

Truett was 52, the same age I am, when he started Team Member Scholarship Program and was 63 when he began the WinShape foundation.

At 92, Truett was still working and opened Truett’s Luau in Fayetteville, GA. A new menu, a new concept, and a new restaurant were what he created.

Truett passed the baton to his son Dan when Truett was 92 years old. This past Monday, Truett Cathy passed away at the age of 93.

Here are a few more quotes for you from Truett:

Like wealth, poverty also has the power to build us up and make us appreciate what we have, or it can break our spirits. 

By ‘staying small,’ we also remain sensitive to the needs of others around us. 


As long as you are being kind to your customers, why not be kind to each other? 


I realized the importance of doing a job and doing it right, pleasing your customers, and enjoying what you’re doing. 


I worked hard for a C, but I had to work. I find that the most successful people are C students. 


I say C students rule the world cause I was in that category; I didn’t get to go to college because I was drafted when I finished, soon after I finished high school. 

More tips from Truett

Eleven Dos and Don’ts of Proven Entrepreneurial Success by S. Truett Cathy

Importance of signature in emails

Most email programs let you create a signature that, by default, will put all the essential information people need to stay in touch with you at the bottom of the email.

Important content for a signature:

  • Include your name, role, and business name
  • Please include a few of your best contact details, but not all of them
  • Small images and logos work best
  • Promote your social media pages
Common Mistakes
  • Make the entire signature a photo—Some email providers or devices have default settings that block images in emails. So instead, use text for all the words.
  • Too Big or Too Small—make clickable areas big enough for a thumb on a mobile device. Please don’t make things so big they are not easily visible on the mobile device.
  • Too much information—Don’t list all your phone numbers, email addresses, and every way possible to reach you. Could you keep it simple?
What is remarkable is you can create a bunch of different signatures that you can choose based on your audience. For example, I customize the photos at the bottom of my signature.
Here are some I use and have used through the years:
The photo at the bottom of your signature is a small portfolio that gets your work in front of more people. Remember, many people will forward those emails around their office sometimes, and having your work seen by more people is advantageous to you in the long run.

Here are the links for instructions for creating an email signature:

We are persuaded by reason, but we are moved by emotion.

Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.8, 1/420

I have a few friends that have bipolar disorder. My heart breaks for people dealing with clinical depression. We even lost Robin Williams to this powerful mind-altering condition.

All of us will experience times of depression in our lives; that is just part of living. I hope these thoughts of mine help those of you like me who can feel depressed even when we should be celebrating.
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Nikon D4, Sigma 120-300mm f/2.8 DG OS HSM w/ Sigma 2x, ISO 40637, ƒ/5.6, 1/2000

I shot this at the Chick-fil-A Kickoff game between Alabama and West Virginia. [Nikon D4, Sigma 120-300mm f/2.8 DG OS HSM w/ Sigma 2x, ISO 36204, ƒ/5.6, 1/2000]

Have you ever heard, “Are you letting emotions get the best of you?”

I don’t know about you, but my emotions have gotten me into lots of trouble. More than getting me into trouble—I have become depressed.

You would think that the way we do better is to become more logical. But, if we take it to an extreme, the problem with that is to become more like Spock from Star Trek or maybe Shelton from the Big Bang Theory. In either of these characters, we see how often those who try and be logical all the time make a lot of matters worse.

Dale Carnegie wrote, “We are persuaded by reason, but we are moved by emotion. Several studies conclude that up to 90 percent of our decisions are based on emotion. Conversely, we use logic to justify our actions to ourselves and others.”

We also tend to embrace ideas that support our beliefs and rebuff those that challenge them.

We make a lot of decisions based on our gut feelings. Malcolm Gladwell, in his book “Blink,” talks about how quickly we judge people in less than a few seconds when we first meet them. Quick judgment is an animal instinct that helps us survive. For the most part, this gut feeling is something we learn to trust and are encouraged to do by others—“Trust your gut instinct.”

Putting a face on it changes things.

You are seen as stubborn if you are not careful. You get to set in your ways and your opinions.

I recommend to anyone struggling with their emotions that one of the best things you can do is to have a cross-cultural experience. I recommend going to another country and holding your condemning comments while you travel. Just go and experience the other culture.

The best way I have experienced this is to go with a nonprofit and help on a project. One cool thing to do is do an exchange. Have an international student stay with you and then go to their country and stay there.

I remember guys in our church went downtown Atlanta to help at a homeless shelter. I remember one of the guys being blown away at how many of the homeless had full-time jobs. So he helped wake them up at 5:00 am to get ready to work.

These guys put a face on homelessness for this guy. Sure, some pretty lazy guys might be homeless, but he found out that more than 50% of the Atlanta homeless worked.

Skipping Record

I grew up listening to vinyl records. Every once in a while, the needle could get stuck and skip, as we used to say. A minor defect in the record’s groove causes the record to play in a loop. If no one did anything, this would forever play in a circle.

I remember calling the local radio station to tell them their record was skipping.

Often I would pick the needle and move it to play the rest of the record. That simple outside action on the record player is what cross-culture experience can do for you emotionally.

I have shared over time stories that I have covered around the world. Most recently, I shared stories from Lisbon, Portugal. Next month I am going to Honduras to capture more stories.

Tip for Storyteller

Remember, “We are persuaded by reason, but we are moved by emotion.” If you want to connect with your audience, emotions are the best way to do that. One of the best ways to capture emotions is through the still photograph.

[Nikon D4, 14-24mm, ISO 4500, ƒ/10, 1/100]

In this photo of the priest, I wanted to capture not just the priest talking but the emotional connection between him and the students. I think I got that moment.

Are you stuck emotionally? One of the best ways to battle this is to focus on others. Granted, if you cannot do this, there is an excellent reason to seek help. I know that professional counselors can make a huge difference. In addition, there are times that you might need help through drugs that can help get your body back in balance. Just like a diabetes patient takes medication to stay alive, people suffering from clinical depression can regain their life through medication and counseling.

Stay tuned for stories from Honduras.

Shooting 11 assignments in 4 1/2 hours

 
Nikon D4, 14-24mm, ISO 4000, ƒ/7.1, 1/100

It is widespread when I call photo assistants to tell them I am unsure about what we are doing today. For example, we may be setting up and taking lights down all day long as we go around a college or school campus.

It is widespread for me to shoot what would typically be about 10 to 12 assignments, all packed into one day. So, for example, I filled in 11 locations in 1/2 day on this assignment.

Fuji X-E2, 18-55mm, ISO 400, ƒ/5.6, 1/640

Here is my shot list for Thursday 1/2 day of shooting at a Catholic High School:

  • Science Lab
  • Helicopter Aerial Photo Shoot of Campus
  • Students by statues of Mary & Jesus
    •  Female by herself
    • Male by himself
    • Male and Female
  • Drums from around the World Class
  • Spanish Class
  • Computer Class teaching Adobe Illustrator
  • A small group in the Library
  • Priest Teaching class
  • Priests with students and talking in the lobby
  • Calculus Class
  • Robotics Class

My clients’ skills are to walk into any situation and come away with photos that will engage their audience. Any problem can require special lighting skills to shoot available light and even knowing how to shoot aerial images of campus.

There is no time to brainstorm and come up with many ideas. Instead, I deviseth an approach for a couple of minutes and then execute it in about 30 to 40 minutes. This process includes setting up studio strobes and taking them to our following location. Again, I work with two assistants to make this go quickly.

The hardest part is the client who has not worked with a professional who will make each location look the very best by creating light may not be aware of the time it takes for each site. The client’s reference is to see the local newspaper reporter come in and take a few photos and then write a story. Those photographers typically use no flash or on-camera flash due to the speed they need to work and the fact that most of the time, the photo is Black and White.

Fuji X-E2, 18-55mm, ISO 250, ƒ/5.6, 1/500

 With 30+ years of shooting for colleges, national publications, and major brands, I have enough experience to see the big picture from a high altitude for my clients. So if you need a great perspective to pick the best visual approach for your storytelling, give me a call. Also, call me to schedule a class if you want to learn how to do this yourself.