Blessed to cover Islamic Speakers Bureau’s Change Makers Award, Gala

The Islamic Speakers Bureau gives Sally Yates the Courage Award during their Change Makers Award Gala held at the Cobb Galleria on November 4, 2017, in Atlanta, Georgia. [Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 12800, ƒ/5.6, 1/200]

I had the pleasure of photographing  The Islamic Speakers Bureau of Atlanta Gala, where they gave four Awards to those who have impacted Atlanta. The ISB seeks to build bridges between Muslims and the wider community.

The thing about my job is sometimes; I want to pinch myself to see if it is really what I am experiencing. Photographing the award honorees was a special honor.

Sally Yates is a 30-year veteran of the U.S. Justice Department and formerly served as a federal prosecutor in Atlanta. Most recently, she was the acting Attorney General who refused to enforce President Donald Trump’s first ban on travel from several majority-Muslim nations earlier this year, calling the order “unlawful.” Trump fired her for her decision.

The Islamic Speakers Bureau gave Arthur Blank a Lifetime achievement award during their Change Makers Award Gala held at the Cobb Galleria on November 4, 2017, in Atlanta, Georgia. [Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 9000, ƒ/5.6, 1/200]

Arthur Blank has given more than 300 million dollars to charity. Most recently, he has helped with the Westside neighborhood, including Vine City. The English Avenue/Vine City area has some of the highest poverty and crime rates in the city, with the Carter St. area surrounding the Vine City MARTA station ranking in 2010 as the #1 most dangerous neighborhood in Atlanta and #5 in the United States.

Blank said his family foundation would contribute $15 million, bringing the Westside Neighborhood Prosperity Fund’s total to $30 million. The fund goes towards housing, education, health, entrepreneurship, workforce development, and youth leadership.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 8000, ƒ/5.6, 1/100]

I must admit attending this was the most diverse crowd I have been a part of in Atlanta. People from all faiths were in the room and of different nationalities.

[Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.8, 1/25]

While there were Muslims, Christians, and Jews in the room within each group, there was even more diversity. Muslims from India, Arab Countries, and many whose roots are from diverse American blend backgrounds. There was also a mix of Christians from many different denominations.

Bishop Robert. The Islamic Speakers Bureau gives C. Wright of the Episcopal Diocese of Atlanta the Building Bridges Award during their Change Makers Award Gala held at the Cobb Galleria on November 4, 2017, in Atlanta, Georgia. [Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.5, 1/75]

Besides covering the stage, I am also covering the VIP room with donors getting time to meet the Award Winners one-on-one and get their photos.

Sally Yates and her husband with some of those in the VIP room.

The volunteer working the VIP room and I spent some time talking before people arrived. She was super excited to meet Sally Yates, maybe. The volunteer was star-struck when Yates walked into the room. I just asked Sally Yates and her husband to get their photo made with her. The rest of the night, that volunteer thanked me.

The emcee for the Gala was Mr. Bill Nigut, Senior Executive Producer at Georgia Public Broadcasting. [Fuji X-E2, 55-200mm, ISO 1250, ƒ/4.8, 1/100]

I enjoyed talking with Bill Nigut. My wife Dorie told me he was what we listened to on our way to see our daughter in Columbus, GA. I told him I often listen to him and Greg Bluestein on his news show.

Dr. Mokhtar Bazaraa, business leader and former Georgia Tech professor. [Fuji X-E2, 55-200mm, ISO 3200, ƒ/4.2, 1/100]

Years ago, while on staff at Georgia Tech, I photographed Mokhtar Bazaraa. Bazaraa, Executive Vice President of LogicBlox and former professor at Georgia Tech, was awarded a Lifetime Achievement Award. It was good to make this connection as well.

If you get the chance to cover an event, read up on who you photograph. Sometimes you may need some “insider information” to help you with ice breakers and talk with people at the event.

I talked with Bishop Robert. C. Wright’s kids. We are both preacher kids, and I found out about their passions. The connection I used later with the Bishop was that our daughter and his were both Thespians.

My ice breaker with Mokhtar Bazaraa was some of our connections at Georgia Tech.

Ice breakers are ways you show your interest in the person.

Another tip is to arrive early and set your white balance for the lighting on the stage. Test your lighting in different rooms. It also makes the rooms your rooms after a while. You are there first, which will help you feel like the host rather than the guest. This can also help you to be more proactive with people.

Photographers it isn’t about the gear

Togo, West Africa [Nikon D5, Sigma 24-105mm, ISO 2800, ƒ/4, 1/100]

We live in a changing world, but we need to be reminded that the important things have not changed, and the important things will not change if we keep our priorities in proper order.

– S. Truett Cathy

How people approach photography these days has me very disappointed. There is way too much emphasis on gear and techniques. While you must master your equipment and learn strategies, they are not the purpose of photography.

The essential purpose of photography is communication. Few people take pictures solely to please themselves. Most of us take them because we want them to be seen by others. Pictures are a photographer’s means of expression, as a writer’s means are words.

Togo, West Africa [Nikon D5, Sigma 24-105mm, ISO 4500, ƒ/4, 1/100]

Every time a new camera gear comes out, there is much talk. I was privileged to have started my career before the digital revolution.

When I would go to workshops before digital cameras were introduced, we worked with the same technology for more than one hundred years. While the cameras did evolve in this time and the film technology got better, the understanding of how to take a photo didn’t change.

Togo, West Africa [Nikon D5, Sigma 35mm, ISO 450, ƒ/1.4, 1/200]

Here are what I would like to think of are the four “Ps” to make your images better.

Problem Solving
Patience
Persistence
People

Problem Solving

A great photo connects with people. If you know what you want people to take away from looking at your picture, you have a good chance of making a great photo. When you don’t understand why you are pushing the shutter at that moment is one of the most significant indicators that the audience will not know either.

Problem-solving requires you to be very curious. I didn’t know at the time my dad first labeled me “Curious George” that this quality would be one of the most important skills one should have when being a professional photographer.

 Curious George is a sweet African monkey who cannot help but run into trouble. George’s friend, “The Man in the Yellow Hat,” tries very hard to care for George and always saves the day.

Curious George is intrigued and pursues his curiosity while not paying attention to what he is doing. While photographers shouldn’t get themselves into trouble, they should be curious enough to want to figure out things and ask why.

Patience

If you look through history you will notice that great things could not have happened often before that moment or after. There is often a season for a good idea.

Mathematicians often do not solve some of the most complex problems until other ideas can be mixed to create a new solution.

For example, Guglielmo Marconi is credited with inventing the radio, but his equipment was based on Tesla’s ideas. Without Tesla, there would not have been Marconi’s solution.

One of the best things one can do is to keep a journal or write down some of your ideas in a book. You may pitch these ideas to others and find they are not interested.

Then often, years later, you can go back to that book and pitch those same ideas, and now the season is right for them. You may have learned something in between that helps you do a better job of communicating your concept as well.

As we know the word, photography means to write with light. You must be patient if you want to take photos using natural light.

There have been many photographers who, for example, need a lot of time to do the research to know when to take a photograph. When Steve McCurry was working on the story for France’s BiCentennial for National Geographic, he spent more than two weeks going around and making notes about the light and places. He took photos more for research than for publication.

He then realized certain places would be great photos, but he needed to return at a different time of day.

One photographer was doing a story on a train and saw this gorgeous landscape with a railroad track that went through it across a bridge. The photographer decided to wait until the peak of the fall season to capture the moment.

I know that in photographing a person making a speech, I must anticipate the moments that capture those expressions that will do the best job of capturing the mood and message the speaker was making.

I have also photographed a few problematic people to capture due to their unusual blinking. So besides being patient to get them looking in the right direction with the proper facial expression and body language, I had to get it when their eyes weren’t closed or half closed.

Persistence

Closely related to problem-solving is being persistent. Musicians may study music for years and practice eight to ten hours a day so that they can take the stage and perform with such skill that it makes people want to pay to hear them.

You see, probably the most famous photographer of all time, Ansel Adams, was described as having the same qualities as Curious George. He was described as a hyperactive child. He transitioned from being a concert pianist to being a photographer.

He grew up going to Yellowstone and other parks. He spent years finding the right location for photographing some of his most famous photos. This also required him to return to the park for the right time of year, day, and weather to get the images we now see of him in museums, homes, and books of these iconic places.

While Ansel Adams drove upon the scene Moonrise, Hernandez, New Mexico, he would later spend much time in the lab to get all the values he could get out of that negative to make the prints we see today.

When we think of the famous photojournalist Eugene Smith, we think of all the time he spent on stories like the Country Doctor. He followed the doctor for days to build an account. Smith was hired to produce 100 photographs of contemporary Pittsburgh for a book in honor of the city’s bicentennial. Two years after beginning the planned three-week assignment, the editors demanded the photos, and if it were not for the funding stops, Smith would have continued to pursue better pictures than he had.

Hawaii High School StateRodeo Finals on The Big Island [Nikon D5, Nikon 28-300mm f/3.5-5.6G ED VR, ISO 560, ƒ/4.5, 1/4000]

People

“If a tree falls in a forest and no one is around to hear it, does it make a sound?”

This famous quote is a philosophical thought experiment that raises questions regarding observation and perception. Let me rephrase this question for the photographer.

“If a photographer makes a photo and no one ever sees it, what is its purpose?”

Even if what you photograph isn’t a person but a thing, you are most likely making the photograph to share with other people. You want them to appreciate something you saw as much as you did.

Matthew 22:37–40: “Love the Lord your God with all your heart and with all your soul and with all your mind.” This is the first and greatest commandment. And the second is like it: “Love your neighbor as yourself.” All the Law and the Prophets hang on these two commandments.”

I believe photographers love our neighbors when we do our jobs at their best. We care for them in such a way that we want to share our experiences with them or take photos of them to share their essence with others. 

I see photography as serving the purpose of the glue that helps connect people.

Until someone invented the transporter device used on Star Trek to beam people around time and space, we only have photography/video that allows us to see people around the world and even into outer space.

Putting it all together

You need camera gear to capture photos. Learn to use the equipment the same way you use a car. While you may have never driven a stick shift, I remember a moment when I was no longer thinking about shifting gears but just doing it. This would be the same as the photographer who shoots today in manual mode.

Most likely, more photographers are using some automation on their cameras just like we use automatic transmissions. Some of us even have cars that help us drive ourselves today.

Most of us don’t care much about how the car works; we buy a model we like and then use it to take us places.

Use your camera like your car. Let the camera take you places. Spend your time like you do when you plan your trips. Focus on the destination and the people you will see. Make the trip with your camera about what is in front of it, not the camera itself. This is how you will take great photos.

Photographing Friday Night Lights at a small country high school

The referee is taken on a play during the Thomas Jefferson Classical Academy Football against Mountain Island Charter. [Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 64000, ƒ/5.6, 1/1600]

I had a lot of fun covering my nephew’s high school football game. The oldest is a senior and played; the youngest was dressed if they ever needed him.

Elijah and his girlfriend
Joshua and his girlfriend

Like all small-town high school football, the lighting for these games is not great. I covered high school football in these small towns in 1984 for the Hickory Daily Record. Just getting a photo in focus, and somewhat good exposure was challenging in just Black and White. Today I can shoot colors and get great results.

[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 64000, ƒ/5.6, 1/2000]

So the camera settings for this game were:

ISO 64000
Aperture ƒ/5.6
Shutter 1/2000

Compare this to the Billion Dollar Mercedes Benz Stadium where I was shooting the Chick-fil-A Kickoff games:

ISO 12800
Aperture ƒ/5.6
Shutter 1/2000

2 1/2 stops are different in the quantity of light.

High School Color Temperature 5650º Kelvin with +2 Magenta
Mercedes Benz Stadium Color Temperature 5000º Kelvin with +11 Magenta

Almost catch for a touchdown. [Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 64000, ƒ/5.6, 1/1250]

This was a big game for my nephew’s team. They were undefeated 9-0 before the game and basically needed the win to seal their conference win.

They went into the locker room at halftime 14 – 0.

Touchdown [Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 45600, ƒ/2.8, 1/4000]

They went on to win the game for 36 – 14 and now are 10 – 0 for the season in their conference.

The defender tipped the ball, upsetting a possible long pass and yardage play. [Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 64000, ƒ/5.6, 1/1600]

The visiting team was in white and in the first half showed signs of frustration and turnover after turnover. Their coaches were losing their cool with the kids.

[Nikon D5, Nikkor 28-300mm ƒ/3.5-5.6, ISO 65535, ƒ/5.3, 1/4000]

I think the coaches had a good talk with my nephew’s team. I think they explained how the other team’s outbursts and turnovers were signs that they had gotten into their heads. So they came out with more confidence in that second half.

Touchdown! [Nikon D5, Sigma 120-300mm ƒ/2.8, ISO 51200, ƒ/2.8, 1/4000]

What this made me realize is how much we all need encouragement. When you believe you can do something versus feeling like the underdog, you make the big plays.

[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 64000, ƒ/5.6, 1/1600]

During the first half, the offensive line couldn’t create holes for the running backs, but the pep talk gave them the confidence they could play better than the other team if they just believed.

Running back (20) Bill Lay breaks for long yardage during Thomas Jefferson Classical Academy’s upsetting Mountain Island Charter for a 36 to 16 victory and giving them a 10-0 season thus far in the year. [Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 64000, ƒ/5.6, 1/2000]

While my nephews might not have played as much as they wanted, at the end of the game, they knew they were as much a part of the team that got them to 10 – 0 as the star players.

(84) Joshua Poe, my nephew, on special teams kick-off, ended up tackling the runner on the play. This was a better photo to show him. [Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 64000, ƒ/5.6, 1/2000]

I could tell everyone was giving their all to win the game.

[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 64000, ƒ/5.6, 1/1250]
(5) Miller Outton, tailback, runs out of bounds after getting first down for Thomas Jefferson Classical Academy against Mountain Island Charter. [Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 64000, ƒ/5.6, 1/1250]
[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 51200, ƒ/2.8, 1/4000]
[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 64000, ƒ/5.6, 1/1600]

PHOTO TIPS:

Here are a few tips for those wanting to get better photos of your kids playing under the Friday Night lights game of football.

  1. Buy a lens that is longer than 400mm. I suggest things like the Sigma – 150-600mm f/5-6.3 Sports DG OS HSM Contemporary, which is under $1,000.
  2. Use the ExpoDisc to do a custom white balance under the lights. Gives you more accurate colors in your photos and significantly better skin tones.
  3. Use a monopod to help steady your camera.
  4. Use a fast shutter speed. I suggest 1/2000 if possible.
  5. Use high ISO. You may need a new camera that shoots above ISO 12800.
  6. Stand in front of the action and let the players go towards you. You get more photos of the faces this way.

The real purpose of a “Thank You Note”

Photography Students or Wannabe Photographers I realized that I need to connect the dots for many of you on how to start your career from those already in the profession.

First, this is not about photography skills but about developing relationships that can help you grow professionally.

photo by Robin Nelson

While I love to teach photography skills such as lighting, and students love taking on those assignments, I share the business tips that, for the most part, very few ever follow through on, and the reason is simple–it isn’t as fun.

If you have a good portfolio and do not listen to the professionals when they talk about business practices, you will have missed the most important tips we can share.

Mark Johnson’s Photojournalism Class in the Grady School of Journalism at the University of Georgia.

If you are a student like Mark Johnson at UGA, then you have a significant advantage over those who are not. Mark Johnson is the person who knows most people in the industry and can help make that first introduction for you.

While Mark may not pick up the phone to make the call, he has essentially done this when he gives you the assignment and even names to call when you need to shadow a professional photographer.

That first email or phone call started with my teacher Mark Johnson, giving me an assignment. Those few words open a door that others cannot use.

Once you have met the photographer and done your assignment, writing a thank you note is essential in your career. I recommend the handwritten note over an email or just saying thank you in person.

I am realizing now that more people are writing those thank you notes that they forget to ask themselves the question, “Why do I write this handwritten note?”.

Students, I can tell you the one thing that is quite annoying to your teachers and professionals who will hire you later is when you check off an assignment. This attitude of treating people and stories like items on a checklist undermines the content.

To tell someone’s story, you must peel the onion, which also builds trust with the person. Checking your list is like washing the onion rather than peeling the onion.

Most of the Thank You notes I get seem to be done to check this off the list. They don’t know why they wrote the note, but they heard good etiquette requires it.

What is the purpose of a Thank You Note when you are trying to become a professional or move up in the profession? You are building a RELATIONSHIP with someone who can help you. If you try to move up without the relationship, it can come back to haunt you later.

The type of relationship you build is up to you and the other person. Keeping it professional can be done without you having to become the best of friends. You still need to mix some kindness in your conversations.

My recommendation is to build your relationship over time. Thank them for what they have done and then ask if it is OK to contact them again.

You may say something like: “Thank you for taking time today to visit with me. Do you mind if I send you a sample of my work in a month or so and get some of your feedback?” Then do a follow-up.

Then it is much easier to ask again with your correspondence if they see any improvements based on their previous comments. It can be more detailed, showing that you did listen and try to make those suggestions.

Then every once in a while, send a note thanking them for all they have done and how their suggestions have proven helpful in your professional development.

Ask them for referrals later in your relationship to see if they have someone they recommend that you get to know and show your work to for more professional growth.

While you may not want to become good friends with some of the people who have helped you do take the time and effort to thank them proportionally to how much they helped you.

If you got a job due to their connections and suggestions, a small gift is an excellent way to let them know you were appreciative and not just using them. It could be just a gift card to Starbucks or something similar. Take them to lunch to catch up, tell them about your new job, and thank them in person.

If you are reading this blog and you have people who have helped you along the way, write each of them a thank you note. Sometimes your note can be the little encouragement they need today. You would be surprised how many people never know they made a difference in someone’s life. And if their life is you, you need to thank them again even if you did it before.

It boils down to this. When you write a thank you note, you show appreciation for someone taking time out of their life that helps you. You also want to be sure that the person who helped you is open to helping you even more if possible. Don’t write thank you notes to put a check on some list. Don’t be the person that uses others for personal gain.

Just remember the Golden Rule: Treat others the way you want to be treated.

Jam Sessions are great examples of healthy friendships.

The California Honeydrops play at Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm ƒ/3.5-5.6, ISO 25600, ƒ/5.6, 1/200]

One of the most fun things I ever did in my years of playing trumpet was sit in on a JAM Session.

A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp on tunes, songs, and chord progressions. To “jam” is to improvise music without extensive preparation or predefined arrangements, except when the group plays well-known jazz standards or covers of existing popular songs. Musicians often use original jam sessions and ‘free flow sessions’ to develop new material (music) and find suitable arrangements. – Wikipedia

For me, this is one of the best artistic renderings of what it is like to have good friends.

Many people never take their bands out of garages and enjoy the time of sharing music.

On trumpet, the California Honeydrops’ Lech Wierzynski plays with Ben Malament on the washboard at Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm, ISO 9000, ƒ/5.6, 1/200]

This gives and takes in the Jam Session, where bands form their bonds and write new music.

I get a lot of phone calls where someone is trying to sell me something. The sad thing is that often this is from my “friends.”

I have a small group of friends calling to catch up and talk about anything. We find that our spouses are often reminding us we have been on the phone too long. That is a good friend when the two of you get lost in time.

The California Honeydrops play at Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm ƒ/3.5-5.6, ISO 20000, ƒ/5.6, 1/200]

The funny thing is that most of my closest friends were musicians. They understand we need others for our creativity to be pushed, and we need friendship due to how lonely often it is being an artist.

Then there are the formal groups where I worked with people with the hope of building friendships. I served on industry boards and helped with many conferences for years.

When I needed to leave those roles for several reasons, I often sent letters to the group explaining my departure. Sadly only one person at the most ever reached out to say thanks or check to be sure everything was alright.

Don Rutledge enjoys telling a story at the first gathering of the SBC photographers at Ridgecrest, North Carolina.

I have often talked about my mentor Don Rutledge and his impact on my life and many of my closest friends.

Don had an open door policy. If he wasn’t editing, the door of his office was empty. He had regular visitors through the years of all different levels of photography. He treated them all the same. Usually, he looked at their work and then would ask one of the other staff photographers to join him for a few minutes before asking the photo staff to go to lunch with him and the new acquaintance.

One day I was eating dinner with Don and his wife, Lucy. I said to them how much I appreciated his openness. Then Lucy got very serious. She was upset at how many photographers came by, and Don gave them some pointers, and they even went to Black Star, his agency in NYC, to try and take his work. They never came back again and just used Don.

Don bowed his head and felt a little shame. He never stopped welcoming people.

Don was trying to develop long-lasting friendships. He would call photographers and mention he saw their work and compliment them. He wrote letters all the time telling people what he thought and often gave little tips that were most of the time welcomed.

Matthew 22:37-40

37 Jesus replied: “‘Love the Lord your God with all your heart and with all your soul and with all your mind.’ 38 This is the first and greatest commandment. 39 And the second is like it: ‘Love your neighbor as yourself.’ 40 All the Law and the Prophets hang on these two commandments.”

Fresh Eyes to Old Photos

Rodeo at Parker Ranch, Waimea, The Big Island of Hawaii [Nikon D750, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/1000]

Every once in a while, I like to go back through older photo shoots and look through them. I sometimes find photos I glanced over that are much better than I first noticed.

South Point, The Big Island of Hawaii
[Nikon D750, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/2500]

I use the software PhotoMechanic for my culling and reviewing of photos. 

I can make the photo large and also see all the information about the camera settings on the right of the image.

This is quite helpful for evaluating a photo. Why isn’t the image sharp? The shutter speed helps you see if it was fast enough to eliminate camera or subject motion.

I also like clicking on seeing the photo 1:1, so I can evaluate down to the pixels.

Charleston, SC, The Citadel, Recognition Weekend [Nikon D5, Sigma 120-300mm ƒ/2.8 Sport, Sigma TC-2001, ISO 2800, ƒ/8, 1/4000]

I am doing this with images I have already edited through Adobe Lightroom. If I think I could do a better job now than, say, when I first did the edit or that Lightroom now has tools that were not available when I first edited the photo, I may go back to the RAW image and work on it again.

The Citadel [Nikon D5, Sigma 120-300mm ƒ/2.8 Sport, Sigma TC-2001, ISO 3200, ƒ/8, 1/4000]

When you first edit a photograph, you are on a deadline—having the luxury of a lot more time to evaluate photos, I find that I seldom feel much different than I did at the time of the first edit.

White-tailed deer live throughout the Smokies but are most commonly seen in areas with open fields, such as Cades Cove and Cataloochee Valley. Biologists estimate that more than 6,000 deer may live in the park. Deer populations can change quickly. Local overpopulation leads to widespread disease and starvation. Predation by coyotes, bears, and bobcats helps reduce threats associated with overpopulation. This deer was photographed in Cades Cove, part of the Great Smoky Mountains National Park in Townsend, Tennessee, on June 22, 2006. [Nikon D2X, Sigma 120-300mm ƒ/2.8, Sigma 1.4X, ISO 400, ƒ/4, 1/100]

One thing I notice a great deal when I go back a few years or more is that the cameras have improved. In 2006 when I took this photo of the dear, I owned the Nikon D2X camera. This was a cropped 12-megapixel sensor with a usable ISO range of 100 to 800.

The California Honeydrops play at Terminal West in Atlanta, Georgia [Nikon D5, Nikkor 28-300mm ƒ/3.5-5.6, ISO 40000, ƒ/5.6, 1/200]

Just this Wednesday night, I was shooting at a music venue with my Nikon D5, a full sensor, and ISO 40000 to get this photo above. Basically, with the Nikon D2X, this photo wouldn’t have been possible.

The California Honeydrops play at Terminal West in Atlanta, Georgia [Nikon D5, Nikkor 28-300mm ƒ/3.5-5.6, ISO 22800, ƒ/5.6, 1/200]

Too often, when I look back at photos where I was hand holding the camera, the shutter speed wasn’t high enough to eliminate movement.

Red-tailed Hawk in our backyard is eating a squirrel. This one kept on screeching with another hawk nearby. [Nikon D5, Sigma 120-300mm ƒ/2.8 Sport, Sigma TC-2001, ISO 1000, ƒ/8, 1/200]

While this is a very recent photo of the Hawk in our backyard, it is so sharp because it isn’t the shutter speed as much as I was on a tripod.

Stream near Great Smoky Mountains Institute at Tremont in the Great Smoky National Park located in Townsend, Tennessee, on June 22, 2006. [Nikon D2X, Nikkor 24-120mm ƒ/3.5-5.6, ISO 100, ƒ/22, 1/1.5]

I recommend you go back through your photos and not just look for great moments, but evaluate them for sharpness. If they are not sharp, then ask yourself, why not? Look at the camera data and see if you can learn from your older photos.

While shooting is a great way to improve your photos, learning to take the time and evaluate pictures for how to improve them next time technically can mean that when you do shoot again, you will not make those same mistakes due to not having the camera on the best setting.

The California Honeydrops play at Terminal West in Atlanta, Georgia

On trumpet, the California Honeydrops’ Lech Wierzynski plays with Ben Malament on the washboard at Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm, ISO 6400, ƒ/5.6, 1/200]

For my wife’s birthday, we went to Terminal West, a concert venue in Atlanta, Georgia, to hear The California Honeydrops play.

I am thrilled I brought my Nikon D5 and Nikkor 28-3oomm ƒ/3.5-5.6, so I could capture some of the band playing for our family album.

The California Honeydrops play at Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm, ISO 18000, ƒ/5.6, 1/200]

From their website: http://www.cahoneydrops.com/

The California Honeydrops don’t just play music—they throw parties. Drawing on diverse musical influences, including Bay Area R&B, funk, Southern soul, Delta blues, and New Orleans second-line, they have taken those parties worldwide, playing festivals of all kinds and touring widely across North America, Europe, and Australia. The band was honored to travel with Bonnie Raitt on her 2016 North American album release tour and, in the past, has been privileged to support the likes of B.B. King, Allen Toussaint, Buddy Guy, and Dr. John. Whether playing for audiences of thousands or in intimate venues where they can leave the stage and get down on the dance floor, the California Honeydrops’ shared vision and purpose remain: to make the audience dance and sing.

The California Honeydrops plays at Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm, ISO 32000, ƒ/5.6, 1/200]

Founded by vocalist and multi-instrumentalist Lech Wierzynski and percussionist Ben Malament, The Honeydrops started busking on the streets of the San Francisco Bay Area, where they quickly developed a passionate local following. But the band’s roots stretch back to Wierzynski’s childhood in Poland, where he soaked up the sounds of contraband American recordings by Sam Cooke, Ray Charles, and Louis Armstrong. Later, as a first-generation immigrant to the U.S. and child of political refugees, he assimilated himself by devouring American rock & roll, soul, jazz, and hip-hop recordings. His musical immersion continued at Oberlin College and on the club circuit in Oakland, California.

On trumpet, the California Honeydrops’ Lech Wierzynski plays with Lorenzo Loera on keyboards at Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm, ISO 6400, ƒ/5.6, 1/200]

Growing up playing trumpet all the way into college bands and singing for the church, I loved the group’s sound. Their music is eclectic because most bands have a more narrow style.

The California Honeydrops play at Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm, ISO 11400, ƒ/5.6, 1/200]

Hearing a washboard being played with a horn section was just amazing. The syncopation and groove made me feel like I was enjoying the musicians in a garage jam session where they were playing for the love of the music rather than for performance only.

On trumpet, the California Honeydrops’ Lech Wierzynski plays at Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm, ISO 5000, ƒ/5.6, 1/200]

Terminal West was one of the best venues in Atlanta that I have been to for a small intimate band experience.

Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm, ISO 65535, ƒ/5.6, 1/200]

The cost of our tickets was only $15 each. The food was also great and reasonably priced.

Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm, ISO 65535, ƒ/5.6, 1/200]

They had two bars, and the staff was excellent.

We will be looking for more bands playing at Terminal West shortly.

Shadowing Robin Nelson being shadowed while covering Atlanta Pride Parade

Robin Nelson and Kayla Renie [Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/800]

Robin Nelson encouraged me for years to cover the Atlanta Pride Parade.

Each year UGA’s Photojournalism students are asked by their teacher Mark Johnson to shadow a working professional photojournalist. Kayla Renie contacted Robin to follow her shooting. Robin suggested she follow her at the Atlanta Pride Parade.

The mission of the Atlanta Pride Committee is to advance unity, visibility, and wellness among persons with widely diverse gender and sexual identities through cultural, social, political, and educational programs and activities.

Enjoy a cup of coffee at Caribou Coffee before the parade starts. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/320]

Kayla did her interview on the front end of the coverage since Robin would have to leave for another engagement before the parade was done.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/250]

Things get confrontational when the parade hits the intersection of 10th Street and Piedmont. A “Christian” group stood at the street corner holding signs denouncing not just the LGBTQ community but Muslims, Women who work outside the home, and the list went on and on.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/200]

What interested me was how the “Christian” group would pick people out and start yelling at them. All based on what they perceived as a person deserving condemnation.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/250]

I put the “Christian” group in quotes because this created a great deal of tension in my gut. Robin approached me at one point and asked if covering something like this can give you PTSD [Post Traumatic Stress Disorder] from covering an event.

[Nikon D5, Sigma 35mm ƒ/1.4, ISO 100, ƒ/1.4, 1/1000]

According to the Dart Center for Journalism & Trauma, “Journalists frequently bear witness to human suffering whether covering mass disasters or individual atrocities; however, little is known regarding the impact of such exposure on the well-being of journalists. Researchers in the field of traumatic stress are only beginning to examine the toll this line of work may have on the health of journalists.”

“Research suggests that 80-100% of journalists have been exposed to a work-related traumatic event.”

When a protestor gets in the journalist’s face and starts to yell, this can be very traumatic. If the journalists feel they are in physical danger, this can trigger a traumatic experience that the brain has difficulty processing.

[Nikon D5, Sigma 35mm ƒ/1.4, ISO 100, ƒ/1.4, 1/4000]

I watched as Kayla and Robin took moments to talk to each other to process all they were seeing, hearing, and most of all feeling from covering such an event.

These ladies kept pushing at Robin with their signs as they appeared to be judging her. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/250]

According to research on PTSD reported by the Dart Center, you can have a personal experience with work-related stressors such as experiencing Aggression, Intimidation, or Moral Injury.

The hardest part for Robin, Kayla, and even me today was that each of us is professing Christians who disagreed with the tactics of this “Christian” group. It was running opposite our beliefs of how to act as a Christian.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/200]

Other Christians have felt this way and created signs that reflect a different position and declare that all those in the Atlanta Pride events could also be Christians.

Each of those polar opposite groups believed that the others were wrong and right.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/320]

This man confronts Robin, saying he wasn’t part of their group. This is when Robin wanted a friendly conversation and said, “I am a born-again believer as well.” I think the photo reveals the posturing that was happening between them. One wanted dialogue, and one wanted just to judge.

So how does a person cover an event as a “journalist” when they have all these feelings? How do you protect something when you may pick one of the sides personally because of your belief system?

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/160]

This was what Robin was trying to teach Kayla that day as she shadowed Robin. Robin has been able to bring her faith into her work and not leave it behind. She believes that everyone is God’s child. This means everyone deserves to be treated with honor, dignity, and respect, even when wearing a strange outfit.

[Nikon D5, Sigma 35mm ƒ/1.4, ISO 100, ƒ/1.4, 1/400]

As a journalist, you do all you can to be sure you let both sides be represented in the coverage. If you are aware of your bias and acknowledge it, you have a better chance of overcoming the bias.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/400]

This photo was as close as I came to showing both sides. The “Christian” Group was first on the corner, and then you could hear the crowd roar as a group carrying Pansies came down the sidewalk.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/160]

They called themselves the Pansy Patrol. They had whistles to blow and these giant pansies on sticks. Their mission was to block as many of the “Christian” group’s protest banners and make enough noise to drown them out with their whistles.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/160]

Still, some chose to be more aggressive to the “Christians.”

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/400]

They not only confronted the group but took selfies in front of their banners, mocking them on social media.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/500]

When you are at an event like Atlanta’s Pride Weekend, where hundreds of thousands of people are expected to attend the parade, which ends at Piedmont Park, you have to be able to cover the event for your news outlet. You also have not editorialized your coverage to be more of an activist with a plan about the event.

If you want to do this, you may find a job with an organization that fits your beliefs and do social activism, but don’t consider this the same as journalism.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/400]

Robin told me that the Atlanta Pride Parade had become more commercial than in the early years. I saw many corporations participating in the parade.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/500]

Each company had its #hashtag and was there to let everyone know they supported the LGBTQ community. I included them in my photos to show how the corporate community supported the event.

[Nikon D5, Sigma 35mm ƒ/1.4, ISO 100, ƒ/3.5, 1/500]

While it was a tough assignment for Kayla to jump into with all the emotions surrounding the Atlanta Pride event, I think she enjoyed watching a professional photojournalist like Robin do her job and be able to ask her questions to help her understand how she might have to cover something outside her comfort zone in the future as a photojournalist herself.

Kayla Renie is covering the Atlanta Pride Parade. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 1000, ƒ/11, 1/100]

Robin and I were impressed with Kayla’s eagerness to learn and how well she interacted with people throughout the day.

35 By this everyone will know that you are my disciples, if you love one another.”

John 13:35
People are taking selfies with the Atlanta Pride Parade in the background. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 450, ƒ/16, 1/100]

Setting Goals and Achieving them brings BIG smiles

“I wear the ring.” – The first four words of Pat Conroy’s The Lords of Discipline. At The Citadel, where Pat Conroy went to college, getting your ring requires you to meet strict academic, physical, and leadership milestones. The two seniors just got their rings at the ceremony and just clicked their calls on Summerall Chapel doors. [Nikon D5, 28-300mm, ISO 110, ƒ/9, 1/100]

The best moments for celebration are when we have set goals that took a great deal of effort to achieve.

“Suppose one of you wants to build a tower. Won’t you first sit down and estimate the cost to see if you have enough money to complete it?”

Luke 14:28

At The Citadel, there is the fourth class system. The purpose of the Fourth Class System at The Citadel is to provide a base upon which a fourth class cadet may develop those qualities essential to a good leader.

A Citadel Knob in the Brace Position. [Nikon D5, 28-300mm, ISO 110, ƒ/5.6, 1/100]

Although the System is demanding and complex, the rewards are considerable and more than justify the effort. Upon recognition by the upper-class cadets in the spring of the Knob year, a better person emerges – one who is mentally, morally, physically, and spiritually prepared to accept the responsibilities of leadership – a role which will ultimately be his/hers at The Citadel and in the world.

Isn’t that the purpose of setting goals and meeting them? You are better at taking action to meet those goals.

Don’t just create a goal without much thought about what you are setting up for yourself.

“Unless the Lord builds the house, the builders labor in vain.”

Psalms 127:1

My faith teaches me to pray about decisions. Take some time and allow God to speak to you. He will give you the peace of making a decision, and your chances of achieving the goal are not just better, but the reward is often much better than when we pursue vanity.

Knobs are doing pushups after being promoted to first privates. [Nikon D5, 28-300mm, ISO 100, ƒ/9, 1/160]

I find that making goals where others are there to support you as they do in the Fourth Class system at The Citadel means you have a better chance of achieving them.

The Citadel has an above average at retaining students past the first year with an 86.0% retention rate.

Based on the caliber of first-time/full-time students attending Citadel Military College of South Carolina, we expect an overall graduation rate of 58.3%. However, students are graduating at a rate that is 9.1% higher. That means Citadel Military College of South Carolina is performing above average at graduating students based on those students’ anticipated academic achievement in college.

[Nikon D5, 28-300mm, ISO 800, ƒ/5.6, 1/4000]

“But as for you, be strong and do not give up, for your work will be rewarded.”

2 Chronicles 15:7

Do you have a goal that you are working on in your life? If not–Why Not?

I believe if you are not growing, you are dying.

Covering a church service with video and stills

Praise band singing at the Summerall Chapel on the Citadel Campus. [Nikon D5, Sigma 24-105mm ƒ/4 Art, ISO 7200, ƒ/4, 1/100]

This past Sunday, my wife Dorie Griggs was asked to give the message for Parent’s Weekend at the Summerall Chapel on The Citadel by Chaplain to the Corps of Cadets and Director of Religious Activities Joe Molina.

Chaplain to the Corps of Cadets and Director of Religious Activities Joe Molina gives a welcome at the Summerall Chapel on Parent’s Weekend at The Citadel. [Nikon D5, Sigma 24-105mm ƒ/4 Art, ISO 16000, ƒ/4, 1/100]

Dorie introduced the concept that often, we live either in the mindset of Good Friday, the Saturday in between, or Resurrection Sunday.

I came prepared to videotape Dorie speaking for our records and to share with friends and family that couldn’t be there.

Listen to her message here. Many people commented on how much they appreciated the notification.


Now before Dorie’s sermon, The Citadel’s Gospel Choir sang.

The Citadel Gospel Choir is singing at the Summerall Chapel on the Citadel Campus. [Nikon D5, Sigma 24-105mm ƒ/4 Art, ISO 6400, ƒ/4, 1/100]

I didn’t plan on shooting a video of them singing, or I would have been further back. But please listen to them sing.

I enjoyed seeing the joy on the cadet’s faces.

The Citadel Gospel Choir is singing at the Summerall Chapel on the Citadel Campus. [Nikon D5, Sigma 24-105mm ƒ/4 Art, ISO 16000, ƒ/4, 1/100]
The Citadel Gospel Choir is singing at the Summerall Chapel on the Citadel Campus. [Nikon D5, Sigma 24-105mm ƒ/4 Art, ISO 12800, ƒ/4, 1/100]
The Citadel Gospel Choir is singing at the Summerall Chapel on the Citadel Campus. [Nikon D5, Sigma 24-105mm ƒ/4 Art, ISO 12800, ƒ/4, 1/100]
The Citadel Gospel Choir is singing at the Summerall Chapel on the Citadel Campus. [Nikon D5, Sigma 24-105mm ƒ/4 Art, ISO 8000, ƒ/4, 1/100]

Now the service was a lot of pomp and circumstance. They have a Color Guard bring the colors in to start the service.

The Citadel Color Guard at the Summerall Chapel on Parent’s Weekend at The Citadel. [Nikon D5, Sigma 24-105mm ƒ/4 Art, ISO 100, ƒ/4, 1/100]
The Citadel Color Guard at the Summerall Chapel on Parent’s Weekend at The Citadel. [Nikon D5, Sigma 24-105mm ƒ/4 Art, ISO 5000, ƒ/4, 1/100]

Here are a few tips if you decide to cover your church service.

  • Talk to the minister first to get permission.
  • Arrive Early
  • Stand on the stage and get a custom white balance.
  • If videotaping, use a wireless Lavalier microphone for the speaker
  • Plan your moves around so that it is at a minimum
  • Recommend zoom for less movement versus a fixed lens
  • Upload your photos to an online gallery like PhotoShelter
The Citadel Parent’s Weekend during the protestant service at the Summerall Chapel. [Nikon D5, Sigma 24-105mm ƒ/4 Art, ISO 2500, ƒ/4, 1/100]

Face Expressions – The Nuance For Great Photos

The Summerall Guards perform half-time at the Parent’ss Weekend football game at The Citadel in Charleston, SC. [Nikon D5, Sigma 120-300mm ƒ/2.8 S, Sigma TC-2001, ISO 1000, ƒ/5.6, 1/4000]

Knowing your subject gives you insights into what makes a better photo than any photo.

My son was a Summerall Guard at the Citadel in the class of 2011. During this time, I took more photos of them performing and started to see these moments that gave you insights into how they communicate during a silent drill.

The Summerall Guards perform half-time at the Parent’s Weekend football game at The Citadel in Charleston, SC. [Nikon D5, Sigma 120-300mm ƒ/2.8 S, Sigma TC-2001, ISO 450, ƒ/5.6, 1/4000]

The facial expressions showed them counting to themselves or breathing loudly so those around them would hear. This lets them know if they were together in their counts and moves.

The Summerall Guards Parents perform a half-time show during the Parent’s Weekend football game at The Citadel in Charleston, SC. [Nikon D5, Sigma 120-300mm ƒ/2.8 S, Sigma TC-2001, ISO 450, ƒ/5.6, 1/4000]

The Summerall Guard was formed in 1932. Membership is considered a high honor at the military college. The platoon aims to exemplify the exactness and thoroughness of a cadet’s training through a unique series of movements based on the old German close-order drill. The exercise is performed to a silent count. Each year’s Guards take responsibility for teaching the following year’s unit the precise drill.

The Citadel’s (19) Dominique Allen quarterback passes while Mercer’s (23) Will Coneway Line Backer defends in-game during Parent’s Weekend in Charleston, SC. [Nikon D5, Sigma 120-300mm ƒ/2.8 S, Sigma TC-2001, ISO 2000, ƒ/5.6, 1/4000]

In sports, very similar predictable moments happen as well. I know that if I am covering a team like The Citadel, they are trying to get to the goal they are facing. So even on defense, if a fumble or interception happens, the players will try and go towards the goal.

The Citadel’s (29) Grant Drakeford A-Back is tackled by Mercer’s (3) Stephen Houzah, Defensive Back, during a game in Charleston, SC. [Nikon D5, Sigma 120-300mm ƒ/2.8 S, Sigma TC-2001, ISO 900, ƒ/5.6, 1/4000]

I like to stand or kneel in the endzone where they are going so I can see their faces. If I am on the sideline, I sometimes get their faces, but when I am facing them, the percentage of photos with their faces seems to be a loCitadel’sfor photos.

The Citadel’s (42) Brandon Berry B-Back is tackled by Mercer’s (6) Jamar Hall Defensive back during a game on Parent’s Weekend in Charleston, SC. [Nikon D5, Sigma 120-300mm ƒ/2.8 S, Sigma TC-2001, ISO 1600, ƒ/5.6, 1/4000]

Their extra effort on the play will be them lunging toward the goal line, which is where I am standing.

The Citadel’s (62) Jonathan Cole Offensive Line makes a hole for (42) Brandon Berry B-Back, while Mercer’s (95) Blake Oliveira Defensive Lineman reaches for a tackle during a game in Charleston, SC. [Nikon D5, Sigma 120-300mm ƒ/2.8 S, Sigma TC-2001, ISO 1100, ƒ/5.6, 1/4000]

The offensive linemen are creating holes for the running backs facing that goal line.

The Citadel’s (18) Cam Jackson A-Back iMercer’sd by Mercer’s (5) Malique Flemming; the Defensive Back pursues him during Parent’s Weekend in Charleston, SC. [Nikon D5, Sigma 120-300mm ƒ/2.8 S, Sigma TC-2001, ISO 1400, ƒ/5.6, 1/4000]

Even if they are stopped, their expressions usually show that they are putting it all on the line. This type of tackle photo works well on sports pages when the guy just got a first down.

As you can see in both the examples of the Citadel cadets, if they are on the Summerall Guards or playing a sport, the facial expression draws the audience into the photograph.

What you want to show as the photographer is the effort; one of the best ways to capture this is in the expressions.

By the way, we were at The Citadel due to a request for my wife, Dorie Griggs, to preach on Sunday. So here is her message if you would like to hear it.

First step of editing is culling

He was spraying bug spray for protection during the parade for Corps Day Weekend at The Citadel in Charleston, SC. [Nikon D3, Sigma 120-300mm, 2X, ISO 200, ƒ/4, 1/1250]

“I didn’t have time to write a short letter, so I wrote a long one instead.”

― Mark Twain

Too many photographers do not spend enough time editing their photos. Editing has many different stages of the process. The very first step is that of culling. I want to address culling today for this blog.

Culling describes reducing the population of (a wild animal) by selective slaughter.

While there are maybe more definitions, I think this one will help you remember you will take the entire shoot and narrow it down to the keepers.

Nick Saban was on the sidelines during the Chick-fil-A Kickoff game between Alabama and West Virginia. [Nikon D4, Sigma 120-300mm ƒ/2.8, 2X, ISO 20000, ƒ/5.6, 1/2000]

When using PhotoMechanic as my editing tool, I first go one by one and look at each image’s full-screen size after I ingest all the photos. I then press the “T” key to keep the ones that are:

  1. In focus
  2. Well Exposed
  3. Good or great moment – If I have a series of sports plays, I may only keep 2 or 3 of 20 to 30 images of a play.
  4. Can see faces/No back of heads – If someone starts to turn away from me or someone blocks them, I don’t keep those that you cannot see their faces.
  5. Good expressions – When people are giving a speech, I eliminate those awkward expressions. The same as avoiding people putting food in their mouths. No blinks of the critical people in the photo.
Couple doing a selfie with a camera. [Nikon D5, 28-300mm, ISO 110, ƒ/11, 1/100]

After I have tagged the keepers, I select all the untagged photos and delete them. For an event, this may well be 80% of the images. For studio portraits, more than 20% will be deleted.

Too many photographers often think this is the only photo I have of someone, and I don’t want to leave them out. So they put up their social media or gallery for people to see an out-of-focus, back of the head, and badly exposed photo so that the person knows they took their picture.

Ed Bastian, president of Delta Airlines, got a selfie with a lady at Delta headquarters in Atlanta, GA. [Nikon D4, 28-300mm, ISO 3200, ƒ/5.6, 1/50]

It is much easier to take photos and then post everyone you took than to take the time to go through and eliminate all the images that a client would never publish. If you can’t imagine a commercial client taking your photo and putting it up on a billboard to sell their product due to focus, exposure, and seeing the people’s faces, then don’t put it up on social media.

Former President Jimmy Carter meets with The President of Honduras, Juan Orlando Hernández, at the Carter Center in Atlanta, GA. [Nikon D4, 28-300mm, ISO 12800, ƒ/5.6, 1/50]

More people will have the opportunity to see your photo published on social media than will ever drive by the billboard, so get rid of anything that shouldn’t be issued for the world to see.

Ring Day at The Citadel. [Nikon D4, 14-24mm, ISO 1000, ƒ/13, 1/250]

There are two main reasons to edit your photos to the best ones and eliminate all those that shouldn’t be published.

The first reason is treating people with honor, dignity, and respect. If you publish a photo of a person, they will regret being of them; you have damaged them. Now I will admit that sometimes there are photos that people don’t like of themselves even if they are beautiful photos of them. There are just some people that wouldn’t want any image.

[Nikon D3S, 85mm ƒ/1.4, ISO 640, ƒ/1.4, 1/640]

There is a second reason to cull a photo out of your take–Your Reputation!

You want to think of yourself as a photographer and not a hack. We use this to describe poor golfers as well. But you don’t want to have a reputation as a hack regarding photography.

You want people to invite you to their events and not to tell you to come but leave your camera at home.

Humming Birds at the feeder. [Nikon D4, Sigma 120-300mm, 2X, ISO 6400, ƒ/10, 1/2000]

Conduct yourselves with wisdom toward outsiders, making the most of the opportunity.

Colossians 4:5