Meet Storyteller Naomi Harward

I met Naomi Harward a couple of years ago at our Storytellers Abroad Workshop in Nicaragua. Naomi is one of the quietest people I have ever met.

Naomi working with James Dockery on her project. [Canon EOS 5D Mark IV, EF24-105mm f/4L IS USM, ISO 1600, ƒ/4, 1/60]

Naomi said many times that video isn’t something she likes. She prefers writing. We continued to push her out of her comfort zone.

Pat Davison looks at Naomi’s project. [Canon EOS 5D Mark IV, EF70-200mm f/2.8L IS USM, ISO 1600, ƒ/5.6, 1/60]

Each one of the instructors is direct when advising students. We do not beat around the bush. They give their strong opinions because they want the best story possible for the subject and audience.

Naomi is the only workshop participant who did her story in English and then had it translated into Spanish for subtitles.

Listen to Sara Lu tell her story and see how Naomi captured it for you here:

If you want to learn how to have an experience like Naomi in a storytelling workshop, please consider joining us this June in Romania with Storytellers Abroad.

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Meet Storyteller Josiah McConville

First thing I noticed about Josiah is he was taller than me. I learned he was studying film at Liberty University.

Josiah was also pretty quiet. He was a listener.

[Canon EOS 5D Mark IV, , ISO 1600, Ä/5, 1/100]

We sat and talked about his subject for a while. In the beginning, Josiah’s most challenging part was finding the storyline thread he wanted to tell. He was asking great questions, but each question was making the story broader and not more focused.

Josiah McConville’s Story Lucho & Rosa Martinez, David Heim – Translator. Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 800, ƒ/4, 1/200, Focal Length = 24]

After he did his first interview, I went with Josiah on the second interview. He did a great job. He was able to help the couple focus on how what the seminary had meant to their ministry.

Josiah McConville’s Story Lucho & Rosa Martinez, David Heim – Translator. Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 1800, ƒ/7.1, 1/200, Focal Length = 24]

One of the difficulties perplexing not just Josiah but me, as well, was getting our heads around the way Lucho and Rosa talked about their ministry. Josiah dug a little deeper by asking follow-up questions like tell me how that felt when you went through that time.

Listen to the story that Josiah captured of Lucho and Rosa Martinez here:

If you want to learn how to have an experience like Josiah in a storytelling workshop, please consider joining us this June in Romania with Storytellers Abroad.

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Meet Storyteller Rose Finley

I first met Rose Finley at our Storytellers Abroad workshop in Nicaragua. Rose is such a joy to be around. While she is quiet, she does love to laugh.

Rose talking with missionary. [NIKON D7100, 18.0-105.0 mm f/3.5-5.6, ISO 800, ƒ/6.3, 1/60]

She was listening if Rose was not working on her project alone. She is a person of few words. You can see her listening with not just her ears but her eyes.

Whenever I talked with Rose, I felt I had her full attention.

[NIKON D7100, 18.0-105.0 mm f/3.5-5.6, ISO 800, ƒ/5.6, 1/80]

You can see during her interview how focused she was on the subject. Rose cares deeply about people and makes them feel appreciated.

Rose is getting input on her story from ABWE missionary Evelyn Stone. [Canon EOS 5D Mark IV, EF24-105mm f/4L IS USM, ISO 1600, ƒ/4.5, 1/60]

Rose is also very independent. I would have to seek her out and ask if I could help. She would not have wanted to bother the other teachers or me if I didn’t ask. She did, however, ask for help in translation from Spanish to English.

Rose works with ABWE missionary and seminary professor Dave Stone on the translation.[NIKON D7100, 18.0-105.0 mm f/3.5-5.6, ISO 640, ƒ/4, 1/80]

Listen to the story that Rose captured of Carol Banda.

If you want to learn how to do storytelling like Rose, please consider joining us this June in Romania with Storytellers Abroad.

Meet Storytellers Marissa Dickey and Jamie Gessner

Marissa Dickey and Jamie Gessner are ABWE Career Missionaries in Colombia, South America.

When Jeff Raymond and I went on our scouting trip to Lima in October, we talked with Evelyn Stone, the founder of the prenatal center and ABWE missionary. She mentioned that Maricielo had just had her baby a few days before we arrived.

We knew right away that this was a powerful story. In Peru, abortions are illegal. However, according to Evelyn Stone, the director of the prenatal center, 80% of all women have had an abortion.

[L to R] Marissa Dickey, James Dockery, and Jamie Gessner review the edits on Maricielo’s story. Storytellers Abroad Workshop in Lima, Peru [X-E3, XF18-55mm F2.8-4 R LM OIS, ISO 12800, ƒ/5, 1/38, Focal Length = 35]

The purpose of telling Maricielo’s story was to show how many women came to the prenatal center for counseling and help.

Listen to Maricielo and her family tell their story.

Both Marissa and Jamie are fluent in Spanish and English. This made it much easier for them to do the story because they didn’t need translators. Can you imagine everything someone says has to be translated, and then everything you say is translated? That takes a lot longer to have a normal conversation.

[L to R]James Dockery telling stories with Marissa, Jamie, and Jeff Raymond during the Storytellers Abroad Workshop in Lima, Peru [X-E3, XF18-55mm F2.8-4 R LM OIS, ISO 4000, ƒ/7.1, 1/100, Focal Length = 27]

Marissa and Jamie asked every instructor for input on the story. Then, they sat together and tried to take all that input and craft a stronger story. The hardest part for them was cutting pieces out.

They realized that while some great quotes were powerful, they were often repetitive.

When you heard them talking on the last day of editing, they were trying their best to keep you, the audience, engaged and hoping that by telling Maricielo’s story, you would consider getting involved with the prenatal center.

If you want to learn how to do storytelling as Marissa and Jamie did, consider joining us this June in Romania with Storytellers Abroad.

Meet Storyteller Stephanie Simmons

[photo above is of the seminary night classes that share the space with a school]

Jorge Quintana is a seminary student whose storyteller Stephanie Simmons was given to tell his story.

See the story she captured here.

Stephanie has lots of positive energy. She is always smiling.

Stephanie Simmons. Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 100, ƒ/4, 1/400, Focal Length = 35]

What I admired the most about Stephanie was her focus. She wanted to learn.

[X-E3, XF55-200mm ƒ/3.5-4.8 R LM OIS, ISO 5000, ƒ/7.1, 1/100, Focal Length = 300]

When I talked to her about her story before she did the interview, I could tell she had listened to the subjects. I could tell she cared for them and was sure she would stay true to the story.

[X-E3, XF18-55mm ƒ/2.8-4 R LM OIS, ISO 6400, ƒ/7.1, 1/100, Focal Length = 36]

Now I love to watch people and observe them. I noticed Stephanie would be on the edges of the group, participating but also listening.

[NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 12800, ƒ/4, 1/200, Focal Length = 24]

When the instructors met each night to see who might need more help the next day on their stories, we all talked about how Stephanie welcomed ideas and was eager to learn.

If you want to learn how to tell a mission story like Stephanie, join us this June in Romania with Storytellers Abroad.

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Meet Storyteller Jay York

Jay York is working on his story for the Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 32000, ƒ/6.3, 1/200, Focal Length = 24]

I have known Jay York for years. We met at the Southwestern Photojournalism Seminar in Fort Worth, Texas. Jay was using his vacations to photograph for the ABWE.

Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 100, ƒ/4, 1/800, Focal Length = 35]

Many years ago, photographers volunteered their time to help ABWE missionaries by taking photos of work worldwide that went into a database. During the film years, missionaries would have to go to Harrisburg, PA offices, look through all the 35mm slides, and get copies to use in their slide shows that they showed to churches and supporters on leave.

Jay York and translator Andrea Carhuachîn. Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 51200, ƒ/4, 1/200, Focal Length = 62]

During our week in Lima, Peru, Jay worked on a story about Elvira Cuevas Bolívar. Here is the package that Jay produced.

Jay worked methodically in ensuring he understood Elvira’s story, which is much bigger than told in this package, and worked with three instructors, Pat Davison, James Dockery, and me.

Jay York’s Story on Elvira Cuevas with Andrea Carhuachîn serving as translator. Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 2200, ƒ/4, 1/200, Focal Length = 24]

Jay wanted to understand every aspect of the storytelling process.

Elvira Cuevas – Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 4500, ƒ/4.5, 1/200, Focal Length = 68]

A couple of months before the trip, Jay switched camera systems to the Fuji mirrorless. Jay shot most of this project on the Fuji X-T3.

Jay York with Elvira Cuevas and her son Chris. [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 100, ƒ/4.5, 1/200, Focal Length = 68]

If you want to learn how to tell a mission story like Jay, check out the opportunity with Storytellers Abroad.

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Meet Storyteller Josh Hart

Josh Hart Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 28800, ƒ/4, 1/200, Focal Length = 24]

Mr. Positivity is how I would describe Josh Hart. He was the first person to introduce himself to me when I first met the group in Lima, Peru. He was eager to learn and had a wonderful smile.

We sat by his computer and talked about his story on Darwin and Azucena Diaz. He went out and interviewed them, and then the next day, I was able to go with Josh as he spent more time getting B-Roll.

In film and television production, B-roll, B roll, B-reel, or B reel is supplemental or alternative footage intercut with the main shot. 

Here is the story that Josh produced during his week in Lima, Peru.

Josh Hart’s story on Darwin & Vanessa Diaz. He is a teacher at the Iglesia Evangelica Bautista “Las Flores” in San Juan de Lurigancho area of Lima, Peru. To the left is ABWE missionary Jon Stone who teaches at the seminary. During our time in Lima, Jon was a translator, driver, food coordinator, and more for the Storytellers Abroad Workshop in Lima, Peru
  [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 100, ƒ/4, 1/640, Focal Length = 28]

Each student had time with their subjects at a meal with everyone when we arrived. Then the following day, they hung out with them again, getting to know them better.

Josh Hart’s story on Darwin & Vanessa Diaz. Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 100, ƒ/4, 1/640, Focal Length = 28]

Josh loves technology and shot his interviews in 4k. If you are not a geek, he shot the video with a high-resolution camera. This way, he could shoot the couple side by side and zoom in on one person at a time. This made it possible to shoot with one camera but get some variety out of the interview.

While working together shooting his B-Roll, I just hung back and watched. Since he had told me what he wanted to capture, I would add suggestions when he ran out of ideas.

Josh Hart’s story on Darwin & Vanessa Diaz. [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 100, ƒ/4, 1/640, Focal Length = 28]

The one thing I was helping Josh with was how to put into words his direction to the couple and translate what he needed next. He could tell them he needed them to walk in order, but he was having difficulty telling them what they should think about when they were filmed.

“We capture you when you come to the church and have to take the taxi and unlock the building. Please do this a few times so I can film you from your front, back and side. Just do what you do every day when you make this trip.”

[NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 100, ƒ/4, 1/640, Focal Length = 28]

“I want to capture the two of you doing a bible study together that you talked about in the interview. Find a passage you guys have been working on together. I need you both to talk back and forth.”

If you want to learn how to tell a mission story like Josh, join us this June in Romania with Storytellers Abroad.

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Shocking Blog Stats

So I was working on my resume, which some clients wanted, when a friend asked me about my blog. I had not put this into my resume.

He pointed out that I had a pretty broad reach. So I started to dig into Google Analytics. My Analytics includes my website & blog. Most of the traffic goes to the blog since that is new content.

The map above shows the past couple of years of the countries that have visited my blog. The reach is more significant if I go back to when I started in 2006, but I changed from Blogger to WordPress and lost some of those stats.

I have visited the blog over the last two years in one hundred ninety-two countries.

I had over 81,000 new users. WOW! I was shocked. On average, when they visited, they went to about four different pages.

They were translating my page into 151 different languages.

Click on this chart to see it larger

My top ten posts are where people look for camera settings or technical blogs. Users were spending about 5:44 on “Nikon D5 Sports Settings”. I can understand why. That camera has a menu that resembles the cockpit of a jetliner.

Talent is God given. Be humble. Fame is man-given. Be grateful. Conceit is self-given. Be careful.

John Wooden

How do you toot your own horn without coming off as cocky? You want to showcase your best accomplishments on your resume so that they are right there in black and white. If you do this right, they will pop out and help separate you from the pack. This isn’t bragging but instead helping to show that you indeed are the right candidate for the job.

In polishing my resume, I discovered to find someone who really knows you to review it. It helps if they are good at communication.

I am discovering that I have been hurting myself because I took some of my most significant accomplishments for granted.

Another huge thing I learned is I was overthinking the details and not enough about broad brush strokes of what my skills were beyond just photography.

After much self-examination this week, I recommend you do the same. Revising your resume is an excellent exercise to help you know what value to bring to the table. It is a good thing to do to start the year. It helps you celebrate your accomplishments and evaluate your weaknesses that you might want to work on this year.

Storytellers Abroad Peru Workshop

Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 2000, f/8, 1/200, Focal Length = 24]

This was a whole week for the team in Lima, Peru. We were getting up around 7 am and going to bed around midnight or later every day.

Jay York interviewing Elvira Cuevas and Andrea Carhuachîn  Translates during the Storytellers Abroad Workshop in Lima, Peru[NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 2200, ƒ/4, 1/200, Focal Length = 24]

We had a big group of 18 people. Jeff Raymond organized all of us. We had three instructors, four administrative staff [one of those a translator], and ten workshop participants working on nine stories. Two of the team worked together on one story.

James Dockery teaching on Adobe Premier during the Storytellers Abroad Workshop in Lima, Peru[X-E3, XF18-55mm F2.8-4 R LM OIS, ISO 4000, ƒ /4.5, 1/100, Focal Length = 29]

Eight of the nine stories were done in Spanish with subtitles in English. 

Josiah McConville interviews Lucho & Rosa Martinez while David Heim translates the Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 1800, ƒ/7.1, 1/200, Focal Length = 24]

One of the first things that the first-timers noticed was how long it took to do an interview when you must work with a translator. 

We taught what a storyline includes and how to do a better job interviewing people to improve the quality of that story.

Every story we did was about a person impacted by a ministry.

Jay York’s Story on Elvira Cuevas
Storytellers Abroad Workshop in Lima, Peru[NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 4500, ƒ/4.5, 1/200, Focal Length = 68]

Life Before & After

What was the difference this ministry made in your life? Due to the ministry, what is it now that is different than before?

Josh Hart’s story on Darwin & Vanessa Diaz. He is a teacher at Iglesia Evangelica Bautista “Las Flores” in San Juan de Lurigancho area of Lima, Peru. Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 100, ƒ/4, 1/640, Focal Length = 28]

The Inciting Moment

What was the moment you realized you needed some help, and how did you find this ministry to help you?

This is from the first getting to know you dinner we had where Jay York is meeting the subject Elvira and her son Chris during the  Storytellers Abroad Workshop in Lima, Peru [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 51200, ƒ/4, 1/100, Focal Length = 105]

Call to Action

Unlike going to a movie where the film’s primary purpose is only to entertain, all of our stories had a call to action. After hearing this story, would you like to support this ministry somehow? 

Josh Hart’s story on Darwin & Vanessa Diaz. He is a teacher at Iglesia Evangelica Bautista “Las Flores” in San Juan de Lurigancho area of Lima, Peru.
[NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 100, ƒ/4, 1/640, Focal Length = 28]

B-roll

There are two parts to the finished projects. There is the interview, and then there is all the B-roll shown while they are talking that compliments what they are saying.

Marissa Dickey, a Columbia missionary and workshop participant, gives the devotional during the Storytellers Abroad Workshop in Lima, Peru. [X-E3, XF55-200mmF3.5-4.8 R LM OIS, ISO 6400, Ä/4.8, 1/100, Focal Length = 300]

The students learned how to shoot a series of photos from a scene and then would put these to help move the story along visually. 

Josh Hart shot many videos of the subjects getting in and out of a cab, walking to the church, opening the door, and walking in. He shot this from their front, their back, and from the side. That was just one scene. He had scenes of the pastor walking from the back of the church to the pulpit and then another series of him preaching.

After doing many more scenes, he had enough b-roll to help compliment the interview so that you felt like you saw and heard the story.

If you are interested and want to learn more, then go here and learn more at StorytellersAbroad.com.

Why you should be data-informed and not data-driven

Storytellers Abroad Multimedia Workshop [X-E2, XF18-55mm F2.8-4 R LM OIS, ISO 400, ƒ/4.5, 1/150, Focal Length = 83]

In data-driven decision-making, data is at the center of the decision-making. It’s the primary (and sometimes, the only) input. You rely on data alone to decide the best path forward. Data is a crucial input among many other variables in informed decision-making. You use the data to build a deeper understanding of what value you are providing to your users.

I have sat in many meetings hearing about analytics. When I first learned about analytics, I was thrilled. One of the very frustrating things is how the content you create is seen, but no one clicks the LIKE button.

However, analytics doesn’t rely on the audience to “LIKE” your content to know if they have been to it or even shared it. It can record if someone came to the page and how long they were on it, as well as many other tidbits.

FANZONE for Georgia vs. Alabama SEC Championship game Georgia World Congress Center[NIKON D5, 28.0-300.0 mm f/3.5-5.6, ISO 65535, ƒ/4.8, 1/4000, Focal Length = 62]

Are you aware of “Blind Spots” in your analytics, such as images?

Images are increasingly taking over social media and becoming a significant way of engaging and talking about your brand. Prints are generally more memorable and shareable than text.

There are over  300 million active daily users on Instagram alone; it’s clear images are a vast social commodity. But why is the intent behind sharing images such a big deal? For starters, not all images are accompanied by text. Sometimes the whole point is that words can’t adequately convey the emotion or event, so it’s shared in image form. If your social media listening is all about text, these posts and users aren’t accounted for in your analytics. This is your “Blind Spot.”

This means there is no way to get accurate analytics about photos unless you could employ eye-tracking technology. Most people will not allow the cameras on their phones and computers to be turned on to watch how they behave while looking at your content.

Georgia vs Alabama [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 14400, ƒ/5.6, 1/250, Focal Length = 52]

Why are clickbaity headlines working? Content that piques users’ curiosity does well. Instead of writing clickbaity headlines, can we integrate this insight into our content strategy? Write about topics people are curious about but may not know enough.

I think Henry Ford once said, ‘If I‘d asked customers what they wantedthey would have told me, “A faster horse!”’ People don’t know what they want until you show it to them. That’s why I never rely on market research. Our task is to read things not yet on the page.”

Steve Jobs
Lifeshape Third Annual Legacy of Leaders Golf Classic [NIKON D5, 35.0 mm f/1.4, ISO 100, ƒ/5.6, 1/1250, Focal Length = 35]

Editorial judgment is still needed alongside analysis of quantitative data. Each newspaper and station adopts its news values. Good “news judgment” means understanding your audience and your organization’s principles and values.

Being a good storyteller/journalist is akin to being a good parent/teacher. You rely on data to help you know what is working while simultaneously looking out for them and distilling information into a digestible form.

Nikon Z6 & Fuji X-E3 Contemporary Worship Service

Photo Above Data [NIKON Z 6, Sigma 24.0-105.0 mm f/4.0 ART, ISO 16000, ƒ/6.3, 1/200, Focal Length = 95]

Contemporary Service at Roswell Presbyterian Church on Sunday, December 30, 2018, in Roswell, GA. [NIKON Z 6, , ISO 51200, ƒ/4, 1/80, Focal Length = 24]

I have owned the Fuji X-E series cameras for a few years. I love them. Then I bought the Nikon Z6 to be able to shoot mirrorless with some of my Nikon glass.

Contemporary Service at Roswell Presbyterian Church on Sunday, December 30, 2018, in Roswell, GA. [NIKON Z 6, , ISO 6400, ƒ/4, 1/200, Focal Length = 105]

I think the Fuji X-E3 compares pretty well to the Nikon Z6. I like that the Fuji X-E3, when you are close to someone will find their face and eyes. 

Contemporary Service at Roswell Presbyterian Church on Sunday, December 30, 2018, in Roswell, GA. [X-E3, XF55-200mmF3.5-4.8 R LM OIS, ISO 800, ƒ/4.8, 1/100, Focal Length = 300]

The Nikon Z6 camera automatically detects the subject and selects the focus area. At default settings, the camera gives priority to portrait subjects; if a portrait subject is detected, the selected subject will be indicated by a yellow border (if multiple faces are detected, you can choose your subject using the multi-selector). 

Contemporary Service at Roswell Presbyterian Church on Sunday, December 30, 2018, in Roswell, GA. [X-E3, XF55-200mmF3.5-4.8 R LM OIS, ISO 1000, ƒ/4, 1/125, Focal Length = 143]

To get some photos from the service, I left the 55-200mm on the Fuji X-E3 and the 24-105mm on the Nikon Z6.

Contemporary Service at Roswell Presbyterian Church on Sunday, December 30, 2018, in Roswell, GA. [NIKON Z 6, , ISO 51200, ƒ/4, 1/60, Focal Length = 95]

No question that the larger full-frame sensor on the Nikon Z6 had less noise. However, I was also pretty happy with the noise on the Fuji X-E3.

Contemporary Service at Roswell Presbyterian Church on Sunday, December 30, 2018, in Roswell, GA. [NIKON Z 6, , ISO 51200, ƒ/4, 1/50, Focal Length = 35]
Contemporary Service at Roswell Presbyterian Church on Sunday, December 30, 2018, in Roswell, GA. [X-E3, XF55-200mmF3.5-4.8 R LM OIS, ISO 12800, ƒ/3.5, 1/25, Focal Length = 83]

I think that the dynamic range is better with the Nikon Z6. You can see some of that comparison here.

Contemporary Service at Roswell Presbyterian Church on Sunday, December 30, 2018, in Roswell, GA. [X-E3, XF55-200mmF3.5-4.8 R LM OIS, ISO 2500, ƒ/4.8, 1/100, Focal Length = 300]

I love the smaller size and weight of the Fuji system. I think the quality is excellent.

I think that the image quality and higher ISO are definitely in favor of the Nikon Z6.

Nikon Z6 & D5 at Chick-fil-A Peach Bowl

Top photo specs [NIKON D5, 14.0-24.0 mm f/2.8, ISO 20000, ƒ/5.6, 1/4000, Focal Length = 17]

Chick-fil-A Peach Bowl 2018 Florida vs. Michigan [NIKON Z 6, 28.0-300.0 mm f/3.5-5.6, ISO 450, ƒ/5.3, 1/100, Focal Length = 90]

I was able to do some testing of the Nikon Z6 at the Chick-fil-A Peach Bowl game of Florida vs. Michigan. The final for those interested in the score was Florida 41 and Michigan 15.

Chick-fil-A Peach Bowl 2018 Florida vs. Michigan [NIKON Z 6, 28.0-300.0 mm f/3.5-5.6, ISO 18000, ƒ/5.6, 1/4000, Focal Length = 150]

I can say that the Nikon Z6 sensor gives you great dynamic range and very little noise at high ISO numbers.

Andy Stanley – Invocation Chick-fil-A Peach Bowl 2018 Florida vs. Michigan [NIKON Z 6, 28.0-300.0 mm f/3.5-5.6, ISO 40000, ƒ/5.6, 1/4000, Focal Length = 300]

The mirrorless Nikon Z6 used an electronic shutter at 1/4000, which gave some lines if the LED signage was in the photo at those shutter speeds. At the slower speed of 1/100, the jumbotron came out just fine.

Chick-fil-A Peach Bowl 2018 Florida vs. Michigan [NIKON D5, 120.0-300.0 mm f/2.8, ISO 22800, ƒ/5.6, 1/4000, Focal Length = 320]

Regarding the fast action on the field, my Nikon D5 did a superior job of focusing. I do not think the Nikon Z6 is in the same league for sports as the Nikon Flagship D5.

Chick-fil-A Peach Bowl 2018 Florida vs. Michigan [NIKON Z 6, 28.0-300.0 mm f/3.5-5.6, ISO 25600, ƒ/5.6, 1/4000, Focal Length = 125]

Due to the performance not being equal to the Nikon D5, I put the Nikon 28-300mm on the Nikon Z6 and shot some with it in the Red Zone.

Chick-fil-A Peach Bowl 2018 Florida vs. Michigan [NIKON Z 6, 28.0-300.0 mm f/3.5-5.6, ISO 14400, ƒ/5.6, 1/4000, Focal Length = 300]

When you compare the image quality, the Nikon Z6 is fantastic. Good dynamic range.

Chick-fil-A Peach Bowl 2018 Florida vs. Michigan [NIKON D5, 120.0-300.0 mm f/2.8, ISO 25600, ƒ/5.6, 1/4000, Focal Length = 600]

The big difference was that whenever the LED boards were in the photos, the Z6 gave those lines, and the D5 didn’t look at the 1/4000 shutter speed.

Chick-fil-A Peach Bowl 2018 Florida vs. Michigan [NIKON D5, 120.0-300.0 mm f/2.8, ISO 32000, ƒ/5.6, 1/4000, Focal Length = 550]

I am still very pleased with the Nikon D5 for sports. However, I do love seeing what you will get with the EVF of the Nikon Z6.

Chick-fil-A Peach Bowl 2018 Florida vs. Michigan [NIKON D5, 120.0-300.0 mm f/2.8, ISO 40000, ƒ/5.6, 1/4000, Focal Length = 460]

So for sports, I will continue to rely on the Nikon D6, but I think the Nikon Z6 is much more fun to shoot for almost everything else.

FanZone at the Chick-fil-A Peach Bowl 2018 Florida vs. Michigan [NIKON Z 6, 24.0-105.0 mm f/4.0, ISO 2800, ƒ/4, 1/100, Focal Length = 52]

I love walking around with the Nikon Z6. It is a lot lighter than the Nikon D5.

Chick-fil-A Peach Bowl 2018 Florida vs. Michigan [NIKON Z 6, 28.0-300.0 mm f/3.5-5.6, ISO 640, ƒ/4.2, 1/100, Focal Length = 48]

Another thing that the Nikon Z6 is great about, but not a factor at the Mercedes-Benz Stadium, is how quiet the camera is when clicking the shutter.

Chick-fil-A Peach Bowl 2018 Florida vs. Michigan [NIKON Z 6, 28.0-300.0 mm f/3.5-5.6, ISO 22800, ƒ/5.3, 1/4000, Focal Length = 105]

Many think I should lower the ISO and shoot at a slower shutter speed of 1/1000. I can tell you that the sharpness goes up with the higher shutter speed.

I hope you enjoyed seeing the results from the Chick-fil-A Peach Bowl. In summary, buy the Nikon D5 for shooting sports, and for most everything else, the Nikon Z6 is just perfect.