Light diagrams for dancers (Part 2)

 
We liked the lights in the photo to give that backstage feel and decided to rotate some dancers through and go with the best one rather than changing things a great deal.

I like giving my clients options. We tried a few different looks with different dancers. You get a different look by swapping dancers in the same lighting scheme. If we had more time, you could have tried a few more outfits to give you more options.

Photographers need to understand that by shooting vertical and horizontal photos of the same subject, the client now has options that help them do much more from the time they invested with the photographer. More important than the options is the best photo looks even better when they see you tried to get more.

If a photographer only shows one image from the shoot, then a client will wonder why you didn’t try something more. By offering them a variety, they see how the photographer tried different things, but the subject didn’t make it happen. Type, of course, is why you sometimes pay for a professional model who can give you the best expression and body language options as the photographer is trying to do with camera angles, composition, and lighting. 

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Lighting Diagram for the photo above

These photos are not all that different in lighting, but the difference is in the dancer, the way they pose, and the expression they bring to the moment.

Which one of these do you like the most? Can you tell me why you like it better than the other photos?

Business

Just like you vary the lights and the poses and do everything to give the client choices, do this in your estimates.

I try to offer some options whenever possible. The client may choose the cheapest package, but by providing the opportunity where you had unlimited funds, you could do this; the client appreciates your creativity and willingness to be flexible.

Sometimes I must give an even cheaper package and show that it lacks what they need to show them I can be flexible on price, but they might have to lose something.

I hope you remove the concept of going the 2nd Mile and give superior service by providing the client more options.

Sometimes the subject’s attitude, in combination with the composition and lighting, can create the mood you are looking for.  [NIKON D3S, 28.0-300.0 mm f/3.5-5.6, Mode = Manual, ISO 200, 1/160, ƒ/16, (35mm = 112)]
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Lighting diagram for the photo of the dancer on the bar
We got a different look with very little change by just bringing the dancer forward and moving the grid to highlight her face.
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Lighting diagram of a dancer in front of the bar

U. S. Labor Secretary Hilda Solis speaks in Atlanta

At the last minute, a request came in to cover a meeting held at Cascade United Methodist Church here in Atlanta on jobs. Hilda L. Solis, the US Labor Secretary, will be the keynote speaker.

As with most of these last-minute meetings, you must be very flexible and understand why the client wants you to cover the conference.

Hilda A. Solis, US Labor Secretary, takes questions from the media after speaking to the US Department of Labor Symposium: Job Clubs & Career Ministries on the Front Lines of Getting Americans Back to Work held at Cascade United Methodist Church in Atlanta on October 5, 2011, and standing behind her is Rev. Dr. Marvin Anthony Moss, Cascade United Methodist Church.

My goal was to show that the church hosted the event where the US Labor Secretary was the keynote. I think the first photo helps capture that it was a newsworthy event and the UMC logo on the podium showed they were hosting the event. The pastor is in the background, helping tie the church into the event through the photo even more.

In my opinion, an extended caption with that photo tells the story.

Corentiss Holmes from Georgia Trade-UP speaks as Madam Secretary Hilda L. Solis, U.S. Labor Secretary, listens US Department of Labor Symposium at Cascade United Methodist Church in Atlanta, GA.

After speaking, Madam Secretary Solis took questions and invited the Georgia Trade-Up group attending to the podium. They had just gone through training and now needed jobs.

Solis told her story of going to college on a Pell Grant and being the first in her family to graduate from college. However, while her story and the story of President Obama made it from very humble beginnings to the country’s highest offices, the education issue was not what was fixing the present unemployment situation.

Solis was here to promote President Obama’s plan before congress.

Solis talks about her journey using Pell Grants to go to college and the importance of science and technology degrees today.

I am not writing this to talk about what she was speaking to the group about as much as to show how I covered the event. In addition, I wanted to deliver professional-looking people who are out of work and need jobs.

I needed to show this in addition to the podium shot because this is what she came to Georgia to help fix.

Audrey Jones talks about how she is looking for work now on a panel discussing getting Georgians back to work. She had been in the banking industry but was now looking for work in healthcare. Do you have a job for her?

The panels included people from the faith community who had job clubs to help their members and those from the community find jobs. In addition, they have meetings where experts come in to give tips, that could be on how to use LinkedIn, and Facebook, how to write a resume, and even some give out gas cards to help them find work.

The idea is to share what they are doing in hopes that more faith communities start these groups because through networking, people learn to cope and find jobs.

Brian Ray of Crossroads Career Network leads a panel discussion on Getting Georgians Back to Work.

The high we get from creating – by Guest Blogger Brad Moore

I enjoy blogging, because I learn so much from the process. However, turning out 3 blogs a week can be draining. It is important to keep new material coming, so I have asked some friends to guest blog.

I thought immediately of my friend Brad Moore who helped his boss Scott Kelby coordinate the guest blogger for Scott’s blog. I knew he understood what I do and would most likely be the best person I could think of to kick off what I hope to be a way to introduce you to my favorite people in the industry.

Brad is one of the best in the industry when it comes to going the second mile and knowing how to play second fiddle. Brad helped Joe McNally and now helps Scott Kelby look good. He has the reputation of anticipating a photographer’s needs after working with them.

As you can see from his words below, Brad is always thinking.

Stanley


Brad Moore – Guest Blogger

[Author’s Note: I wrote this for myself more than anyone else. I hope you find it applicable as well.]

Bob Dylan almost had it right with the lyric “Everybody must get stoned!” from Rainy Day Women #12 & 35, the first track on his 1966 double album Blonde On Blonde. While I don’t condone or recommend getting stoned through the use of illegal drugs, I do recommend getting high.

We are constantly seeking manners through which to get high. There are the obvious things like alcohol, sex, drugs, caffeine, etc. If not one of those, then job promotions, buying a new car/purse/camera, or beating our high score on Angry Birds.

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Michael Maddox of Kill Hannah performs on July 21, 2010 at The Ritz in Ybor City, Tampa, Florida (photo by: Brad Moore)

But as creatives, we get our high by creating things. The feeling of creating something we’re proud of and sharing it with others produces a high that is not easily paralleled.

In Art & The Bible, Francis Schaeffer discusses how our works of art are works “of creativity, and creativity has value because God is the Creator… Man is made in the image of God, and therefore man not only can love and think and feel emotion, but also has the capacity to create. Being [made] in the image of the Creator, we are called upon to have creativity. In fact, it is part of the image of God to be creative.”

So, as we are made in the image of God, and God is the Creator, we too all have creativity within us. This is the reason creating something gives us a high that’s difficult to match through other means.

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A view from backstage during Fireflight’s performance on September 11, 2010 during “Rock The Universe” at Universal Studios in Orlando, Florida (photo by: Brad Moore)

However, we all go through “valley” periods from time to time, going weeks, or even months without creating something for ourselves. And no the things we create at our day jobs out of requirement, but something you do for YOU.

It can almost be depressing.

But the moment you point your camera at something that excites you and click the shutter, a rush of endorphins hits you. And when you get through the editing process to find the ONE shot, it can feel as if you’re bringing new life into the world.

How then do we get ourselves out of these occasional valleys and continue creating fresh art?

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Hillsong United perform in support of Aftermath before a sold-out crowd at American Airlines Arena on August 6, 2011 in Miami, Florida (photo by: Brad Moore)

We get ourselves into these valleys by walking along a road of repetition. These creative ruts occur by doing the same thing, the same way, over and over. And we repeatedly do things the same way because we think we have it figured out, the “right way” we’re supposed to do them.

In Walking On Water, Madeleine L’Engle says, “We live by revelation, as Christians, as artists, which means that we must be careful never to get set into rigid molds. The minute we begin to think we know all the answers, we forget the questions, and we become smug like the Pharisee who listed all his considerable virtues and thanked God that he was not like other men.”

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Derek E. Miller of Sleigh Bells performs for a sold-out crowd at State Theatre in St. Petersburg, Florida on April 29, 2011

When we think we have everything figured out, we become smug and close our minds to divine inspiration, which makes it difficult grow in our art. We must continue asking questions about our creative process in order to stay fresh in our approach. Even the most accomplished artist will likely admit that their best ideas come from outside themselves, regardless of their spiritual affiliation.

If our calling in life is a creative one, we must put ourselves in a position where our minds are open to divine inspiration, and our creative process open to questioning and exploration. Doing this will allow us to make fresh new art that we are unable to create on our own.

So go out, explore, create, and get high!

You can see more of Brad’s work at bmoorevisuals.com, find him on Google+, and follow him on Twitter.

Light diagrams for dancers

 
The client was looking for a “Gritty Look,” We decided to use a brick wall to look like you are backstage and toss in the lights with gels in the background to add to the effect.

“Our dance department needs some photos for a poster to promote the department,” was the request. After discussing the proposal and what they wanted in more detail, I realized we would wing this one.

I packed up in my van all my lights and backgrounds. Of course, I had most of my cameras and lenses with me.

They wanted gritty and edgy in one photo. Then the college wished to other traditional images for ballet.

Here are two from the photo shoot with the diagrams of how I used lights in the photos. In my next blog, I will also show a couple more pictures from the shoot.

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Here is the lighting diagram for the photo above.

Do you have a favorite of these two? If so, why did you pick it over the other one? What would you change if you could on these photos? There is always a place to comment on these blogs below.

This photo is more of a classic look, and I liked the moment a lot. The columns were in a lobby, and we decided to use these to help set the mood. I used a warm gel also to help convey a warm moment.
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Here is the diagram for the Ballerina by herself.

Professional Photographers and Restaurants have a lot in common

Meet Chef Marc Wegman and his wife at Adele’s: Authentic Cajun Experience.

A successful restaurant and a successful photographer have a lot in common.

We were really sad to see one of our favorite restaurants in Roswell close.  It was “North of New Orleans.”  They had great food and we loved the staff.  They didn’t survive a year.

They had a very hard time finding good kitchen help that understood not just how to cook, but to meet the demands of lunch and dinner rushes.  This pressure in the kitchen caused conflicts.

The old adage if you can’t stand the heat then get out of the kitchen, isn’t referring to the physical heat.  Running a restaurant business creates a lot of psychological pressure in so many areas.

It takes a restaurant balancing all these areas to be successful.

Photographers go out of business every year for the same reasons restaurants fail.  It isn’t always their photography that causes the failure—it is sometimes business or people skills that can take them under.

I continue to struggle with my business.  Everyone does sooner or later.  Sometimes a camera fails and I have to deal with the complications this can cause to an assignment.  Sometimes I have to deal with unrealistic expectations of people.  How you handle these moment’s taxes ones people and business skills.

I think the only thing that fails more than restaurants are photo businesses.  Just as chefs can over focus their success on the food, so too photographers over focus on the photos.

We hope that Chef Wegman is successful with his restaurant Adele’s.  We love the food and hope he can do everything on the business side to stay around.

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We were excited to see they did hire Craig who worked at NOLA.  this is Dorie, Craig and Chelle enjoying a small reunion.

Adele’s is conveniently located on the corner of Holcomb Bridge Road and Old Roswell Road in beautiful Roswell, Georgia.

Location / Contact Info:
690 Holcomb Bridge Road, 
Suite 260
Roswell, GA 30075
770-594-0655
[email protected]
http://www.adelescajun.com/