Successful Self-Promotion for Photographers in 2025: A Practical Guide

If you’re a photographer trying to stay relevant and profitable in 2025, you already know just being “good with a camera” isn’t enough. The photographers who thrive today aren’t just capturing images—they’re building trust, solving problems, and promoting themselves personally, strategically, and consistently.

As someone who’s spent decades helping others tell their stories, here’s how I’ve learned to successfully self-promote in a way that builds long-term relationships and opens new doors.

Know Your Audience

Start here: Who do you want to reach?

If you’re like me, your ideal clients are nonprofits, faith-based groups, or small businesses that need strong brand messaging. These clients are often overwhelmed, understaffed, and unsure how to communicate visually. They don’t need someone to “take photos”—they need someone to help them connect.

So make sure everything about how you present yourself speaks to that. Your audience needs to know:

  • You understand their mission.
  • You’ve helped others like them.
  • You’re someone they can trust with their story.

When your message speaks directly to their world, it becomes about them, not just you.

Ya Ya Sebre repairs motorcycles in his workshop in Garango, Burkina Faso. He uses his skills to serve his community and support his family in West Africa.

Identify and Solve Their Problems

A promotion that works starts with empathy.

Think about the actual pain points clients bring to the table. Maybe they’re struggling to get donors to engage, or their social media feels flat. Perhaps they’ve worked with other photographers who delivered technically OK photos, but missed the emotional connection.

What you’re offering is a solution. You’re helping them:

  • Communicate value to their audience.
  • Connect emotionally with supporters or customers.
  • Build consistency across their visual brand.

Your messaging should reflect that on your website, blog, emails, and in person.

A team of local and visiting surgeons collaborates during a procedure at Hôpital Baptiste Biblique in Togo. This mission hospital blends compassionate care with surgical excellence, serving as a vital lifeline for thousands in West Africa.

Structure Your Portfolio for Their Needs

Most photographers build portfolios that show what they like to shoot. However, effective self-promotion means showing what your clients want to see.

Instead of a general “highlight reel,” think about case studies. Break your portfolio into categories like:

  • Brand Storytelling for Nonprofits
  • Faith-Based Projects
  • Event Coverage with a Mission
  • Executive and Environmental Portraits

Show variety, but also show depth. For each gallery, include a short paragraph about the client’s challenge, your approach, and the result. A powerful image with a brief story goes much further than a grid of 20 random shots.

Promote Yourself—Consistently and Intentionally

In today’s market, it’s easy to fall into the trap of thinking you must always be everywhere. Instead, aim to be intentional in the ways that matter most.

Snail Mail
Surprise still works. A professionally printed postcard with a handwritten note has a much higher open and response rate than another email in their inbox. Use it to highlight a recent campaign or image series relevant to their mission.

Email
A well-crafted newsletter—once a quarter or once a month—is a great way to stay top-of-mind. Ensure it’s more than “look at my latest shoot.” Offer value: a quick tip on storytelling, a link to a behind-the-scenes post, or a short story of a client’s success.

Blog and Website
Consider your blog your voice when you’re not in the room. Write posts that answer the kinds of questions your clients are already asking:

  • What makes a good storytelling photo?
  • How do visuals help with fundraising?
  • What do we need to do before the shoot?

Ensure your website leads people somewhere: either to contact you, download something helpful, or read more about your process.

Networking and Speaking
This still works better than anything else, especially in the nonprofit and small businesses. Offer to give a short talk on storytelling at a local church, business group, or creative meetup. Speak from experience. Don’t sell. Teach.

You’re not just a vendor—you’re a guide. And the more people see you that way, the easier it is for them to say yes.

Golden hour over Ocean Isle Beach, North Carolina—where the Atlantic meets a peaceful island community. This aerial view captures the harmony of coastline, homes, and marshland in one perfect summer evening.

Choose the Right Images to Reinforce Your Message

Images matter as much in your self-promotion as in your client work. Choose photos that reflect both skill and purpose.

Here are the types of images to pull from your website and blog:

  • Emotion-rich moments from nonprofit or missionary stories. Show connection, not just action.
  • Before-and-after branding examples—how a campaign improved with visuals.
  • Behind-the-scenes photos of you working, especially in faith or storytelling contexts.
  • Photos with real people, real impact—portraits of clients or community members engaging with your work.
  • Close-up emotional moments that visually reinforce the message of your post.

These aren’t just portfolio pieces—they’re proof of concept. They show that you understand how to capture images that do something.

Final Thought

Self-promotion doesn’t have to feel awkward or self-serving. Knowing your audience and speaking directly to their needs becomes something much more powerful: an invitation to collaborate.

You’re not just saying, “Look at what I’ve done.” You’re saying, “Here’s how I can help you tell your story.”

And that’s what people will remember.

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Capturing the 4th of July Fireworks – From the Air and the Ground

This year’s 4th of July celebration was a little different for us—but in the best way possible.

Our friends George and Robbie Coppenhaver graciously invited us to join them for fireworks in their cul-de-sac inside Roswell Country Club, here in Roswell, Georgia. It was the perfect setup for a relaxing evening. My wife Dorie is recovering from some cartilage damage in her knee, and her doctor has her off her feet for six weeks. So we parked in a driveway, set up our chairs about 20 feet away, and enjoyed a full-blown fireworks show without walking more than a few steps. Talk about front-row comfort.

As a storyteller who rarely leaves the camera behind, I packed a few tools to capture the magic.

Tools of the Trade

I used my Nikon Z9 paired with the 14–30mm f/4 lens to photograph the fireworks. I locked it down on a tripod and went fully manual for complete control. Here’s my setup:

  • ISO: Between 100 and 400
  • Aperture: f/8 to f/11
  • Shutter Speeds: 1 to 25 seconds
  • Trigger: Cable release to hold the shutter open for multiple bursts—typically 4 to 8 fireworks per frame

If you’ve ever photographed fireworks, you know that long exposures let you paint multiple bursts into a single frame. It’s all about timing—open the shutter just as the shell pops and close it after a few nicely spaced explosions.

Eyes in the Sky

I also launched my drone to capture video footage from above to get a unique angle. There’s something magical about seeing fireworks from the sky—watching them bloom over neighborhoods, lighting the night from a new perspective. I later edited the drone footage in Adobe Premiere Pro.

The stills were processed in Lightroom, where I fine-tuned the contrast and color to give the images that extra punch you want with fireworks photography.

One Last Tip

If you can watch a stunning fireworks display just 20 feet from your car, take it. especially when you can bring your gear, settle in comfortably, and still capture professional-level images and video. It was a beautiful night with great company, and I’m grateful for the chance to document it from both the ground and the air.

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How Nikon Metering Modes Changed My Photography—and What Still Matters Most

When I started in photography, getting the exposure right meant knowing your film, your light, and your camera like the back of your hand. There were no histograms or blinking highlights, just your eyes, meter, and instincts.

Back in the Kodachrome days, there was little room for error. That film had a narrow latitude—you exposed for the highlights or you paid for it with lost detail. It trained me to see light with discipline. There were no safety nets.

Then Nikon started evolving their metering systems, and everything started to change.


A Quick History of Nikon Metering Modes

Here’s a timeline of how Nikon evolved metering, each innovation promising better consistency:

  • Center‑Weighted Metering
    📷 Nikon F (1959)
    Focused most of the meter’s reading on the center of the frame—perfect when your subject was dead center.
  • Matrix (Evaluative) Metering
    📷 Nikon F-601 / N6006 (1990)
    Game changer. The camera divided the frame into zones and used algorithms to guess the best exposure.
  • 3D Color Matrix Metering
    📷 Nikon F4/F5 (1996)
    Brought distance and color into the metering equation. The camera was getting smarter.
  • Digital 3D Color Matrix Metering
    📷 Nikon D1 (1999)
    Added a 1,005‑pixel RGB sensor. Welcome to digital wizardry.
  • Spot Metering
    📷 Nikon F-601 (1990) and D1 (1999)
    Gave precise readings from a small portion of the frame—ideal for tricky lighting situations.
  • Highlight‑Weighted Metering
    📷 Nikon D810/D850/D5 (2014–2016)
    Specifically, it protects highlights and is a mode designed around how we see and work.

More Intelligent Cameras, But Still Not Smarter Than the Photographer

With every advancement, metering improved. It helped with consistency. But I also learned that no matter how smart the camera got, it could still be fooled, especially if I wasn’t entirely in control.

If you shoot in Aperture PriorityShutter Priority, or Program, your camera makes decisions for you. And sometimes, it makes the wrong call.

That’s why manual mode—with all these tools as guides, not governors—is still my home base when it matters most.


Enter the Histogram—A Digital Lifesaver

When digital came along, the histogram changed the game. I could finally see whether I was clipping highlights or crushing shadows. It took all those years of Kodachrome discipline and gave me a feedback loop. That made a massive difference in fast-paced situations.

I dive deep into this in my blog post, “Changing My Photography Game with the Nikon Z9 – White Balance and Metering Insights”. The Z9 gave me metering tools I never imagined years ago—but I still had to learn how and when to override them.


The Promise (and Pitfalls) of Eye-Tracking + Spot Metering

When I started using eye-tracking autofocus combined with spot metering on the Nikon Z9, I thought I had found the holy grail for portrait work.

It’s fantastic for a single person.

But on a football field? Where are there dozens of faces in the frame? The camera might suddenly lock onto a coach on the sideline instead of the wide receiver sprinting downfield.

That’s where I leaned back on my sports settings for the Nikon Z9. You’ve got to train the camera for the game, not just the face.


Metering Glitches? Sometimes It’s Not You

There have also been times when metering just seemed off. It turns out it wasn’t user error—it was a glitch.

In one post, “Troubleshooting Nikon Camera Glitches—Unveiling Solutions Beyond the Exposure Triangle,” I discuss how understanding metering modes also means knowing when the camera needs a reset or when firmware updates fix bugs that quietly wreak havoc.


Final Thoughts: Tools vs. Trust

Today’s metering systems are nothing short of incredible. But they are tools, not truth-tellers. They can inform, assist, and enhance—but only if you, the photographer, are in charge.

You still need to:

  • Know the lighting
  • Understand your subject
  • Choose the correct metering mode
  • Review your histogram
  • Be willing to go manual when things get unpredictable

Metering modes may have changed how I work, but they haven’t changed why I meter: to tell the story with clarity, consistency, and control.

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Why I Use Manual Flash Most of the Time (Even Though TTL is Pretty Smart)

Over the years, I’ve used everything from Nikon’s speedlights to studio strobes like the Flashpoint XPLOR 600, and I’ve learned that manual flash gives me the consistency I need when the light—and the story—matter most.

Don’t get me wrong—TTL flash (through-the-lens metering) is an incredible tool, especially in a fast-moving, unpredictable environment. It’s like having an assistant constantly reading your scene and adjusting the light. TTL can be a lifesaver for event work, weddings, or situations where your subject and background continually change.

But when I have the time to set up and shape the light—whether it’s an environmental portrait, a brand shoot, or storytelling for a nonprofit—I switch to manual flash every time.

Shaping Light for Portraits — Demonstrating the shift from butterfly lighting to clamshell lighting by introducing a lower fill with a reflector or second light source during a live demo in the SOP1 class at YWAM’s School of Photography in Kona, Hawaii. Photo by Dennis Fahringer. Model: Julie Gavillet.

Manual = Control and Consistency

TTL works by firing a quick pre-flash and measuring the light bounce to determine power. The problem? If your subject moves slightly or the background changes, your exposure can shift, even if nothing about your lighting setup changes.

That’s where manual flash shines. Once you dial your settings—say 1/8 power, 1/200 shutter speed, f/4, ISO 100—you’re locked in. You can reposition, recompose, and shoot knowing your light won’t surprise you. That’s a big deal when trying to match strobes to ambient light or nail a consistent look across a series of images.

As I’ve written, “Flash is like garlic—a little goes a long way.” Manual flash gives me the finesse to use enough light to sculpt the subject without overwhelming the scene. With TTL, you sometimes get too much “garlic” when you weren’t expecting it.

Controlling the Light, Not Guessing — Demonstrating a classic 3:1 lighting ratio using manual flash setup—key, fill, and background light—to create consistent, controlled portraits without relying on TTL. This hands-on session was part of the SOP1 class at YWAM’s School of Photography in Kona, Hawaii. Photo by Dennis Fahringer. Model: Julie Gavillet.

When TTL Makes Sense

There are times when TTL flash is exactly what I need. In my post on slow-sync TTL flash, I discussed balancing flash with ambient light during low-light moments. TTL is perfect for that, especially when people are moving in and out of shade or you don’t have time to meter and tweak.

I also appreciate TTL using small flashes like the Godox V860 in rapidly changing lighting conditions. TTL gives you a strong starting point; some systems even let you dial in exposure compensation if TTL overshoots.

But again, if I have the time, I’ll almost always switch to manual after that initial TTL reading—because I want consistency from frame to frame.

Revealing, Not Replacing the Light — Teaching how to use flash to gently lift shadows and reveal detail in a backlit scene, preventing the subject from becoming a silhouette. Photo by Dennis Fahringer. Fire dancer: Aileen Kunewa.

Real-World Example: Flashpoint XPLOR 600 and the Nikon Z9

When I tested the Flashpoint XPLOR 600 with my Nikon Z6 (and now the Z9), I was impressed with how well the TTL worked for quick setups. But for my storytelling work—especially when I’m controlling background light with high-speed sync (HSS)—I rely on manual mode to avoid fluctuating exposures that TTL can sometimes introduce.

Once I’ve dialed in that look—backlight from the sun at f/2.8, a soft key from my off-camera flash—it’s smooth sailing. Manual gives me repeatability, and that’s critical when I’m shooting interviews or sequences where continuity matters.

Teaching the art of light on location — I’m demonstrating off-camera flash techniques with fire dancer Aileen Kunewa on the beach in Kona, Hawaii, during a live shoot with the School of Photography 1 class at YWAM. This hands-on session focused on using manual flash to shape light creatively in challenging environments—photo by Stanley Leary.

Final Thoughts

If you’re new to Flash, TTL is a great teacher. It helps you understand how flash balances with ambient and gets you close quickly. But if you’re ready to take control of your lighting, manual is the way forward.

So while both TTL and manual flash are in my bag, manual flash gives me the light I trust frame after frame.


Let’s connect:
Do you have a question about manual flash, or would you like help with setting up the Nikon Z9? Please message me or check out more lighting tips on my blog.

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Clarity Through Connection: What Great Teachers and Leaders Share

Great teaching doesn’t just transfer knowledge—it builds trust, invites vulnerability, and creates space for laughter. Here’s a fun moment with students and staff from the YWAM School of Photography in Kona, Hawaii, where we didn’t just learn photography—we learned how to lead by showing up as ourselves.

“The best teachers translate complexity into clarity, not by simplifying the subject, but by personalizing the path.”
Stanley Leary

Over the years of teaching photographers, videographers, and storytellers from all walks of life, I’ve learned that people don’t just need simplified information-they need relevant understanding. Whether helping someone understand lighting or guiding a nonprofit through brand strategy, I’ve seen that people needn’t just simplified information—they need relevant understanding.

Albert Einstein put it this way:

“If you can’t explain it simply, you don’t understand it well enough.”

It’s a great benchmark. But here’s the next step: just because something is simple to you doesn’t mean it’s clear to them. That’s where personalization comes in.


Teaching vs. Leading: Who Needs to Personalize?

A workshop teacher works face-to-face with learners, adjusting explanations to match different learning styles. One person may need visual examples, another might learn best by doing, and a third might need the story behind the technique to understand its purpose.

Great teachers observe, listen, and respond—not just with answers, but with adaptation. The best ones know the material, sure—but more importantly, they learn the student.

Now, what about leaders?

They may not be teaching aperture or video timelines, but they are guiding people—staff, partners, clients, or donors—through complex decisions and missions. Clarity still matters, and so does personalization.

A great leader:

  • Shapes the organization’s message to fit different audiences.
  • Communicates vision in a way that each team member can own.
  • Understands when to lead from the front and when to walk beside.

Like the teacher, the leader must also personalize the path.


Don’t Just Simplify—Clarify

It’s tempting to take shortcuts: simplify, eliminate the details, and assume people will “get it.” But that often leads to misunderstanding or disengagement.

True clarity comes from doing translation work—not removing the complexity, but guiding someone through it.

That’s what teaching is. That’s what leadership is. And that’s what storytelling is, too.

Whether you’re standing in front of a classroom or at the head of an organization, the goal is the same:

Help people make sense of what matters—by meeting them where they are and guiding them forward.

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Why Now Is the Moment to Upgrade from DSLR to Mirrorless

If you’ve been holding on to your DSLR, hoping to squeeze out a little more life from it, it’s time to consider upgrading seriously. The industry has spoken—and mirrorless cameras aren’t just the future but the present.

As a professional photographer and storyteller, I’ve seen firsthand how switching to mirrorless has changed my work. If you’re still on the fence, here are the biggest reasons why now is the time to make the move.


1. DSLRs Are No Longer Being Made

Let’s start with the most significant reason: major manufacturers are phasing out DSLRs entirely.

Canon has already announced that the EOS‑1D X Mark III is its final flagship DSLR. Nikon hasn’t introduced a new DSLR since the D6, and reports have stated that they’ll stop production completely soon. Sony made the move even earlier, completely halting DSLR development in favor of its mirrorless Alpha line.

If you’re using a DSLR, you’re holding onto a system that’s no longer being supported. That alone should get your attention.


2. Innovation Lives in Mirrorless

Every new advancement is happening in the mirrorless space. That includes:

  • Faster, smarter autofocus powered by AI and on-sensor phase detection.
  • Live exposure preview in electronic viewfinders—what you see is truly what you get.
  • Incredible video tools like in-body stabilization, high frame rates, and pro codecs.
  • Silent shooting and high frame rate burst modes that outperform DSLRs.

All the cutting-edge features are going into mirrorless systems, not DSLRs. If you want to keep up, you need to switch.


3. Smaller, Lighter, More Efficient

Mirrorless bodies are typically more compact and lighter than their DSLR counterparts. This makes a big difference if you’re traveling, shooting long events, or working in tight spaces.

Fewer moving parts also mean greater reliability and fewer potential mechanical failures.


4. The Market Has Moved

Sales of mirrorless cameras surpassed DSLRs a few years ago, and that gap has only widened. Mirrorless cameras now dominate both the enthusiast and professional markets. Camera companies invest their resources into mirrorless R&D, marketing, and customer support.

When the market moves, it’s wise to move with it.


5. Lens Ecosystems Are Focused on Mirrorless

Canon’s RF lenses, Nikon’s Z-mount lineup, and Sony’s ever-growing FE collection are where lens innovation is happening.

Yes, you can adapt DSLR lenses to mirrorless bodies, but in the long term, you’ll want to build your collection with native mirrorless lenses designed for faster autofocus and edge-to-edge sharpness.


6. Perfect for Hybrid Creators

More than ever, content creators are being asked to shoot video and stills. Mirrorless cameras are built for this hybrid world, offering:

  • Flippy screens and touch controls
  • High-quality video modes
  • Seamless streaming and live content capabilities

If you’re a solo creative or small business storyteller, mirrorless makes your workflow faster and more flexible.


Bonus: Trade-In Value & Repair Considerations

1. Trade-In While It Still Has Value
As DSLR production stops, used DSLR gear will lose value fast. Trade-in programs currently still offer decent returns, but that window is closing.

2. Repairs Will Get Harder
With production halted, parts will become scarcer. Fewer authorized service centers will prioritize DSLR support, which means longer turnaround times or no repairs.

3. Fewer Buyers for DSLR Gear
Fewer people are looking to buy DSLR systems as more people are jumping to mirrorless. Resale will only get harder with time.

4. Mirrorless Adapters Give You Flexibility
Most mirrorless systems offer adapters that let you use your existing DSLR lenses. So your old gear doesn’t go to waste immediately—you can gradually transition.


Final Thoughts

I know change can feel risky, especially when it involves gear you’ve come to rely on. But the shift to mirrorless isn’t a trend. It’s a complete evolution. The cameras, lenses, support, and innovation are all headed in one direction.

If you wait too long, you may end up with a system that is not only obsolete but also harder and more expensive to support.

I made the jump, and I haven’t looked back. If you’re ready to discuss your next steps or want help figuring out what gear best suits your style and needs, I’m here for you.

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The Power of Friendship and Storytelling

Friendships aren’t just lovely to have—they’re essential. Research consistently shows that strong social bonds improve physical health, mental well-being, and longevity. Friendships help us live longer, manage stress better, and give us a sense of purpose.

Simon Sinek, the leadership author known for books like Start With Why and Leaders Eat Last, has been thinking a lot about this lately. While he hasn’t yet released a whole book on the topic, he’s shared in interviews and blog posts that he’s become increasingly obsessed with friendship. He discusses how real friendships are the foundation of trust, connection, and good leadership.

As someone who works in visual storytelling, I’ve seen how photography and video can celebrate, reinforce, and deepen those connections. It’s one of the most meaningful uses of our craft—capturing the small, unrepeatable moments that define our closest relationships.


With nothing but his camera and a warm smile, Bill Bangham made instant friends. These kids walked right up to him and offered him tea. Soon after, he captured their portrait—shared moments, trust exchanged, all in a few frames.

Photography: A Celebration of Friendship

Taking photos of your friends isn’t just about making memories. It’s a form of honoring them. It says: “You matter. This moment with you matters.”

Here are some powerful ways photography and video can strengthen and celebrate friendships:

  1. Capture the candid, everyday moments together.
  2. Document your shared adventures—whether a road trip, mission trip, or just a weekend lunch.
  3. Make portraits of each other that you both feel good about.
  4. Show each other how you see one another through your lens.
  5. Create albums or reels that remind you how far you’ve come together.
  6. Revisit old photos to reflect on growth and shared history.
  7. Take video clips of conversations or moments that are often forgotten.
  8. Celebrate milestones together—birthdays, graduations, reunions, or just surviving a hard week.
  9. Turn ordinary hangouts into documentary-style reflections of your friendship.
  10. Being present with a camera says, “This is worth remembering.”

The Real Tip: Photo Reciprocity

Here’s something I’ve learned as a visual storyteller and as someone who archives personal photo collections for families: your collection becomes more powerful when it includes your friends’ perspectives.

Two clients had children who went on the same Spring Break mission trip in 2005. One of the boys gathered photos from all his friends on that trip. I believe he also shared his own with them. Because of this exchange, his family had far more images of their son—photos of him, not just the ones he took.

When we only keep our perspective, we miss half the story. But when our friends take photos and share them with us, we see ourselves through their eyes—and that’s a powerful gift.

So here’s my advice: ask your friends to photograph you. Then swap, trade perspectives, build shared albums, and celebrate each other.


How Sharing Photos Builds Connection

After the rise of Facebook and Instagram, something unexpected happened: we started seeing photos of ourselves we didn’t know existed. Moments from a mission trip, a birthday party, or even just sitting in a coffee shop—all captured by someone else.

This helped us feel more seen, more included. Some studies suggest that people sharing photos with friends feel more connected. Even sharing lighthearted images like pet photos or travel snapshots has increased emotional closeness.

When you see yourself in your friend’s story, something changes. The relationship grows deeper. You start to see how others value you, not just how you see yourself.


Ways to Share Photos with Your Circle of Friends

Here are some easy ways to turn your photo habits into a friendship-strengthening tradition:

  • Create a shared album where everyone adds their best photos each month.
  • Host a photo night and swap prints or slideshows.
  • Send surprise prints in the mail.
  • Start a digital picture frame rotation where you preload your favorite moments for each other.
  • Keep a running photo journal together in a private social media group.
  • Build an annual photo book or scrapbook that you all contribute to.

Celebrating Customers with Photography

This same principle applies in business, too. I’ve visited restaurants that take photos of their guests and hang them on the wall. It’s not just décor—a visual celebration of their community. These walls of smiling faces invite new customers in and remind regulars that they’re appreciated.

Today, that’s moved mostly to social media. Businesses share customer photos online, creating digital versions of that wall.

If you run a business and want to do this well, here are a few tips:

Do:

  • Always get permission before posting.
  • Use a consistent style or frame to make your images feel on-brand.
  • Celebrate your customers, not just yourself.
  • Refresh your content often so it doesn’t get stale.
  • Make your customers feel like VIPs when they’re featured.

Avoid:

  • Posting without consent or using photos out of context.
  • Letting the feed get outdated or inconsistent.
  • Posting poor-quality images that don’t reflect well on your brand.
  • Ignoring customer engagement in the comments or messages.

Done right, these photos can turn casual customers into lifelong fans.


Final Thoughts

As a storyteller and brand builder, I believe professionals don’t tell some of the best stories—they’re lived and captured by friends.

So don’t just take photos of your friends. Ask them to do the same for you. Share them. Celebrate one another. Archive your friendships as you would a legacy—because that’s what they are.

Want to build deeper bonds? Please pick up your camera and hand it to your friend.


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What Dorothy, the Yellow Brick Road, and Seth Godin Taught Me About Strategy

I recently heard Seth Godin share a powerful metaphor; it hasn’t left my mind since.

He talked about Dorothy from The Wizard of Oz—how she started her journey alone, heading to see the Wizard. Along the way, she invited the Scarecrow, the Tin Man, and the Cowardly Lion to join her. Each one said yes, not because she was offering a service, but because they were on a journey too.

That hit home for me as a creative and solo entrepreneur.


As Creatives, We’re All on a Road

Like Dorothy, we start with a vision. But if we’re honest, the road gets long, and we can’t walk it alone. That’s where our customers come in.

They’re not just hiring us for photography, video, or storytelling. They’re looking for something more profound:

  • Like the Scarecrow, they want clarity—they feel stuck in the weeds.
  • Like the Tin Man, they want to connect—they’ve got the structure but need heart.
  • Like the Lion, they want courage—to speak up, be seen, and lead.

And just like Dorothy, we invite them to walk with us.


Strategy Isn’t About You—It’s About Us

Seth’s metaphor reminded me of something I often tell others:

You cannot reach your business goals without your customers.
And they can’t reach theirs without you.

This is the heart of strategy for creatives.

We’re not just offering a product or a service—we’re extending an invitation.
We’re saying, “Let’s go together.”

When we understand what our clients need and show them how we’ll help them achieve it, we build trust.
We build something better than a transaction.
We build a shared mission.


The Takeaway

Dorothy didn’t wait to be fully prepared. She started moving, saw people along the way, and brought them in.

That’s what I’m learning to do, too.

So thanks to Seth Godin for the metaphor and Dorothy for the example.

If you’re building a brand, trying to tell better stories, or just finding your way down the yellow brick road…
Ask yourself:
Who can I invite to walk this path with me?


Want me to help you tell your story along the way?
Let’s talk.

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When Strategy Feels Uncomfortable (That’s When You Know You’re On to Something)

There’s a moment in every solo entrepreneur’s journey when you look around and wonder:

Should I be doing what they’re doing?
Should I change my logo? Get that lens? Should I rebuild my site to look more like theirs?

That feeling—that tug toward mimicry—is familiar. And it’s not always wrong. But it’s often a warning sign that you’re drifting from strategy into reaction.

Both Simon Sinek and Seth Godin speak to this from slightly different angles.

  • Sinek calls us back to our “Why”—the reason we do what we do in the first place.
  • Godin reminds us that strategy isn’t about copying what works for others—it’s about choosing what works for you in service to your audience.

Both are saying the same thing:
Use your creativity to solve real problems for others, in a way only you can.

And that? That’s strategy.


Why Strategy Feels Weird (and Why That’s a Good Sign)

Strategy forces you to be specific. It asks hard questions like:

  • Who are you really serving?
  • What kind of transformation do you create for others?
  • What are you not going to do?

In his conversation with Chase Jarvis, Seth Godin said that most people hide behind tactics because they fear being seen. Following the crowd is safer than stepping forward with something original.

But when you do choose to own your niche, your voice, and your direction—it won’t feel like instant success. It will feel awkward.

“When you do something truly creative,” Godin says, “it’s not obvious to everyone else. That’s what makes it original.”

And that’s what makes it strategic.

🎧 Want to hear where this all started?
A conversation between Chase Jarvis and Seth Godin inspired this post. Seth talks about why so many creatives fall into the trap of chasing tactics instead of committing to strategy—and how discomfort is often the sign you’re finally doing your best creative work.


Simon Sinek’s Why: The Foundation of Strategy

If Seth challenges us to stop chasing tactics, Sinek gives us the blueprint for what to pursue: clarity of purpose.

Your “Why” doesn’t have to be grand. But it must be real—rooted in your values and driven by a desire to make life better for someone else.

When you’re clear on that Why, strategy becomes a filter:

  • You stop offering services that don’t fit.
  • You invest in tools that serve your purpose—not trends.
  • You create content that speaks to real needs—not just algorithms.

You stop chasing everyone—and start building something for someone.

  • At 2:15, Sinek introduces the concept of the Golden Circle: Why → How → What.
  • By 3:30, he clearly explains why “People don’t buy what you do; they buy why you do it.”
  • The section wraps around 5:00 with Apple as an example of how clearly communicating your Why is a strategic advantage.

Strategy is Creativity With Direction

This is where real creativity lives—not just in visuals or videos or clever captions, but in how you design your business around solving problems.

Strategy is creative.

  • It takes imagination to narrow your audience instead of going wide.
  • It takes courage to simplify your offerings instead of adding more.
  • It takes confidence to do it differently—even if no one else in your field is doing it that way.

Strategy is not what you post. It’s why you show up.


How to Know You’re Following Strategy (Not Just Tactics)

Ask yourself:

✅ Am I making this decision because it aligns with my values and goals—or because someone else is doing it?
✅ Does this tool, design, or offer help me serve my audience better—or just help me feel busy?
✅ Am I building something that reflects me—or trying to look like everyone else?

If you feel some discomfort in the answers—you’re likely on the right path.


Final Thought: Don’t Abandon the Why. Deepen It.

This isn’t about abandoning Simon Sinek’s “Why” for Seth Godin’s strategy. It’s about integrating both.
Your “Why” gives you your purpose.
Your strategy gives you your path.

And your creativity?
That’s what brings both to life.

When you stop chasing someone else’s formula and start building from your own values, that’s not a step backward. That’s the moment you become a true creative entrepreneur.

The kind who doesn’t just run a business—
But builds a life that solves real problems for others.

And that’s a business worth showing up for every day.

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Three Cameras and a Flash: How I Covered Roswell’s First Pride Parade

When I set out to photograph Roswell, Georgia’s first-ever Pride Parade, I knew I needed a setup to keep up with a fast-moving, emotionally rich community event. My goal was to capture everything from sweeping crowd shots to personal moments, without missing a beat.

For this assignment, I used a three-camera setup that let me move fluidly between wide, mid, and tight compositions:

  • Nikon Z6 with 14–30mm f/4 — This is my go-to for wide shots. This lens was perfect for capturing the crowd’s energy and Canton Street’s architecture.
  • Nikon Z9 with 24–120mm f/4 — This was my most versatile setup. This combo easily allowed me to go from documenting small groups to mid-range portraits.
  • Nikon Z9 with 100–400mm — Essential for capturing moments from a distance without interrupting the scene. Great for emotional candids, speakers, and layered compositions.

Even though the event was outdoors on a sunny June day, I brought an on-camera flash and used it often. Hats and harsh sunlight can create deep shadows on faces (those classic raccoon eyes). A bit of fill flash helped lift the shadows and bring out the expressions that tell the story. It was invaluable when I was up close with people fully engaged in the moment, but standing under intense sunlight.


What Worked

  • The three focal ranges let me react quickly without needing to swap lenses.
  • The flash was a game-changer for maintaining detail and clarity in challenging lighting.
  • Carrying two Z9s meant I had the speed and autofocus reliability I needed all day.

Covering events like this is about more than just documenting who was there—it’s about showing how it felt to be there. This gear setup helped me stay present in the action without compromising the quality of my storytelling.

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The Cure for Burnout Isn’t More Hustle—It’s Community (and Purpose)

As a freelancer, I’ve mastered independence, built routines, met deadlines, and delivered quality work. But sooner or later, the hustle wears thin. What’s missing isn’t more work—it’s purpose, and the community that sustains it.

🎙️ What Simon Sinek & Suzy Welch Say

On the A Bit of Optimism podcast (Episode 174, aired May 6, 2025), Simon Sinek and Suzy Welch discuss Maslow’s hierarchy of needs. Suzy points out that Maslow added a sixth level—self-transcendence—beyond self-actualization, where purpose and serving others become defining needs.

Welch shares compelling research: Only about 7% of people ever claim they truly know their purpose, and those who do report more direction, meaning, and resilience in life.

Sinek and Welch agree on another vital point: purpose is awakened and sustained in community, not isolation. We thrive when we share our journeys, wrestle with meaning together, and hold each other accountable.


🔎 Are You Struggling with Purpose?

Use these reflection questions to uncover where you are—and where you long to be:

  1. Do you wake up excited about your work, or go through the motions?
  2. Can you articulate your “why” beyond income and outputs?
  3. Have you ever wondered if your work matters?
  4. Do you feel stuck when it comes to your next meaningful step?
  5. Are you drawn to others’ projects and values, but haven’t found your community?

If one (or more) of these resonates, you’re in a space many freelancers know too well: ambition without clarity.


🤝 Why Community Matters for Purpose

Purpose isn’t an iceberg—it doesn’t float alone. It’s shaped in dialogue, reflection, and co-creation. Listening to others share their personal projects and breakthroughs often reveals sparks of our purpose.

Sinek and Welch point out that group exploration enables us to see ourselves more clearly, especially when we witness someone else articulate theirs. Purpose is often discovered in conversation, not solitude.


🚀 Introducing The Story Thread

To bring these insights into real life, I created The Story Thread—a supportive community for professional and retired professional storytellers. Here’s what it’s all about:

  • Connection and clarity—We meet monthly on Zoom to discuss what we’re working on, wrestling with, or dreaming about.
  • Collective insight—sharing our personal storytelling projects often uncovers why we do what we do.
  • Purposeful belonging—this isn’t a coaching session; it’s a space for honest reflection, encouragement, and shared growth.

📨 Join Us

If you’re a professional—or retired professional—communicator, photographer, videographer, or storyteller, I’d love to invite you to The Story Thread.

  • Facebook Group: Write me at Stanley@StanleyLeary.com to get added.
  • Monthly Zoom: Let me know if you’d like the meeting link—we’d be honored to have your voice in the circle.

Let’s discover purpose together, not apart.


👉 Podcast Timestamps

Here are two timecodes to reference in the episode:

  • 00:05:30–00:06:30 — Simon introduces Maslow’s sixth level (self-transcendence)—our need to contribute and belong.
  • 00:07:45–00:09:00 — A rich exchange on why community, not solo hustle, holds the key to purpose and sustainability.
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Leadership Isn’t a Title – It’s an Emotional Skill We Learn

Ever dealt with a difficult client who couldn’t calm down?

Maybe it was over a missed deadline or a last-minute change. Maybe they sent a message that felt way more intense than the situation called for. In those moments, it’s easy to label someone as “high-maintenance” or “difficult.” But what if we stopped to ask—What if they never got the training that maybe we were lucky enough to receive?

Or maybe—we didn’t either.


A Powerful Insight on Emotional Maturity

In a recent conversation between Simon Sinek and Dr. Becky Kennedy (watch it here on YouTube—start around the 18:10 mark), Dr. Becky shares a transformative insight:

“All of us come into the world with the capacity to feel all the emotions adults feel. But we don’t have any of the tools to manage them.”

That means every outburst, every meltdown, and even subtle moments of shutdown can be traced to one question: Did someone teach us how to feel what we feel and still stay in relationship with others?

If the answer is no, we don’t grow out of that—we carry it with us into adulthood, into our work, and into every client conversation.


Why This Matters for Photographers and Communicators

Those of us working in the gig economy aren’t just creatives—we’re negotiators, peacekeepers, and brand managers. And we do it without formal training in leadership or emotional development.

Leadership isn’t reserved for someone with a corner office. It’s how we:

  • De-escalate a panicked bride on wedding day
  • Calm an anxious CEO during a headshot session
  • Respond to late payments or vague feedback with grace, not defensiveness

Understanding emotional regulation is one of the most important leadership tools, and many of us never knew it was part of the job.


When Emotions Flare: What To Do

So, how do we lead emotionally when tension rises—whether in a photo shoot, Zoom call, or inbox?

Here are six simple steps:

StepWhy It Helps
1. Label the emotionPause and think: Am I frustrated? Ashamed? Overwhelmed? Naming it helps shift from reaction to reflection.
2. Breathe and centerA 4-second inhale, 6-second exhale slows your heart and lets your brain re-engage.
3. Validate itSay to yourself or the other person: “This is hard, and it makes sense you feel that way.”
4. Set a boundary with empathy“I want to get this right with you. Can we walk through it together?”
5. Ask curious questions“What would a good outcome look like for you?” moves the convo toward resolution.
6. Reflect after the momentAsk: What helped? What didn’t? Self-review builds long-term emotional skill.

You Don’t Need a Title to Lead

This is your leadership if you’re a freelancer, storyteller, photographer, or communicator.

It’s the ability to create safety when others feel unsafe. It’s the choice to respond instead of react. And it’s the courage to do the inner work that ripples outward in every client relationship, every project, every post.

You’re already leading.

You just may not have called it that yet.


✨ What About You?

Have you ever paused and handled a difficult moment differently, and it changed everything? Or did you realize you were reacting from a place of emotional habit, not leadership?

I’d love to hear your thoughts in the comments, or share this with someone who needs it.


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