Nikon D750 & AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR at Hawaiian Luau

 
Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 7200, ƒ/5.6, 1/500

Last night I took in the beautiful Luau put on by Island Breeze at the Courtyard Marriott King Kamehameha’s Kona Beach Hotel. If you come to the Big Island, this is a must-see!!!

I am also working on putting together a photography workshop here and will do my best to make this part of the package. I know many of the Island Breeze folks. They have been my Hawaiian fire dancers.

Nikon D750 Performance

I just wanted to enjoy the Lua and not work, but I still wanted a photo or two from the night. So I just took the Nikon D750 and the AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR with an extra battery–that I never needed.

This camera and lens are an excellent combination—extremely sharp images due to the D750 sensor and the lens’s Vibration Reduction.

Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 800, ƒ/5.6, 1/100

After taking this photo of the dancers, I changed the Auto ISO shutter speed to 1/500. But I was surprised at the sharpness at 1/100.

Here are some more images from the night that you might enjoy:

Mixed lighting assignment comparing TTL Hotshoe to Studio Strobes

 
Nikon D4, Nikkor 85mm ƒ/1.8G, ISO 100, ƒ/1.8, 1/8000—Off camera fill-flash using the Nikon SB-900. The Pocketwizard radio remote triggers the flash. 

Today I taught the students the difference between studio strobes using them outside for lighting and using a TTL Hotshoe flash.

I love the photo at the top with the ƒ/1.8 look.

Now, all these test shots show the difference between the lights. Not so much about finding a great location–now, seeing these, I should have spent more time scouting before the class to find a great background.

Click on the diagram to see a larger one.

Before we added flash, we took one photo as the light was on the subject.

Nikon D4, Nikkor 85mm ƒ/1.8G, ISO 100, ƒ/2.8, 1/1000

So this is where we started with no light, just the available light.

Nikon D4, Nikkor 85mm ƒ/1.8G, ISO 100, ƒ/11, 1/250–Off camera Alienbees B1600 powered by Vagabond.

Here for this photo, we took the first photo and transferred the settings using a sync speed of 1/250. Instead of the same exposure, we underexposed by -2EV. I wouldn’t say I like the background as sharp as it is here. However, I like the shallow depth of field in the first photo.

Now you can see the advantages of TTL Hotshoe flashes, and the benefit of the studio strobe is shooting faster [less recycle time].