I feel like I just got two new Fuji lenses, but that is what it feels like after Fuji introduces a firmware
Fuji X-E2 with Nikon 85mm ƒ/1.8 vs Nikon D750 with Nikon 28-300mm
Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/14, 1/160–Three Alienbees with one on 30″ x 40″ Softbox Today I
Fujifilm X-E2 and Fujinon XF 55-200mm for vacation pictures at the North Carolina Beach
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 250, ƒ/9, 1/500 This morning on the news, they announced some of the schools are
Shooting portraits in the middle of a department store for a workshop
Nikon D750, Nikon 85mm ƒ/1.8G, ISO 10000, ƒ/1.8, 1/500 BEST BUY® DIGITAL PHOTOGRAPHY WORKSHOP Today I taught a workshop at the Best
Change Capture Time in photos using Adobe Lightroom
Yesterday I shot an event with a friend. We were posting these to an online photo gallery for the client. Well, we
Shooting theater with the Fujifilm X-E2 and Nikon D750
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 6400, ƒ/5, 1/300 When it comes to shooting from an audience, I prefer the Fujifilm
Des Moines Skyline
Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/16, 1/1.7 I used a new function on the Nikon D750
Shooting Atlanta Braves Game with Fuji X-E2
Fuji X-E2, FUJINON XF 55-200mm, ISO 4000, ƒ/4.8, 1/2000 As a spectator, I went this past Friday night to see the
Combating Portfolio Depression
Nikon D2X, Sigma 18-50mm f/2.8 EX DC HSM Macro Lens, ISO 400, ƒ/2.8, 1/160 Most photographers grow despondent of their portfolios
Tom Kilpatrick 72 years old and still learning
Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/8, 1/200 This photo of Tom Kilpatrick caught how I see him.
How To Improve Your Camp Photos
Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 450, ƒ/4, 1/100 If the kid moves a few more inches forward, he
Shooting St Louis Skyline
Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/16, 20 sec To get this photo, we need to go
Creative directors used to large crews chose to go alone to Romania to cover Gypsies.
Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 9000, ƒ/6.3, 1/100 Jon Franz, senior creative director for Kimberly-Clark, was a joy
We are doing a multimedia package when you can’t show the subjects’ faces.
Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 800, ƒ/3.5, 1/100 Hannah Strayer listens to James Dockery as he gives editing
Multimedia Workshop helps a participant navigate through the fog.
Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 280, ƒ/5.6, 1/100 I’m sorry, I haven’t the foggiest. But, in fog
Romanians Winning Their Jerusalem
Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 12800, ƒ/8, 1/320 Meet Rob Krieg, IT Director, who was one of the workshop