President Emeritus of the Georgia Institute of Technology and former Secretary of the Smithsonian Institution says that maintaining a photo library “speaks to the integrity of the institution.”
Dr. Wayne G. Clough, President of Georgia Tech, speaks at the Campus Remembrance Service on September 14, 2001, at the Campanile Fountain. Dr. Wayne G. Clough
In his book, “Best of Both Worlds: Museums, Libraries, and Archives in a Digital Age,” G. Wayne Clough, the Smithsonian’s 12th Secretary, surveys the efforts of many world-class institutions, including his own, to use technology to open their collections and programs to the world.
Secretary Clough’s thoughtful perspective as a museum leader, educator, and enthusiast provides invaluable insight into how digital technologies will radically alter our existing institutions, make access to their embedded knowledge widely available, and enable learning and research anytime, anywhere.
Today I led an online Zoom meeting for FOCUS on archiving. I led the group and talked about my experiences and how I had worked on digitizing photo libraries since about 1994. Here is that video if you want to watch it:
We started by sharing how we all are storing our images. Then at 16:20, I start my program on the topic of archiving.
Bathroom Analogy
For the last 12 years, I have been helping Chick-fil-A. One thing I learned that they know all too well is that if your bathrooms are not clean, customers will walk out on you. It speaks to the cleanliness of the rest of the place. If the toilet looks this bad, do you want to take your chances with the food?
Creating visual content for an organization is expensive. If you can repurpose that content, you are spreading those costs over many projects.
Imagine a college that doesn’t have a photo library of its history. How can you even offer degrees where people must do research, and you don’t even have a digital photo library of your history. That speaks volumes about how that institution portrays its integrity to the world.
How to Ruin a Perfect Photograph
Fruit Stand on farm
[NIKON D750, 35.0 mm f/1.4, Mode = Manual, ISO 50, 1/640, ƒ/1.4, (35mm = 35)]
The easiest way to hurt your sales on any photograph is not to hide text in the picture. This is called embedding searchable text in the metadata.
There are two fields that most people get confused about when adding metadata to your images. Metadata is the hidden text that computers see that helps them find content. Even documents, spreadsheets, pdfs, photographs, graphics, and videos can all have text inside. Computers look for hidden fields unless you have software to see them.
Description/Caption: Remember this field contains all the information for why you initially take the photo.
Keywords: These are all the words to describe how they could be used in the future.
You need the digital photos in 3 places. This is so that something can go wrong while backing up from an A to B drive. If you don’t have C, you just lost all those images.
For organizations, I recommend you put the images online. If you have done an excellent job placing text that tells us the Who, What, Where, When, How & Why, and keywords for descriptors, those photos are now searchable.
Your online services like PhotoShelter that I use help people find your photos. This is great for an organization to have.
Security
These companies work just like your bank for those worried about security. They are all online, but only you can get your money. You can share your information so your mortgage company gets paid, and your employer or clients can deposit money.
You can even use your phone to deposit a check.
A photo library online for an organization helps the organization grow.
Where do “Good Ideas” come from?
It is when content that already exists is accessible and able to percolate and if you want your organization to grow, be sure the people know the history. That often gives them new ideas.
Protect your integrity with others, get your photos in order, and share them.
A photo finish occurs in a sporting race when multiple competitors cross the finish line nearly simultaneously. As the naked eye may not be able to determine which of the competitors crossed the line first, a photo or video was taken at the finish line may be used for a more accurate check.
Life happens so quickly we often need to stop and assess.
While at East Carolina University, I fell in love with photography. One thing I did was take lots of photos of my friends.
As with all young men, I enjoyed dating and meeting new young ladies. Photography lets me photograph them and remember them.
A new study by the University of London’s Hannah Scott and colleagues (2018) is about the idea that people stare, because “faces, and in particular, the eyes, provide lots of useful non-verbal information about a person’s mental state.” The eyes contain “socially relevant information,” they explain, because when you see what people are looking at, you have some idea about what they might be thinking. However, as the example of the shoes illustrates, it’s not just the eyes that people stare at when they look at you.
In other words, the authors suggest that people read your body language to extract as much information as possible, and they will direct their gaze toward the part of your body providing that information.
I studied social work at East Carolina University, where I studied body language. Photography allowed me to freeze moments and analyze them later.
While I started by enjoying looking at pretty women, I slowly began to study expressions and body language.
This is from the conference at the Carter Center on Guinea Worm. Former U.S. President Jimmy Carter Announces Three Countries Left in Guinea Worm Eradication Campaign: Nigeria and Niger Honored as Most Recent Nations to Halt Disease Transmission.
Joseph DeCola
Operator
“Our hands seem to play just as important a role in orienting people’s attention as our eyes do.” However, if the person looks directly at the viewer while performing a manual task, the viewer will respond in kind and look at the individual’s face. When someone’s gaze is directed at you, you tend to stare back in a “nonverbal acknowledgment.” Therefore, looking at someone who looks at you becomes essential to nonverbal communication.
Wedding
Elizabeth Louise & Andrew Thompson
Most of us love wedding photos because they help preserve one of the happiest days in a couple’s life. The couple’s vows often refer to the moment they first met. The first look, the first kiss, and those moments that helped to define their relationship are celebrated.
Daddy Daughter Date Night at Chick-fil-A
Sometimes moments are enhanced in a circumstance, like in this photo where I caught the photographer taking a picture of a daddy and daughter posing before going into Chick-fil-A for their date night. I saw his flash, which helped tell the story even better.
Representative John Lewis watches Chick-fil-A founder S. Truett Cathy during the coin toss at the Chick-fil-A Bowl Game Day.
When Civil Rights icon John Lewis died, I found some photos of him. Again these are moments that become historical after they are made.
Clayton State University Recruiting photos
As a professional communicator, I aim to capture those moments that help tell a story. I was working at Clayton State University and shooting for their photo library. The purpose of the photo is to show the teaching and learning that takes place. The body language at the moment shows the desire of the student to remember the teacher’s point.
St. Pius X Catholic High School
Stock Photos
Another time I was shooting recruiting photos for a Catholic High School. My purpose was to show the school welcomed diversity and that this was where friendships took place.
In his presentation to the FOCUS group in a Zoom meeting, Michael Alexander talked about anticipating those moments. Michael said he spent a lot of time watching someone before taking photos. Since he often photographs priests at the pulpit, he realized long ago that they have a rhythm and pattern. Every once in a while, they make a gesture or expression. He would observe until he could predict those moments and then time his shutter to capture a moment.
St. Pius X Catholic High School
Stock Photos
While some gestures are big and held out to be sure others are seeing them, many of our expressions are microexpressions. These are the expressions we have just reacting to moments versus trying to communicate to another person. The TV show “Lie to Me” was based on the science of reading facial expressions. Here is a video helping you see how minuscule these moments are and how if you catch them, you will know how someone feels in the moment.
https://www.youtube.com/watch?v=tu1uzG_EBGM
Great visual storytellers harness these microexpressions in the telling of the story.
Whitesburg Baptist Church in Huntsville, AL summer bible school camp put on by Winshape Camps.
I love it when I have captured one of these involuntary microexpressions. They show a genuineness that is often missing in other photos.
PhotogenX
Missional Storytelling
Learning to hit the pause button on life is much easier to do with a camera than with the mind alone.
Honduras Outreach
The best thing that ever happened to me was discovering photography. It helped me to slow down and pay attention to details. I learned to become more like photojournalist Michael Alexander who watches people and then learns to anticipate those moments and compose them so that I can bring the audience to that moment where I hit the pause button on life for the moment to sink in truly.
Friends enjoyed each other during church service at Eglise Baptiste Biblique in Adeta, Togo, West Africa. [NIKON D5, 28.0-300.0 mm f/3.5-5.6, Mode = Aperture Priority, ISO 1250, 1/125, ƒ/6.3, (35mm = 300)]
By the way, I married one of those beautiful women.
During the pandemic, I discovered Zoom, which is for Video Conferencing, Web Conferencing, and Webinars …..
I have had a group of Atlanta Professional Communicators group I started a few years ago. We call it FOCUS [Fellowship Of Communicators Uniting Socially].
While most of my friends are photographers, we also have a few writers in the group. We invite just about anyone to join.
This week, photojournalists Gibbs Frazer and Bill Bangham shared a collaborative effort they have worked on for several years, focusing on their craft’s foundational, creative elements.
I want to share the part they shared with us today from the Zoom Call. I recommend you listen with a pad of paper nearby to write your notes.
Creative Photographic Elements
Light
Moments
Layering
Dominant
Overall
Detail
Loose
Get Close
High Angle
Low Angle
Vertical
Horizontal
Artsy
Take Risks
Experiment
At the end of our lengthy discussion, Gibbs pointed out that all this falls under storytelling. Before you execute any of these tips, you need to know the story.
“Always consider what you want your image to say before you decide how to say it.”
Photo Above: Women are taught how to prepare food from what they already have at home in a more nutritious way to improve their family’s health at the Baptist Medical Centre in Nalerigu, Ghana. [NIKON D2X, Sigma 18-50mm F2.8 EX DC, Mode = Aperture Priority, ISO 400, 1/20, ƒ/2.8, (35mm = 75)]
I spent a good chunk of my life releasing myself from the anxiety monster.
But lately, a creepy little monster called ‘Am I Making a Difference’ has surfaced.
The beast most often haunts me at night when I am about to fall asleep. I put my head down on my pillow, spent from the day, and I wonder: Am I making a difference? Is anything I’m doing helping anyone?
President George W. Bush speaking at Georgia Tech
When I took photos of news events, I knew I relayed what happened that day to the audience from my front-row seat.
Mrs. Coretta Scott King, Founder and Chair-Elect of The King Center, speaks at the 75th Birthday Celebration Martin Luther King, Jr. Annual Commemorative Service [NIKON D100, Sigma 70-200mm F2.8 EX APO IF HSM, Mode = Manual, ISO 400, 1/60, ƒ/2.8, (35mm = 300)]
Corey Navarre attempted to ride Hard Candy during the 2004 RBR Atlanta Classic at the Georgia Dome on February 7, 2004. [NIKON D100, Sigma 70-200mm F2.8 EX APO IF HSM, Mode = Manual, ISO 1600, 1/350, ƒ/2.8, (35mm = 300)]
Most of my career has been documenting first-world issues. However, throughout my career, especially the last ten years, I have spent more time in the Third World writing their problems. I am using the term “Third World” as shorthand for poor or developing nations.
Jay Shafto (wearing the Boston Red Sox hat), Paul Sow (white polo shirt), Antoine Tarnagda (brown shirt), and Zongo Tarnagda (on the bicycle) in the town of Soumagou. Antoine and Zongo are part of the Bissa tribe, and Paul is part of the Fulani tribe. [NIKON D2X, Sigma 18-50mm F2.8 EX DC, Mode = Aperture Priority, ISO 100, 1/180, ƒ/2.8, (35mm = 75)]
My first trip to Africa was in 2005. For the first time, I saw how used liquor bottles were repurposed for many things. One is using them to sell petro by the side of the road. There were few gas stations, so business people would fill bottles and then resale them on the side of the road.
Kamele Alphonse Hema is the pastor of the CMA church in Dakora. His wife’s name is Clarisse. David and Tami Wood interviewed him at his home. [NIKON D2X, Sigma 18-50mm F2.8 EX DC, Mode = Aperture Priority, ISO 100, 1/60, ƒ/4.5, (35mm = 30)]
I saw firsthand how people survived with no electricity and no cupboards full of food like we have here at my home in Georgia.
Rose Nantonah, the nurse, is setting the IV with a small child patient at the Baptist Medical Center in Nalerigu, Ghana. [NIKON D2X, AF Zoom 18-50mm ƒ/2.8G, ISO 800, ƒ/2.8, 1/80, Focal Length = 27]
I was able to go to the hospital to see the care being provided by just two doctors.
David Oman Cifuentes Velázquez shows the Frontera de Cristo delegation the coffee on the plant. David also shared how he crossed the border illegally and worked on golf courses around Atlanta, Ga. Back then, they were only getting about $30 for a bag of coffee, but today they get $160, which lets him return home to family and coffee farming. [NIKON D4, 14.0-24.0 mm f/2.8, Mode = Aperture Priority, ISO 12800, 1/50, ƒ/2.8, (35mm = 15)]
I later went to the Chiapas region of Mexico to do a story on coffee farmers. Due to roasters underpaying them for their coffee for years, many came to the states to work in our communities to support their families back home. Telling their story, we were helping them to return home and be prosperous by selling their coffee at fair prices because they were able to form a cooperative and, through a nonprofit’s help, buy a roaster that made them competitive. My purpose was to spread the story so more farmers could join the cooperative.
Claudio Cesar Aguirre is seen in front of the Chicken Coop that was created with the help of Honduras Outreach. He is president of their community economic development. He is thrilled because now that they have an egg farm, they can now think of adding a bakery. [NIKON D4, 14.0-24.0 mm f/2.8, Mode = Aperture Priority, ISO 160, 1/100, ƒ/8, (35mm = 14)]
I was privileged to tell their supporters the success story of Honduras Outreach Inc. We put together a video that was played when the President of Honduras came to Atlanta to present them with an award for all they had done to help the Agalta Valley in Honduras.
The President of Honduras
Juan Orlando Hernández
Visits Atlanta to honor HOI
[NIKON D4, 28.0-300.0 mm f/3.5-5.6, Mode = Aperture Priority, ISO 6400, 1/250, ƒ/4.5, (35mm = 28)]
Here is the video I did for that event back in 2014.
Mother and her little boy carried in kitenge. They are staying here at the Hôpital Baptiste Biblique in Tsiko, Togo, West Africa. [NIKON Z 6, 24.0-105.0 mm f/4.0, Mode = Aperture Priority, ISO 1800, 1/200, ƒ/4, (35mm = 32)]
Last year I was privileged to go to Togo, West Africa, to help tell the story of a hospital built in the 1980s with no improvements since then and was in significant need of upgrades and expansion to meet the needs of that community.
Here is the video I did for that project:
I don’t know how much money was raised due to my work through the years. I do not know how many people’s lives were touched, and I felt a call to help others because of the stories I have helped to tell.
Roswell Presbyterian Church Children’s Christmas Program on December 24, 2005, in Roswell, Georgia.
[NIKON D2X, Sigma APO 120-300mm F2.8 EX DG HSM, Mode = Manual, ISO 800, 1/60, ƒ/2.8, (35mm = 450)]
One of the biggest stories I am documenting, which most everyone is doing, is that of my family story.
Dorie receives the 2014 Columbia Theological Seminary Pioneering Ministry Award
[NIKON D4, 28.0-300.0 mm f/3.5-5.6, Mode = Aperture Priority, ISO 3200, 1/200, ƒ/5.6, (35mm = 62)]
I would say that the most crucial story I am capturing is one of my own family’s milestones.
Chelle Leary, my daughter, is wearing James Harrell’s Shako. James is part of the Summerall Guard with Chelle’s big brother Nelson Lalli at The Citadel. [NIKON D3S, 28.0-300.0 mm f/3.5-5.6, Mode = Aperture Priority, ISO 4500, 1/1000, ƒ/5.6, (35mm = 28)]
We all go to each other’s events to celebrate with them. They become part of all of our lives.
The Citadel: Commissioning Service, Lifetime Membership for Alumni Club, Summerall Guard 2012 and Long Gray Line
[NIKON D3, 14.0-24.0 mm f/2.8, Mode = Aperture Priority, ISO 320, 1/80, ƒ/13, (35mm = 18)]
Taylor Lalli playing T-Ball.
Family Photo
Stanley Leary, Dorie Griggs, Nelson Lalli, Taylor Lalli Chelle Leary
[NIKON D3S, 28.0-300.0 mm f/3.5-5.6, Mode = Aperture Priority, ISO 800, 1/320, ƒ/8, (35mm = 70)]
I am always asking, “Did I make a difference today?”
I hope so, but we don’t always know the impact we make on people. So getting a note from someone telling you how you are making a difference is enormous.
During the Pandemic, I started an online Zoom meeting for communicators. I call the group FOCUS [Fellowship of Communicators Uniting Socially].
I got a note from one participant saying, “First off, I would like to thank you for this great fellowship group. I am enjoying it a lot. I feel like I am being watered like a plant and not drying up like I would if I was completely alone. Such a good group of people with great talent.”
So I do think I am helping someone.
Earlier, I got this note from another group member: “Thank you for hosting a great discussion again today. I am humbled to be involved and grateful for the substantive topics and questions you and others raise. I find it personally stimulating to hear the depth of the dialogue. This has been missing from my career for a long time.”
We are wired to serve one another, but I also believe we need affirmation, which helps us know if we need to modify our efforts to make a difference in this world.
“Wherever you are in your life, show up. Generous, confident, engaged.”
When did you realize that you grew up with different experiences than those around you?
Stanley was in traction for a month with a broken neck.
You may recognize that you have had some unique experiences as I did with going in a hot air balloon with my wife, Dorie. I also realized not everyone breaks their bones as I have throughout my life.
Family vacation on Royal Caribbean Freedom of Seas
One year my parents treated my sisters and our families on a cruise. I would have never afforded this, and this was a wonderful experience to put into our memory banks.
Johnny Rodermund, his date and I with Angela Jones dressed for senior prom.
The moment that became my awakening was when our family moved from Eastern North Carolina to Englishtown, New Jersey. Every day for a long time, I saw new things and took in a world so different from where I came from.
The cross-cultural experience is what this was for our family. It influenced our views, our values, our humor, our hopes, our loyalties, and our worries and fears. So when you are working with people and building relationships with them, it helps to have some perspective and understanding of their cultures.
Witch Doctor in Togo, West Africa [NIKON D5, 35.0 mm f/1.4, ISO 100, Ä/1.4, 1/2500]
To understand your culture, the best thing you can do is to leave it and experience another culture.
Roadside cafe’ in Tenkodogo where they serve food, petrol, and drinks. (Photo by: Stanley Leary)
You begin to ask yourself questions you would never have done had you stayed within your bubble. Just experiencing food worldwide and how they prepare it can be eye-opening.
I believe one of the most significant problems we face today is that so many people have lived in a bubble for way too long. They look at how people do something different than they do as inferior rather than just different.
We enjoyed our meal tonight at Parrilladas La Chola, Peñalolén, Santiago Metropolitan Region, Chile. This was Churrasqueria, Chilean, South American type of food. [http://www.lachola.cl/]
[NIKON Z 6, 24.0-105.0 mm f/4.0, Mode = Aperture Priority, ISO 5600, 1/100, ƒ/5.6, (35mm = 58)]
I think many are like children who will not eat only one thing. I had a cousin that only ate hot dogs for a long time.
I was brought up to eat whatever someone put in front of me. We had to be members of the “Clean Plate Club.” We even had children’s plates with this on them.
I’m sorry, but many of you live in a bubble.
It’s a bubble made up not only of your work but also your friends, the books you read, and your day-to-day routine.
It’s a bubble built from the meals you make each week.
It’s your Monday/Wednesday/Friday gym schedule.
It’s the route you take to work or the favorite coffee shop you write in on Sundays.
Yes, all those things are your bubble.
Your bubble is the safety net you surround yourself with every single day. The routines and schedules make your life stay stable and on track.
And yes, your bubble is also the building blocks of happiness, meaning, and creativity. But it’s also a wall that separates mediocrity and greatness and gets harder and harder to cross the higher you build it.
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
Haruki Murakami
Roadside cafe’ in Tenkodogo where they serve food, petrol and drinks. (Photo by: Stanley Leary)
I believe less is more when it comes to lenses. This means that when I am shooting, I usually have just two lenses on me.
Nikon 14-24mm ƒ/2.8
I love wide-angle lenses. They force you to get close to fill the frame. They give the context of what is around the subject, and they bring the audience into the scene.
During the Chick-fil-A Bowl 2012, I wanted to capture the coin toss and had to get close. I also liked the viewer to feel like they were there, which is the result. [NIKON D4, 14.0-24.0 mm f/2.8, Mode = Aperture Priority, ISO 8000, 1/2000, ƒ/7.1, (35mm = 14)]
By giving context, you can see how a lens choice helps you tell the story.
Photographers explore the Garden of the Gods National Landmark in Colorado Springs, CO. [NIKON D3, 14.0-24.0 mm f/2.8, Mode = Aperture Priority, ISO 200, 1/640, ƒ/5.6, (35mm = 14)]
I love the wide lens to capture the subject’s surroundings.
Perimeter at Hammond Drive FSU [NIKON D5, 14.0-24.0 mm f/2.8, Mode = Manual, ISO 100, 1/8, ƒ/5.6, (35mm = 24)]
While some love to use it to show a flower in a field with a mountain in the background using this lens, I do the same by putting company signs near the lens and other information in the background.
Sigma 24-105mm F4.0 Art DG OS HSM Lens
I love shooting most of my people’s photography in the 24-105mm range. While shooting people is maybe better between 35mm and 105mm getting those group photos, I prefer a wider lens.
Wedding
Elizabeth Louise & Andrew Thompson
[NIKON D5, 24.0-105.0 mm f/4.0, Mode = Aperture Priority, ISO 100, 1/200, ƒ/8, (35mm = 28)]
When running around overseas for a client, I love using this lens.
Mother and her little boy carried in kitenge. They are staying here at the Hôpital Baptiste Biblique in Tsiko, Togo, West Africa. [NIKON Z 6, 24.0-105.0 mm f/4.0, Mode = Aperture Priority, ISO 1800, 1/200, ƒ/4, (35mm = 32)]
I can show people in their context wide with the lens and then get a lovely portrait just seconds later from standing in the same place as another person.
The child was fascinated by my camera and watched me as I worked at the Hôpital Baptiste Biblique in Tsiko, Togo, West Africa. [NIKON Z 6, 24.0-105.0 mm f/4.0, Mode = Aperture Priority, ISO 1400, 1/200, ƒ/4, (35mm = 105)]
I like the Sigma 24-105mm lens, the 24mm. But what I dislike is that it stops at 105mm. The other lens in conjunction with the 14-24mm covering events is the Nikon 28-300mm.
Nikon AF-S FX NIKKOR 28-300mm f/3.5-5.6G ED Vibration Reduction Zoom Lens with Auto Focus
Cowgirl Barrel Racing at the 27th Annual Pana’Ewa Stampede Rodeo in Hilo, Hawaii. [NIKON D5, 28.0-300.0 mm f/3.5-5.6, Mode = Aperture Priority, ISO 1600, 1/4000, ƒ/5.6, (35mm = 300)]
When I travel, there are times, like in Hawaii, when I have the opportunity to shoot a rodeo, you need a reasonably long lens to get close to the action.
St. Pius X High School
[NIKON D3S, 28.0-300.0 mm f/3.5-5.6, Mode = Aperture Priority, ISO 7200, 1/100, ƒ/5.6, (35mm = 42)]
Taking photos for a school to use in their recruiting materials, I can use this to get the normal lens range here and then close up in the music room.
St. Pius X High School
[NIKON D3S, 28.0-300.0 mm f/3.5-5.6, Mode = Aperture Priority, ISO 12800, 1/400, ƒ/5.3, (35mm = 98)]Columbia Theological Seminary Classroom photos
[NIKON D3S, 28.0-300.0 mm f/3.5-5.6, Mode = Aperture Priority, ISO 2800, 1/100, ƒ/5.6, (35mm = 300)]
Now when I want those silky smooth BOKEH shots, I plan for those. I have two lenses I go to most of the time.
Sigma 35mm ƒ/1.4 Art
This fast 35mm ƒ/1.4 is maybe my favorite lens, but to shoot everything with it isn’t practical. But I love the distance I work with when using this and the results when shot wide open at ƒ/1.4.
Gilley’s [NIKON D5, 35.0 mm f/1.4, Mode = Aperture Priority, ISO 4500, 1/100, ƒ/1.4, (35mm = 35)]
With today’s cameras, you can get that razor-sharp image even with such a small depth-of-field because the camera can quickly lock in on the focus point.
Merritt Square Mall School Drive Thru [NIKON D750, 35.0 mm f/1.4, Mode = Manual, ISO 640, 1/30, ƒ/1.4, (35mm = 35)]
It is excellent to use in low light, and it helps you isolate the subject and emphasize them, especially the eyes.
Nicaragua
[NIKON D5, 35.0 mm f/1.4, Mode = Aperture Priority, ISO 100, 1/500, ƒ/1.4, (35mm = 35)]
IMPACT 360 [NIKON D750, 35.0 mm f/1.4, Mode = Aperture Priority, ISO 100, 1/500, ƒ/1.4, (35mm = 35)]
[NIKON Z 6, 35.0 mm f/1.4, Mode = Aperture Priority, ISO 1250, 1/500, ƒ/1.4, (35mm = 35)]
I have shot a lot inside of Chick-fil-A kitchens. I try to use the 35mm ƒ/1.4 lens the most because I cannot show everything in the back. However, please focus on their people as I do here.
Nikon AF S NIKKOR 85mm f/1.8G Fixed Lens with Auto Focus
I also love getting tight and just showing people more than always giving context.
Jane Yandel
Senior Photos
[NIKON D4, 85.0 mm f/1.8, Mode = Manual, ISO 50, 1/200, ƒ/2.8, (35mm = 85)]
Due to the new Nikon Z6, which lets you see what you are getting before you click the shutter, I have been getting even tighter shots.
Chick-fil-A APP
[NIKON Z 6, 85.0 mm f/1.8, Mode = Aperture Priority, ISO 100, 1/100, ƒ/1.8, (35mm = 85)]
[NIKON Z 6, 85.0 mm f/1.8, Mode = Aperture Priority, ISO 450, 1/500, ƒ/1.8, (35mm = 85)]
[NIKON Z 6, 85.0 mm f/1.8, Mode = Aperture Priority, ISO 100, 1/1000, ƒ/1.8, (35mm = 85)]
As you can see, the 85mm, ƒ/1.8 does a great job isolating the subject when shooting wide open at ƒ/1.8.
Sigma 120-300mm f/2.8 DG OS HSM Sports Lens
Now when it comes to being far away and needing a longer lens I use the Sigma 120-300mm f/2.8 DG OS HSM Sports Lens with the 1.4x or 2x converter made for the lens.
The Navy’s Blue Angels and the Air Force’s Thunderbirds The joint effort from the Navy and the Air Force is part of multiple flyovers across the nation called America Strong — a “collaborative salute” to honor healthcare workers, and first responders, and other essential workers as they combat COVID-19. The flyover mission will finish in Atlanta at 1:35 p.m. ET and last about 25 minutes. [NIKON Z 6, 28.0-300.0 mm f/3.5-5.6, Mode = Manual, ISO 800, 1/8000, ƒ/5.6, (35mm = 300)]
Chick-fil-A Kickoff
Washington vs Auburn
[NIKON D5, 120.0-300.0 mm f/2.8, Mode = Aperture Priority, ISO 20000, 1/4000, ƒ/5.6, (35mm = 460)]
Duke’s running back (21) and Mateo Durant fumble the ball due to defensive pressure of Alabama’s defensive back (22) Jalyn Armour-Davis during the Chick-fil-A Kickoff on Saturday, August 31st at Mercedes Benz Stadium in Atlanta, Ga. [NIKON D5, 120.0-300.0 mm f/2.8, Mode = Aperture Priority, ISO 25600, 1/4000, ƒ/5.6, (35mm = 600)]
Fledgling Red-Tailed Hawk in our Backyard. Every year we get a new nest.
[NIKON D5, Sigma 120-300mm F2.8 DG OS HSM Sports + Sigma 2.0x Teleconverter TC-2001, Mode = Aperture Priority, ISO 2500, 1/4000, ƒ/5.6, (35mm = 600)]
Auburn Tigers vs Louisville Cardinals Final Score Auburn 31 Louisville 24 [NIKON D4, 120.0-300.0 mm f/2.8, Mode = Aperture Priority, ISO 12800, 1/1250, ƒ/5.6, (35mm = 270)]
Now while sports and wildlife are where I use this often, occasionally, to get a different look with portraits, I use the lens.
Sydney Rhame
[NIKON D4, 120.0-300.0 mm f/2.8, Mode = Manual, ISO 320, 1/640, ƒ/2.8, (35mm = 195)]
This is where I wanted to compress the background of fall colors with the subject. Ask yourself some questions. Why are you shooting this? What do you want the audience to think? What do you want the audience to feel?
Always consider what you want the image to say before you decide how to say it. Then pick the best lens for the moment. You may compromise, as I often do with my zoom lenses.
Remember always to think conceptually and not just aesthetically.
Here are links to a couple past blog posts on specific lenses:
[NIKON Z 6, 120.0-300.0 mm f/2.8, Mode = Aperture Priority, ISO 100, 1/500, ƒ/4, (35mm = 145)]
Stanley doesn’t believe in “cookie cutter” graduation photos or senior portraits. That’s why each graduation photo session is all about the grad. Our photos will reflect your style, highlight your interests, and let your personality shine through!
Russell Newsom [NIKON Z 6, 24.0-105.0 mm f/4.0, Mode = Aperture Priority, ISO 100, 1/125, ƒ/4, (35mm = 105)]
Senior portraits can be taken at a location of your choosing, including anywhere in or around Metro Atlanta. If you’re looking for some awesome and unique photoshoot locations, we’d be happy to suggest some of our favorites, such as Roswell Mill, Roswell Parks, or Canton Street. Looking for more of a traditional background? No problem! We would be thrilled to take some portraits of you in my home studio, located in Roswell, GA. Whatever you choose to do, know that we want you to feel like your amazing, authentic self. That’s why we permit as many outfit changes and the use of props in your photos, to ensure that each photo is truly a reflection of you and your interests. We just create the unique package for you.
Russell Newsom [NIKON Z 6, 24.0-105.0 mm f/4.0, Mode = Aperture Priority, ISO 100, 1/80, ƒ/4, (35mm = 82)]
Graduation marks a new chapter in your life, and you must preserve these precious memories while you can. Get amazing and affordable graduation photography and senior portraits by Stanley. He will work with you to ensure that you are comfortable during the photoshoot and completely satisfied with the results. Let him help you create keepsakes that you will treasure forever!
Russell Newsom [NIKON Z 6, 24.0-105.0 mm f/4.0, Mode = Manual, ISO 100, 1/125, ƒ/10, (35mm = 105)]
Contact Stanley today by calling (404) 786-4914 or emailing at [email protected].
Russell Newsom [NIKON Z 6, 120.0-300.0 mm f/2.8, Mode = Aperture Priority, ISO 100, 1/1250, ƒ/4, (35mm = 250)]
The above picture is the earliest version of my website that I could find. I used the “Wayback Machine” to find this from my first website which was hosted by Compuserve. This webpage is from January 16, 2000.
On November 12, 1999, the Institute for Public Relations at Georgia Tech had the entire team take a class on how to create web pages from Jay Bolter.
He was a professor in the School of Literature, Communication, and Culture and the author of Writing Space: The Computer, Hypertext and the History of Writing. “
Today we know hypertext as a link.
I had photographed Jay for articles a few times. I was excited to learn how to design web pages from him and his team.
It would take me a lot of time trying to create a webpage using HTML code.
I thought that I would create links to my portfolio that looked like slides.
I would talk to my friend and Art Director Tony Messano designed all my logos in the summer of 2000. He created that first logo you see that I would finally incorporate into the website that falls of 2000.
Tony’s first Logo for me
Tony’s second Logo
I created a 2 frame website. I wanted to be sure everyone could navigate easily by using the left side of the website and the content would pop up on the right side. This is 7 years before the iPhone introduction in 2007.
I kept this basic design for years and would update the navigation on the left side.
In 2009 Tony said I needed to update that logo to something bold because he thought I was a stronger person and wanted the logo to show that.
I was always trying to evolve the website to reflect my new skills at the time and reflect what I could do for my clients.
I would work at this over and over using the latest web design to help people know how to work with me. My problem was every year I was adding new skills.
Today
Now I have this as my website design that rotates the main page. Here are those pages which you can also see at https://stanleyleary.com/
Each of those pages has three main elements. 1) State the problem, 2) State the solution, & 3) Action Item on how to contact me
Video Storyteller – Audiences want to be moved, inspired, or amused. There’s no better way to do this than with video.
Corporate Storyteller – Engaging your audience beyond facts by humanizing your brand with storytelling.
Headshots – A headshot is a modern portrait in which the focus is on the person.
Humanitarian Storyteller – A humanitarian’s goal is to save lives, relieve suffering, and maintain human dignity.
Today I offer more than photography. I offer more than video services. Web design is also one more skill. Even blogging is another skill, but still, it alone is not my best value to customers. My biggest contribution is the years of experience that helps me to see the “Big Picture.”
The best storytellers are not just aware of their subject and craft of storytelling but know to start with the audience.
My greatest skill is not there either. It is the combination of all this that I bring to the table. I know when we think of doing something that implementing it can have some issues. I know how difficult writing computer code can be for something that may not exist.
I know how all this comes together because I have done all these skills not just for my clients, but for my website and blog.
Be an early adopter so that you can know how it all works as we continue to evolve.
I am still learning and working on acquiring new skills.
If you have been invited to a Zoom Meeting there are some things that will help you and the other meeting participants enjoy your time together.
First of all the point of Zoom or other Video conferencing software is a tool used by two parties to communicate via video and audio using an Internet connection. It enables the parties to initiate and conduct live conferences and remote meetings by transmitting audio, video, and text.
The main purpose of video conferencing is to enable face-to-face communication.
Before joining a real meeting, take the time to practice first. For Zoom go here and download the app for your device https://zoom.us/support/download.
When you open the app you will see something like this above. Click on the “New Meeting”. This will open up the window like you saw above of me. You will see what you look like on the screen for others. No one else is in the meeting but you.
This lets you practice.
A couple of things I recommend with the video. Put a light source in front of you.
Sit so you are facing a window like this Bay Window here. DON’T HAVE THE WINDOW BEHIND YOU! If it is night time or you don’t have a window that works put a light in front of you. You can buy one if you don’t have one for this.
Stage your video area. Watch your background. You can use a plain wall and then decorate it to show your personality. You can also buy a background for very little money. Search Google for “Vinyl Photography Backdrops”. I recommend getting a 7’x5′ size background. You can tape this to a wall or they do sell the background stands with them if you like. I have two I am showing you in this blog post. The Wood Panel look and the Bookcase Look. Even Walmart has them. They run about $11 to $25 for most anything you can think of for a background. They fold up like a small sheet.
Now that you look good with the light and background, put your device at eye level.
Put some books on the table and raise your device to eye level. Also pay attention to framing. Be careful not to cut off your head and watch the background.
Try to look into the camera.
If you’re presenting or speaking to a group, looking into the camera will give the appearance of eye contact with whoever you’re talking to. It’s also definitely better than being forced to stare at your own face and realizing how badly you need a haircut.
How you sound to everyone is very important. As long as you are close to the device most phones, tablets and computers microphones work pretty well.
In the lower left you find this microphone and a little arrow pointing up. Click on the arrow and select “Audio Settings”. This will pop up.
You can now test the default microphone your device uses. If you want to change it click on the pull-down menu to the right of “Test Mic” and you can select a different microphone. You might want to select a bluetooth device like I have done here. Click on test microphone and talk. Then a Play Back option will appear. Click on this to hear how you sound. Also if you choose to listen with headphones or some other device you can change that in the speaker pull down menu. You can adjust the recording volume on your microphone and the volume output for your speakers here.
Whenever you are on a Zoom Call you should “Mute” your microphone when not talking. This way noises in the room of your device don’t become part of the meeting. Just click on the Mute to unmute or if you have a keyboard just hold the “Space Bar” and it will unmute you. When you stop holding the “Space Bar” it will go back to Mute.
Don’t eat during the meeting.
It can be a little gross to watch other people eat sometimes. Or listen to them chewing, for that matter. Hold off if you can, or if not, maybe turn off the video and audio.
Don’t do other private things while on a meeting.
Speaking of gross: have you heard any horror stories about people being caught picking their nose or using the bathroom while on a video conference, thinking they were muted or had their video off? Don’t become a statistic. It can be easy to forget that people can hear or see you if you’re in a group of 30 coworkers, so don’t risk it!
Consider muting your video (also on the lower left of the screen) if you are eating, scratching, talking with someone else in the room, or anything else that might be distracting to others. Try to be present most of the time. You were invited to be seen.
When you are speaking, let others know that you are finished by saying one of these sign-offs: “That’s all.” “I’m done.” “Thank you.” So that everyone knows you have finished your comments.
You can ask questions and make comments silently if desired using the “Chat” feature (also on the bottom and center of your screen).
Appearance Tip
Wear solid colors. Avoid white since this can affect the exposure and make it look washed out or make you look too dark. Just try and present yourself like you would do if you were getting a professional portrait done.
Couple of Device Tips
Turn off all other applications on your device. These will affect the video quality and the audio quality.
Don’t use the “Virtual Background” unless you have a very powerful computer processor. This takes a lot of computer power. It will become distracting when you or parts of you disappear due to the slow computer processor you have.
“Virtual Background”
PC Computer requirements:
Zoom Desktop Client for PC, version 4.6.4 (17383.0119)or higher
Windows 7, 8, or 10 (64-bit)
Supported processors (720p video)
Intel i5, i7, i9 – 2 cores or higher, gen 6 or higher, except atom and y series
Processor must have Intel GPU – except HD620 with driver version 23 or higher
OS must be Windows 10, 64-bit
Supported processors (1080p video)
Intel i5 – 4 cores or higher, gen 6 or higher, expect u-series
Intel i7, i9, Xeon – 4 cores or higher, gen 4 or higher
Intel CPU with HD620 graphics (OS must be Windows 10, 64-bit)
i7 2 cores; or
i5 2 cores with major version 26 or higher and minor version 7323 or higher
Other Intel processors – 6 cores or higher, gen 4 or higher, except atom and y series
Non-Intel processors – 8 cores or higher and frequency 3.0GHz; or 12 cores or higher
AMD – Ryzen 5/7/9 or higher
MacOS Computer Requirements:
Zoom Desktop Client for Mac, version 4.6.4 (17383.0119) or higher
macOS 10.9 or later
Supported processors (720p video)
Intel i5, i7, i9, Xeon – 4 cores or higher
Intel i7, i9, Xeon – 2 cores, gen 4 or higher
Intel i5 – 2 cores, gen 6 or higher, and macOS 10.14 or higher
Other Intel processors – 6 cores or higher, except atom and y series
Non-Intel processors – 8 cores or higher
Supported processors (1080p video)
Intel i5
4 cores or higher, gen 5 or higher; or
2 cores with gen 7 or higher and 2.0Ghz frequency or higher
Intel i7 – 4 cores or higher, gen 2 or higher
Intel i9, Xeon – 4 cores or higher
Other Intel processors – 6 cores or higher, except atom and y series
Non-Intel processors – 8 cores or higher
If you have a fast computer and want to try the “Virtual Background” then here is how to do that.
Go back to the preferences and click on “Virtual Background”
You can pick anyone of those backgrounds that came with the software or you can create your own.
Every time I hear someone teaching photography say you need to “Clean Up Your Background” I know they haven’t met Don Rutledge.
photo by Don Rutledge
There are so few photographers that know how to make the background work.
Today I think many photographers use the smooth BOKEH as an excuse for not knowing how to make sense of a location and use the background to help give context to a story.
Philippines – by Don Rutledge
Don spent a lot of time studying situations he was in and was not looking for ways to take things out of photos–he was trying to see how to include more.
Puerto Rico – Don Rutledge
by Don Rutledge
Some people do talk about layering for composition, but often are talking about just creating a 3-D look to an image. Don saw layering as a way to tell you more about the story and the people.
Poland – Don Rutledge
The three ladies in the background help show the fashion of old Poland in the now moment.
Spain – Don Rutledge
Some people would get low and help isolate this guy with the flag. Don would go just enough above the person to see the crowd in the back and give you an idea of how large the crowd is and this guy is in the midst of this.
Still, under Soviet rule in 1988, believers from four language groups meet for Easter worship and communion in Tbilisi, Georgia. Their faith stood firm during tough times, as captured by Don Rutledge’s camera.
I remember sitting with Don in his office and me asking him to walk me through his editing process with contact sheets and slides. We spent hours doing this. Don would show a few of the frames before this one where the framing wasn’t as good. He would talk about including the women on either side in the background. Many would shoot this and concentrate on the three men and cut the women out.
Egypt – Don Rutledge
What you learn from Don is how important background and things around people give context.
John Howard Griffin is shining shoes in New Orleans. These was Don Rutledge’s photos that were to be in the book “Black Like Me”
Back in 1956, Don Rutledge partnered with John Howard Griffin on the book Black Like Me. Don wanted to show the context of Griffin becoming black and how people treated him solely based on his skin color. To do this Don used the background to show the White Man looking at him judgmentally.
Born in rural Mississippi, Bailey King, at age 65, is stoop-shouldered, gaunt-cheeked. Doctors say he had a mild stroke–friends say “his body was just plumb wore out.” For Bailey King has worked since he was five. Yet all he has to show for it is a yard full of chickens, a half-acre vegetable garden, and a bowlegged Chihuahua named George. “But bein’ pore ain’t so bad,” King says. “it’s just inconvenient.” Don spent three weeks living in the ramshackle home. His photographs awakened the conscience of many. donations poured in; the Kings now have a government-subsidized home, a better standard of living, and a close friend in Don Rutledge.
One of the photos I love the most of Don’s was from the time he went and lived with Bailey King for a month to capture Poverty in America. Again you can see Don is making sense by not cleaning up the background but allowing it to add more information about Bailey King.
Shortly after coming to the Home Mission Board, Don spent six weeks photographing inside the Arctic Circle, Alaska in 1967. This photo was taken as Don, with two volunteer workers, visited an Eskimo house. So happy was the family to see their friends, everyone ignored Don’s click-click-click.
Don saw the kids in the doorway and the window. Many photographers only would see that n the porch. This is my favorite photo of Don’s because it embodied this skill that he had developed better than anyone else I knew. He would become invisible and the audience would be transported to see everything and not just a selective focus that most would give you.
Russia – Photos by Don Rutledge Monks at the Pskov-Pechorsky Monastery in Pechory, Russia walk to lunch in a “line up”.
Don’t try and just clean up your backgrounds. Take the time to pay attention to the background. Move until you can frame your main subject and help tell more about their story by using the background, foreground, and everything around them.
Take the time to make the background work for you and not against you. When you do your photos will be more informative and for the photojournalists that is your ultimate goal–to inform the public.
photo by Don Rutledge
Mark Rutledge, on the left, is missionary in Haiti and also Don’s son.
This is the side-by-side view in Adobe Lightroom of a photo I took on September 6, 2003.
Auburn (No. 19 ESPN/USA Today, No. 17 AP) has quickly established itself as the nation’s most disappointing team, losing its second in a row Saturday when Georgia Tech pulled off a 17-3 upset behind freshman quarterback Reggie Ball and a ferocious defense.
ESPN
Here is the photo as I delivered it to my client in 2003:
Auburn vs Georgia Tech September 6, 2003 [NIKON D100, Sigma 70-200mm F2.8 EX APO IF HSM, Mode = Aperture Priority, ISO 200, 1/1250, ƒ/2.8, (35mm = 270)]
I was still pretty new, not even one year shooting digital when I took this photo. I would shoot only JPEGs and treat the process just like I had been shooting transparencies in the past.
Had I shot RAW I could have improved the photo even more. Here is what I ended up with after some editing in Adobe Lightroom.
Auburn vs Georgia Tech
September 6, 2003
Frankly, I was surprised by how nice the image was with my Nikon D100, which was a CCD sensor camera. Today my Nikon D5 and Nikon Z6 cameras both have CMOS sensors. While the ISO range was 200 – 1600, almost no one would shoot much above ISO 1600.
Auburn vs Georgia Tech
September 6, 2003
Here I zoomed in a little for you. Not bad for technical quality. Since this was one of my first games with the NIKON D100, I started shooting at a shutter speed of 1/500. I quickly realized I needed to be higher and in this photo shoot at 1/1250.
Chick-fil-A Peach Bowl 2019
[NIKON D5, 120.0-300.0 mm f/2.8, Mode = Aperture Priority, ISO 25600, 1/4000, ƒ/5.6, (35mm = 360)]
Today I am shooting football games inside at ISO 25600 with shutter speeds of 1/4000. There have been major improvements from my first Nikon D100 to my Nikon D5 and my Nikon Z6.
Here is that photo a little closer.
Chick-fil-A Peach Bowl 2019
[NIKON D5, 120.0-300.0 mm f/2.8, Mode = Aperture Priority, ISO 25600, 1/4000, ƒ/5.6, (35mm = 360)]
Here is another before and after image.
ORIGINAL – Auburn vs Georgia Tech September 6, 2003
This is how I turned this photo in back in 2003.
EDITED – Auburn vs Georgia Tech September 6, 2003
Here the photo has been run through Adobe Lightroom and due to a few improvements in the software since 2003 I can give a client a better image with the same camera.
Summary
SOFTWARE – If you have photos from many years ago, with today’s software like Adobe PhotoShop and Adobe Lightroom you can most likely get much better images than you did way back when you first shot it by just editing it with the newer software.
RAW vs JPEG – I cannot recommend enough that shooting RAW will give you more flexibility in editing. The biggest difference I know that I see is in the color. In RAW you can still change the color temperature after you shot the image with everything that the camera sensor was seeing. With JPEG a lot of that color information is lost.
CAMERA – upgrading more often than every two years seems extreme to me. I mean, these are not cheap $100 P+S models here; we are talking about $2,000+ cameras. We may be professionals, but even for someone making their living from photography, that is a lot of money to be spending every other year.
When to upgrade your camera
If you have a 16+ megapixel camera the only reason to upgrade beyond this is if you like to crop a great deal or you are going to make HUGE prints bigger than 30″.
ISO – This has been one of my biggest reasons in the past to upgrade. Going from my Nikon D2Xs to Nikon D3 was huge. I went from ISO 100 – 800 to ISO 200 – 6400. That was the single biggest jump in significant game changer in my career with a camera. I had never shot any useable color images above ISO 800. I was getting awesome images at ISO 6400.
Motor Drive – With fast-moving things like sports a 11 fps can make a big difference in getting that image.
Shutter Lag – Early on with digital pushing the shutter didn’t give you instantaneous results. Cameras in the last few years are incredible.
Auto Focus – Through the years this has been a major jump.
There are other new functions you might consider. Video settings are vastly better today. You can always order a camera and test it for 30 days and send it back. You pay a stocking fee, but you get to test it to see if it is worth the upgrade.