ISO The Big Game Changer in Digital

The ISO setting on D3S lets me choose ISO 12,800 or higher. Not only is it a choice the quality of image is as good as ISO 400 was in the film days for my work.

I think the greatest game changer with digital photography has been the ISO. There are many ways this has impacted photography.

Here is a list of some of the things I have noticed it changed for me:

  • Can change ISO from photo to photo. 
    • Before you had to change film to change your ISO in the middle of a roll of film
  • In today’s cameras like the Nikon D3S the high ISO is higher than it ever was with film
    • Color film high ISO was around ISO 800
    • Black and White high ISO was around 3,200
  • The 12,800 ISO setting in the Nikon D3S gives me as good of results with noise as film’s ISO 400 did and maybe better.
    • With film we talk about grain and today while similar effect it is different and we talk about noise
  • AUTO ISO – WOW this really changed my life.
Nikon D3S – ISO 11,400 – F/5.6 – 1/100 – Nikkor 28-300mm

AUTO ISO

Since the quality of the ISO really has little impact on the quality of the image AS COMPARED to the major quality shift with film, I have my camera normally set to AUTO ISO most of the time.

I will go in to the menu and change this AUTO ISO settings.

Nikon D3S menu ISO settings
Nikon D3S ISO settings allow you not just to set the ISO you can choose AUTO ISO. I use this most of the time. You choose the range by choosing the low and maximum ISO. You also can choose the minimum ISO preference.

Sports

One of the settings I change in the AUTO ISO is the minimum shutter speed. When I am shooting sports I prefer shutter speeds of 1/2000. So I will set this and then shoot in Aperture mode.

The camera will override the shutter speed of 1/2000 and go lower if the ISO gets maxed out at ISO 12,800. If you prefer not to shoot at such a high ISO then you can choose something lower like ISO 5,000 and then shutter speed would drop from 1/2000 much sooner than it would for me.

This AUTO ISO setting isn’t taking creativity away, but rather I have set the tolerances that I would have been having to stop and think about to do anyway. This lets me get the moment sharp and in focus, which is critical in sports.

Flourescent and Sodium Vapor

When shooting under Florescent and Sodium Vapor I normally set the minimum shutter speed to 1/100. You see both of these type of lights are really like flashes.  They are flashing about 60 times a second and if you shoot faster than 1/100 you will get color shifts due to catching the light in between cycles.

Nikon D3 – ISO 6400 – f/2.8 – 1/100 and Sigma 120-300mm f/2.8

Flash

I have discovered a couple of things about using flash with a high ISO.

  1. With TTL flash and high ISO I can easily balance these so I can shoot with my 85mm f/1.4 for example.
  2. When you use flash and it is illuminating most of the scene the dynamic range of the photo is compressed. What this means is most of the time the f-stop range of exposure from the highlight to the shadow is more compressed and therefore the noise is the shadows is much less than when shot without the flash.
Nikon D3 – ISO 200 – f/1.4 – 1/160 and Nikkor 85mm f/1.4. Also off camera flash using the Nikon SU800 to trigger the Nikon SB900 flash in TTL mode. The flash is set for -1 stop compensation. In addition I also was using the Radio Popper system to be sure the signal was consistently getting from the SU800 to the SB900.

Once I discovered the affects flash has on shadow, I started to shoot with it in situations where noise was a real possibility and I wanted to diminish the affect of it. I will often shoot with the flash -1 to -3 stops under on the flash compensation setting.

Nikon D3S – ISO 6400 – f/4.8 – 1/100 and Nikon 28-300mm. Also off camera flash using the Nikon SU800 to trigger the Nikon SB900 flash in TTL mode. The flash is set for -1 stop compensation. In addition I also was using the Radio Popper system to be sure the signal was consistently getting from the SU800 to the SB900.
Nikon D3S – ISO 6400 – f/5.6 – 1/100 and Nikon 28-300mm. Also off camera flash using the Nikon SU800 to trigger the Nikon SB900 flash in TTL mode. The flash is set for -1 stop compensation. In addition I also was using the Radio Popper system to be sure the signal was consistently getting from the SU800 to the SB900.

What is the take away?

Before the digital camera, to use ISO in a creative way meant to change film stock. You also could not shoot AUTO ISO. Due to this no longer being a hindrance I now see the ISO setting the way I see aperture and shutter-speed.  It is another creative tool giving me more options to get photos that in the past were not possible.

Are you using ISO to its fullest creative possibilities?

Nikon P7000 bailed me out when my Nikon D3S couldn’t

Nikon P7000 ISO 1600, f/5.6 1/40

Today one of the most dreaded photo shoots happened. I arrived at the client’s location where I was asked to photograph a class of students in class and then afterwards we are doing their Christmas card photo.

The videographer needed no shutter noise on the video so I am using the Nikon P7000 ISO 1592 f/5 1/250

The client didn’t realize they had a problem booking a still photographer and videographer to shoot in the same classroom at the same time. I was not told about this situation nor was the videographer.

This is the first time in a while I had been put into this situation and this time I had a new solution for the problem. You first need to know the problem. The biggest issue for still photographers shooting with videographers is all about sound. Our cameras make a mechanical noise when the shutter is fired that microphones pick up even more than the human ear or at least Murphy’s Law seems to say so for the end result.

Nikon P7000 ISO 1600 f/3.2 1/130

On movie sets the still photographer often uses a blimp to eliminate the sound of the camera.  The costs start about $1,200 for one of these. I would typically rent one rather than buying one.

Jacobsen Blimp that you put your DSLR Camera into and put the tube over your lens to muffle or eliminate the shutter sound. I couldn’t use it because I didn’t have one or know that I needed it. So thankful that I always have my Nikon P7000 with me.

But today I had another solution. My point-and-shoot Nikon P7000 makes no noise at all when it fires. You actually can turn on and off a shutter noise.  They make this for those who want to hear their camera. I turn it off on mine.

The first time my friend, Dave Black, told me a few years ago he had used a similar Nikon camera during a PGA tournament and had the first photos of Tiger Woods and Phil Mickelson in their back swing for Sports Illustrated. Dave Black surprised the editors so much they almost had a heart attack. You are not suppose to take any pictures of the golfers until they hit the ball. The reason is the motor drives and shutter noises can distract the golfers.

Nikon P7000 ISO 1600 f/5.6 1/35

Dave Black had to quickly pull out his camera he used and fire it to show the editor. Click here for that story.

This story was in my head this morning and so I pulled out the Nikon P7000 and saved the day.

No question I would have preferred to shoot the photos with the Nikon D3s and have even cleaner looking files, but this was a good compromise to get photos and let them video at the same time.

By the way I did use my Nikon D3s for their group photo.  They wanted themselves in a circle for a particular design purpose. Nikon D3s ISO 200 f/9 1/50

Taking my own advice

http://www.stanleylearystoryteller.com/bloggalleries/MountainTrip/index.html
This past week I have taken some of my advice about getting out of a creative rut.

November 9th Taylor turned 21 and the family headed downtown to Fat Matt’s Rib Shack.  You could have probably called this a black hole for photographers. Very little light and I just took my point and shoot Nikon P7000.

Everyone was just having fun and so I just tried to capture the mood we were all in that night. I like being sure I have my camera with me for moments like these.  They are first in the slide show. I enjoyed the band to help lighten up the mood that night as well as the good BBQ.

We then enjoyed some cake at the house.  I just enjoyed capturing the moments of family life at our household.

After eating BBQ on Thursday, we were inspired to return to our new favorite BBQ joint in Blairsville, GA–Jim’s Smokin’ Que.  I wrote about our first visit and want to say they are consistent. The food was just as good this time, plus we also had for desert some peanut butter pie.

The road we took from Roswell to Blairsville was filled with twists and turns. Sine this was making our daughter car sick we took a different way than the GA400 and Hwy 19. We took the Appalachian Hwy over to Blueridge, Georgia. 

I remembered my friend from Showcase many years ago had moved there to open a Wine and Cheese shop with other fun things to shop for. So I looked up Sara Auman on my iPad and then we headed over to her store “Out of the Blue.”

The best part of walking in the door was Sara remembered me by name. I always thought she was one of the best camera salespersons I ever knew.

What was rejuvenating about these past few days? Spending time with family. Enjoying good food and music. We changed the scenery and drove through the mountains. I visited an old friend.

I already feel better and encourage you to also take time with your family and friends. I recommend going to Blairsville for some great BBQ with Jim at Jim’s Smokin’ Que on the Gainesville Hwy.

Overuse of the smile with photos can lead to feeling of setup

I find people who smile all the time creepy. I also find people who are in the same mood all the time just as disturbing. When I say I have a real friend, I see all the sides of my emotions with them. They smile, frown, tear up and even get mad in our relationship.

Take a moment and look at your communications, especially your photos. Is everyone only smiling in all your photos? Are they all sad? Do people ever have puzzled looks on their faces?

Maybe your company is slipping because your communication style is creepy and disturbing on some level.

I have been working with higher education for years and even have my master’s in communication through the education department of a seminary. I see my role as an educator as much as a communicator and storyteller.

I want to chase a rabbit here, so you might see where this thought came from.

Lev Vygotsky believed children’s thinking is affected by their knowledge of the social community. As a result, one of the things he helped to develop was the Zone of Proximal Development (ZPD). The ZPD is the distance between a student’s ability to perform a task under adult guidance and peer collaboration and the student’s ability to solve the problem independently.

The concept also applies to adult learning. When you look at what you can do right now with no one’s help and compare this to what you could do with someone who is an expert on the subject, you see the gap between the two. Vygotsky believed the teacher’s role is to be the scaffolding to help the student reach things alone they would not be able to do in the present moment.

I look to others who are experts to help me process the material I want to understand. I love going on tours of places and having tour guides give me the information I wouldn’t have gotten without them. It enriches the experience.

Many organizations I see have a gap between their present communications and what they could be doing. One of these areas is the overuse of the smile in photos.

Sometimes I walk into a classroom with a person from the school organizing the photo shoot, and they will tell everyone why we are there and please look natural. Then after a couple of minutes of shooting, they stop everything and ask everyone to smile and look like they are having a good time. They may be dissecting a frog in a biology lab, but they must smile.

This example is when I am reminded I see the bigger picture, and they are just starting the journey of using images to communicate.

Now I want to contrast this with a recent photo shoot. The client gave me the class schedule, and I was to walk around and get photos of the classes. But instead, they told everyone I was there and to go on as usual.

They even said you know what you are doing, and I trust you. The client wanted what I produced for other clients and let me have the freedom to gather the content for them.

I went from classroom to classroom with my photo assistant. Everyone was natural, and occasionally I had to use some flashes to get photos, which I knew were disturbing the class a little, but everyone was great.

The school was a seminary, and this was where people were stretching their comfort zone. The students come with perceptions and thoughts guided as much by pop culture as by their scripture. The seminary will challenge their faith system and help them construct one built on scripture, not pop culture. The students are often not smiling or perplexed, and I show this.

Since my wife and I both went to seminary, and in my family, we have more than 30+ who went through seminary, I consider myself more of an expert on how people pick a seminary.

I want to look for an academic school that presents me with information that challenges me. I want to go to a school where I can relate to the professors and the students. Finally, I want to go somewhere where the student population seems to be a family and enjoy one another.

People looking for a seminary tend to be much more profound in their thoughts than the general population. They are choosing to go to school, and when they graduate with this master’s will, most likely mean, their salary will go down and not up. To determine this path, one must feel called.

I wanted the photos at the end of the day to communicate some of these emotions, thoughts, and content that I had felt while there. So I think the pictures look like more than all smiles and the people look real to me.

Why is this so important to me? If I were to capture only the smiles, I would have made the seminary look more like a school for a cult than a seminary for those who will be leaders of the Christian faith.

As professional communicators, we need to understand the “big picture,” which is often beyond the reach of the present audience. We are to help them by providing those step stools to get them to reach their goals. We have to help to inspire them to look up as well.

When your creativity becomes stale

Stanley’s new profile photo.

There are times when I look at my work I see things getting stale; there is just nothing that pops. You want your work to have visual surprises so that your work engages the audience.

While your work may still pop for your audience because not everyone has seen your work everyday like you, this still doesn’t remove the feeling you have about your own work. If you wait to address this when you clients are thinking your work is stale then you have waited too long.

Through the years I have tried many different things to get me out of those ruts. Here are some things I have used and continue to use at times to help get my creative juices flowing once again.

  1. For the photographer I recommend trying shooting all day with an extreme wide angle lens like a 20mm or even wider. If this is your normal lens of choice try something different like a macro or extreme telephoto. It is forcing you to look at the world differently than you are doing now.
  2. Change your routine. If you eat your breakfast always in the same room, take it outside on your deck or go to another room. Drive a different route to work.
  3. Change your food for a while. Eat at different restaurants or even try a new ethnic food you haven’t had before.
  4. Plan a trip. The process of looking for somewhere to go, planning the logistics and who to go with can help inspire you.
    1. Plan a day trip to a park, an event, or a historic location.
    2. Plan a weekend trip to the mountains, beach or just a bed and breakfast in a town nearby.
    3. Plan a big trip somewhere.
  5. Take a Workshop, Seminar or Class. This can be something in your profession or just something different. If you are a photographer you may take a painting course or go to a college to hear experts speak on something new for you. Enroll in a community college class and learn something totally new and different.
  6. Read something new. To find something to read ask some friends what they have read lately. If you like biographies—Google the topic and put in date ranges to see what pops up. Maybe go to a local library and talk with a librarian for ideas.
  7. Watch some movies or go to play/theater. Look into documentaries or classic movies. Put out a request to your Facebook, Twitter or LinkedIn connections to have them recommend something to you. Don’t just consider what is in the theaters.
  8. Change your diet/health. I joined Weight Watchers after years of going to a gym. I lost 50 lbs and that made a huge difference in the way I see life. I put some of this back on so I now am adding other activities to get back to my ideal weight. It is amazing how much being out of shape can adversely affect your creativity.
  9. Take up a new hobby. Maybe you sign up to learn how to fly a plane. Maybe you volunteer to help with boy scouts or some other civic group. Get involved somewhere that will expose you to people who think differently than you. It is here that your emotions and brain will stretch in new ways of thinking and feeling about the world.
  10. Start trying to make a photo a day. Quickly you will discover that you will have to live with mediocre to accomplish this goal. Maybe the thing holding up your creativity is failure. Take on a project that will be OK if you fail, but give you ample room to have success as well. Maybe the creativity is blocked not by lack of desire but the unwillingness to live with less than perfection.

Most importantly do not measure your life by what you do only—learn to measure your life by learning to just be. For me having my friends around doing nothing, but just there is more rewarding than them always doing for me.

What one week of mine looked like in September

I have been using the Nikon NPS pocket calendars since 1983. The calendars might be more telling of my camera preference than anything else.

My mentor Ken Touchton called to tell me that I needed to show what I might do during a week of my life. He knew that what we do as freelancers, if you are successful, takes more time than a 9 to 5 job with occasional evening events.

I decided to start with a busy shooting week for you and then contrast it with a slower week. I want you to see how some weeks you have no time to yourself. I am not doing this every week, but you must be willing to take on weeks like this to be successful as a freelancer. It is feast or famine in this line of work.

One Week of Shooting

August 29th, Monday

  • 6:00 a.m. Getting up, shower, eat and pack the van
    • Check emails
  • 7:00 a.m. Leave the house with Photo Assistant
  • 8:30 a.m. – 9:00 p.m. photoshoot
    • During the day, the CEO asks to get photos for a PowerPoint slide the next day. ( I contacted the person who would be getting the images that night to process the next day to meet me at the meeting and start processing all the photos early.  By the way, this person was going to watch my daughter while my wife is out of town)
  • 9:30 p.m. – 11:00 p.m. editing and creating PowerPoint slides from all the day’s images to email to the CEO for him to have three choices to pick from. Put batteries on chargers. Reformat cards and clean cameras.
    • Check emails 

August 30th, Tuesday

  • 6:00 a.m.
    • Getting up, Shower, eat and pack the van.
    • Help be sure your daughter is up and ready for the school bus.
    • Check emails
  • 7:30 a.m. leave house with Photo Assistant
  • 9:30 a.m – 5:30 p.m. cover meeting again.
  • 6:30 p.m. arrive home, cook dinner, and hand over all images to photographer/assistant to process.  She will process all the RAW images from the last two days.  Edit out bad moments and make JPEGs.  These will be burned to DVDs and put in a FedEx package (which I have already prepared) to drop off to be overnighted to the client on Thursday morning.
  • 8:00 – 10:00 p.m.
    • Unpack van and charge batteries, and then pack for the trip tomorrow
    • Check emails – Create an Invoice and send the PDF to the client with a W-9 form 

August 31st, Wednesday

  • 6:30 a.m. Up and getting daughter off to School.  My photo assistant stayed over to get the daughter off to School and be there to meet her later in the day when she came home. (wife is still on the trip)
    • Check emails
  • 9:00 a.m. leave for the airport
  • 10:00 a.m. – 12:00 Sit at the airport checking emails and corresponding about today’s trip. Also, send thank you notes to the clients on Monday and Tuesday.  Check with a Friend/Assistant watching my daughter. 
  • 12 – 3 fly across the country
  • 3:30 get to Rental Car location 45 minutes after putting in an address to GPS on the road for 2 hours to place.
  • 5:30 p.m., drop by the site. I will be shooting the next day, meeting the people, and talking for an hour to get an idea of the place. 
  • 6:30 – 8:30 go to each with the writer on the project
  • 8:30 – 10 check hotel, unpack and set up a computer as a workstation, check emails, and respond. 

September 1st, Thursday

  • 6:30 am up ate and checked emails.  (Still planning a photo shoot of the Chick-fil-A Kickoff in a couple of days)
  • 8:00 a.m. – 7:00 p.m. Shooting stills and Video interviews of story
  • 7:00 – 8:00 p.m. go eat
  • 8:00 – 11:00 p.m. editing of images and video 

September 2nd, Friday

  • 3:00 a.m., get up and  drive 2 hours to catch a 6:00 a.m. flight back to Atlanta
  • Noon – touch down in Atlanta
    • Get bags and go to the parking service to pick up the van and drive home
  • 1:30 p.m., finally home
  • 2:00 – 9:00 p.m. Edit video and still images into a 2:30 minute package and send to client for changes and approvals.
    • Checking emails and phone calls about the next day. Scan all receipts, create an expense report, and email this to the client for the trip.

September 3rd, Saturday

  • 9:00 a.m. Slept in and am exhausted
  • 11 a.m. Wife, Daughter, and I eat lunch
  • Noon drops daughter off at friends, and my wife and I drive to the Chick-fil-A Kickoff game.  Dorie, my wife, has been volunteering in the press box for 18 years, and for a much shorter time, I have covered the games for clients like the teams, wire services, and corporate clients.
  • 1:00 p.m. – 1:00 a.m. cover the pre-game events and the game and then leave 

September 4th, Sunday

  • 8:00 a.m. – noon, edit all my images from the day before
  • 1:00 – 4:00 download images from two other photographers, putting together sights and sounds in a 2-minute slide show with audio.  Send this to the client to have published on Monday morning. 

During that week of shooting, I was still checking my voicemail because I couldn’t take calls while shooting, but the moment I had a break, I would listen and see if I needed to respond. It would help if you reacted quickly to offers or clients moving on to someone else.

I still like to use the moleskins and NPS calendar even with today’s new technology, which lets you sync your phone, iPad, and computer with your calendar, notes, and contacts.

Non-Shooting Week

September 19, Monday
·      6:30 a.m. Shower, breakfast
·      8:00 a.m. – 9:00 a.m. drive to Visual Consulting client’s Corporate Offices
·      9 – 10 a.m. checking emails and talking to folks in the office by seeing how they are doing.  Building relationships
·      10 a.m. – 11:30 a.m. two meetings back to back.  I listen in on editorial meetings.  I am listening to see what they have planned for visuals on projects.  Occasionally I ask about what they have planned.  Many times I have a list of ideas that I am ready to offer as suggestions.  But most of the time I am trying to think more strategically and offering observations when appropriate in the meetings on workflow and procedures.
·      11:30 – 1:00 p.m. eat in the corporate dining room.  This is actually another long meeting. I try and sit with new folks when I can or sit with some of the team that I work with to get to know them better.  I find out what they are working on and see how they are doing.
·      1:00 p.m. – 3:30 p.m. more one-on-one meetings with different people in departments around the company trying to be sure they are all aware of how we are there to serve them.
·      3:30 – 5 commute home
o   Making and taking phone calls along the way. Often following up on a conversation earlier in the day.
·      5 – 6 p.m Checking on emails and working on connecting with clients

September 20, Tuesday
·      6:30 a.m. Shower, breakfast
·      8:00 a.m. – 9:00 a.m. drive to Visual Consulting client’s Corporate Offices
·      9 – 10 a.m. checking emails and talking to folks in the office by seeing how they are doing.  Building relationships
·      10 a.m. – 11:30 a.m. meetings
·      11:30 – 1:00 p.m. eat in the corporate dining room.
·      1:00 p.m. – 3:30 p.m. more one-on-one meetings
·      3:30 – 5 commute home
o   Making and taking phone calls along the way. Often following up on a conversation earlier in the day.
·      5 – 6 p.m Checking on emails and working on connecting with clients
·      evening sometime – write this blog and post it.

September 21, Wednesday
·      6:30 a.m. Shower, breakfast
·      8:00 a.m. – 11: 30 a.m.
o   Often posting blog or working on the next one.
o   Going through my database of 5,000+ contacts and seeing who I have not contacted. Often this then prompts me to categorize those and write an email that I can then blast out to a group that appears to be very personal, but is often to similar audience.  An example might be a letter to all those who are at magazines, working for education or maybe church organizations.
o   Check my analytics on my blog and website
·      11:30 – 1:00 try and get lunch with my wife who works from home as well
·      1: 00 – 5:00 p.m.
o   Similar to the morning, but now checking to see how many emails bounced, what links they clicked on if any.
o   Responding to the responses from the emails.  Sometimes they have something else in mind and my email just prompted a call.
o   Removing people from my database that have lost their job or moved on.  Creating a new contact for these companies. This requires some investigation through their website often or a phone call to see who is the best new contact for me.
·      5:30 – 7:30 Wednesday evening meal and bible study at our church
o   Side note. Because of my profession and working in the past on the staff of church organization, I have been asked to help curate missions photography exhibits, teach classes on how to take photos on mission trips and asked to teach Sunday School. While I could teach without a seminary degree, my seminary training helps me pull on resources I have for these classes. I often will use examples of stories I have covered to make points.  This is part of my BRANDING.

September 22, Thursday
·      6:30 a.m. Shower, breakfast
·      8:00 a.m. – 11: 30 a.m.
o   Checking emails and correspondence.
o   Combing website to look for new contacts, which then I put in database and send them an email right away.  I have created some quick form letters that I customize for the recipient.
o   Review my presentation for UGA photojournalism students
·      11:30 – 1:00 drive to Athens, GA for presentation to UGA
o   Phone calls while in car to clients and potential clients.
·      1:00 p.m. Eat quick lunch
·      1:30 p.m. show up at Professors office to catch up and prepare for class
·      2 – 4 p.m. teach class
·      4 – 4: 30 p.m. answer some questions from students
·      4:30 – 6 p.m. drive home
o   Phone calls while in car to clients and potential clients.
·      Evening – check some emails and call it a day.

September 23, Friday
·      6:30 a.m. Shower, breakfast
·      8:00 a.m. – 11: 30 a.m.
o   Often posting blog or working on the next one.
o   Going through my database of 5,000+ contacts and seeing who I have not contacted. Often this then prompts me to categorize those and write an email that I can then blast out to a group that appears to be very personal, but is often to similar audience.  An example might be a letter to all those who are at magazines, working for education or maybe church organizations.
o   Check my analytics on my blog and website
·      11:30 – 1:00 try and get lunch with my wife who works from home as well
·      1: 00 – 5:00 p.m.
o   Similar to the morning, but now checking to see how many emails bounced, what links they clicked on if any.
o   Responding to the responses from the emails.  Sometimes they have something else in mind and my email just prompted a call.
o   Removing people from my database that have lost their job or moved on.  Creating a new contact for these companies. This requires some investigation through their website often or a phone call to see who is the best new contact for me.

September 24, Saturday
·      Spend an hour checking emails

September 25, Sunday
·      Spend an hour checking emails
·      Spend an hour to couple hours writing blog

Some Tips

Keep a Journal

I try and journal as often as I can. Writing down the things on my mind is a way to help me process them. I then looked back through this to remind me of a few things. First, I see that I survived what seemed like a significant deal. Second, it keeps me humbled and thankful for all my blessings.

I can now look back and see that I worked very hard to make things happen, but also, because I am reviewing these journals see that often the jobs I have gotten were not because of something I did. ISo many often get jobs for reasons I cannot explain, and a great deal of work I did may have helped, but I can see only God could have opened some of those doors for me.

Could you write it down?

Sometimes I will have an idea, and I would forget about those great ideas in the past. So now I write them down in something similar to my journal. While I now see that some of these “Great Ideas” wouldn’t work, they have helped keep my creative juices flowing. Now I often turn these “Great Ideas” into blogs, or they become a newsletter. Sometimes they have inspired me to write emails to clients that did lead to jobs.

Summary

Have a system that keeps you connecting with your and potential clients regularly. Think often about your clients and what they are dealing with, and see if there is any way you can help lighten their load.

Remember, don’t wait for clients to call you with a project–you call them with tasks they would want to do.

Three ingredients for a successful photo club

Robin Nelson shares some of the stories he has been working on with the Christians in Photojournalism Fall Meeting in Atlanta.

“Birds of a feather flock together,” is a proverb that has been in use since at least the mid 16th century. In 1545, William Turner used a version of it in his papist satire The Rescuing of Romish Fox.

When we start school we are put together with people of similar age and start our journey in life together.  We slowly then join clubs and organizations where people of like minds come together.

I believe there are three things to making getting together with others a success: 1) Photography, 2) Subject and 3) Food.

1) Photography

The first thing I know I love to do is to look at others photographs on just about anything.  This is a common interest most photographers have.  We like to see how someone captured a subject.  We want to know what camera, lens, f/stop, shutter speed, ISO and even what lights they used.

Another thing that happens after seeing others photos is we may try to copy them just to learn a new technique. We may even want to stand exactly where they did to make the photo.  This is why so many folks have similar photos of famous places of the world.

One of the best things a tourist can do is to go and find the postcards of a location and then try and duplicate it.  It is like starting from the best position and then hopefully finding another new and unique angle.  But at least you have a good photo if the others don’t work out.

2) Subject: Similar Interests

When you get together with folks who have similar interests you have common language of a subject. You tend to have similar experiences. It is through combining multiple interests that we tend to have even more bonding relationships.

When photographers get together in camera clubs they often try to have outings that appeal to different subject matter. some will go off for wildlife photo shoots and others may bring in a model and learn how to do a better job with portraits.

Robin shared a few stories with the group.

I have enjoyed combining my faith with photography.  As a christian I find that the conversations are deeper for me then on other topics and when combined with photography I discover that two of my main interests bring more joy than almost anything else.

When CIPAtlanta.org gets together for meetings we see each others work and talk with each other about how we get our inspirations and how we find clients and groups to partner with to do photography.

Over time we have discovered we are not each other’s competition, but rather we are colleagues.  It is through our journey’s overlapping and sharing with each other that we find inspiration and a kindred soul.

If you want to enjoy your photography at a deeper level, combine it with another subject that you enjoy.  Maybe start your own group.  Maybe it is a club for aviation photographers, bird photographers, Civil War photographers or something else.

We enjoy getting together with couples from our church for what we call “Dinners for Eight.” Four couples rotate through the year at each others homes for dinner and time to get to know each other.

3) Food

The last thing that I think always helps in group dynamics is food. Plan some snacks or meals together. This will give you a more casual environment rather than just a stiff presentation.

Water cooler conversations we know are quite different than conference rooms.  Allow for some social time when you get together so people are free to meet others one on one and maybe make other connections than just the main topics that bring the group together. Remember the more topics you have in common with another person give you more things to bond about and help relationships grow.

Invitation

You are always welcome to visit our meetings for CIP Atlanta.  We have no dues and just do potluck dinners or everyone brings some snacks when we get together.  We always try and see everyone’s work and sometimes have special programs in addition by someone.  We post our meetings on our website and you can go there and send us an email asking to be added to the email list to be notified of upcoming meetings.

Links

Here are links to those who showed their work at the last meeting:

  1. Robin Nelson http://www.assignmentatlanta.com/
  2. David Stembridge http://www.greenpeas.us/
  3. Peter Doyle http://storyboardlife.com/
  4. Jim Loring http://jimloring.com/index2.php#/home/
  5. Tim Harman http://www.timharman.com/
  6. Nick Spratlen
  7. Andy Soloman

Do you have illiterates working on your communications staff?

Most organizations think that all their professional communicators are not only literate but are effective communicators.

Does your organization have managers putting out fires? I hear this a lot with managers. The root cause of these problems always seems to be poor communication.

When learning anatomy, most students prefer seeing the body parts to help retain the information and see how parts of the body interact.

So if all your staff has college degrees in English or journalism, why are there so many fires in the organization requiring managers to put out fires?

I believe that most people are visual learners; a recent study by the U.S. Federal Government suggested that up to 83% of human learning occurs visually. The study also indicated that visual information is retained up to six times greater than spoken word alone.

All research points out that we should communicate visually to be the most effective. Psychologist Jerome Bruner of New York University has studied the art of communication, and his studies have shown that:

• People remember 10% of what they hear;
• 20% of what they read; and
• 80% of what they see and do.

Stages of Learning (from LeRoy Ford’s book “Design for Teaching and Training)

I spoke to students in a school camera club where the school’s professional communicators were also in the room. Both of the professionals who attended said they learned a lot. My topic was How Composition Communicates: Visual placement of subject communicates—do you know what you’ve been saying?

Creating a camera club helps with the school yearbook and newsletters and for the professional staff to have photos to use for the school website and publications. So they asked me to come in and set the bar and help educate the students on what makes a good photograph.

When you take science classes, there is always a lab component. According to Jerome Bruner’s research, this helps you retain the information in the 80% range. I prefer a doctor who has practiced and not just read about medicine before seeing them.

If you enjoy my newsletters and blogs, maybe your organization could use a workshop and have me come in and help everyone understand how to create and manipulate visuals more effectively. Every organization that hires professional videographers and photographers also does its work. Those organizations that help educate their people on how to create better visuals for their everyday needs will stand out from their competition.

“A common mistake I see many journalists make is that they write a visual story without watching the visuals in front of them as they write. Too often, a video or slideshow story is not connected to the visuals. A good story is hooked to the visuals and audio. In broadcast, disconnected shots are referred to as wallpaper video, meaning that the story could be told without the visuals.”

–Serena Carpenter, professor Arizona State University

I commonly see writers cover events and never watch the video they will use on the website or the still photographs before and while writing their story.

While working on my master’s of communication in the education department, they taught me how people learn. Surprisingly all my journalism classes spent most of their time communicating but nothing about how people know. All my education classes taught me how people learn, but very little about how to communicate. I used to laugh about this.

In organizations, for the most part, you need people who are not just knowledgeable, as shown in the Stages of Learning chart (see above drawing).

  1. Knowledge: memorizing or recalling
  2. Comprehension: Translating (changing) into new forms, explaining
  3. Application: Applying learning to a unique situation
  4. Analysis: Breaking communication down into its parts
  5. Synthesis: creating something new by putting the pieces together
  6. Evaluation: Judging based on standards

I would say most writers can do all six stages regarding text, but few move past stage one regarding visual literacy.

A suitable workshop will help your staff to learn how to use visuals with text to improve the retention of the information for your organization.

Clayton State University Recruiting photos

Stanley’s Visual Training Workshops.

I provide one-on-one tutoring in digital photography, photo editing, and visual communication. The one-day tutorial covers camera skills and Lightroom; 2-4 day tutorials add instruction in photographic expression & field shoots as well as matching visuals with text.

Costs: $495/1 day to $1,980/4 days.

Please call me for rates if you want me to help train your staff.

Don’t buy more camera gear–buy a ticket instead

For this perspective of the roads around Lake Lanier in Georgia you need a something bigger than a crane. (Nikon D3s 28-300mm, ISO 400, f/8, 1/30)
The costs of a new high quality lens is usally anywhere from $500 to $15,000.  Many of the long telephoto lenses you see many sports photographers use on sidelines and nature photographers using at 300mm f/2.8, 400mm f/2.8 or longer.  For many folks they would be better served to do a trip to Africa or Asia with their present gear than to buy another lens.
For about $300 two people can take a balloon ride or airplane ride.  For about $400 to $600 you can take a helicopter ride.  For about $3000 to $5,000 you can travel overseas to exotic places and see something totally different. The different perspective is what some folks need to improve their photos.
You have seen earlier posts talking about getting a worm’s eye view and the bird’s eye view. For all these photos I found you had to fly like a bird to get these bird’s eye images.
One of the things my wife had on her bucket list was a hot air balloon ride. I think we may have to do this one again. We both had a lot of fun, even tho we got up before the crack of dawn to drive to a parking lot near Lake Lanier, Georgia to get on board a balloon designed for up to eight people, plus the pilot.
By getting up above the lake for sunrise I was able to capture a unique perspective of Lake Lanier. (Nikon D3s, 28-300mm, ISO 500, f/4.8, 1/1000)
Two things made this a great way to make photographs that you would want to frame and put on the wall. 1) a different perspective than you normally get walking around with a camera. 2) Early morning light looks fantastic.
One thing you can do right away is just get up before the crack of dawn and having previously scouted a good location wait for the sun to rise.  You will be surprised as to how different the location looks as compared to mid day.
My wife’s bucket list included a hot air balloon ride, which we did last fall. (Nikon D3s, 14-24mm, ISO 6400, f/2.8, 1/320)
My friend Bill Fortney, published two books photographing America from 500 Feet (Book 1 and Book 2), likes to joke about if you are having focusing issues you have more problems than photography at the moment.  Most lenses everything is in focus at 153 feet or greater, so if you have the lens focused on infinity and it isn’t sharp you are too close to the ground.
This is looking straight down into Lake Lanier from the Hot Air Balloon where you can see our reflection. (Nikon D3, 28-300mm, ISO 6400, f/3.5, 1/800)
Another interesting phenomenon is that the angle of the light source hitting a subject relative to the camera position can affect the exposure.  In essence you are getting some of the light bouncing and creating flair making the photo over exposed.  You could make it a little darker by underexposing or you could use a Polarizing filter to help cut down on the glare.
You don’t need a caption to explain how much fun the ride was for my wife. (Nikon D3s, 16mm f/2.8, ISO 360, f/8, 1/30)
While in the basket under the balloon I had three lenses I used: 1) 28-300mm Nikon, 2) 14-24mm Nikon and 3) 16mm full frame fish eye Nikon lens. For 90% of the photos from the balloon to show the landscape I used the 28-300 mm.  For the photos of us in the balloon I used primarily the 16mm fish eye. 
The pilot enjoying early morning coffee at about 500 feet. (Nikon D3, 16mm, ISO 2000, f/2.8, 1/2000)
One of my favorite photos from the day–capturing my wife having the time of her life. (Nikon D3, 16mm. ISO 2800, f/2.8, 1/2000)

Can you think of something you can do to get a bird’s eye view? We were not satisfied with just a balllon ride.  We later took a bi-plane ride.

One of the best things you could be planning to improve your photography is to plan a trip and do something fun to photograph. Too many photographers spend more money on lenses when spending money on a fun location will give you better portfolio results than a new lens.

Dorie and I before we take off for a open cockpit bi-plane ride over downtown Atlanta.
This was even tighter quarters than the balloon ride.  This is a Nikon D3s with 16mm.

Come and join me on my workshops here is a link to them http://workshop.stanleyleary.com.

What my clients get when they hire me

One of my clients knows that when he hired me he was getting more than someone who took photos.  Actually this is why he hired me. “Please don’t go home and think about this all night long–I don’t need it right away,” is something I hear from this client.

You see my clients get all of me when they bring me onto a project. My mind is thinking from the moment I get the job until even after I have delivered it. Besides my creative juices flowing about what can I do to make this unique, I am also thinking about all the other elements that go into the project.
Technical
Lasers are something that are not visible when you are in a lab, so how do you make them visible and cool?  That is one reason my clients hire me.
Some of the photo shoots require a great deal of technical knowledge to pull them off. A good example is shooting at a research institute like Georgia Tech, I must be able to go into the lab and get the photo. Some of the things like lasers are not visible to the naked eye. Making them show up in a photo helps communicate what is going on in the photo.  
Many photographers will do what they see on TV and spray a mist to make the lasers show up.  These photographers don’t get invited back, because the chemicals in that mist get all over the researcher’s equipment. Having to cleanup after a photographer has visited a lab is a good way not to be invited back. My clients like that I am thinking of not just getting the image at all costs.

IMG_12
This is a great example of having to think outside the box.  This composer had written software that used cameras to observe light and then create music. The audience was given flashlights to wave around and as they did they were creating music that the live orchestra would play. The problem is when I showed up in his office all the keyboards were just sold. All he had was the software on the computer which wasn’t that interesting, but he had a few shots from the audience.  I had him wave a flashlight to capture what the audience was doing.  For me the photo works–expecially because it had to be created out of nothing.  I had to listen and process to come up with the photo.

My obsessive behavior of not letting go of a thought until I can work it out makes me strange in many situations–but a blessing to my clients. Most photographers can photograph what they see in front of them and even light it to look cool. As you can see from these two photos is that the client gets a photo of something that didn’t exist.

Sports

Putting the viewer into the game is something I like to do. To make this photo I had to use strobes to light the entire court. I had to mount a camera behind the glass on the goal. All of the lights and camera had to have safety cables. I then had to be able to fire the camera with a remote that would not just fire the camera but also the strobes all at the same time.

The closest I got to playing high school or college sports was my freshman year in high school where I played on the golf team for a while.  I never played in a tournament.  In college I did get to photograph my college’s sports and at East Carolina University we had some incredible sports. Our football team at the time was great and so too was the women’s basketball team.

My love of sports has helped my clients get photos that tell a story and communicate the athleticism of their teams. This requires special equipment and knowledge of how to use it to capture those moments that make your team look like they should be in Sports Illustrated. Some of those photos for my clients did find their way to the pages of Sports Illustrated.

In sports you usually want to see the ball, both teams, peak action and the expression of the athletes for the best photos. While you don’t always have all the elements, you know this is what you are looking for to make the photo have impact.

When the client hires me to take these action shots they often need more than just the game shots.  They need head shots of the players for their sports programs.  They also need team photos or stylized images to use for the posters to be put up around town to help sell tickets.

The gloves were originally red, but in PhotoShop I made them yellow and let that be the only yellow in the photo. This was my idea and became the poster that Georgia Tech, the Yellow Jackets, used that year to show off their Heisman candidate Calvin Johnson. Again you can hire a photographer to shoot what you show them or they can take your idea and make it better.

Faith

IMG_27
When the Archdiocese of Atlanta needed to hire a photographer to photograph a military funeral the list of who they would use was quite short.  Because I had been to seminary and understood more than what was taking place visually but how to handle myself in this situation my reputation got me the job. I arrived early and let the family friend know who I was sent by to photograph the funeral. I asked for their permission and was willing to walk away if they said no. The client wouldn’t want to use the photos if I had gotten them any other way. Many photographers would not understand how not having a photo is better than having one at times.

Proven Track Record

Soulja Boy
Soulja Boy
Kid Rock
The Carter Center: Guinea Worm Eradication Campaign
Former President Jimmy Carter

What do pictures of Soulja Boy, Kid Rock and former President Jimmy Carter do for my clients?  Help them relax. I have heard it over and over when the person who hired me takes me around to meet their bosses or other important decision makers at their company they will name drop who I have shot for before and who I have covered.

Their neck is on the line often because photography is expensive. By letting folks know they had investigated me and that I had experience it not only helps them feel better, but relaxes them and this translates into great images for me. The people around them pick up on their mood.

When you hire the best you know you can relax and know you are going to get the best images for your company.

People Skills

Capturing moments that help communicate by using body language isn’t something that everyone is capable of doing. Many people just know how to handle themselves and pick up on the mood of others, but they do not know what those visual cues are always.

Symposium
Children's Choir
Soubakamedougou, Burkina FasoPaul Ekman has inspired the latest crime series TV show “Lie To Me” by decoding the traits of liars for more than 40 years. That work concentrates on the meaning of human facial expressions, body movements and speech patterns, which Dr. Ekman, a psychologist, has researched and cataloged.

While I am not an expert, this is what my social work undergraduate degree helped me understand is important.  Through training and experience of using this to help capture those moments I understand how to use gestures and face expressions to help tell a story.

People understand it when they see it, but they might not even be able to tell you why the photo makes them feel a certain way. Photographers who want to make you feel and respond in a certain way need to understand body language in order to predict what will happen next so they can capture it, because if you wait till you see it you will miss the moment.

I actually took this as backup to the schools hired photographers.  They had strobes setup and I was sure they were getting better photos than I was getting.  Boy was I wrong. We were so thankful I took these because the backgrounds were all black and just didn’t capture the atmosphere.

My Network

When a client calls and needs me for something, I cannot always fulfill their request, but my client never has to look for someone. I help them find someone who can best meet their needs. The great thing is those folks I recommend don’t try and take my client away. This impresses the clients as well as me.

I am the member of American Society of Media Photographers, National Press Photographers Association, and Christians in Photojournalism. I have not only been a member of these organizations but served on their boards and in roles of leadership.

Each year I am part of a team that helps to organize the Southwestern Photojournalism Conference where photographers who believe this profession to be a calling come together for a few days to learn and fellowship with each other.

A few times a year I help organize the local chapter of Christians in Photojournalism in the Atlanta area to get together for meetings.

Due to these organizations I have developed a good network of professional colleagues.  I have seen their work and worked with them enough to know about their character and how they conduct themselves.  It is from this network I pull upon to help my clients find the best photographers for the job if I am not available.  Sometimes a client calls and I send them directly to one of my colleagues.  I want the best for my clients.

IMG_22When you hire a creative are you hiring the whole person or just someone to push the button? You may have thought you just needed a photo, but you are always hiring the whole person.  Are your creatives thinking about you even when you are not calling them?

My clients often will get emails or phone calls where I have thought about something they might be interested in doing. If your creatives haven’t called you with ideas maybe you need to find those who are going to do more than just show up and get what you tell them to do.

Guest Blog – Daemon Baizan

Daemon Baizan

I am excited that my friends are writing to me with great ideas.  One of the best photographers I know in Atlanta is Daemon Baizan.  I have been really impressed with his food photography through the years, but Daemon is a great people photographer as well. One of the reasons is he makes people relax.

This is Daemon’s response to where I put out a kind of challenge for others to show non-photographic things that they’d adapted to work well for shooters.

Here is Daemon’s contact information:
Daemon Baizan, photographer, ASMP, EP
2555 Fairoaks Road
Decatur, GA 30033
404.634.6151 FAX: 404.634.5454
http://DAEMONpictures.com   


Home Depot T-strap ($5) and 2 Nikon SB-800s

Stanley:

I’ve got a couple for you.

Figure A

I’ve attached some pictures to explain, but I have two things that I’ve found to be extremely helpful for shooting quickly and capably in the field.

The first was my Home Depot T-strap flash bracket. I bought a T-strap piece at Home Depot for about $5. I bent the center part to ninety degrees, and installed a spigot (Figure B). I then used the pre-drilled holes in the T-strap, and installed two positive-locking flash-shoe brackets (about $7 each from Flash Zebra). Now I had a very secure, rigid, flash bracket which would hold two SB-800’s with enough clearance for insertion of a separate battery plug, with battery compartments accessible, and the same orientation for both IR sensors on the flash bodies. I usually modify the light from these tandem flashes with a brolly box whose shaft goes into the appropriate hole in a swivel bracket attached to the brass spigot.

Figure B

Figure C

I was ready to take this rig on the road, but I added another mod (Figure C) that makes all the difference in the world. Your experience may not be the same, but I had tons of trouble outdoors trying to get these flashes to fire in Remote mode, even when I had a dedicated SB-800 on camera in Master mode. I solved my problem by the lowest-tech solution possible. A piece of tin foil, folded, trimmed, and edged with duct tape (to keep it from tearing easily) stuck to the side of the flash, opposite the direction of the IR Master trigger, causes these flashes to fire correctly about 99 percent of the time. The sensors on these two SB-800’s are almost always facing toward the ground, so they are shaded, and the sun doesn’t interfere with the IR signal from the Master flash. The tin-foil reflecting panel is actually an upgrade from my first version, which came into existence when I was having problems on assignment. I took a gum wrapper and stuck it to my flash with the gum that had come from it, and it got me through the assignment. From there I upgraded to tinfoil and tape.

So, there you have it. Two home-made solutions to some very vexing problems, using things that are definitely not photo hardware. All easy on the wallet.

Pro Golfers and Pro Photographers have a lot in common

Taylor Made Burner Driver
The Mechanics

The professional golfer started by learning the golf swing with one club. It was most likely the 5-iron that they started with.  When you hit a golf ball with the 5-iron the ball is in the middle of your feet and just out in front of your body at the comfortable distance where the club will meet it when your swing is proper.

Many who start playing begin with a starter set of clubs.  Instead of carrying the 14 club limit they do on the PGA tour they carry half as many clubs. The reason is simple, before you run you have to walk. You need to get down the mechanics of the golf swing and then learn to slow it down, change your stance for different club lengths and how to make the ball not just go straight but left or right.

Tour Edge Bazooka HT Max Irons

The professional photographer starts out with a simple camera and learns how to master the mechanics of camera. When I started many were told to get a simple 50mm lens and basic camera that was totally manual only. They don’t make this type of camera anymore for the digital era.

I learned over time how to make my shots just like the professional golfer. If I wanted to do something different, just like the golfer, I learned how to manipulate the camera to get the results I was looking for in my shot.

My golf bag

The professional golfer who is leading a tournament is the one who is consistently playing. The difference between those at the top and the others is what goes on in their head. The leaders are calm and thinking level headed about their game. They may have a bad drive, but they are able to step up on the next shot and recover. The amateur golfer often is still thinking about what they did wrong and unable to concentrate on the shot at hand.

The professional photographer who makes their shots consistently is doing it with what goes on in their head.

Equipment

You can give an average set of clubs to a professional golfer and they will play better with them than most amateurs. A professional photographer can be given a point and shoot camera and most likely out perform the amateur for similar reasons. It isn’t the equipment that determines the professional but the knowledge in their heads that they put to use that makes them perform at the highest level of the game.

The pros do look for the best equipment that is made for them to perform at their best.  While there are differences between golf clubs and cameras most at this level are very minuet and the major differences are more between the person using the equipment.

The Business Metaphor

The professional photographer is best served by having a niche. This makes it easier to market and brand themselves.  I like to think of this like starting to play golf, your niche is like learning the golf swing with the 5-iron.

It is much easier after establishing yourself in a market to add other services. Think of it like adding another club to the bag. You may start shooting weddings and a natural next step maybe portraits.

My camera bag I use most often for corporate work

After shooting portraits on location at weddings you may then add the studio portrait to your bag.  You get pretty confident with this and then step over to shooting executive portraits or maybe musical performers portraits for CDs and their promotional material.

Hopefully, you are starting to see its not the camera or the golf clubs that make you a pro, it is years of experience and perfecting the mechanics to make the shots you want to make. Over time you learn to remain calm, cool and collected in your thoughts, so you can make the shot. You know that it take all of your mind and heart to make great photos that keep the clients coming back for more.