Do you love your job? You Should!

Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 18000, ƒ/5.6, 1/4000

Did I ever tell you how much I love my job? Every assignment is meeting new people, capturing their personalities, and hopefully introducing them to you.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 1800, ƒ/4, 1/100

I love meeting a teacher that looks like one of the NFL linemen showing the tender side of caring for children and wanting them to learn all they can.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 1250, ƒ/4, 1/100

With children, I get a chance to watch their personalities forming. Watching children work is one of my favorite things to see. You can picture them working their minds.

Nikon D5, Nikon 85mm ƒ/1.8G,  ISO 900, ƒ/1.8, 1/100

Peaking in on them working is how I often feel when I am asked to photograph children for organizations. I see myself being the fly on the wall as they work and play. Here you can see the sensitive moment of the child tenderly placing her Lego block.

Nikon D5, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 6400, ƒ/10, 1/100

This little girl has to re-think the needle on her sewing machine. I am catching a child super focused and enjoying herself. Now to capture things like this, I believe my personal experiences come into play.

My grandmother sewed all of her clothes. I remember watching her work. Today my daughter is doing costume design for theater. Capturing a passion requires you first to understand it is a passion.

Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 1250, ƒ/5.6, 1/4000

I also love to capture the group dynamics going on. I love this photo of the boys playing ball. I watched as each of them found their role while one of them was batting. They were learning how to play ball with the school’s baseball coach.

Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 2800, ƒ/5.6, 1/4000

Now what is fun to watch is how patiently the coach is with all the kids and then taking the time with them individually, teaching them how to be their best. I could also see where the coach couldn’t teach everything they needed to know but took it one step at a time.

Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 45600, ƒ/2.8, 1/4000

The older kids were more coordinated in their sports. I captured this young girl spiking during their win over a rival school.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 110, ƒ/4, 1/100

I had my first opportunity to capture these young girls learning manners. Here they are learning how to introduce themselves. How to make eye contact, shake hands, greet with a smile, and have a good voice.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 1600, ƒ/11, 1/100

While shooting something, these two little boys asked me many questions. They wanted to interact with me, and hopefully, I captured their curiosity and eagerness to engage with others.

I will end here with another moment that just took me back to our oldest son. When Pokémon came out, our son Nelson was the age of Ash Ketchum. In 1997 when it first was on TV, our son was nine years old. These guys were earnest about Pokémon, as I remember our son Nelson.

I’ll leave you with a quote from the founder of Chick-fil-A, S. Truett Cathy said:

“Love what you do, and you’ll never work another day in your life.”

S. Truett Cathy

Flash On OR Flash Off

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 28800, ƒ/4, 1/250

To flash or not to flash that is the question? In the photo above this was done without a flash.

Nikon D5, Sigma 70-200mm f/2.8 EX DG APO OS HSM, ISO 5000, ƒ/4, 1/100–(2) Alienbees B1600s, Pocketwizard TT1 w/ AC-3 and TT5 w/ AC-9

Now I have an Alienbees B1600 behind them and one in front. While technically, the one with flashes is better, I still am not satisfied with the flash. Due to restrictions on where I could put the flash, I could never get what I would call a natural look.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 14400, ƒ/4, 1/250

The most significant difference between these two photos is where the minister stands. The lighting is designed to hit him on the face, not the front row people. So here, the available light is quite acceptable.

Nikon D5, Sigma 70-200mm f/2.8 EX DG APO OS HSM, ISO 5000, ƒ/4, 1/100–(2) Alienbees B1600s, Pocketwizard TT1 w/ AC-3 and TT5 w/ AC-9

No question that here I was able to achieve the “natural light look” with the strobes. The significant difference between the two photos is the dynamic range appears more critical with the strobes.

Nikon D5, Sigma 70-200mm f/2.8 EX DG APO OS HSM, ISO 5000, ƒ/4, 1/100–(2) Alienbees B1600s, Pocketwizard TT1 w/ AC-3 and TT5 w/ AC-9

While the photos where the lighting can be made to look natural look best with the flash, I find the flash is announcing that I am there shooting. This makes people look at me much more and limit the number of natural expressions.

Nikon D5, Sigma 70-200mm f/2.8 EX DG APO OS HSM, ISO 14400, ƒ/2.8, 1/100

I love the moment here with the little girl during a chapel service. The reason for those wondering about the blue light is the stained glass window on the right of the frame.

Nikon D5, Sigma 70-200mm f/2.8 EX DG APO OS HSM, ISO 6400, ƒ/2.8, 1/100

As you can see from these photos, it isn’t always easy to choose to use flash or not. With today’s cameras having such high ISO capabilities, you can get more acceptable images without a flash than we could just a few years ago.

To flash or not is often up to the photographer and how it fits into their style of photography.

Capturing the times of our lives

Nikon D5, Nikon 85mm ƒ/1.8G, ISO 200, ƒ/5.6, 1/80–Alienbees B1600, triggered with Pocketwizard TT1 and TT5 system [logo from Wikimedia Commons and modified]

This weekend was my daughter’s high school homecoming. This is her senior year when everything is the last time for her class. They commented on how they all stood around the first year and were afraid to dance at the party. Now, seniors didn’t care what others thought as they did as freshmen.

If you follow my blog, you know my daughter is involved in theater, and her friends are primarily other theatre geeks. They are not an exclusive group, so I said this was most of her friends, but the theatre kids love most people and are excited to have more people hang out doing life together.

Great Self Esteem = Great Photos

When a photographer’s subjects are confident and can relax and be themselves, you spend more time just capturing those moments versus spending so much time trying to pull them out of a person.

Nikon D5, Nikon 85mm ƒ/1.8G, ISO 200, ƒ/5.6, 1/80–Alienbees B1600, triggered with Pocketwizard TT1 and TT5 system

The photographer’s key role in making this happen is to create an atmosphere where the subjects feel like they are in control.

I try to convey this by asking many times throughout the photo shoot if there is anything else they would like. I suggest combinations of people and try to keep the excitement going, but I am always trying to say I am here for you.

Nikon D5, Nikon 85mm ƒ/1.8G, ISO 200, ƒ/5.6, 1/125–Alienbees B1600, triggered with Pocketwizard TT1 and TT5 system

I arrived early and started by picking a location. I set up my lights, and my wife helped by standing in as a subject so I could get the light set right on her face and balance it with the background and other light on her face.

For the better part of 15 minutes, I was troubleshooting. I had one lens that was not working with my flashes. I finally found the combination of working with my Nikon 85mm ƒ/1.8 on the Nikon D5 that would work for me. This required me to move back and forth to get the close-up shots and then walk fifteen feet around to get the group shots.

Nikon D5, Nikon 85mm ƒ/1.8G, ISO 200, ƒ/5.6, 1/80–Alienbees B1600, triggered with Pocketwizard TT1 and TT5 system

By the way, I spent a good hour working with my cameras and all my lenses to test them with flashes.

I believe I have a lens that was just repaired. That is the problem. I now know for sure what the problem is that I was having such a problem with when I was setting up for these photos.

Nikon D5, Nikon 85mm ƒ/1.8G, ISO 200, ƒ/5.6, 1/125–Alienbees B1600, triggered with Pocketwizard TT1 and TT5 system

Once I had the lights in place, I didn’t change them. I moved closer and further back and occasionally twisted the models to the left or right to get a different look. In the closeup of my daughter, I just turned her until the strobe off to the back was directly behind her.

Here is the setup for you.

I was so thankful to be photographing my daughter and her theatre friends. They exuded so much more confidence than they did just four years ago.

Nikon D5, Nikon 85mm ƒ/1.8G, ISO 200, ƒ/5.6, 1/125–Alienbees B1600, triggered with Pocketwizard TT1 and TT5 system

What I think is so exciting about taking these photos this weekend is I feel like I captured the traits in these kids who are now young adults. Just before next year, they enter the workforce or go off to college to live their own lives.

I am so proud of who my daughter has become and the friends she has made in her time in school.

Nikon D5, Nikon 85mm ƒ/1.8G, ISO 200, ƒ/5.6, 1/80–Alienbees B1600, triggered with Pocketwizard TT1 and TT5 system

In the TV show Friends, we watched these six people do life together for over ten years. They dated each other and had to break up with each other. The reason so many of us returned to watch the show was we loved it when no matter what happened, they worked hard to keep their friendships intact.

What I love about photography over text is its power to capture emotions. To capture emotions, you need to be prepared. The camera must be set correctly. You must have considered the lighting for the photograph. You have been thinking about and taking into account the background. Will you make it razor sharp or blurry and out of focus?

But even more important than knowing your gear is to know your subject. You cannot capture that which you have no knowledge of or understanding.

For me, to do great photography that is compelling requires the photographer to be involved in their subject’s lives long enough that they let you in to see them for who they are.

I had watched these kids from when they were young and had them in my home many times, allowing them to get to know me and me.

While my relationship is different than my daughter has with her friends, there is a relationship. I think that is key to understanding your role as a photographer. I am not trying to be their friends that hang out every day. I want to be like a parent, the safe space where they can hang out and be themselves.

Google Analytics can mislead you if you let it

Georgia Bulldog’s Freshman Running Back #35 Brian Herrien scored his first collegiate touchdown. In contrast, UNC’s Safety #15 Donnie Miles could not stop him during tonight’s Chick-fil-A Kickoff Game, September 3, 2016, at the Georgia Dome. [Nikon D5, Sigma TC-2001 2x, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 45600, ƒ/5.6, 1/4000]

In the photo here, I am sharing the touchdown. The image without words communicates. The text adds more meaning. However, how will you measure it in your meetings with your team?


Now I am sitting in a meeting where they look at the analytics of how their audience is responding to their communications work every week. Most of those in the profession are doing something similar. Most use things like Google Analytics to evaluate and measure their communication effectiveness.

Finally, the light bulb came on for me when I realized that everyone was evaluating their work mainly based on our analytics. Well, that isn’t the light bulb moment.

What was the moment realizing that Google Analytics, YouTube, or Vimeo analytics don’t measure still images?

However, we know that research shows that people respond better to visual communications, and specifically, they react first to a still image over all the other forms of communication. We cannot get that feedback through present analytics.

Here is one of the latest research projects about how people view images.

EYETRACKING PHOTOJOURNALISM: NEW RESEARCH EXPLORES WHAT MAKES A PHOTOGRAPH MEMORABLE, SHAREABLE, AND WORTH PUBLISHING

Funded by the National Press Photographers Association, this study follows a long line of research, looking at how people consume news content.

“You can tell which ones are done by people who know what they are doing,” said a 21-year-old male participant, “whether it’s the focus, or the angle or the lighting, being allowed to be up close — all that stuff.”

The sad thing I realized while sitting in that meeting was that this latest NPPA study was not new but had been done in the past in some other way but gave us similar results. The problem I faced in this meeting was that we couldn’t get the same data each week. There is no way to know without using eye-tracking technology to give us then the analytics we so desperately need in this meeting.

Each week we only see what Google analytics is telling us, which is what stories are getting clicked on, and it does not help us know how to engage the audience by use of visuals. Since we can get analytics on video, a high volume of videos is being produced compared to still photos because they can see engagement scores.

If You Can’t Measure It, You Can’t Manage It.

A Forbes magazine article debunks this statement and says, “The important stuff can’t be measured.”

I think communications professionals today suffer the same syndrome as the people in the scriptures of the Bible. They often lack faith because they want something measurable.

Scripture also teaches us that …

Now faith is confidence in what we hope for and assurance about what we do not see.

– Hebrews 11:1

Because we have the research that shows us how people prefer to get the information we need to do what we know works rather than wanting to rely only on that which we can measure each week.

Wells Fargo executives instructed their employees to “Do what it takes to make money,” even if it leads to some fraud.

Taking care of the customer and doing what is right requires one to have faith in something that isn’t always measurable in the short term.

A successful business always serves its customers and makes their lives better. In so doing this, the company will become successful.

The businesses that fail are those who turn the focus from serving their customer to serving themselves over the customers.

The critical thing to take away is that you can’t just look at data from a macro level and think it tells you a story. Digging deeper into your analytics is the only way to see the actual situation, and always want to make decisions with the correct information. Realize that some of the most important things impacting your customer are not always measurable.

Covering #1 Team in Georgia & #8 Nationally under Friday Night Lights

Nikon D5, Sigma TC-2001 2x, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 102400, ƒ/5.6, 1/4000

Friday Night Lights in Georgia were shining not so brightly on Roswell playing Milton. I maxed out my ISO at 102400 most of the night.

Here are more photos just from that night and two other games.

Roswell High School is presently ranked #1 in Georgia and #8 Nationally by USA Today.

While I could have lowered my shutter speed from 1/4000 to 1/2000 or even 1/1000, I enjoy having super sharp images due to freezing the motion.

The Nikon D5 is helping me capture those moments even if I need an ISO 102400 to capture those fleeting moments in sports.

Roswell High School’s #5 Jayden Comma WR Rushes for a touchdown against Central Gwinnett during the first quarter action on Friday night, September 2, 2016. [Nikon D5, Sigma TC-2001 2x, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 51200, ƒ/5.6, 1/3200]

Now earlier in the year the sunlight was still a factor in the game, but going forward you are relying on the stadium lights.

Roswell’s quarterback #7 Malik Willis is tackled by Coilquitt’s #60 defensive tackle Brian Merritt during the first quarter of play of Roswell vs. Colquitt high school football game at Ray Manus Stadium on Friday, September 9, 2016, in Roswell, GA. [Nikon D5, Sigma TC-2001 2x, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 36000, ƒ/5.6, 1/4000]

I have been a Nikon shooter since the very beginning of my professional career. Nikon has met the challenges and provided me with the best camera you could own throughout my job at the time that I owned that camera.

Today I can compete because my gear frees me up to get the moment. This is why you buy great camera gear to remain and be genuinely competitive. Your client deserves the best images you can deliver.

Roswell’s #15 Xavier Mckinney turns the corner on Milton’s defense during the first half of play of the Roswell vs. Milton high school football game at Milton on Friday, September 30, 2016, in Roswell, GA. [Nikon D5, Sigma TC-2001 2x, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 102400, ƒ/5.6, 1/2500]

Shot the photo, Now the Poster & The Banner

I posted last week how I shot this promotional shot. Here is that link if you missed it.

After I took the photo, I created an 11″ x 17″ poster that they could put up around the school and in the community. So if you are around Roswell, Georgia, this next couple of weeks, you will see this up in the restaurants, stores, and places the public visits.

To make the poster, I brought it into PhotoShop, added the text, and created a drop shadow with the text.

Now to get all the traffic going by the school to know the play is just around the corner, I made a banner 6′ x 9′.

Here you can see me installing the banner with my wife. This will give you a good perspective on the size of the banner.


Here is that banner next to the HUGE football banner.

Shooting the Publicity Photo for Shakespeare’s Twelfth Night

Nikon D5, Nikon 85mm ƒ/1.8G, 4 – Alienbees B1600, 4 – PocketWizard Plus, ISO 100, ƒ/5.6, 1/200

Another school year and another play for our family. My daughter’s high school is putting on Shakespeare’s Twelfth Night this fall. I just shot the publicity photos.

Here is the lighting diagram for the photo above.

The leading light is an Alienbees B1600 with a 20º grid to keep the light tight on them. I put just enough on the light on the background to just light it and then used a CTO gel over a Alienbees positioned behind the background which had a 30º grid.

Nikon D5, Nikon 85mm ƒ/1.8G, 4 – Alienbees B1600, 4 – PocketWizard Plus, ISO 100, ƒ/5.6, 1/200

I enjoyed shooting this for my daughter and her classmates. I hope we can get more people to show up to the show because the photos helped generate more attention.

Nikon D5, Nikon 85mm ƒ/1.8G, 4 – Alienbees B1600, 4 – PocketWizard Plus, ISO 100, ƒ/5.6, 1/200

Best time for dusk photos

 
Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/8, 1/10

The time of day you make a photo can make all the difference. For this exercise, you need to know the time of sunset, which tonight was at 8:13 pm.

I took this first photo at 8:00 pm. Just 13 minutes before, the sun dipped below the horizon.

 
Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/8, 1 sec

Right at sunset, 8:13 pm isn’t the best photo, but notice how the sky changes. But the sky is still too bright.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/8, 2.5 sec
 

Now just waiting until 8:24 pm or 11 minutes after sunset, the sky is getting dark enough that the lights are starting to balance with the rest of the scene.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/8, 4 sec

Now while the color here is excellent at 8:27 pm, we no longer have the sun lighting up the clouds and lose the pastel colors in the sky.

I like both of the photos for different reasons. Which one do you like best?

One Test Short. One Dream Reached.

 
Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 3600, ƒ/4, 1/100

Storytellers Abroad participant, Alison Waller, is surrounded by children in a church service as she is capturing her story on Gnoyi.

Waller produced this story of Gnoyi’s dream to become a part of the Togolese medical community. Gnoyi failed his high school diploma test. Without his high school diploma, he would never have been able to be a part of the medical community. With the help of Hôpital Baptiste Biblique, he was able to raise funds and find the courage to retake the high school diploma test.

“With the added education, I will be respected more, and people will have confidence in what I say, so I will be able to approach my patients in a way that they will have confidence in what I say, and I will be able to share the Gospel of Jesus Christ, and they will listen because of their respect and confidence in me. So I will do it though humbly, and I will give glory to God.”

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 3200, ƒ/4, 1/100

Here you can see Waller shooting footage of her subject leading in the church.

We still have openings for the Honduras Multimedia Workshop from October 29 to November 5. The deadline to apply is August 30, 2016. 


Click here to learn more. Then, get your money in now to hold your spot.

Trials in Togo

 
Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 800, ƒ/4, 1/4000

All the girls jumped into the back of the pickup to ride into the village. On the far left front is Liz Ortiz. Togo was Liz’s second trip with Storytellers Abroad Missions Multimedia Workshop. She first joined us in Romania.

Liz did a story on Gagl,o who was there when the missionaries first came to Togo. He helped build the hospital and has seen firsthand how the hospital has made an impact on the Togolese. Because of the hospital, Over 32 churches have started. Gaglo not only works as a physician assistant but is also a pastor for one of the church plants.

We still have openings for the Honduras Multimedia Workshop from October 29 to November 5. The deadline to apply is August 30, 2016. Click here to learn more.

Forgiveness and Starting Over – Nyakpo’s Story

 
Nikon D5, Nikon 85mm ƒ/1.8G, ISO 100, ƒ/1.8, 1/800

Stacey Schuett is one of the participants in the Storytellers Abroad Missions Multimedia Workshop we held in Togo, West Africa.

Storyteller Stacey Schuett has been telling the story of Nyakpo, who was born into an African royal family and raised by his grandmother. After his grandmother’s passing and a series of difficult trials, Nyakpo came to know the Lord. He is now a Bible Baptist Schools of Togo teacher and is highly involved in youth ministry.

Watch Stacey’s story. Leave your feedback here in the comments.

We still have openings for the Honduras Multimedia Workshop from October 29 to November 5. The deadline to apply is August 30, 2016. Click here to learn more.

Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 560, ƒ/1.4, 1/100

Here is Stacey editing her package.

“Can we talk here?”

 
Photo by Hannah Strayer, Storytellers Abroad participant

In the words of Joan Rivers, “Can we talk here?”

First, if you lost your job and are looking for a new job, go and have lunch or coffee with a successful pro. Take the time to ask the pro, “If you were I, what would you do?”

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens,  ISO 7200, ƒ/5.6, 1/100

Also, scrape together enough money to pay for that lunch or coffee because it will most likely be the best money you have spent in a long time.

Second, learn to listen, try to hear what people need, and know how to position yourself as the solution to their problems. Too often, new freelancers do all they can to tell a potential client what they do. As a result, they just talked themselves out of any work. If you talk about how you are a great square and they needed a round solution, you can see how you lost the job. It is better to listen and hear they need a round object and figure out how you could be a round object.

Jeff Raymond talks through Stacey Schuett’s story during our Storytellers Abroad Missions Multimedia Workshop in Togo, West Africa. [Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens,  ISO 25600, ƒ/5.6, 1/100]

Third, pause and think if you get a call about a job opportunity. Your objective should be to get the job offer and decide if you are interested. Don’t be the guy who is turning it down before hearing all about a job. Now all the reasons you have for turning something down may disappear if you just shut up and listen. There is an excellent chance they may offer you more money or something else that helps address your needs, but because you are so bright and already knew why this isn’t a good fit just lost a great opportunity.

You never know who is watching. As I was shooting this, another photographer was photographing me. [Nikon D5, Nikon 85mm ƒ/1.8G, ISO 100, ƒ/1.8, 1/320]

Fourth, let’s say you screwed up on anything; call that person and apologize. If you don’t know what you did wrong, call them and tell them I think I made a mistake with you and I don’t know what I did, but I would love to learn from you, so I don’t make that mistake again. Your willingness to eat some humble pie might reopen a closed door.

Photo by Hannah Strayer, Storytellers Abroad participant

Fifth, many people could go to etiquette classes for adults. You may sabotage your efforts, from how you dress to how you eat your food, for example. The more you know, the better you can be at shaping your brand.

Here are some key factors that prohibit professionals or an organization from achieving its potential level of success include:

  • Poor verbal and nonverbal skills towards other employees or business partners
  • Rude and distracting behavior in the office and during meetings 
  • Failing to appreciate employees for their contributions and poor communication
  • Inappropriate attire and inappropriate behavior 
  • Poor manners on the phone and via email 
  • Embarrassing business and social faux pas

My wife has educated me extraordinarily on some of what I call overlooked social faux pas. In addition, she has helped me so much in navigating etiquette.

The proverbs of Solomon, son of David, king of Israel: To know wisdom and instruction, to understand words of insight, to receive instruction in wise dealing, in righteousness, justice, and equity; to give prudence to the simple, knowledge and discretion to the youth— Let the wise hear and increase in learning, and the one who understands obtain guidance, …

Proverbs 1:1-33 ESV

Now we all still make mistakes, so learn from them. I hope this helps you think about your objective of finding work.

Walk in wisdom toward outsiders, making the best use of the time. Let your speech always be gracious, seasoned with salt, so that you may know how you ought to answer each person.

Colossians 4:5-6 ESV