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Author: Stanley Leary

Most companies know the value of a good story, but do not know how to tell their own story. Leary has a process to find and tell stories that communicate how they change lives, so that their companies grow again. Some of his clients include Chick-fil-A, Newell-Rubbermaid, Coke, Georgia Tech, and The Carter Center. Leary’s work has taken him across the United States and beyond — to Chile, Peru, Burkina Faso, Canada, France, Ghana, Guatemala, Haiti, Honduras, Mexico, Nicaragua, Portugal and Romania. The experiences of this award-winning communications allow him to engage audiences with storytelling that builds organization’s brand. His U.S. clients find that ability translates into making their messages cross-culturally relevant with diverse American audiences and within the mainstream media. Prior to forming his own company, Leary worked on staff for The Hickory (N.C.) Daily Record and theCOMMISSION magazine in Richmond, VA. For nine years he was on staff with PR team at Georgia Institute of Technology, Atlanta, Ga. Leary is also a teacher. He enjoys sharing his expertise with others. He has taught storytelling and brand building at Grady College of Journalism and Mass Communication, University of Georgia, Athens, Ga.; The University of the Nations, Kona, Hawaii; Reinhardt College, Waleska, Ga.; Berry College, Rome, Ga.; Portfolio Center, Atlanta, Ga.; and Dallas (Texas) Baptist University. He also has been a guest lecturer at World Journalism Institute, Washington, D.C.; Southwestern Photojournalist Conference, Fort Worth, Texas; Art Institute of Atlanta, Ga.; American Society of Media Photographers. Atlanta (Ga.) Chapter; and the Southeastern Photographic Society, Atlanta Ga. Clients often contract him to teach their staffs to become more visually effective in building their brand. Leary lives in Roswell, Ga., holds degrees in social work and communications, and is married to Dorie Griggs. They have three children.
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Before you use the studio strobes–See the light first

Before you use the studio strobes–See the light first

by Stanley LearyFebruary 10, 2015October 12, 2025

Nikon D4, 85mm ƒ/1.8G, ISO 5000, ƒ/1.8, 1/250 Today was the first class of lighting I was teaching at the School of Photography at the University of Nations in Kailua-Kona, Hawaii. I asked one of…

One light is often better than too many.

One light is often better than too many.

by Stanley LearyFebruary 6, 2015September 1, 2025

  Nikon D3s, 14-24mm, ISO 400, ƒ/5.6, 1/500—Off-camera fill-flash using the Nikon SB-900. The flash is on the Pocketwizard TT5 and is triggered by the Mini TT1 on the camera with the AC3 to control…

Disaster strikes due to a mistake

Disaster strikes due to a mistake

by Stanley LearyFebruary 4, 2015September 1, 2025

I was tired of working at my computer when helping a friend who asked me to help fix their jump drive. It needed to be formatted. Well, it just wasn’t working at first. After a…

Word choices are as confusing as foreign language and often worse

Word choices are as confusing as foreign language and often worse

by Stanley LearyFebruary 3, 2015September 1, 2025

  Nikon D4, 28-300mm, ISO 12800, ƒ/5, 1/80 Circle of Confusion at best or Linguistic Chaos Using jargon and acronyms from your industry with someone not familiar with that jargon will alienate rather than alleviate,…

“Match Total Exposures” saves time in Lightroom

“Match Total Exposures” saves time in Lightroom

by Stanley LearyFebruary 2, 2015September 1, 2025

Use "Match Total Exposures" to save some time in Lightroom. If you have a similar scene, you can select many images as I have shown here: Then make all the corrections to the first photo…

A week of photographic communications class in Kailua-Kona Hawaii

A week of photographic communications class in Kailua-Kona Hawaii

by Stanley LearyJanuary 30, 2015September 1, 2025

  Nikon D4, 14-24mm, ISO 400, ƒ/2.8, 30 sec Today I wrap up a week-long training of young photographers from nine different nations who were part of the School of Photographic Communication at the University…

Photography isn’t all about sunshine

Photography isn’t all about sunshine

by Stanley LearyJanuary 28, 2015September 1, 2025

  Fujifilm X-E2, Fujinon 18-55mm, ISO 1250, ƒ/6.4, 1/500 I love sunrises and sunsets as much as anyone else. To me, they signify new beginnings and bring a sense of hope and peace. Fujifilm X-E2,…

Great photos are about a visual pause

Great photos are about a visual pause

by Stanley LearyJanuary 26, 2015September 1, 2025

  Nikon D4, 14-24mm, ISO 100, ƒ/14, 1/320 Enjoying a picnic overlooking a scenic vista is the same reason I am stopping to take a photo. The picnickers are enjoying the moment. Nikon D4, 14-24mm,…

Making tourist shots around The Big Island of Hawaii more interesting

Making tourist shots around The Big Island of Hawaii more interesting

by Stanley LearyJanuary 25, 2015September 1, 2025

  Nikon D4, 14-24mm, ISO 100, ƒ/8, 30 sec I just drove up tonight to Mauna Kea and took a few photos. Here is one where I used my cell phone's LED light to paint…

In a photography crisis– Who ya gonna call?

In a photography crisis– Who ya gonna call?

by Stanley LearyJanuary 23, 2015September 1, 2025

Every once in a while, I injured my lower back. Years ago, I bought an inversion table similar to the one you see here. Five minutes in the morning and five minutes in the evening…

Photographers what are you doing when you don’t have an assignment?

Photographers what are you doing when you don’t have an assignment?

by Stanley LearyJanuary 21, 2015September 1, 2025

Nikon D3s, 28-300mm, ISO 400, ƒ/5.6, 1/2000 "It's not the will to win that matters—everyone has that. It's the will to prepare to win that matters."— Paul "Bear" Bryant  The Army's Airborne School has training…

Thinking and Shooting Cinematically with Fujifilm X-E2

Thinking and Shooting Cinematically with Fujifilm X-E2

by Stanley LearyJanuary 20, 2015September 1, 2025

Fujifilm X-E2, Fujinon XF 18-55mm, ISO 1250, ƒ/8, 1/125 Learning to think "Cinematically" when framing your images means thinking about the end user. Today, more than ever, most of my audience will experience my images online…

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