Learning to light a Hawaiian Dancer with sunset

Photographing Island Breeze Dancer Victoria Taimane Kaopua while showing the class at Youth With A Mission Photo School 1 how to use off camera strobe. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 400, ƒ/5.6, 1/1600 – 2 Godox V860IIN + Godox X1NT with CTO +1 gel]
Last night I worked with Island Breeze dancer/singer Victoria Taimane Kaopua at the Old Kona Airport along the beach. I am teaching lighting this week to the University of the Nations-Kona, School of Photography I.

Last night I was teaching them off camera flash and mixing it with daylight.

[Fuji X-E3, 10-24mm, ISO 200, ƒ/4, 1/350] photo by Dorie Griggs
You are seeing three flashes on the left 2 Godox V860IIN and Flashpoint XPLOR 600 HSS TTL Battery-Powered Monolight with Built-in R2 2.4GHz Radio Remote System – Bowens Mount (AD600 TTL). Both systems work together using the Godox X1NT. They make this so these will work with Sony, Nikon, Canon and Fuji. When you buy them just get the one for your system.

In the first photo the only flashes firing are the smaller speed-lights and not the larger studio strobe.


I start with photo of the dancer with out flash and then I add the light.


My friend Dave Black likes to  call this the Silhouette and Reveal.

[Fuji X-E3, 10-24mm, ISO 200, ƒ/4, 1/420] photo by Dorie Griggs
I would show the students some of the shots as I was working.

[Fuji X-E3, 10-24mm, ISO 200, ƒ/4, 1/170] photo by Dorie Griggs
I also was showing the model dancer the photos.

Today we will go over the photos in our class and I will see how many students paid attention to the conversations I had with the dancer and when I showed her photos. I will ask them why I did this. Do you know why?

The dancer and I were working together to make the photo. I was able to show her what I was getting hoping to get her more excited about the shoot and engage her more in the process.

Photographing Island Breeze Dancer Victoria Taimane Kaopua while showing the class at Youth With A Mission Photo School 1 how to use off camera strobe. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 400, ƒ/5.6, 1/800 – 2 Godox V860IIN + Godox X1NT with CTO +1 gel]
We will talk about composition today as well as the lighting.

[Fuji X-E3, 10-24mm, ISO 500, ƒ/4, 1/100] photo by Dorie Griggs
We are also going to talk about VALS today. That is a Voice Activated Light Stand, which is having someone hold your flash and adjust it when you ask.

Besides it helping you it also gets people involved and creates excitement by everyone because they are now helping you and are a part of the process.

If you want to do this with me give me a call and we can organize a photo shoot with your friends in your hometown.

Shooting events requires you to adjust midstream

Rosen Shingle Creek in Orlando, Florida [Fuji X-E3, 10-24mm ƒ/4, ISO 12800, ƒ/4, 1/50]
I have been covering an annual meeting for a client these past few days. For the most part I can set my camera to these settings:

Aperture Priority
Auto ISO – ISO 100-12800 on Fuji X-E3 & ISO 100-102,400 on Nikon D5 with starting shutter speed @ 1/100 or 1/200.

I find that in places I am working fast that I tend to take the shutter speed up a little faster to avoid getting motion in photos due to being anxious.

Christian band MercyMe [Nikon D5, 28-300mm ƒ/5.6, ISO 6400, ƒ/5, 1/200]
So for about 90% of the photos this works just well. I was able to capture speakers and people hanging out at the event.

Christian band MercyMe [Nikon D5, 28-300mm ƒ/5.6, ISO 6400, ƒ/5.6, 1/200]
Now the problem comes that if you are not use to shooting a variety of things when you get the Olympic Gymnast Laurie Hernandez performing shooting at 1/200 will make her look out of focus and blurred.

Lauren Zoe “Laurie” Hernandez is an American artistic gymnast. She competed as a member of the U.S. women’s gymnastics team at the 2016 Summer Olympics, winning gold in the team event and silver on the balance beam. She is performing for Chick-fil-A. [Nikon D5, 28-300mm, ISO 16000, ƒ/5.6, 1/4000]
Since I shoot sports as well I just switched my Auto ISO shutter speed setting to 1/4000. I have this saved as a preset that I choose on my Nikon D5.

Comedian Jim Gaffigan was tonight’s performance for Chick-fil-A. [Nikon D5, 28-300mm, ISO 2000, ƒ/5.6, 1/200]
I also must remember to switch the camera back so that I am always getting the best quality, which is the lowest ISO at the lowest shutter speed I can shoot safely to get sharp photos.

Hope this tip reminds you to check your shutter speed when shooting events. Is it set to stop the action appropriately?

FREE is not necessary for photographer with a portfolio

[Nikon D750, Sigma 35mm ƒ/1.4, ISO 125, ƒ/1.4, 1/100]
One of the best ways for restaurants to get you to buy their food is to sample it. Walk through almost any malls food court and one of the restaurants is giving out samples. When you have low market awareness with your food then you have to do something to get people to know you exist and what you offer is good.

Now photographers don’t have to give their photos away for people to know what they will get if they purchase a photo from you. They can look at your portfolio and it serves the same purpose.

Successful business model is one that is a win-win deal for all involved. The problem for most people starting out in business is they don’t know what they don’t know.

The devil doesn’t come dressed in pointy horns. He comes in everything you wished for …

Drug dealers give free samples to get you hooked. They don’t work in back alleys all the time. Today many are selling what appear to be legitimate prescription drugs. There are even doctors who have been doing this because it is so lucrative to them because of the kickbacks they get from drug companies.

When most successful business start out they hired lawyers, accountants and other experts to help guide them so they would be successful.

When you start out I cannot recommend enough getting expert help. One of the best photography organizations I know is ASMP [American Society of Media Photographers]. I have been a member since 1987.

The group was founded to help represent magazine photographers in matters of wages and working conditions. Those early years ASMP was acting as a union for photographers. While today it isn’t a union the purpose of ASMP at its core is to help photographers be successful businesses.

Remember Groupon? Businesses thought that giving super discount to get customers in their doors would have them later pay full price. A study by Lightspeed Research shows that 63% of Groupons are purchased by existing customers. … Sucking value out of the small business market will ultimately damage the local merchants that are the bread and butter of Groupon’s base. Groupon’s model is not sustainable.

Now if Groupon which is a discounted price sucks value our of small business what do you think of Unsplash?

Beautiful, free photos.
Gifted by the world’s most generous community of photographers.

Remember photographers do not have to give photos away like you see in a mall’s food court. They can show their images on websites or displays. People can get a taste of what you offer without you giving anything away.

Remember: “Successful business model is one that is a win-win deal for all involved.

Mikael Cho is a graphic designer who was solving “his problem” when he started UnSplash.

Mikael’s problem was that when he needed samples for an idea he was working on he realized that when he went to Google Images he couldn’t just use those images. Not sure exactly how he knew that those were copyrighted and not for free, but I am guessing it would be similar to others who start out. They made mistake and someone pointed out you cannot do that without paying for the images.

By the way Mikael had his bills paid by another way it appears than graphic design. He thinks of himself as an artist. He just wants to create and share.

This is great if you have a job. Then your creativity is a hobby and not a career. The problem is that Mikael sucked people who want to do this for a career into his creative vortex.

Mikael seems to be talking as an artist. I have heard this many times before. Usually in the past I would then hear they don’t want to “sell out.” Wikipedia defines: “Selling out” is a common idiomatic pejorative expression for the compromising of a person’s integrity, morality, authenticity, or principles in exchange for personal gain, such as money.[1] In terms of music or art, selling out is associated with attempts to tailor material to a mainstream or commercial audience; for example, a musician who alters his material to encompass a wider audience, and in turn generates greater revenue, may be labeled by fans who pre-date the change as a “sellout.” A sellout also refers to someone who gives up, or disregards, hence the term ‘sells’ – someone or something – for some other thing or person.

Simply put, you can’t live out your purpose if you aren’t selling and that’s why sales is a critical skill for artists to develop.

Even if you don’t participate in Unsplash and give your images away you should be very concerned. You cannot stay in business if your clients can get what you could provide through a “FREE” service like Unsplash.

All working photographers need to educate the public and especially those who are trying to be photographers on the pitfalls of highly discounting their work or giving it away for free.

I understand shooting your first wedding for a friend to get samples to show for a portfolio. You do have to do some work for free to create a portfolio, but once you have examples you no longer have to do free to show what customers can expect when they hire you.

Your goal as a successful business should be to have customers who are willing to pay full price and come back to you over and over.

7 Tips for the financially struggling photographer

A few weeks ago I had a Facebook friend request. It was another photographer. Now this scenario has happened more than just once for me. I want to walk you through what happened and what I want to share with those photographers who are struggling financially.

Since I didn’t recognize the name I went to his profile and clicked on his “About” section. Here you can see my information.

Now little did he know that I wasn’t just a photographer, but I hire photographers throughout the year for a few of my clients. I act as a director of photography role as well as other roles for those corporations.

I was looking for a few things that I feel like show me you are a successful professional photographer who is growing their business.

Do you have a way for me to contact you other than Facebook? I like to see three things: 1) phone number, 2) email, & 3) website.

It wasn’t long in our messaging that he said something like he is struggling as a freelancer because his market is over saturated.

When I asked if he had a website he said I need to work on that. He even said he knew that was important.

7 Tips to get more jobs

1 Get a website. You don’t have to know much at all to make this work. You can go to WordPress [https://wordpress.com] and create one for free. You can also go to places like PhotoShelter [www.photoshelter.com], Godaddy [https://www.godaddy.com/] and many other places that cater to photographers.

2 Create a domain name. I recommend Godaddy, but there are others. This is where you create your personalized web address. A .com address runs about $12 a year, but if you buy it for many years the price drops. You basically rent these addresses. You can also “mask” your website domain name with your custom domain name.

3 Create email with your domain name. I have actually had so many email addresses through the years that I cannot remember them all. I started with Compuserve and it was a number. The cool thing is once you own your domain name you can “mask” your @gmail.com address to be me@yourdomainname.com. People send you email to your address and it actually can go to your @gmail.com address. The advantage here is that in 20 years when Google goes out of business or is bought and the email address changes to all your customers and prospects you are still me@yourdomainname.com.

Back of Card
Front of Business Card

4 Create business card. Be sure your card has: 1) your name, 2) phone number, 3) email address, 4) website address, 5) your town & 6) your specialty. You want people to find you but you don’t have to put your street address on there to advertise to people where all your camera gear is located. You do want people to know if you are close by for an assignment. Don’t put just photographer on the card. That is as useful as putting human on the card. Put what you are the very best at doing on your card.

5 Buy business software. I recommend to photographers Cradoc’s FotoBiz. It will help you with creating cover letters, creating estimates & invoices and tracking of your receivables and payables. It also includes FotoQuote, the industry standard pricing guide for freelance photographers.

6 Create a home budget. This should be the very first thing you do. You cannot know what to charge if you don’t know what you need to pay your household bills. Once you have created a home budget that takes into account everything you spend money on during a year from rent, food, and the basics; it should also include things like vacations and retirement as well.

When done celebrate! This is what I would call the foundation for your business.

7 Last step is a Marketing Plan. In a nutshell this is where you will identify all those potential customers who need your specialty.

Rule-of-thumb marketing. If you contact 1,000 contacts only about 100 of these will be interested in your services. That means that 900 have various reasons that they are not interested. The reasons they are not interested run from every thing from they has someone they are happy with or that your style of work doesn’t mesh with their style.

Out of the remaining 100 only 10 will hire you. Again there are many factors here. The best way to put this is 90 are willing to date you, but not marry you.

No matter what you are doing, you are marketing yourself. Either you are helping your brand or hurting it. When you meet new people how many know that you are a photographer?

Since I used the marriage metaphor earlier, your marketing should be like the process you find your mate. You are working on building a relationship. So the first time you meet someone you don’t ask him or her to marry you. Also you need to be clear that you want to date or you never make it clear that you are interested.

I have written many articles on marketing that you can search for on my blog here.

I hope this has given you some things that can turn your lack of getting work into the road to prosperity.

Go to Lens combination: Nikon 14-24mm ƒ/2.8 & Nikon 28-300mm ƒ/3.5-5.6

Impact 360 Institute’s Campus Expansion
Dedication [Nikon D5, 14-24mm ƒ/2.8, ISO 2200, ƒ/8, 1/100]
One of the types of photography I do a great deal of for clients is the event coverage. This is the type of coverage that you are capturing the photos with available light and an occasional on camera flash for a quick grip and grin.

Impact 360 Institute’s Campus Expansion
Dedication [Nikon D5, 28-300mm ƒ/3.5-5.6, ISO 100, ƒ/5.6, 1/500]
In these situations you need to go as wide as possible to pretty close up. I find that the Nikon 14-24mm ƒ/2.8 is the best lens for capturing those super wide and wide angle shots.

Impact 360 Institute’s Campus Expansion
Dedication [Nikon D5, 14-24mm ƒ/2.8, ISO 5000, ƒ/8, 1/100]
With a new campus dedication I needed to show tour groups going through and around the new campus. I used the 14 -24mm to capture the room interiors with people to give a sense of perspective and to capture as much of the room as possible.

Now I was also using the 28-300mm because I was needing to capture moderate to telephoto shots of people around the campus and the speakers at a podium.

Larry Cox
Impact 360 Institute’s Campus Expansion
Dedication [Nikon D5, 28-300mm ƒ/3.5-5.6, ISO 11400, ƒ/8, 1/200]
Now this lens combination works great for just about any situation. Now for a smaller venue I am often using the Sigma 24-105mm ƒ/4 when I just want to carry one camera.

Impact 360 Institute’s Campus Expansion
Dedication [Nikon D5, Sigma 24-105mm, ISO 100, ƒ/5.6, 1/400]
If you are to cover things where you have speakers an need to capture rooms where you cannot back up enough then the 14-24mm and 28-300mm lenses will help you do a great job.

I am also loving my Fuji X series cameras and lenses. I am finding shooting with the Fuji X-E2/X-E3 with the 10-24mm and the 55-200mm lenses will give you a similar lens coverage.

Fuji X-E3, 10-24mm ƒ/4, ISO 10000, ƒ/4, 1/200]

The Fuji is much lighter system than the Nikon.

[Fujifilm X-E3, 55-200mm, ISO 1250, ƒ/5.6, 1/1000 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter]
It is much easier to walk around at an event all day with the Fuji system.

I haven’t tried the Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS. I would love to try this with some high school football games to see if it could work. However, I am super confident with the Nikon D5 & Sigma 120-300mm ƒ/2.8 with the TC-2001 converter keeping up with the action.

I am also more pleased with the Nikon D5 having microphone and headphone jacks for recording video. The Nikon D5 is the camera system that does it all and really my only complaint is the weight.

My recommendation is to have lenses for covering events that are at least 20mm wide to 30mm for a full-frame camera. As far as a camera I cannot see ever buying a camera today that doesn’t have ISO of at least 51200 and the low of 100. This will let you shoot in almost every situation without the need of a flash. The reasons I use my flash today are to add light to improve the photo where often there is no light.

Shooting events requires you to be ready for just about everything, so be sure you have the lenses, camera and flash to do deliver for the client.

First few hours with Fujifilm 10-24mm ƒ/4 on Fuji X-E3

Testing new X-E3 and 10-24mm ƒ/4 ISO 3200, ƒ/5, 1/60

I bought the Fujifilm 10-24mm ƒ/4 lens. It translates to a 15-36mm (35mm Equivalent) lens.

Now I have advised many photographers looking for smaller systems the Fuji mirrorless camera. Many of my friends have already had this lens in their bags for a while, but I finally picked this up and before using it on a paying job I am just shooting test shots.

My test shots are not portfolio shots.

Testing new X-E3 and 10-24mm ISO 12800, ƒ/4, 1/25

I am just shooting things to get the feel for the depth-of-field and how it focuses, which by the way is super fast and quiet on the Fuji X-E3.

This is one of my favorite zoom ranges I like to use a great deal. I have the Nikon 14-24mm ƒ/2.8 that I use on my Nikon D5. Which is like a center block compared to the Fuji X-E3 and the 10-24mm.

Testing new X-E3 and 10-24mm

I love just taking photos all the time. It is not just my profession, but also my hobby. However I am not a fan of the weight of the Nikon D5 cameras and lenses. I do trust them a whole lot more than the Fuji, but this has more to do with having 35+ years of experience with my Nikons.

Testing new X-E3 and 10-24mm ISO 12800, ƒ/5, 1/75

When someone pays me to shoot an assignment for them they are paying me to know what my gear will do as well as for my creative instincts. Whenever you buy new gear always take it for a good number of test drives so you are aware of any quirks before you find out on the paying job.

Stay tuned for more photos from my new Fuji X-E3 and my new 10-24mm ƒ/4 lens. I am off to Hawaii in a few weeks and can’t wait to see how they do around the Big Island.

Family Visual Historian

Alice Pecoraro’s 80th Birthday
Alice Pecoraro, Chelle Leary, Cliffy Collins, Dorie Griggs, Joseph Earl, Kayla Pennington, Lillie Pennington, Natalie Earl, Robin Collins, & Sue Earl. [Nikon D750, Sigma 24-105mm ƒ/4, ISO 12800, ƒ/5.6, 1/60]
I am my families visual historian. I take photos and give them away to my family all the time. Thanks to social media there is a really good chance these may be seen and enjoyed many times more than when I shot film and and they went into a family photo album.

Peter Teubner at Alice Pecoraro’s 80th Birthday party. [Nikon D750, Sigma 24-105mm ƒ/4, ISO 180, ƒ/4, 1/100]
While I am not working on an assigned story, I am still capturing our families story in moments. The cool thing with social media is our ability to match words with those pictures.

I still make those formal photos of our families, but it is the living life photos that capture the personalities of each person in my opinion so much more.

Leary family Family Photo
at Ocean Isle Beach, NC. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/8, 1/250, (2) Alienbee B1600s triggered with Pocketwizards]
This role often means you are just observing, but I believe long into the future when I am no longer here my family will be cherishing these and learning about their ancestors.

Christmas in Morganton, NC

My mother’s dad was always documenting his family as well as my dad.

Christmas in Farmingdale, New York.

I grew up every Christmas with my dad having these lights pointed at us as we walked into the room. I am not sure I really saw anything for a few moments it was so bright.

Alice Pecoraro’s 80th Birthday
Alice Pecoraro, Dorie Griggs, & Sue Earl [Nikon D750, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/320]
This is one of the rare moments where my wife Dorie has been with two of her sisters. While getting to see them was awesome capturing the moment for us to remember makes this so we can then tell the generations to come who their family is and how they are all related.

Christmas 2015 in Morganton, NC.
Cousins: Chelle Leary, Elijah Poe, Joshua Poe, & Taylor Lalli [Nikon D750, Sigma 35mm ƒ/1.4, ISO 3200, ƒ/1.4, 1/200]
Here are a few tips to make you an even better visual family historian.

Take lots of photos of your family
Share your photos with your family. USB Jump Drives are good.
Use metadata to put the text with each photo. Be sure you have the occasion as well as the names of the people in the photo.
Put your photos online in some storage system like Google Drive, DropBox or many other online services you can find.
Create photo books. I use Blurb http://www.blurb.com/user/stanleyleary

One of the best things you can be remembered for is how you captured your family for everyone to enjoy now and for eternity.

What birds can teach us

American Gold Finch [Fujifilm X-E3, 55-200mm, ISO 8000, ƒ/10, 1/280 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter]

Look at the birds of the air: they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they? – Matthew 6:26

The past few weeks have been bitterly cold for our community in Roswell, Georgia. While we didn’t have a lot of snow it stayed on the ground longer than normal due to the freezing weather.

While we have birds all the time at our bird feeders during this cold snap they have been eating a lot more. I think this is due to the ground being so cold to kill many insects and keeping many in the ground.

Yellow Finch [Fujifilm X-E3, 55-200mm, ISO 4000, ƒ/4.2, 1/2200 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter]
We stayed inside more than normal due to the icy streets for many days.

Since I just can’t sit still I decided to make photos of the birds at our bird feeder with a new Fujifilm X-E3 camera I bought as well as a new flash system made by Flashpoint for the Fuji cameras.

Blue Bird on my Birdfeeder in Roswell, GA [Fujifilm X-E3, 55-200mm, ISO 6400, ƒ/8, 1/2500 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL]
This morning I was pondering how they survive and was reminded on the scripture that says God takes care of the birds. What I was fascinated by in the scripture was that birds do not “sow nor reap nor gather into barns” as humans do, yet God takes care of them.

Tufted titmouse on our Bird feeder [Fujifilm X-E3, 55-200mm, ISO 6400, ƒ/7.1, 1/3200 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter]
No matter how well I know the scriptures that talk about how God will take care of us–I worry.

It’s true we all worry to some extent but do it too much and it can color your whole life, leaving you strung out, unhappy and constantly anxious. It’s not unusual either. Around 1 in 20 of us experiences excessive worrying – called Generalised Anxiety Disorder (GAD) – at some time in our lives.

If you are really struggling then get some help through I licensed counselor like a social worker, psychologist or psychiatrist.

One thing I noticed from being locked up inside due to the cold is getting cabin fever. It can be depressing as well.

Keep physically active. Develop a routine so that you’re physically active most days of the week. Exercise is a powerful stress reducer. It may improve your mood and help you stay healthy. Start out slowly and gradually increase the amount and intensity of your activities.

Make sleep a priority. Do what you can to make sure you’re getting enough sleep to feel rested. If you aren’t sleeping well, see your doctor.

Eat healthy. Healthy eating — such as focusing on vegetables, fruits, whole grains and fish — may help in reducing anxiety.

As a freelancer looking for work to pay your bills focus on those type of jobs that people need now. Portraits/headshots are usually needed quickly as compared to someone booking a wedding photographer.

People don’t book headshots 6 months to a year out, but that is how they book photographers for their weddings.

Bird feeder in our backyard during snow day. [Fujifilm X-E3, 55-200mm, ISO 1600, ƒ/8, 1/1000 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter]
Get together with other photographers and just talk. They will not solve your problems by telling you their client’s names, but you will pick up tricks and how they talk to their clients.

Maybe you can just practice a cold call with another photographer. Maybe you can practice doing an estimate with them.

Female Cardinal [Fujifilm X-E3, 55-200mm, ISO 8000, ƒ/10, 1/280 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter]
Don’t let life ruffle your feathers.

Focus on one thing at a time. For me–and most people–multi-tasking typically leads to chaos. I try to choose one task, see it through, and head on to the next task that needs to be done.

Learn to be flexible. Things will come up or someone will ask you to help with something, so learn to go with the flow a little bit. Just take a moment to think about what is happening and regroup. Change your plans accordingly.

Learn to prioritize. Let’s just face it there are things that if you don’t get to them will not really impact your goals. However, there are some action items if you put off can wreak havoc.

You can use your energy to focus on all that could go wrong or and even better just focus that energy on doing something. The energy amount is about the same, but one moves you forward and ones leaves you standing still.

Remember birds go where the food is and this is called migration. This is where we get word migrant workers. They go where the work is for them. They go where they can help their families survive.

Today is a day for action. The question for you is what actions will you take? While the birds don’t “sow nor reap nor gather into barns” they are out looking for food. How about you?

Don’t raise Cain in your business

Story of Cain and Abel [Fujifilm X-E3, 18-55mm, ISO 1000, ƒ/4, 1/200]
Yesterday when I was in my Sunday School class we were studying the story of Cain and Abel. While I have read this story over and over since a little child each time I come to the scripture a little differently. Life experiences and where I am in life really can impact one’s perspective.

Reading this as a business owner I saw this in a new light. I thought of how I see this story lived out in business every day.

Just read the story with a customer being God and while Cain and Abel are two freelancers giving estimates to get a job.

Genesis 4:1-15

4 Adam made love to his wife Eve, and she became pregnant and gave birth to Cain. She said, “With the help of the Lord I have brought forth a man.” 2 Later she gave birth to his brother Abel.

Now Abel kept flocks, and Cain worked the soil. 3 In the course of time Cain brought some of the fruits of the soil as an offering to the Lord. 4 And Abel also brought an offering—fat portions from some of the firstborn of his flock. The Lord looked with favor on Abel and his offering, 5 but on Cain and his offering he did not look with favor. So Cain was very angry, and his face was downcast.

6 Then the Lord said to Cain, “Why are you angry? Why is your face downcast? 7 If you do what is right, will you not be accepted? But if you do not do what is right, sin is crouching at your door; it desires to have you, but you must rule over it.”

8 Now Cain said to his brother Abel, “Let’s go out to the field.” While they were in the field, Cain attacked his brother Abel and killed him.

9 Then the Lord said to Cain, “Where is your brother Abel?”

“I don’t know,” he replied. “Am I my brother’s keeper?”

10 The Lord said, “What have you done? Listen! Your brother’s blood cries out to me from the ground. 11 Now you are under a curse and driven from the ground, which opened its mouth to receive your brother’s blood from your hand. 12 When you work the ground, it will no longer yield its crops for you. You will be a restless wanderer on the earth.”

13 Cain said to the Lord, “My punishment is more than I can bear. 14 Today you are driving me from the land, and I will be hidden from your presence; I will be a restless wanderer on the earth, and whoever finds me will kill me.”

15 But the Lord said to him, “Not so; anyone who kills Cain will suffer vengeance seven times over.” Then the Lord put a mark on Cain so that no one who found him would kill him.

While discussing this passage in our class I was struck by why God didn’t treat both Cain and Abels gifts equally. The scripture doesn’t say why he treated them the way he did.

You would think God should treat them equally.

I can think of many Christmas and birthdays where opening a present I was disappointed or one of my family/friends were disappointed with a present. It was always important in my circles that you were appreciative for the gift.

So I can get why God might like one gift more than the other, I am that way. Our customers and potential clients also have reasons they pick one vendor over another and they don’t always tell you why.

Instead of dealing directly with God over his gift Cain got angry with his brother Abel. Sound familiar. We often are upset with our competition.

Instead of taking our anger out on others we need to work on ourselves. We need to remember there is always a next time. Maybe not with that client, but with another.

Maybe you are like Cain and realize you only have  “fruits of the soil” as a farmer and not an animal to sacrifice because you are a farmer and not the cowboy. Don’t be shortsighted and think the only way you can win a contract is to take out your competition. [You could be just talking about your competition in a bad way to the customer.]

Look at what you have to offer and do everything you can to be sure that your presentation of your gifts is as good as the gifts themselves.

Focus on your Audience’s Needs. … As you prepare the presentation, you always need to bear in mind what the audience needs and wants to know, not what you can tell them. While you’re giving the presentation, you also need to remain focused on your audience’s response, and react to that.

The Catch-22 of finding work for the freelancer

2017 SOP1 Group Photo–L/R Juan Carlos Sanchez De Fuentes, Thema Black, Daisy Wang, Fred Tesone, Hayley Webb, Michael Gellerstedt, Laurelee Martens, Chance Punahele Ortiz,Heather Morse, & Dennis Fahringer. Also featuring Keiko the dog.
[Fuji X-E2, Fuji 18-55mm, ISO 200, ƒ/9, 1/80]
A month from now I will be back in Kona, Hawaii to teach the YWAM School of Photography 1 portrait lighting and business practices for a week.

This group photo is last year’s class. This year’s group will be twice the size of last year.

Nikon D5, Nikon 85mm ƒ/1.8, ISO 100, ƒ/5.6, 1/200

While I will be teaching a great deal about lighting the business practices is the one thing that over the years has proven even more valuable to the classes.

“How do you make a living doing photography?”, is answered through solid business practices.

Fuji X-E2, 18-55mm, ISO 400, ƒ/5, 1/180

Knowing your Cost-Of-Doing-Business and how to price your work doesn’t get you clients. It only makes sure that you make money when you price jobs rather than losing money.

How do you get those clients? Well this is the Catch-22 of Freelancing.

When you are a professional photographer you are like every other business person. You are in the business of solving people and businesses problems through the use of photography.

What you need to be doing is interviewing people and listening. You need to find out what their problems are so that you can pitch to them solutions for which you can provide those services.

Nikon D5, Sigma 24-105mm, ISO 100, ƒ/13, 1/200

Having a portfolio is like any other business where you can display your wares, or as in this example Maine lobster buoys on the side of the road of commerce.

If the client know what they need then this works really well, except now your work is more of a commodity. This is an article of trade or commerce, especially a product as distinguished from a service. Due to your work being seen as a commodity it is much harder to get prices that work with your Cost-Of-Doing-Business.

Nikon D5, Sigma 24-105mm, ISO 100, ƒ/5, 1/320

You need to be seen as a visionary for the person’s business and not just a commodity if you are in the creative arts type of a business.

Mark Johnson’s Photojournalism Class [Fuji X-E2, 18-55mm, ISO 6400, ƒ/3.2, 1/100]
You need to put yourself in situations where you get to listen to business people talk about what they do. You need to learn about their business. You need to ask questions that give you understanding.

Only when you really understand what problems they are facing with their business can you then think of ways that you can help solve some of those problems.

Now often they do not even know that your solution is to a problem they have. This will come over time where you start to recognize problems facing business owners and knowing that there are solutions you have done for others that could work for another business.

Here is the Catch-22 you must face each day to make a living as a photographer. You have solutions for a business to thrive, but you must first find a way to know what problem a particular business is facing before you can offer a solution.

Making this even more complicated is that if the client already knows what they need then you will be treated as a commodity. You need to be the photographer that has business solutions and not just the ability to take a picture.