I just got two new Fuji Lenses–Check and see if you can too!

 

I feel like I just got two new Fuji lenses, but that is what it feels like after Fuji introduces a firmware upgrade.

I discovered today that I had missed two firmware upgrades for my Fuji system. I had done the firmware upgrade in December for my Fujifilm X-E2 to Version 3.00, but in March, there were updates for two of my lenses 1) XF18-55mmF2.8-4 R LM OIS and 2) XF55-200mmF3.5-4.8 R LM OIS.

The upgrade is to help improve the stability of the OIS function.

Here is the link to see the firmware updates for the Fujifilm X series cameras and lenses.

Here is the process and link to take you to the complete steps below.

1) Prepare the necessities for the firmware update.

  1. 1. A camera and a lens to be updated
  2. 2. A fully charged battery
  3. 3. A formatted memory card
  4. 4. The firmware(to be downloaded from this site.)

2) Firmware version checking procedure

  1. 1. Turn off the camera and put the card in it.
  2. 2. Put the card in the camera.
  3. 3. Turn the camera on by pressing the “DISP/BACK” button to check the current firmware version. (It is ver.1.00 in the picture below.)
  4. 4.
  5. Turn off the camera
  • *If the version is the latest, the firmware update is not required.
 

I want you to know that there was a definite improvement beyond just the OIS for me. I think the lenses were a little more responsive in general.

Have you checked your camera and lenses to see if there are firmware upgrades? I can tell you it is like getting a new camera each time Fuji does an upgrade to me.

Fujifilm X-E2 and Fujinon XF 55-200mm for vacation pictures at the North Carolina Beach

 
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 250, ƒ/9, 1/500

This morning on the news, they announced some of the schools are starting back next week in our area. My daughter will start her Junior year of high school in a couple of weeks. At the beginning of the summer, we were at the beach and now wishing I were still there for some more summer before it disappeared.

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 200, ƒ/4.8, 1/2400

We were at Emerald Isle, North Carolina beach the week of the first shark attacks. We enjoyed our time there on the beach, but as you might have heard, they ban fishing along the coast during certain hours since this entices the shark to shore.

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 640, ƒ/18, 1/500

While there, I used my Fujifilm X-E2 since it is small and easy to carry to and from the beach daily.

I loved shooting with the Fujinon XF 55-200mm.

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 2500, ƒ/18, 1/500

Built with an optical design that offers a large maximum aperture and a linear motor that delivers high-speed AF performance while featuring the image stabilization function that allows shutter speeds to be 4.5 stops slower. Using high-performance glass lens elements throughout the construction. Containing two ED lens elements, including one Super ED lens element that boasts performance equivalent to that of a fluorite lens, to control chromatic aberration, typically in long focal lengths.

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 200, ƒ/8, 1/800

The Fujinon 55-200mm has the 35mm format equivalent of 84-305mm. It is about a 1/2 stop brighter than my Nikon 28-300mm, which at 300mm is ƒ/5.6, versus the Fujinon 55-200mm is ƒ/4.8. It is also a lot smaller and lighter.

I think the Fujifilm X-E2 is a great travel camera for many reasons, but two stand out the most. First, the size is small, and people don’t think you are a professional, so I think to relax more. Second I believe that the image quality is excellent, and I don’t feel like I am compromising by using this camera when it comes to the final image.

Why are some people so resistant to learning?

I love teaching and have been told that I am good at it. However, the results tell me there is still room for growth.

I love to pick apart something to a level that, quite frankly, annoys some people. I will obsess over what seems forever to examine what could be done better.

This photo of me looking at some Union Students’ work captures my intent. I think a long time before I open my mouth to give feedback. Even after thinking about it, I could still have used a healthy dose of tact to deliver those thoughts.

photo by Dennis Fahringer

There are three main things that many would say are contributing factors to the resistance to learning:

  1. Motivation—Many things impact this, from needs and desires to the environment that can create push. I have watched training at Chick-fil-A and noticed that making something a game seems to increase motivation. People can see the reward for their learning.
  2. Intelligence—We all have strengths and weaknesses; sometimes, the subject matter is beyond our capacity. Often, we talk about Intelligence Quotient, Emotional Quotient, and other descriptors that get to the core aptitude.
  3. Teaching—There are good teachers and bad teachers. The best teachers do a great job presenting their material in ways that engage the different learning styles.

Here are The Seven Learning Styles:

  1. Visual (spatial): You prefer using pictures, images, and spatial understanding.
  2. Aural (auditory-musical): You prefer using sound and music.
  3. Verbal (linguistic): You prefer using words in speech and writing.
  4. Physical (kinesthetic): You prefer using your body, hands, and sense of touch.
  5. Logical (mathematical): You prefer using logic, reasoning, and systems.
  6. Social (interpersonal): You prefer to learn in groups or with others.
  7. Solitary (intrapersonal): You prefer to work alone and use self-study.

However, I continue to come up against one thing that creates a resistance to learning. 

 #4 Resistance to Learning: Psychological Cost of Learning The most significant obstacle I continue to come up against is asking adults, significantly, to “change their ways.” A great example of this within my profession was those who resisted switching from film to digital capture. With film, some photographers were highly competent, and the switching to digital was a significant blow to their world. 

When teaching storytelling, I find that students often think they are already very competent in some areas, when in reality, they are just like those who were shooting film before they switched to digital. There are three ways people will go through this:

  1. Crisis—For some, it was finding out that film wasn’t all that available or the expense was too great.
  2. Hitting Bottom—Just like an Alcoholic who loses everything and is on the verge of death. Just like those who go to a rehab facility, some change.
  3. Learning Environment—This is like a workshop where people are exposed to the learning curve and do not have to change, but often due to the safe environment in which to learn.

This is similar to a great storyline as well. If you think where you are is because of your competency and, in reality, resist the inevitable change necessary for survival in this field, you will soon hit rock bottom or have a crisis.

My constant prayer while teaching:

God, grant me the serenity to accept the things I cannot change,

The courage to change the things I can,

And the wisdom to know the difference.

Good teachers care enough to evaluate their teaching but realize that the student is responsible for their learning. So, while teachers do their best to make learning as entertaining as possible and engaging to the different learning styles, resistance is still present many times.

There is the point that the teacher allows for the student’s failure because while we try to create a learning environment, some students will only learn from a crisis or when they hit rock bottom.

The wisdom in knowing when the success of the student is more their issue than it is mine is really about not giving up on them, but letting go of it is my problem. My life coach tells me this is not OVER thinking things.

Scanning some photos from college in 1982

 

It was a lot of fun going through my work while I was in college. This photo is from my Junior year at East Carolina University.

Now one thing I am noticing already that I love about today’s digital cameras over the film years–XML code that tells you the camera, lens, aperture, and more data about the camera used to shoot the photo.

Another thing is today, I embed IPTC or think of it as all the text I want to help with the image. So I can store the caption information, Copyright, and city and state information today. I can even keep the GPS coordinates.

 

This photo is from October 9, 1982, at Ficklen Memorial Stadium in Greenville, NC, with an attendance of 19,521. ECU defeated Richmond 35-14. I was able to look that up on the web.

I can also tell you there is a lot of grain in Tri-X film, and there were a lot of spots where there wasn’t a chemical base giving small spots.

 

Today I can get incredible detail that wasn’t all that possible with the Tri-X in a 35mm camera. I now understand why the medium format gave you a better resolution. You had more information than you needed.

 

Joe Jackson is performing at Great Adventure Theme Park in Howell, NJ. While going through all the negatives, I noticed more soft photos due to shutter speed issues. Today I would catch that issue much faster due to the histogram and the LCD to help check images for sharpness.

 

It is just fun to reminisce and scan these old photos. Hopefully, I can scan some of those worth keeping and get all the caption information embedded in the images so they can be searched and posted online. This way, historians and just anyone can search and find photos that I happened to take that they may enjoy one day. 

Scanning old negatives

 
Pentax K1000 & Pentax 135mm lens, Kodak Tri-X  [April 7, 1982]

My daughter loves theater, and this made me want to pull out some photos I shot during college at East Carolina University’s theater doing Show Boat.

To scan my negatives, I used the Nikon Coolscan V-ED [Adorama has one for $739]. On Amazon, it sells for $2,000.

A high-performance dedicated film scanner from Nikon, the CoolScan V ED offers high-quality scanning of 35mm slides, 35mm film strips, APS film (with optional IX240 film adapter), and prepared slides (with optional medical slide holder). The Scanner-Nikkor ED glass lens offers a 4,000 dpi optical resolution, while the 3,964-pixel linear CCD image sensor and 14-bit A/D input (8-/16-bit output) provide true-to-life, brilliant results.

Nikon’s own LED illumination technology ensures accurate color with no warm-up time or risk of heat damage. Scan times are as fast as 38 seconds including image transfer to display, and as fast as 14 seconds in preview mode. Automatic color/contrast compensation helps you achieve accurate results, while the ICE4 advanced digital image correction suite of technologies helps to restore old slides to their original glory. Additionally, the included Nikon Scan 4 software provides a comprehensive and easy-to-use interface for managing your scans.

The CoolScan V ED has a convenient plug-and-play USB interface, while one-touch scan and preview buttons will have you scanning film in no time. PC and Mac compatible, the CoolScan V ED also comes backed with a one year limited warranty.

Pentax K1000 and 50mm lens, Kodak Tri-X

If you have scratches and spots like in this photo, you must use PhotoShop to clean up the image.

SilverFast 8

Now Nikon has stopped supporting it, so to make it work on my Macbook Pro, I bought the software SilverFast 8.0. This software is even more advanced than the original Nikon software I used years ago.

 
Now the learning curve is a little steep to get used to scanning with the software. You can see the version and what I set up for when I downloaded the software. You pick your scanner.
 
 

There are a lot of videos already made that you can watch to help you step by step. Just Google SilverFast 8 and look for just the videos; there are many to choose from.

Pentax K1000 and 50mm, Kodak Tri-X

There is one this great about the scanner. Compared to the time spent in a darkroom working on print forever burning and dodging, with the scanner and PhotoShop, you can get far superior results.

I hope this inspires you.

 
 

Multimedia Storytelling–NEED to know vs. WANT to know

 
Last year’s storytelling workshop in Lisbon, Portugal [Fuji X-E2, Fuji XF 18-55mm, ISO 6400, ƒ/13, 1/450]

When teaching workshops on storytelling, we always like to get a feel for what the students want to learn from the experience.

There are some very consistent things people want to learn from a storytelling multimedia workshop. One of the top things listed usually involves software. They want to learn how to use Final Cut Pro X or Adobe Premier Pro, for example.

Now, if we created a workshop based on what people talk about, most would leave the workshop not much better than when they came. Even the things they don’t mention are sometimes at the top of the list.

The workshop location is a HUGE factor in people choosing to attend. They might not sign up if the workshop were somewhere down the street from them versus some exotic place like Cuba, Paris, or Bucharest, Romania.

What students list at the very bottom of their desires to learn is audio.

Click on the photo to see a larger one.

Here is the timeline inside Final Cut Pro X on one of my most recent projects. The interview is the foundation for the project, and the sound for this is what is driving the entire project. What the subject is talking about influences what images should accompany the words.

While we teach how to interview and get the sequencing of the interview in an order that helps engage the audience and tell the story. The interview sound must be clear, or all else is a waste.

Shure FP1 with the WL183 (Omnidirectional) microphone

Quality Sound

The foundation for every multimedia/video project is the soundtrack. Here are two microphones I use all the time, but regardless of what microphone you choose, you must know how to use it and set the microphone levels to get the sound just right.

Shotgun Røde Video Pro Microphone

People will not watch your project if the sound is of poor quality. However, they are more likely to care if they sound high quality and the visuals are mediocre than if they were reversed.

Which Microphone?

My recommendation for anyone going down this storytelling road is to invest in a lavalier microphone. One with a long cord of 20′ will work great for interviews and is reasonably priced. You can get one for about $23 from most stores.

I like this microphone because it picks up sound close to it and drops off pretty quickly, so you can put this on someone’s collar and get their voice, and lavalier will diminish ambient sound around the room.

The shotgun microphone is excellent when you don’t want to see the microphone, and depending on how you place it in relationship to the subject can give you a charming sound. It takes more practice to use this over the lavalier.

NEED to know vs. WANT to know

Now back to the headline. While learning sound is not all that sexy, based on everyone pretty much ranks this at the bottom of what they want to know; it is the foundation of the project. Good sound is equivalent to good exposure with your photography/video, but the difference is that it is more important.

I did a simple package on how I did boxes years ago. It is pretty easy to edit once you have the voice-over recorded. See if you can see how the sound drives the project.

http://www.stanleylearystoryteller.com/Chick-fil-A/Multimedia/_files/iframe.html?=560×470
Here you can see the package I produced. The box was in 2008 when I used an audio recorder and photos. But this is the backbone of the video to understand that the soundtrack becomes the timeline for the project.

http://www.stanleylearystoryteller.com/Chick-fil-A/soccer/_files/iframe.html?=550×481

Advice to those wanting to learn multimedia/video

The most important tip I can give you is to be open to the professional teaching you. Try your best to hear what the professional says you NEED to know versus what you WANT to know. Don’t filter out what you think is unnecessary or not that interesting.

Pour yourself into every step of the process of learning a skill. The reason you do this is not that you can pass a test, but instead that you will master the subject.

Do you want a surgeon who passed their tests or knows about your procedure? Just as a surgeon who didn’t pay attention except to the exciting parts of medical school will lose a life, so will the storyteller who only learns what they want to know. They, too, will lose the life of the story.


Here is another example. Listen to the soundtrack and see how it moves the story along.

https://player.vimeo.com/video/68857225

 

New Camera Gear Can Create Panic

 

When my wife and daughter help me with assignments, and it comes time to pack up, they bring the gear to me, and then I put it away.

Often as we are doing this, the client is nearby, and my wife explains how I have a particular place for everything and how she doesn’t want to cause me to panic.

New Gear Creates Panic

Photography is excellent for those who tend toward Obsessive Compulsive Disorder. Of course, no one wants to be OCD because it can be debilitating. But camera bags and all this gear work great for organizing your stuff.

Here you can see my Think Tank Airport Security™ V2.0 Rolling Camera Bag, That I use all the time.

Once you get your bag all set with your gear, for the most part, the equipment has to go in the exact location, or it will not fit. But then, all it takes is buying just one more piece of gear that requires you to reconfigure your bag.

So the other day, I did just that and a day later took off to Houston, Texas, for a job. I reached for a piece of gear I use all the time, and it wasn’t where I always put it.

When I didn’t have the gear, I thought of a story in the Bible that captured my emotional state so well.

Luke 15:8-9
“Or suppose a woman has ten silver coins and loses one. Doesn’t she light a lamp, sweep the house and search carefully until she finds it? And when she finds it, she calls her friends and neighbors together and says, ‘Rejoice with me; I have found my lost coin.’

While on the job, I was on a short timeline and out of town. I quickly adjusted and got the job done, not using that piece of gear. I must have left that gear on the fireplace where I was putting things while rearranging my camera bag.

Last night after returning from Houston, I, too, searched my house. When a cleaner comes to our home, she tends to put things away, and sometimes it takes us a little while to find them. So I knew she had been at our house around that time and thought maybe she had moved it somewhere.

I asked my daughter and wife if they had seen my gear. They had no clue as to what I was describing. Not finding stuff went on for a few hours. Finally, I decided to go and get out of the house to clear my head and get something to eat. Later I returned and continued to look.

It is essential to note that unique gifts often accompany the challenges of Asperger Syndrome [which I have]. Indeed, a remarkable ability for intense focus is a common trait. But unfortunately, I could not let go until I resolved this issue.

Beating myself up

I then remembered I had some boxes that the new gear came in and wondered did I throw them away accidentally. I have more jobs soon and was upset that I would have to go to the camera store and replace the gear. It would be around $800. No one just casually replaces something for $800.

Finally, I gave up after finding an older piece of gear and realizing I could use this temporarily. But unfortunately, the rechargeable batteries in the equipment were dead. So I went to my bag and looked for the chargers–which also had been moved around.

I found my gear as I took one of the rechargers out of my bag.

Memory Issue

Once a memory is created, you must store it (no matter how briefly). Many experts think there are three ways we keep memories: first in the sensory stage; then in short-term memory, and ultimately, for some memories, in long-term memory.

Important information is transferred from short-term memory into long-term memory. The more the information is repeated or used, the more likely it is to end up in long-term memory or be “retained.”

Usually, I do a pretty good job of remembering my organization changes because I am physically moving the gear and thinking about what I am doing it normally sticks. If, however, I get a phone call in the middle, this can affect my memory recall.

Forgiving Myself

The hardest part of an event like this in my life is the ability to forgive myself. It is more complex most of the time to forgive myself than others.

“Holding on to anger is like grasping a hot coal with the intent of throwing it at someone else; you are the one who gets burned.” –– Buddah

Benefits of forgiveness:

  1. Lowers stress levels
  2. Lowers your heart rate
  3. Lowers blood pressure
  4. It helps you sleep better
  5. It enables you to live longer

I could feel my body relax once I found it, and then as I began to forgive myself for my memory lapse, I also felt the stress release.

Had I lost the gear, I would have bought replacement gear and then also had to forgive myself so that I could move on.

Losing gear will happen again in the future when I cannot find something. The key to success is allowing yourself to be human and make mistakes.

How to Create HD 360º Panoramic

 

First of all, you are going to have to invest some money in these items:

  1. Fisheye Lense – I recommend the 180º that creates a circle image. I have the Sigma Fisheye 8mm f/3.5 EX DG Circular Fisheye Autofocus Lens for Nikon AF for $899.00
  2. Nodal Panoramic head – link for some on B&H. Expect to pay about $500
  3. Panorama Image Stitching Software – I use Panoweaver 9, which runs for $299.00
  4. Good tripod to put a panoramic head on
  5. Release cable – I use an infrared remote with my Nikon D750
  6. Adobe PhotoShop – While you can use the panoramic so you can fix the floor if you don’t want a logo there. $600
Click on it to see the larger version
So here is my camera with my nodal panoramic head on a tripod.
 
 
Here is a side view
 
 
Now the other side
 
 

You will take four photos and then stitch them together with the software. Next, I create a Cubic Panorama, the six sides of a cube.

Use a remote to keep the camera very still.

 
I then export that image to PhotoShop. Using PhotoShop is where I will remove the tripod, as seen in this photograph.
 
 
To get rid of the tripod [why I use PhotoShop], I go to filter and select vanishing point
 
 
Next, I select the cloning tool, hold the option key, and select the area I want to clone from to fill over the tripod.
 
 
Because I chose the vanishing point, the cloning will keep all the dots in perspective and makes for easy patching. Great for floors where tiles and other patterns are not always squared but more often slightly askew.

Now, I am using the more expensive Panoweaver to have something that works on mobile devices like the iPad and iPhone. There are two versions created; one is flash based and has the little planet view that you see at the top and below. I have you fly down into the panoramic, creating a video-like feel to the panoramic.

Now, if that were all there is to this, it would be super easy. However, after doing this for about ten years, I have found that the knowledge of stitching helps you pick better locations. For that reason, if you enjoy them and would like me to create them for your place of work or something else, give me a shout.

How to see a photo 4 different ways

 
Little Planet Version

Here is the same photo, but I am showing it to you in 4 different ways. The top image is what we call the Little Planet view.

It would help if you had special software to do all these photos. Some Apps exist to help you create pictures similar to these with your phone–just not as consistent and precise as the way I did it with a tripod, fisheye lens, and particular nodal head on the tripod.

iPhone Apps
Android Apps

Photo #2 360º Panoramic gut stretched horizontally

Photo #2 is the same but extended to a large horizontal photo. Often this is cropped with less sky and ground to give a more strip print. This photo would then be like the inside of a cylinder.

Photo #3 Cubed 360º Panoramic

Photo #3 is the same photo, but instead of how it would appear inside a ball, this is how it would appear inside a box. Again, the first four panels are the sides, then the top and bottom are the last two.

This last one is an interactive 360º panoramic. You can watch it; it will rotate and let you see the 360º cylinder, or you can click on the menu arrows to go up and down or change direction. You can also just put your mouse and, while clicking and holding, drag the image up, down, and sideways to control it yourself.

What would you say if Eugene Smith was on the front row listening?

Don Rutledge was the speaker on the second day of the Atlanta Photojournalism Conference in 1975. The night before, William Albert Allard had blown away the group with his work on the American Cowboy. The first time anyone had spoken to the group and gotten a standing ovation.
 
Following Don Rutledge would be Eugene Smith. Don admired Smith’s work more than any other photographer at the time. Eugene Smith is sitting right in front of Don during this talk.
 

Don Rutledge
photo by: Ken Touchton

Listen to Don’t talk here:

There are three types of photographers

Snap Shooter
Gimmick Shooter
The fullness of Photography Shooter

The Snap Shooter enjoys taking pictures. The Gimmick Shooter uses tricks to keep your interest. Finally, the Fullness of Photography shooter uses his eyes, brain, and heart to shoot.
Don got those three elements from Ernest Haas.

The Fullness of Photography Shooter I will call the concerned photographer. They identify where people are in this world.

Now all of us can drift away from being concerned. Photographers use excuses. Many photographers use reasons like lack of time to dominate situations.

The concerned photographer listens and looks. They put it all together and stand flat-footed in this world. We are tuned into the moments in the zone and can anticipate those peak moments.

1) We need to learn to turn handicaps into advantages.

SIDE NOTE

I used to travel with Don doing stories for the Black Star photo agency. These would be features that he could take at his own pace. Later I understood how this was Don’s way of training himself to have muscle memory when he had to rush.

Don pointed out that all photos are taken at a fraction of a second, so it isn’t a lack of time–it is a lack of discipline we lack in these times of having to work quickly.

2) We complain about photo editors who don’t understand. To update this a bit, it is anyone you are shooting for today.

Our problem is often our ego. We think we are a great photographer. So we often say or want to speak to our clients if you only gave me a chance. “This is where a picture is worth a thousand words,” says Don, with the audience laughter following.

Don’s advice is to shoot the photo the way you want to and show it to them when they crop it poorly. Then, talk to them about what you were trying to say.

IMPORTANT!!!!!! Don said you would probably not be heard the first or second time. But you are educating people over time.

I watched and wrote about how long it took Don to turn around organizations in my thesis. Here are links to it.

Storyteller: Master’s Thesis on Don Rutledge: Chapter OneJan 16, 2013
For this reason, this writer is doing his thesis on Don Rutledge for publication. Don has worked for the Black Star photo agency in New York for over thirty years. During this time, he has also worked for the Home Mission and 
https://t86.1e3.myftpupload.com/Storyteller: Master’s Thesis on Don Rutledge: Chapter TwoJan 12, 2013
Don was born in Smithfield, Tennessee. The family moved to Murfreesboro, Tennessee, south of Nashville, shortly after being born. “Good ole’ home folk,” is what you would say about the Rutledges. They lived on a farm 
https://t86.1e3.myftpupload.com/
Storyteller: Master’s Thesis on Don Rutledge: Chapter ThreeJan 13, 2013
Master’s Thesis on Don Rutledge: Chapter Three. HOME MISSION BOARD, 1966 TO 1980. When Walker Knight went to the Home Mission Board of the Southern Baptist Convention in 1959, he was handed a photo story
https://t86.1e3.myftpupload.com/
Storyteller: Master’s Thesis on Don Rutledge: Chapter FourJan 15, 2013
When Dr. Keith Parks went to the Foreign Mission Board in 1975, his responsibility was to head up the mission support division. Establishing one of the finest communications departments possible was one of the goals that 
https://t86.1e3.myftpupload.com/Storyteller: Master’s Thesis on Don Rutledge: ConclusionJan 16, 2013
To a non-Christian, Don would have been considered crazy for taking the positions with Southern Baptist. Going to the Home Mission Board was a step down in pay and prestige for Don Rutledge. Why would
https://t86.1e3.myftpupload.com/

Bottom line Don is telling us we need to prepare for some “Show and Tell.”

Next, Don warns us to have our Egos and Abilities in check with each other. We need to know our abilities and not have our egos way out and in front.

Now Don also mentions that being a part of an institution like LOOK Magazine helps a photographer. It will open doors for you and give you a budget to work with. However, there is a downside to an institution for a creative. You will find that they want to stop you and make you fit their system.

Just know that being a creative photographer and wanting to change the world sometimes will take time, time for you to educate those around you about the work you are producing. You must be able to articulate your vision to help them see it.

Face Recognition with Lightroom 6

It takes time to explore new or upgraded software, so all I am writing about is just what I discovered and loved immediately with the latest Lightroom upgrade. As I discover all the new bells and whistles in Lightroom 6, I will write about them if I see something worth my time. For example, I downloaded Adobe Lightroom 6 and fell in love with the Face Recognition feature. Open a collection and then click on the little face [red arrow pointing to it], and it will bring up all the faces, just like what happens on Facebook when you upload images, asking you if you want to tag people.

Click on the image to see larger.

Throughout my career, I have shot large projects and had to go through and identify everyone in the photo. Now I can at least scan a complete shoot and put the names that Lightroom sees into every image’s metadata.

Now when you go to each photo, you can check to see the names of people. If the face isn’t recognized, you can still click on the box at the bottom, as I have done here, create a box, and type in the person’s name.

Click on the image to see larger.

Here it missed Philip Lin, and I went back and then typed his name into the photo.

Click on the image to see larger.

It puts all the names in alphabetical order based on the first letter in the name. Now, while the photo isn’t captioned left to right as you would have in the caption, having all the names from a large 3,000 + images in each photo is a huge time saver.

It put the names in two IPTC fields: 1) Keywords & 2) People Shown.

When you export, you can remove all the names or add them with a click. The names are all saved in your RAW files.

I can see almost all my friends who are photojournalists and need to have names with all their photos being thrilled with this feature. The other group of photographers that will benefit is anyone who keeps a database of pictures and needs to search for them to find people.

I know of one client I have that this feature could improve their image archive system almost overnight.

Photographers be like farmers in the Springtime–Prepare the fields

 
 
 
Fuji X-E2, Fuji XF 18-55mm, ISO 1000, ƒ/4.5, 1/500

This time of year is when you can drive around your neighborhood and see a significant difference in lawn care. This photo shows just the difference spreading Weed & Feed with the watering can make in the appearance of your lawn.

Only the farmer who faithfully plants seeds in the Spring, who reaps a harvest in the Autumn.
 
B. C. Forbes
Fuji X-E2, Fuji XF 18-55mm, ISO 2500, ƒ/4.5, 1/500

A few weeks ago, I tackled the problem of bare spots in my yard. Well, they are more significant than spots. There is a lot of shade, so this will always be an area that needs more work than the sunny sections of the yard.

I went to HomeDepot and bought Powermate 10. 43 cc 2-Cycle Gas Cultivator to help turn the soil with the Rebel tall fescue, pelletized limestone, & Vigoro 15m weed & feed.

Just two weeks later, you can see the results of a much greener yard in these photos.

Fuji X-E2, Fuji XF 18-55mm, ISO 3200, ƒ/4.5, 1/500

Here you can see the areas I didn’t cultivate did not produce as much grass. Some grass seed and fertilizer fell in those areas, but the difference was in the turning the soil about 2″ – 3″ that buried the seeds and helped them grow.

Just celebrating Easter at our church reminded me of the Parable of the Sower that Jesus told.

Matthew 13: 3-9
“A farmer went out to sow his seed. As he was scattering the seed, some fell along the path, and the birds came and ate it up. Some fell on rocky places, where it did not have much soil. It sprang up quickly, because the soil was shallow. But when the sun came up, the plants were scorched, and they withered because they had no root. Other seed fell among thorns, which grew up and choked the plants. Still other seed fell on good soil, where it produced a crop—a hundred, sixty or thirty times what was sown. Whoever has ears, let them hear.”

Photographer Tips:

You reap what you sow. We have all heard this before, but what can a photographer learn from this? First, you must return to your present clients and reconnect with them. Next, you need to give them more information about you and what new things you are doing. Reconnecting with clients is like fertilizing your yard.

Now some ground is hard as a rock. So first, a farmer uses a tiller to break up dirt that has not been farmed or has become extremely hard. Next, a farmer uses a cultivator to loosen the soil in an existing planting area, weeding the area during the growing season, and mixing compost into the ground.

You may have to do a lot of leg work and go and beat the pavement finding those new clients. You may need some good examples to leave with them through your website, e-newsletter, or printed material. You may need to get friends working with those potential clients to help introduce you and break the ice for you.

Competition:

Even Jesus knew that your competition would try and sabotage all your good work. So he told a parable about it as well. It follows the Parable of the Sower:

Matthew 13:24-30
Jesus told them another parable: “The kingdom of heaven is like a man who sowed good seed in his field. But while everyone was sleeping, his enemy came and sowed weeds among the wheat, and went away. When the wheat sprouted and formed heads, then the weeds also appeared.

“The owner’s servants came to him and said, ‘Sir, didn’t you sow good seed in your field? Where then did the weeds come from?’

“‘An enemy did this,’ he replied.

“The servants asked him, ‘Do you want us to go and pull them up?’

“‘No,’ he answered, ‘because while you are pulling the weeds, you may uproot the wheat with them. Let both grow together until the harvest. At that time I will tell the harvesters: First collect the weeds and tie them in bundles to be burned; then gather the wheat and bring it into my barn.’”

They didn’t have weed & feed in those days. We as photographers may not have the weed control to put out either, but the lesson is clear others will try and attack you at times. Be careful at trying to fix this–you could damage the excellent seed you planted.

The message is straightforward having a big harvest requires you to work the field. First, you must get that tiller and break up the harsh ground. Next, using the cultivator to mix the seed and fertilizer would be best. Finally, you will need to water the field if you expect to see a crop worthy of harvesting.

You can’t reap what you do not sow.