What are your “Business New Year’s Resolutions?”

One of my wife and I’s favorite photos of our daughter Chelle. She has her first Shirley Temple drink at the beach. Her expression of how much fun she was having and that we had this experience with her and the photo now helps us remember that moment like it just happened.

This is the time of year we make New Year’s resolutions, which are typically about taking care of ourselves. What are your Business New Year’s Resolutions?

Most likely, whatever you come up with is a way to build your brand. Let me give you some business topics you should be very concerned about this year.

Number One _________________

I want to leave that blank for now for a reason. I will come back to it shortly for you. Now let’s look at some of those hot topics.

Quality Control – You should always be concerned that you are giving your customers the very best they can get in the open market. Notice I didn’t say the best that you can give them. If you lack something that is keeping your quality behind, that should be one of the things you want to address this year.

In my industry, photographers always try to keep their camera gear as new as possible. The images from the latest cameras are superior to the quality of older models. I know many photographers who update immediately and others who upgrade every other model.

[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 22800, ƒ/5.6, 1/4000]

Speed of Service – If you are not careful, your competition will take away your business because you are too slow. Customers have problems for which a company has a solution to fix. If you are too slow, the customer will go elsewhere to solve those problems.

Pricing – There are many things that affect pricing, so you need to be sure you are on top of everything.

One thing about pricing is the cost-of-doing business. You must be sure you are covering to make a living. However, have you considered how your pricing comes across to the customer?

Too many businesses are more concerned with what they make and covering their costs that their pricing is worded to how they think and not about how the customer feels.

I am a big proponent of at least giving a customer three to four prices: bare minimum, medium, and high price packages and even the Whoop Ti Doo for a fourth option.

How you differentiate the pricing points also gives a better understanding of the different services you can provide.

I want to return to the Number One thing I started with but left blank. What core values guide your business?

This core value is what I think of as the culture you exhibit to your client. When you go into a hotel where the décor is all about a log cabin compared to going into a castle, it sets a tone for the business.

I also think about the restaurant chains Texas Roadhouse, The Ground Round, and Logan’s Roadhouse that all served peanuts, and customers tossed the shells on the ground. The waitress greets you with Howdy as much as a Hello.

Now, these core values often will have you doing things that do not make the most business sense. We often talk about a person having a moral compass. A moral compass is an internalized set of values and objectives that guide a person regarding ethical behavior and decision-making.

I know of one man who confronted a young man when he discovered that his employee was drinking on the job. As long as an employee would come clean and own up to their digressions, he would do all he could to help that employee.

He helped that employee overcome his drinking problem. It made no business sense to do this, but this was his core value of giving those who need help and willing to make changes the help. Now he would fire many people as well, and the line in the sand appeared to me to be one of if the person would own up to their mistakes.

Here are some ways that you might want to evaluate how your character is coming across and revealing a lack of core values that show a moral compass.

How do you speak to your spouse? Let me say I am preaching to myself on this one. We all need to show respect and not get so short with those closest to us. Whenever you answer your phone, and it is your spouse, others in earshot hear how you treat your spouse.

How do you speak to your children? Now, if you don’t have any, this could be anyone who is a subordinate that depends on you. You always want to talk with respect and love to them. You still need to discipline, but how you do it should help to build them up and not tear them down.

How do you speak to those serving you? Our son works in a restaurant as a server, and the stories he tells horrifying how people treat others. You need to be able to request things you need and correct a mistake in a way that honors those who serve you. Now, if you get horrible service and are mistreated, you still can handle this in a way that demonstrates the high road.

How do you speak to your enemies? Truly listening to others and addressing their concerns in a calm voice is a powerful way to win friends. Stay with the facts over disagreements and explain what you can and are unwilling to do.

Lincoln Memorial

Your attitude can jeopardize the situation more than the words themselves. Abraham Lincoln wisely said, “Better to be silent and be thought a fool than to speak and remove all doubt.”

Put your moral compass first this year. Focus on relationships and not on transactions. If you do this, then you will be successful.

Shooting High Speed Sync with Fuji X-E3 & Flashpoint Zoom Li-on R2 TTL

Blue Bird on my Bird-feeder in Roswell, GA [Fujifilm X-E3, 55-200mm, ISO 1000, ƒ/4.8, 1/200 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter]

Before Christmas, my friend Dennis Fahringer forwarded me a special Adorama had on their  Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter. The flash was $119, and the transmitter was $46.

I bought the Godox VING V860IIN TTL Li-Ion Flash Kit for Nikon with its transmitter because I loved the Neewer TT850, which is pretty much the same flash as the TTL capabilities.

Neewer, Godox, and Flashpoint are all the same company but are marketed differently. Flashpoint is the Adorama-branded system with more warranties than the others.

I have not bought the studio version of the system yet, but I plan to do so soon. This week, they introduced the newest version of the studio  Flashpoint XPLOR 600PRO TTL Battery-Powered Monolight (Bowens Mount) – Godox AD600 Pro. This sells for $899 without the transmitter.

The XPLOR 600Pro TTL is the next evolution of the Flashpoint R2 radio system, compatible with the R2 Canon, Nikon, Sony, Fujifilm, and Olympus/Panasonic TTL auto flash systems for remote power control and shooting.

Brown-headed Nuthatch Sitta pusilla is probably the least numerous nuthatch in North America. It has lost ground in some areas because of habitat loss, but it is still common where southern pine forests exist. [Fujifilm X-E3, 55-200mm, ISO 12800, ƒ/5.6, 1/1000 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter]

Using the bird feeder in my backyard, I tested how well the camera worked with the HSS of 1/4000. The flash supports the FP mode (high-speed flash sync), in which the flash outputs continuous light while the first and second curtains travel across the sensor, enabling flash photography at any shutter speed.

The range of the radio transmitter from the camera to the flash is 330ft / 100m. Recycle time is <4 seconds. This is great for more than 600+ full-power flashes with the Lithium battery.

You need to use their studio heads if you want something faster. The Flashpoint XPLOR 600PRO TTL Battery-Powered Monolight recycle time is approximately 0.01- 0.9 seconds.

Blue Bird on my Bird-feeder in Roswell, GA [Fujifilm X-E3, 55-200mm, ISO 25600, ƒ/8, 1/4000 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL]

When you think of the exposure triangle, you believe all are affected as you change the others.

There is a kink in this because when you use a flash, the light volume is pretty much the same as you shorten the duration. The problem through the years was the ability to shrink the shutter speed and sync with the flash. This has now been pretty much solved in the last few years. So, shortening the shutter speed impacts the available light (The Sun) if outside and not the flash as much.

Action shot of soccer player in Oxnard, California. [Nikon D5, Nikon 14-24mm ƒ/2.8, ISO 50, ƒ/11, 1/200 – (2) Godox V860IIN + Godox X1NT]

Earlier, I showed how I did this with the Nikon system. I can do the same with my Fuji X-E3 and the Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter.

Now, the cool thing about picking up the studio flash Flashpoint XPLOR 600PRO TTL Battery-Powered Monolight (Bowens Mount)—Godox AD600 Pro is that it works with all the transmitters for Nikon, Fuji, Sony, Canon, and Olympus. So, my two camera systems can use the same studio flash in TTL mode.

Yellow Finch [Fujifilm X-E3, 55-200mm, ISO 12800, ƒ/8, 1/1000 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter]

I look forward to shooting more with my Fuji X-E3 and the Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter in the months ahead. I love such a small system for travel.

Sharing my own struggle with depression related to storytelling

Witchdoctor and his family in Togo, West Africa [Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/1.4, 1/2500]

I believe that many journalists look for validation that the work they are doing is essential. I sure do look for it myself. I want to know that I am making a difference.

However, I believe that too many put that validation within the industry through awards given mainly by the high priests of journalism. Awards like the Pulitzers and POYs are judged by our peers and not by our audience.

Children of the local pastor in his corn field in Togo, West Africa. [Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/1.4, 1/2000]

I stopped entering contests more than 25 years ago and only recently can articulate why. I felt like the awards didn’t validate if the stories I worked on making a difference in the audience’s lives.

When journalism is done right, it is often a languid pace of change in the communities it serves. Sometimes the most challenging part of the job is our impact can take years to see. Sometimes we take credit for the change. We see that is the work of others long before we came on to the scene.

This little shepherd boy is part of the Fulani tribe known for being herders and working in Soubakamedougou, Burkina Faso village. The Marlboro company gives hats to the young cowboys to promote their product in Burkina Faso. [Nikon D2X, Sigma 18-125mm, ISO 100, ƒ/5.6, 1/90]

As journalists, we should look to our audiences and how they respond to our stories about our communities for validation.

Though it may be interesting or even entertaining, the maximum value of news is as a utility to empower the informed. The purpose of journalism is thus to provide citizens with the information they need to make the best possible decisions about their lives, communities, societies, and governments.

Lisbon, Portugal [Nikon D4, Nikon 28-300mm ƒ/3.5-5.6, ISO 800, ƒ/9, 1.3 – On Tripod]

We need to ask ourselves, “Who’s paying attention? Why does the story need to be told? Why should the audience care?”

When the inner drive in our souls is that of a calling to journalism, it is much easier to endure a long time, sometimes necessary, to see any real change.

I am most depressed from burnout when I am no longer in touch with the audience and know what they care about. If there are stories we think they should care about, and they don’t, then this is where I struggle the most.

I have discovered that when I see no impact from my work, it is often because the metaphors and similes I may be using do not resonate with the audience. I must know my audience so that while doing the story, I think of what the audience would be interested in and why.

Herăști, Giurgiu, Romania [Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 1600, ƒ/5.6, 1/100]

One of the best questions journalists should ask themselves is not how much time they spend telling their stories but how much time they spend getting to know their audience.

Once you have sought to understand your audience and your subject entirely, only when great journalism can take place.

The Nicaraguan woman shows us her kitchen and the lunch she is preparing. [Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 4500, ƒ/4, 1/100]

Chick-fil-A Peach Bowl Highlights

[Nikon D5, Sigma 120-300mm ƒ/2.8, ISO 8000, ƒ/2.8, 1/4000]

Every year I cover the Chick-fil-A Peach Bowl. These games have been some of the most watched in the Bowl Series. Many close games and big upsets have taken place.

[Nikon D5, Sigma 120-300mm ƒ/2.8, ISO 10000, ƒ/2.8, 1/4000]

This year it was a match-up between the SEC and the AAC conferences. The University of Central Florida achieved perfection, upsetting Auburn for a 13-0 season.

[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 22800, ƒ/5.6, 1/4000]

Auburn fought hard but had three turnovers, while UCF only had 1. This was the difference that helped UCF defeat Auburn 34-27.

[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 18000, ƒ/5.6, 1/4000]

The game was close throughout the four quarters. They traded scores back and forth, keeping it close.

[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 18000, ƒ/5.6, 1/4000]

UCF is Nation’s Second-Largest University. The University of Central Florida has become the second-largest university in the nation in student enrollment, surpassing Ohio State.

[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 20000, ƒ/5.6, 1/4000]

The hard part about covering football is the tension about shooting too tight so that you don’t see the competition.

[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 12800, ƒ/5.6, 1/4000]

I couldn’t switch cameras fast enough on one touchdown, so my lens was too tight to show the playing crossing the end zone.

[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 5600, ƒ/2.8, 1/4000]

One thing I did enjoy capturing with the UCF players was the joy they had for the game.

[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 18000, ƒ/5.6, 1/4000]

These are just some of the action shots I captured from the game.

[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 22800, ƒ/5.6, 1/4000]
[Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 18000, ƒ/5.6, 1/4000]

How To: Christmas family photo where everyone will look great – Even pets!

Christmas Family Photo [Nikon D5, Sigma 24-105mm ƒ/4, ISO 400, ƒ/8, 1/200 – (2) Godox V860IIN + Godox X1NT with MAGMOD MagSphere]

This is a family photo we did this year of our family with my wife’s family. One of our son’s couldn’t be there and had to work with a new job.

To get this final photo required me to be behind the camera saying “Do you want a treat?” to get the three dogs in the middle to look at the camera.

Photo without me

So this is actually the photo I took with me behind the camera.

Photo with me but the dogs not paying attention

Here are the steps to then add me into the photo with dogs looking the best.

Open photo with me in photo shop. Open the second photo in photo shop with dogs looking best. Select all and copy the photo of dogs best.

Go to the photo with me in it and paste the other photo on top of it.

You will now have two layers. the top will be the one with dogs looking best and I am not in the photo. See the copy of PhotoShop screen grab.

Now we need to create a mask. Down below the layers click on the mask.

It will now look like what I have screen grabbed here for you. Be sure the brackets are around the mask (white box) and that it is the top photo, which is the one without me. We are going to use the eraser and now erase the empty chair and reveal me.

You just need to brush me in. See the photo of the tools here. Pick the eraser. It has box around it.

Next be sure the foreground color is black and on top. This will let you erase me.

Now if you make a mistake you can then click so that the white is on top and use the same brush and brush back the photo on top.

 As you brush you can see in the mask that what you brush over becomes black.

Now when we I finished and showed the photo they wanted the small dog on the far left to look at the camera as well. So I looked for a photo of the small dog looking great.

So I found this photo and then using the same technique brushed in the dog.

Here the tips you need to follow to make this work.

First put the camera on a sturdy tripod. You want to lock down the composition so that nothing changes.

Second do not change the zoom if you are using one.

Third if you are in the photo use the timer or use a remote to fire the camera. I had left my remote so I set the camera timer to 10 seconds.

Fourth, be sure you have good lighting on everyone. For this photo I used two Godox V860IIN + Godox X1NT with MAGMOD MagSphere. Here is what the setup looked like:

Breaking Tradition to experience Christmas in Sparta, New Jersey

Christmas in Sparta, New Jersey. [Fujifilm X-E3, 18-55mm, ISO 12800, ƒ/4, 1/60]

We are celebrating Christmas in Sparta, New Jersey, this year. This is my wife’s hometown.

She hasn’t been home to celebrate Christmas since 1985. We have spent many years together with my family in North Carolina.

A family photo with Santa is my sister-in-law’s family tradition. [Fujifilm X-E3, 18-55mm, ISO 1250, ƒ/3.6, 1/100]

Joey is my brother-in-law, and while eating dinner, he realized my family’s traditions might be different, and he asked me what we did for family traditions at Christmas.

What I am really excited about is that our family is willing to do something different to be part of our family we haven’t had as much time with this year.

Santa is watching me at breakfast and holding his naughty or nice list. [Fujifilm X-E3, 18-55mm, ISO 51200, ƒ/4, 1/4000]

Just seeing the decorations around the house reminds me that these are new traditions for us to be exposed to.

Dorie and I went to see The Man Who Invented Christmas earlier this year. The movie is the journey that led to Charles Dickens’ creation of “A Christmas Carol,” a timeless tale that would redefine the holiday.

While you may have some excellent traditions for your family at Christmas, ask others about their habits and why they do them. Maybe you will also learn to redefine the holiday for your family this year.

Maybe the process will bring you closer to Christ, whom this holiday is about.

Only the humble believe him and rejoice that God is so free and so marvelous that he does wonders where people despair, that he takes what is little and lowly and makes it marvelous. And that is the wonder of all wonders, that God loves the lowly…. God is not ashamed of the lowliness of human beings. God marches right in. He chooses people as his instruments and performs his wonders where one would least expect them. God is near to lowliness; he loves the lost, the neglected, the unseemly, the excluded, the weak and broken.

Dietrich Bonhoeffer, God Is in the Manger: Reflections on Advent and Christmas

Over the digital learning curve and on a plateau

First Snow for Winter 2017 in Roswell, Georgia. Christmas Tree with our Magnolia tree in the backyard. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 400, ƒ/14, 1/40 – Godox V860IIN with MAGMOD MagSphere]

One of the biggest things to ever hit photography was the move to digital.

No matter how experienced you were in photography if you were a film shooter and went to digital, you went through the digital learning curve.

In the 1980s, I went to learn about computers. I remember learning Quicken to track my checkbook and credit cards. I used a dial-up modem to connect to the internet and go to the NPPA forums, similar to the message board; here was my first time connecting to photographers worldwide.

In the early 1990s, I experienced the learning curve for scanning film and learning PhotoShop. I kept waiting for the digital camera to surpass the film so I could jump to digital capture.

In 2002 I bought my first digital Nikon D100 camera. Just one year earlier, a similar 6-megapixel camera cost $25,000, and then I was able to buy the Nikon D100 for $1,999.

Jimmy Carter peanut Christmas Tree Ornament [Fujifilm X-E3, 18-55mm, ISO 200, ƒ/11, 6 sec]

All my colleagues and newbies to photography were all part of the digital learning curve.

I remember being told to shoot Adobe RGB, yet when I took the pictures to the local pro lab, they came out all screwed up. This is when I started learning about color space and realized the printers could read sRGB at the time, not Adobe RGB.

This was when photography workshops exploded. We all needed help to learn PhotoShop and then later Lightroom.

Other advances were also happening. Most in the industry with the film were using the hot shoe Vivitar 283, an automatic flash where you dialed the output by picking yellow or red, and if you bought the adapter, you could control it by power.

Hummel design Christmas Tree Ornament [Fujifilm X-E3, 18-55mm, ISO 200, ƒ/11, 6.5 sec]

Nikon introduced a pretty complex TTL hot shoe system that changed lighting. Again we needed workshops to learn to use them.

The web evolved from forums to delivering videos. Now you can Google almost anything on YouTube and find a video showing you how to do just about anything, including everything around photography.

This meant workshops started dropping off in attendance.

Camera stores started building online stores, which also changed the industry.

We no longer have the entire industry on the same learning curve at the same time as we did with the change from film to digital capture.

Now we are back to where we were just before the digital revolution hit. We are talking about the subject.

Wreaths Across America Day at Roswell Presbyterian Church Cemetery. [Fujifilm X-E3, 18-55mm, ISO 200, ƒ/7.1, 1/105]

Workshops are now coming full circle. We are now talking about how to make a living in this industry again, concentrating on capturing subjects and telling stories.

We are also talking about the business side—excellent customer service and how to protect yourself when working with clients.

Who do we seek out now to listen to? I am now having a more challenging time finding those “trending.” There are just so many mediums in specialties that you may not even know about some incredible photographers because we no longer have just a few publications as in the past.

We are looking for those people producing great images and want to learn from them.

What I think we want more than anything in the future is a way to find great work produced worldwide.

The problem is that most pros are scared to promote other work for fear of losing jobs. Therefore how do you find great work? I think whoever creates the new place to point us to great work is what will be the next big thing in photography.

What is an “Image Library” photo shoot?

Do you have an “image library” for your organization? What is an “image library”? It is a pool of pictures that you commission that will be used in many different ways for mainly internal and external communications. Sometimes, but rarely are they used for advertising.

Today many of those with “image libraries” are hosting these online through intranet or Internet for different departments and even the organization’s agencies to use.

Lisbon Mission Storytelling Abroad Workshop. [Fuji X-E2, 18-55mm, ISO 400, ƒ/3.6, 1/800]

Previously, non-profits and educational institutions commissioned this work due to budget constraints. Still, the need to feed social media with ongoing content is becoming popular for corporations.

[Nikon D3S, 85mm ƒ/1.4, ISO 640, ƒ/1.4, 1/640]

When I shoot for an “Image Library” production, the coverage is quite broad—often looking for diversity and showing some of the operations that go on daily. We tend to have alerted departments we are coming at a particular time, and then we capture their people working. We may move them around and even have them change outfits, like asking them to put on a lab coat.

I have recommended that companies subscribe to online services like Libris by PhotoShelter. [https://libris.photoshelter.com/]

You can give access based on passwords or by email/password that gives you protection for your images.

Strong visuals can connect with an audience faster and more emotionally than words alone. Storytelling remains at the heart of good communication. The power of images in modern touch is irrefutable.

The approaches for doing an “Image Library” production vary widely. You can do high-production shoots back to back, where lighting and styling give you high-quality images. This tends to be where the photographer creates images rather than capturing them.

Mark Prausnitz, a chemical engineering professor from the Georgia Institute of Technology, shows the size of the experimental microneedle with 400 tiny spikes.

You can go to the other extreme, where the photographer uses little or no lighting and captures mainly what already exists in situations. You are paying for the years of experience of the photographer to capture images within a case.

Sometimes there is a mixture of high production and existing light depending on your organization’s needs.

Doing bi-annual or annual “Image Library” shoots gives your communications team images to help with the messaging you need to be doing to engage your audience.

The First Snow of Winter 2017 in Roswell, Georgia

Roswell Fire Department is monitoring a tree whose branches are in the transformer, causing some arcing from power lines. [Nikon D5, Sigma 24-105mm ƒ/9, ISO 81275, ƒ/4, 1/100]

Just two days ago, the local television stations were predicting 1″ to 2″ of snow possible in metro Atlanta. As you see in the first photo, we had the fire department monitoring arcing of a transformer since the snow had weighted down the branches of a pine tree into it.

The First Snow of Winter 2017 in Roswell, Georgia. We have six inches in our backyard at 8 am on Saturday, December 9, 2016. [Nikon D5, Sigma 24-205mm ƒ/4, ISO 360, ƒ/4, 1/100]

This morning I woke up to 6″ on our back porch with the snow still falling.

Our Neighbor’s house was all decorated last night. [Nikon D5, Sigma 24-105mm ƒ/9, ISO 20000, ƒ/4, 1/100]

We enjoyed looking out our back windows to see the snow. Staying warm and seeing the snow is a great way to appreciate the beauty of snow.

First Snow for Winter 2017 in Roswell, Georgia. Rhododendron in our backyard. [Nikon D5, Nikon 60mm ƒ/2.8, ISO 8000, ƒ/36, 1/50 – Godox V860IIN + Godox X1NT with MAGMOD MagSphere]00, ƒ/36, 1/25 – Godox V860IIN + Godox X1NT with MAGMOD MagSphere]

Here I was able to capture our Christmas tree, all decorated with the snow falling outside the window.

First Snow for Winter 2017 in Roswell, Georgia. [Nikon D5, Nikon 60mm ƒ/2.8, ISO 140, ƒ/4, 1/100 – Godox V860IIN + Godox X1NT with MAGMOD MagSphere]

When the snow started to fall, I went out to get some photos figuring that we were getting that 1″ they had predicted.

First Snow for Winter 2017 in Roswell, Georgia. [Nikon D5, Nikon 60mm ƒ/2.8, ISO 140, ƒ/4, 1/100 – Godox V860IIN + Godox X1NT with MAGMOD MagSphere]

I used my Godox V860IIN with the Godox X1NT to trigger the flash-off camera. On the flash, I was using the MagMod MagSphere to modify the light. This let me get a great color temperature on the leaves and flowers as I got in close.

First Snow for Winter 2017 in Roswell, Georgia. [Nikon D5, Nikon 60mm ƒ/2.8, ISO 1250, ƒ/6.3, 1/100 – Godox V860IIN + Godox X1NT with MAGMOD MagSphere]

I found it cool to see still evidence of Fall with the snow. We are still a few weeks from Winter.

First Snow for Winter 2017 in Roswell, Georgia. Magnolia tree in our backyard. [Nikon D5, Nikon 60mm ƒ/2.8, ISO 2500, ƒ/8, 1/60 – Godox V860IIN + Godox X1NT with MAGMOD MagSphere]

We are staying warm this Saturday morning and watching the snow still fall.

First Snow for Winter 2017 in Roswell, Georgia. This is one of our squirrel proof bird feeders. [Nikon D5, Sigma 35mm ƒ/1.4, ISO 125, ƒ/1.4, 1/100]

This morning I had to clear the snow off the top of the bird feeder. The snow had weighted down the top, making our squirrel-proof bird feeder now birdproof.

Our Bird Feeder during the First Snow of Winter 2017 in Roswell, Georgia. [Nikon D5, Sigma 24-105mm ƒ/4, TC-2001, ISO 220, ƒ/4, 1/100]

This morning the snow has whited out our backyard.

Our Bird Feeder with a tufted titmouse during the First Snow of Winter 2017 in Roswell, Georgia. [Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 720, ƒ/5.6, 1/500]

We are having all kinds of birds visit us.

Our Bird Feeder with a cardinal  during the First Snow of Winter 2017 in Roswell, Georgia. [Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 4000, ƒ/5.6, 1/500]

Enjoying my time today with nature.

Sports Action That “POP!”

Action shot of soccer player in Oxnard, California. [Nikon D4, Nikon 14-24mm ƒ/2.8, ISO 50, ƒ/11, 1/200 – (2) Godox V860IIN + Godox X1NT]

I had a lot of fun this weekend shooting some soccer shots. This is one of my favorite images from the day.

I am lying on the ground shooting with my 14-24mm Nikon lens at 14mm. The guy landed on me once; it might have been with this photo. As Robert Capa said, “If your pictures aren’t good enough, you aren’t close enough.” I was trying to get close to creating more impact with the photos.

[Nikon D4, Sigma 35mm ƒ/1.4, ISO 50, ƒ/8, 1/200 – (2) Godox V860IIN + Godox X1NT]

The first photo I took was this typical team photo. I picked a location where I had the sun directly behind them and then used two Godox V860IIN and triggered them with the Godox X1NT.

This kept them from squinting.

[Nikon D4, Sigma 35mm ƒ/1.4, ISO 50, ƒ/8, 1/200 – (2) Godox V860IIN + Godox X1NT]

Then I moved the players around for different poses.

Then I just got lower to make them look more like heroes.

Then I tried another pose.

When you are shooting for the art director they need choices.

I also shot some verticals as well as some action during the scrimmage.

[Nikon D5, 28-300mm, ISO 800, ƒ/5.6, 1/4000]

So everything I shot, I tried to get both verticals and horizontal shots for options.

[Nikon D5, 28-300mm, ISO 640, ƒ/5.6, 1/4000]

The problem with actual action shots during a game is the light isn’t quite as lovely as when you set something up to get that “poster” shot.

While I could have shot the photos with the two strobes on TTL, I used the manual to get consistent output. When you move to a low angle with more sky, the camera meter will want to change the flash output and the camera exposure. I tried to control it, so it was consistent.

I recommend not always shooting with TTL for your flash. It will get you in the ballpark quickly, but the beat consistency as things move isn’t as good as shooting in manual mode.

True Thanksgiving Requires True Sadness

This is the Macchiato I was drinking at a restaurant during our Storytellers Abroad Multimedia Workshop in the Balkans. A Caffé Macchiato or Espresso Macchiato is a shot or two of espresso, with just a small amount of steamed milk that “marks” the espresso, though in some regions, the steamed milk comes first, and the espresso makes the mark. [Nikon D5, Sigma 35mm ƒ/1.4, ISO 100, ƒ/1.4, 1/400]

Most of my days start with a good cup of coffee. Every day I also do three things which I think you may do.

Storytellers Abroad Multimedia Workshop in the Balkans. [Fuji X-E2, 18-55mm, ISO 500, ƒ/4, 1/100]

I look to the past. I often take a moment to reflect. I ponder what I have done this year and what happened a year ago.

Facebook even has a message that pops up most days about posts from the past.

Your Memories on Facebook

Stanley, we care about you and the memories you share here. We thought you’d like to look back on this post from 7 years ago.

Leary family Family Photo at Ocean Isle Beach, NC [Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/8, 1/250 – 2 Alienbees B1600s]

Thanksgiving, I think, made all of us look back. We thought o a family that is no longer with us. We thought of past thanksgivings with family and friends.

Dorie Griggs & Stacy Carter at Matriculation Day 2017 The Citadel [Nikon D5, Sigma 35mm ƒ/1.4, ISO 7200, ƒ/4.5, 1/200]

This Saturday, my wife got a phone call from her friend Stacy Carter’s husband. Stacy had experienced a massive brain aneurysm followed by full cardiac arrest. She died later that night.

When we lose a loved one unexpectedly, this causes us to spend a lot of time reflecting.

Taylor, Chelle and Nelson [Nikon D5, Sigma 24-105mm ƒ/4, ISO 200, ƒ/4, 1/160]

I immediately thought of my children after thinking about Stacy’s two boys and her husband. I thought of how will my children do with me not here. I think about the future. What do I have to do later today, this week, and in the coming months?

I am at a lot more peace when I can look on my calendar and see enough work that I will be able to pay my bills for the next month or two. Freelancers are concerned about getting projects on the calendar to meet our obligations.

If there isn’t much on the calendar or nothing at all, I often panic. This is where I am thinking about what I can do to get some work.

I often take a few minutes to dream as well. What would I love to do in the future? Where would I love to go and see something new and adventurous?

I am often reflecting on my goals for life. At times I am adjusting to the circumstances to make plans that could potentially help me make those dreams a reality.

I think about the present. I take stock of where I am and my goals and then make my plans for the day, week, and even months ahead. This then has me active for the rest of my day.

I am writing emails, making phone calls, and working on ideas that need to be refined before I pitch them to my clients.

I also take some time to be thankful. Looking into my past, I can see the hardships I overcame to get where I am today. I also noticed that many people helped me along the way.

I am also reminded of how miraculous many of these people just came into my life at the right moment. I know these are what I call my “God Moments.” They cannot be explained any other way than there is something bigger than me at work in my life.

You will be enriched in every way so that you can be generous on every occasion, and through us your generosity will result in thanksgiving to God.

2 Corinthians 9:11

Tomorrow has become “Giving Tuesday” in our country. Giving Tuesday, often stylized as #GivingTuesday for hashtag activism, refers to the Tuesday after U.S. Thanksgiving in the United States. It is a movement to create an international day of giving at the beginning of Christmas and the holiday. Giving Tuesday was started in 2012 by the 92nd Street Y and the United Nations Foundation as a response to commercialization and consumerism in the post-Thanksgiving season (Black Friday and Cyber Monday).

This past weekend my wife and I saw The Man Who Invented Christmas. It is a biographical story of Charles Dickens writing A Christmas Carol.

In A Christmas Carol, we see how Scrooge deals with the Past, Present, and Future.

After the book came out, it revived much of the nostalgia and tradition we associate with Christmas today. Every time this piece of literature is read or displayed on the silver screen, it reminds us of a vision of Christmas that has little to do with displays of wealth and instead focuses on loved ones and the joy of an act of charity.

There are numerous accounts, from its publication through today, of people becoming exceptionally generous as a direct result of reading the story.

Take time today to look at your past, present, and future. I hope you, like Scrooge, can see that you can choose redemption as he did.

“No one is useless in this world who lightens the burdens of another.”

― Charles Dickens

The heart and mind are the true lens of the camera

Daddy Daughter Date Night at the Memphis Zoo [Nikon D5, Nikkor 14-24mm ƒ/2.8, ISO 3200, ƒ/4, 1/15 – Godox V860IIN + Godox X1NT]

“Photography is not like painting,” Henry Cartier-Bresson told the Washington Post in 1957. “There is a creative fraction of a second when taking a picture. Your eye must see a composition or an expression that life offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative,” he said. “Oop! The Moment! Once you miss it, it is gone forever.”

Capturing emotions requires you to feel the mood of the moment. I love this photo of the Chick-fil-A Cows with the daddy and daughter posing for me, while on the left, a dad is taking a selfie of himself and his daughter in front of the Ferris wheel.

When people pull out those phones and take selfies, I notice they are having a great time. They are also working hard to express themselves to match how they feel inside about the whole experience.

Some of the dads and daughters took in ice skating. It was a great Chick-fil-A Daddy Daughter Date Night held at the Memphis Zoo on November 16, 2017. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 8000, ƒ/9, 1/160 – Godox V860IIN + Godox X1NT]

Seeing the joy on both dad and daughter as they skate together was great. But I love it even more when there is a little more interaction between people.

Chick-fil-A Daddy Daughter Date Night was held at the Memphis Zoo on November 16, 2017. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 8000, ƒ/9, 1/160 – Godox V860IIN + Godox X1NT]

When the girl looks up at her dad, you can tell she thinks the world of dad. You can tell she is cherishing this moment.

Chick-fil-A Daddy Daughter Date Night was held at the Memphis Zoo on November 16, 2017. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 8000, ƒ/6.3, 1/6 – Godox V860IIN + Godox X1NT]

I also saw dads looking at how much fun their daughters were having.

“Men are motivated when they feel needed while women are motivated when they feel cherished.”

― John Gray, Men Are from Mars, Women Are from Venus
This little girl was so proud of the corsage her dad had gotten for her to wear at the Chick-fil-A Daddy Daughter Date Night held at the Memphis Zoo on November 16, 2017. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 5000, ƒ/4, 1/200 – Godox V860IIN]

The little things that dads did for their daughters that night touched me so much. One of the dads had bought a corsage for his daughter to wear. She was so proud of this gesture from her dad. He is setting the standard pretty high for the way she needs to be treated in the future.

Chick-fil-A Daddy Daughter Date Night was held at the Memphis Zoo on November 16, 2017. [Nikon D5, Nikkor 14-24mm ƒ/2.8, ISO 3200, ƒ/2.8, 1/25 – Godox V860IIN]

Since I have covered Daddy Daughter Date Night since the 2nd one ever held at a Chick-fil-A in Olathe, Kansas, I was pretty much aware of many of the emotions I would experience, just like I know what plays a football team will call after covering them all season.

I was looking for moments when there was a genuine emotional connection between dads and daughters.

Chick-fil-A Daddy Daughter Date Night was held at the Memphis Zoo on November 16, 2017. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 6400, ƒ/4, 1/200 – Godox V860IIN]

Chick-fil-A helped make the moments possible with Cows, Princesses, Ferris Wheel, Carousel, Music with DJ, and so much more.

I couldn’t just snap a photo because I saw and dad and a daughter. I had to wait for the moment between the two of them to start to happen. I had to anticipate those moments.

If you want better inspirational photos, you must start with feeling those moments and then be able to anticipate them to capture them.

“Look and think before opening the shutter. The heart and mind are the true lens of the camera.”

— Yousuf Karsh