Photo Above Data [NIKON Z 6, Sigma 24.0-105.0 mm f/4.0 ART, ISO 16000, ƒ/6.3, 1/200, Focal Length = 95]
I have owned the Fuji X-E series cameras a few years. I love them. Then I bought the Nikon Z6 to be able to shoot mirrorless with some of my Nikon glass.
I think the Fuji X-E3 compares pretty good to the Nikon Z6. I like that the Fuji X-E3 when you are close to someone will not only find their face but their eyes as well.
Now the Nikon Z6 camera automatically detects the subject and selects the focus area. At default settings, the camera gives priority to portrait subjects; if a portrait subject is detected, the selected subject will be indicated by a yellow border (if multiple faces are detected, you can choose your subject using the multi selector).
Just so I could get some photos to use from the service I left the 55-200mm on the Fuji X-E3 and the 24-105mm on the Nikon Z6.
No question that the larger full-frame sensor on the Nikon Z6 had less noise. However I was pretty happy with the noise on the Fuji X-E3 as well.
I think that the dynamic range is better with the Nikon Z6. You can see some of that comparison here.
I love the smaller size and weight of the Fuji system. I think the quality is excellent.
I do think that the quality of the images and higher ISO is definitely in favor of the Nikon Z6.
While in college majoring in social work I discovered the power of photography. Specifically, I discovered that photojournalism did the best job I could find in educating people about the world around them.
Before graduating with my degree in social work I had to do an internship in the field. I found an internship working at the mental health center in Kinston, NC.
When counseling a person, I would “peel the onion” as we would say to move from the symptoms to the cause for a problem in a person’s life. Most of the time when someone was suffering it takes them longer to see the root cause of their problem.
While I was in college I was also taking photos for the school newspaper. I saw quickly how a photograph helped “peel the onion” for a community. Mirroring is a therapeutic technique where you repeat back to a client, usually in your own words but sometimes word for word, the idea that has just been expressed. It can literally be as simple as: Client: “I felt hurt and confused.”
I discovered that a photograph was even more powerful than the mirroring technique.
I just finished grading the students in Introduction to Photojournalism Grady College of Journalism & Mass Communication at the University of Georgia.
More than half of the two classes I taught had never owned a camera other than the one on their phone. I was teaching them the mechanics of photography and also how to tell stories as a photojournalist.
What I discovered is the one skill that they needed more than how to use their camera was how to “peel the onion” of the subject.
The photojournalists that consistently tell powerful stories are the ones who spend more time getting to know their subjects.
I would love to help you if you don’t know how to “peel the onion” of a story. In January I am going to Lima, Peru with a few other instructors who have the same calling to help 10 workshop participants to become storytellers using their cameras.
Each person will work with a person to tell their story. While working on the story they will have one-on-one time with the instructors to coach them each day through the process. By the end of a week they will show to the community a short 3 to 5-minute video that has the subject telling their own story.
I will do this again in March in Trinidad and then this coming summer we will bring the team together again and go to Bucharest, Romania. Maybe you want to join us.
Go here to sign up for our trip. You can also contact me for one-on-one classes or we can put together a workshop for your organization.
The order of worship in churches is based on the only full worship service we have recorded in scripture which is Isaiah 6:1-8.
When we start the service the first thing that happens is acknowledging we have come into the presence of God. This is similar to how you start a story and introduce characters.
When we meet God in this moment it will cause us to be reminded of our sin, which is also similar to a story needing crisis/tension. This is where in worship we acknowledge there is nothing we can do and only God’s grace is able to save us. But first we must confess.
This dialogue continues between man and God in worship where after we confess and God has forgiven us, then God is asking who will go. This is like in the storyline where the mentor is outlining to the main character what they need to do to overcome their crisis.
Often this is where the homily/sermon is given that gives us more insights on how to live our lives. This is the direction given to all main subjects in a story that then they go and then live out those instructions.
Here is the scripture that both Christians and Jews use to create their order of worship.
REVELATION– verse 1: “In the year that King Uzziah died I saw the Lord sitting upon a throne, high and lifted up; and the train of his robe filled the temple.
ADORATION– verse 3: “And one called to another and said: ‘Holy, holy, holy is the LORD of hosts; the whole earth is full of his glory!'”
CONFESSION– verse 5: “Then I said, ‘Woe is me, for I am ruined! Because I am a man of unclean lips, And I live among a people of unclean lips; For my eyes have seen the King, the LORD of hosts.'”
EXPIATION– verse 6-7: “Then one of the seraphim flew to me, having in his hand a burning coal that he had taken with tongs from the altar. And he touched my mouth and said: ‘Behold, this has touched your lips; your guilt is taken away, and your sin atoned for.'”
PROCLAMATION– verse 8a: “And I heard the voice of the Lord saying, ‘Whom shall I send, and who will go for us?'”
DEDICATION– verse 8b: “Then I said, ‘Here am I! Send me.'”
SUPPLICATION– verse 11: “Then I said, ‘How long, O Lord?'”
COMMISSION– verse 9: “And he said, ‘Go, and say to this people…'”
If you look at this order and then compare it to the Narrative Storyline you will see they have a lot in common.
PLOT – a series of incidents that are related to one another, what happens in a story, includes 5 stages (exposition, rising action, climax, falling action, and resolution)
EXPOSITION – usually in the beginning of a story, where the characters, setting, and conflict (problem) are introduced
RISING ACTION – the part of the story where the conflict(s) develop, in which the suspense and interest builds
CLIMAX – the turning point or most exciting moment of a story, in which the main character comes face to face with the main conflict and a change happens
FALLING ACTION – all the loose ends of the plot are tied up, the conflict and climax are taken care of in this part of the story, and the suspense is eased
RESOLUTION – where the story comes to a reasonable ending and the outcome is resolved
Here is how I see these lining up
All the stories in scripture have flawed characters who either turn to God for help and are obedient to those directions or they refuse to be obedient. Now many of those stories involve a series of times where well intentioned characters continue to come back to God and ask for forgiveness for not being obedient.
I believe the reason this format is used in worship is that it forces us to process our faith in story form. It continues to remind us that like all characters in a story that we live in crisis that we cannot solve on our own. We need help. In the stories of Hollywood you need THE FORCE in the Star Wars movies to take on your enemies. You go to someone like Yoda to be trained.
In the Disney stories like Cinderella she needed a Fairy God Mother to help her.
We are moved by stories because we can relate. While the problems are different, they are problems that the main character, like us, cannot solve alone.
The other cool thing about worship services as it relates to storytelling is that it has a soundtrack. The music in worship services helps to set the tone for stories to be told and as we resonate with those stories we are reminded of the story we are living.
We have been fighting the wrong fight for copyright registration. That is my opinion.
For most of my career we have told everyone that when you click your shutter you own your copyright. If you are on the payroll of a company they own that photo unless there is some written agreement giving you the copyright.
We know that is where the work-for-hire agreement came from when dealing with usage rights and copyright.
While the ownership of the copyright hasn’t been up for debate other than the who owns it based on who is paying for the creation the issue has been about the courts.
I was informed that you needed to register your copyright with copyright office to be able to collect legal fees. Those are all the fees that you can be awarded if you win a case. The judge reviews all the legal fees and does a separate ruling on how much the other side must pay for you taking this to court.
I learned early on that the going rate for copyright infringement cases was about $100,000 and took at least a year or more in the courts.
For the past 30 years ASMP and NPPA that I am a member, have spent lots of money lobbying congress to protect that process of registration.
I believe there is a better solution today. Do away with copyright registration. Get congress to change the law that if you can show copyright infringement then you can collect legal fees.
As far as the proving your images are yours there is Blockchain technology already on the market.
The idea of a blockchain — protecting data through a large network of computers — and applies the concept to managing photo rights. It is an “encrypted digital ledger of rights ownership for photographers.” Photographers can add new images as well as archive images to the system. Because of the blockchain structure, the data is stored on a large network of computers that helps create a public ledger, adds a layer of protection, and prevents data loss.
There are centralized and decentralized solutions right now available for Blockchain.
The point I make is that the current registration of your images with copyright office is out of date. With blockchain these servers can also police the web and find anyone using your images without rights.
Because Blockchain works so well with the digital photograph it will let you sell and track any usage of your images and keeps them from being used illegally since it codes images and makes them no longer easily copied and shared.
Blockchain can help us not just prove we shot an image it serves as an agency and collector.
We need to change the copyright laws and not continue to use a system that is outdated and not serving the artist community well at all.
Robin Rayne says, “Make your emotion work for you and not against you, remember, God gave you tears.”
Robin spends most of her time photographing today in the disabilities community. She is a photojournalist and documentary producer for the University of Georgia’s Institute on Human Development and Disability. Her compelling images illustrating human rights, disability and gender diversity issues are distributed internationally by Zuma Press.
When I was traveling and could not photograph my daughter’s senior prom Robin helped out for our family getting the photos of the important event in our family.
I can always count on Robin to capture those moments. The minute I knew I was away for that all too important Prom I called Robin.
Robin sees moments and captures the emotions we feel. When asked how she does it with such emotional moments she says, “I am thankful for auto focus when covering some stories, because of all the tears.”
Great photojournalists embrace their emotions.
“Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures.” – Don McCullin
After Robin spoke this past weekend at the Atlanta Photojournalism Seminar she commented that after talking with people about their portfolios she was always asking why for the photos.
Why does this story need to be told? Why should the public care?
What is surprising to myself and Robin is how when you ask this question so many have a deer in the headlights look on their face.
Though it may be interesting or even entertaining, the foremost value of news is as a utility to empower the informed. The purpose of journalism is thus to provide citizens with the information they need to make the best possible decisions about their lives, their communities, their societies, and their governments.
Robin is a photojournalist and not just a photographer. Robin is not interested in just entertaining the public, she is interested in informing the public. She is most concerned in telling the stories of people who cannot tell their own stories.
Robin is the voice for the voiceless who is also calling others to take up the call of photojournalism. She knows she alone cannot tell all the stories needing to be told.
When I asked Robin to speak to my Intro to Photojournalism class at Grady College of Journalism & Mass Communication she challenged the class.
If we want to feel an undying passion for our work, if we want to feel we are contributing to something bigger than ourselves, we all need to know our WHY.
Robin explained how her why probably came about having a son with disabilities.
You have to find your niche. The combination of your WHY and HOWs is as exclusively yours as your fingerprint.
Every once in a while I am reviewing images I have taken to see if I can update my website. I have found that when you are just pulling from assignment work I have less “Portfolio” images.
What do I want to put on my website?
Often I shoot things that are just important to me. They are really photos you would put in your personal journal.
People are not always hiring photographers to document everything, but I see the value for if for no one else for me. I love to look back and remember the things I have done and seen.
For example I was able to take a helicopter ride this year over the Kilauea volcano on the Big Island of Hawaii. This is so different than what I shoot most of the time.
I do a good number of head shots each year like these actors studying at Columbus State University.
As every parent I love doing things with our children. Here making my daughter’s head shot for her to use in her career as an actress brings me great joy.
While this isn’t a soccer game photo, I do find myself making interesting sports photos. So who will hire you to shoot this? Should this be on my website?
How about a group photo? Well many people do hire me to do team photos of their co-workers and yes sports teams as well.
Clients also hire me to photograph new things their company is doing. For example Chick-fil-A started using canopies to help protect their team members that help speed up the drive thru by being outside taking orders.
Do you put things into your website that are more of a trend? For example many offices are renovating to the open office space design.
The biggest issue now facing corporate America is the lack of employees. The industry refers to this as attracting talent.
Companies are also trying to be sure they communicate their culture.
So this year I captured some fun things as well for clients. Do they belong in a portfolio?
While fireworks are fun to see would anyone hire me to shoot any for them?
I got a lot of likes for this photo on my Instagram account, but does this go into my website to help me get jobs?
I took an afternoon to go and explore the Old Car City in White, GA this year. I got some really cool shots. Again many people liked them on Instagram, so does this mean they go into my website portfolio?
I can see companies hiring me to shoot photos of their properties. They do want to remind people how to find them.
Now speakers at podiums lit by stage lighting are not that difficult to do, but should they be part of my portfolio? Can people figure out that if I can do one type of photography that those skills often transfer to something else?
I find that people are often more interested in the photos themselves and if I have enough compelling images I might get a call to shoot their event.
So how many images is enough? How many images of events should I post?
What will draw people to my website?
I can tell you this is the thoughts of not just me, but every photographer working today in this profession.
What do you think? Do any of these photos need to be on my website as part of my portfolio? Should some never be in my portfolio?
While covering the Transgender Parade, which is part of Atlanta Pride events, I watched as the people in the parade were reacting to each other like a family reunion.
I found everyone that I talked to very open. I was needing to get their information for writing captions for the photos I was taking.
Emily Graven, a UGA Photojournalism student, was shadowing me for the day. We met up with Robin Rayne who has been covering this event for many years to get some tips.
In looking for stories we spend time talking with people. When we have done a good job of building relationships with people they will come out of their shell.
What I find very important in being a good photojournalist is be present with people. This means you listen, laying down our defensiveness and agendas, and offering up empathy instead.
The most courageous thing we can do is listen. The bravest thing we can do is to stand with them.
I had learned about the concept of the ministry of presence through some pastoral counseling sessions and a great deal more when my wife was a chaplain at the VA hospital.
The ministry of presence is a way of “being” rather than of “doing” or “telling”.
My undergraduate degree was a B.S. in social work. It was this training that helped me be a better photojournalist. That coupled with my pastoral classes in seminary taught me how to prepare to be with others that are suffering is not to think about what to say or what to do. We are not anticipating how to react to certain situations that might develop.
We prepare by being present in the moment–The NOW.
To maintain objectivity in journalism, journalists should present the facts whether or not they like or agree with those facts. Objective reporting is meant to portray issues and events in a neutral and unbiased manner, regardless of the writers opinion or personal beliefs.
Now when I show up anywhere I am bringing all of me to that place. One of the greatest things to change my life has been my faith. When I read my bible I do not use it to condemn others, I use it to help change me. Through the years the scriptures have challenged me in ways that has helped me be a much better journalist.
Matthew 1:23 23 “The virgin will conceive and give birth to a son, and they will call him Immanuel” (which means “God with us”).
When telling the story of Jesus the Bible talks about the birth of Christ and him being called Immanuel. In most of the Bibles I have they have in parenthesis what Immanuel means. “God with us.”
John 13:35 “By this everyone will know that you are my disciples, if you love one another.”
The scripture points out that we are to be like Christ to others. We are to “be” with others.
As journalists we too need to learn to just “be” with others. This is where you are there to listen. You ask them questions to understand them. You ask for their stories.
I don’t want to hear, “If Truth be told.” This means they feel somewhat uncomfortable.
I mention that because many people feel they must be guarded. They don’t believe people will believe them and use their words against them.
My mentor Howard Chapnick wrote a book that the title alone says what the power of photojournalism is all about–Truth Needs No Ally.
TRUTH is the rock foundation of every great character. It is loyalty to the right as we see it; it is courageous living of our lives in harmony with our ideals; it is always—power.
I challenge you to learn to just “be” with others today. Learn to listen. One of the hardest parts of doing this correctly is not letting someone’s comment have you thinking about a reply. Truth comes when we really listen with the intent to understand.
He is a photographer, writer, and filmmaker, was born in Dorchester, Massachusetts in 1944. After graduating from Northeastern University with a degree in English, he studied photography with Minor White. In 1968, he joined VISTA, Volunteers in Service to America, a government program established as an arm of the so-called” War on Poverty.” Following a year and a half in eastern Arkansas, Richards helped found a social service organization and a community newspaper, Many Voices, which reported on black political action as well as the Ku Klux Klan. Photographs he made during these four years were published in his first monograph, Few Comforts or Surprises: The Arkansas Delta.
Because impacting lives matters, Gary helps organizations tell their stories visually. He has covered humanitarian stories in more than 70 countries around the world, helping groups create awareness, express their vision and build their community. You can trust him to bring an honest, photojournalistic approach to your commercial, corporate, editorial, or non-profit assignments.
The son of a Swedish immigrant, William Albert Allard studied at the Minneapolis School of Fine Arts and the University of Minnesota with the hope of becoming a writer. Transferring to the University of Minnesota after only a year, he enrolled in the journalism program. He graduated in 1964 with a double major in journalism and photography…
Looking for work in the field of photojournalism, Allard met Robert Gilka, then National Geographic’s director of photography, while in Washington, D.C., and was offered an internship. His most notable work as an intern included his photographs of the Amish for an article entitled “Amish Folk: Plainest of Pennsylvania’s Plain People,”(published in August 1965). It is said to be regarded as landmark in the photographic evolution of National Geographic. His work led to a full-time position with the magazine.
Randy’s 30+ National Geographic projects have taken him to almost every continent. National Geographic Society published a book of his work in 2011 in their Masters of Photography series. Olson was the Magazine Photographer of the Year in the 2003 Pictures of the Year International (POYi) competition, and was also awarded POYi’s Newspaper Photographer of the Year in 1991—one of only two photographers to win in both media in the largest photojournalism contest operating continuously since World War II.
An American photojournalist, Lynsey, takes us to through the raw nooks and corners of the world with her photographs, building a visually pleasureful experience for us to witness the world through her eyes.
Documenting the on-going mayhem at Syria, Kashi a photojournalist, filmmaker and lecturer through his Instagram is portraying the world of Syrian refugees, oozing of emotions and getting us up, close, and personal with their misery amongst the others.
Peter Turnley is renown for his photography of the realities of the human condition. His photographs have been featured on the cover of Newsweek 43 times and are published frequently in the world’s most prestigious publications. He has worked in over 90 countries and has witnessed most major stories of international geo-political and historic significance in the last thirty years. His photographs draw attention to the plight of those who suffer great hardships or injustice. He also affirms with his vision the many aspects of life that are beautiful, poetic, just, and inspirational.
Born in San Francisco, David Alan Harvey was raised in Virginia. He discovered photography at the age of 11. Harvey purchased a used Leica with savings from his newspaper route and began photographing his family and neighborhood in 1956.
If you are like most photographers we like to question why people/company who know us will hire someone else to do a photography job. When I get together with other photographers you can feel the disappointment when they have their clients hiring someone other than them these days for some jobs if not all the jobs.
Everyone feels like at some point you have earned the right, but this isn’t really true.
We need to remind ourselves what a privilege it is to do any work.
A privilege is a special advantage not enjoyed by everyone. If you’re very snooty, you probably don’t allow just anyone the privilege of being your friend. Privilege comes from Latin privilegium, meaning a law for just one person, and means a benefit enjoyed by an individual or group beyond what’s available to others.
Once you have accepted the fact that you are asked to do a job the better you will be in executing it for the client.
I must remind myself I am a service for my clients and they have many other choices they can make. What this does in my head is make me realize I am there to win them over every time I do something for them.
Be a friend you’d want to have. … Make them feel good. … Find the good in them. … Put in the work to keep the friendship. … Don’t badmouth others or gossip excessively. … Don’t take it personally if not everyone wants to be friends.
The very hardest thing in that list of things we have all heard is that last one that everyone doesn’t want to be your friend.
Intellectually I understand that I am just not going to be good friends with everyone.
We have all seen the overlapping of circles that show the intersections of interests between groups and people. If the other photographer has more overlapping interests with the client than you then it is easier to accept that you lost a job due to the other person having something more in common with the client.
What you need to keep the competition away is barriers. Now if for example your specialty in photography is underwater photography you have cut your competition down by just creating a barrier.
Your competition needs to be an expert diver, buy special camera gear and market to your clients to even compete with you.
Well today there are many more people than 20 years ago that are competing in that space. This is true for extreme sports photographers. Once TV started covering these sports there has been a spike in the participation. Basically twenty-five years ago there were a handful of rock climbing photographers and today there are hundreds, if not thousands competing with each other.
There’s a brutal truth in life that some people refuse to accept–you have no control over many of the things that happen in life.
Recognize that sometimes, all you can control is your effort and your attitude. When you put your energy into the things you can control, you’ll be much more effective. Work on your portfolio and marketing materials.
To have the most influence, focus on changing your behavior. Be a good role model and set healthy boundaries for yourself.
You might be thinking, “I can’t allow my business to fail,” you don’t take the time to ask yourself, “What would I do if my business failed?” Acknowledging that you can handle the worst case scenario can help you put your energy into more productive exercises. Basically you may need a “Plan B”.
If you are actively solving a problem, such as trying to find ways to increase your chances of success, keep working on solutions. If however, you’re wasting your time deliberating, change to a new thought. Acknowledge that your thoughts aren’t productive and get up and go do something for a few minutes to get your brain focused on something more productive.
Your lifestyle can be adding undue stress. Exercising, eating healthy, and getting plenty of sleep are just a few key things you need to do to take care of yourself.
The hardest part of living life with these issues is getting a healthy perspective. I recommend the Serenity Prayer by Reinhold Niebuhr:
God, grant me the serenity to accept the things I cannot change, Courage to change the things I can, And wisdom to know the difference.
Talking with friends and asking them to be honest with you can help as well. Don’t just complain, seek to understand what you can do and what you have no control over.
There is a reason Amazing Grace is sung so much around the world. Take those words to heart.
Amazing Grace, How sweet the sound
That saved a wretch like me
I once was lost, but now am found
T’was blind but now I see
T’was Grace that taught my heart to fear
And Grace, my fears relieved
How precious did that grace appear
The hour I first believed
Through many dangers, toils and snares
We have already come.
T’was grace that brought us safe thus far
And grace will lead us home,
And grace will lead us home
Amazing grace, How Sweet the sound
That saved a wretch like me
I once was lost but now am found
T’was blind but now I see
Was blind, but now I see.