Marketing is no longer about the stuff you make!

My good friend James Dockery has an incredible gift for storytelling, and this moment captures him fully engaged with kids in Kosovo during one of our workshops. Watching him connect with these young ones through stories was inspiring and a true testament to the power of storytelling to bridge cultures.

I like to think of still photography as capturing the emotional moments of a story. These moments, however, need an excellent storyteller to help weave them into a compelling story with text/words.

Photographers must remember it isn’t just about the moments that will get them hired. In other words, just having images will lack the essential part of getting jobs.

For photographers, successful marketing is about the photos we take and the stories we tell to help seal the deal.

This is excellent insight by John Steinbeck about a great story, “If a story is not about the hearer he [or she] will not listen . . . A great, lasting story is about everyone or will not last. The strange and foreign is not interesting–only the deeply personal and familiar.”

The Five Essential Elements Of A Story – Katie Kazoo says, “A story has five basic but important elements. These five components are the characters, the setting, the plot, the conflict, and the resolution. These essential elements keep the story running smoothly and allow the action to develop logically so the reader can follow.”

  1. Character—This needs to be developed so that we feel like we know this person. We can picture them and how they would dress, walk, and talk.
  2. The Setting—Great writers like Pat Conroy, who does such a great job of writing that if you had never been to Charleston, SC, you would recognize it from just reading some of his books.
  3. The Plot—This is how you sequence the events of a story to keep the reader on edge.
  4. The Conflict—This can be internal or external and often involves a little of both for the main character.
  5. The Resolution—offers a fitting conclusion, which can be a tragedy or a comedy.

This is an excellent example of creating a setting for the story by South Carolina’s famed writer Pat Conroy, as he describes Charleston in his 2009 novel, South of Broad: “I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. . . . In its shadows, you can find metalwork as delicate as lace . . . It’s not a high-kicking, glossy lipstick city.”

Citadel Summerall Guard James Harrell shares a special moment with my daughter Chelle Leary, letting her try on his Shako, complete with its striking feather plume. A proud and memorable moment captured!

Photography can help create these five parts of the story. It can show what is often challenging to tell without many words.

Honduran President Juan Orlando Hernández meets with President Jimmy Carter at The Carter Center, discussing initiatives to strengthen democracy, promote human rights, and foster peace in Central America.

I am looking for those moments where the expressions on people’s faces are what writers often spend pages trying to create using just the text. I usually see photos packing in even more information than the writer attempted.

When you go to see a movie that a writer’s book has been turned into, you will notice over and over where screenwriters, directors, and producers must include so much more in the frame of the lens that isn’t even described in that type of detail that the camera is giving to the audience.

A lovely memory from our Panama City vacation—my wife, Dorie, and our daughter, Chelle, enjoy a relaxed evening at a local restaurant. Family moments like these are what make the trip unforgettable!

Throughout my family vacation, I captured slices of memories that will be part of the stories we tell as a family in the years ahead.

When you look at the images that you captured this holiday, did you capture slices of the story?

Many will always say yes, but I want to challenge you. Take a moment and think about the story for your family this Christmas. Now, without thinking of your photos, can you tell the story? Then, after telling us the story, how many images do you have that will support this story?

You don’t start your storytelling by just clicking randomly. You start with the storyline in your mind.

“The purpose of a storyteller is not to tell you how to think, but to give you questions to think upon.”

– Brandon Sanderson

Marketing yourself with the story creates questions that cause the client to realize they don’t have answers and need help. That help is you!

This is the time of year for children

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 1250, ƒ/4.5, 1/100

This is the time of year we celebrate Jesus being born. This is the time of year we celebrate children.

At my church this Christmas eve, there is a unique service for families with small children that we enjoy attending each year.

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 2500, ƒ/4.8, 1/100

This little boy decided to join our minister in the chair beside her. The minister said as long as you sit, you can stay.

Well, that was a fun thing to watch unfold.

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 2000, ƒ/5.6, 1/100

I think the minister enjoyed the little boy as much as he liked being treated like an adult.

The more I travel, the more I see that children are much more welcomed into services worldwide than we do here.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art, ISO 4500, ƒ/4, 1/100

Here all the kids are so well behaved in Togo, West Africa. However, they walk around in the service to the mothers and families.

Children can bring you joy.

Nikon D5, Nikon 85mm ƒ/1.8G, ISO 4500, ƒ/4, 1/100

Take the time to enjoy moments and capture them to show others what you value and teach children what you love.

Photography has the power to help communicate our values when it comes to faith and capture those moments that shape your morals and deals for your family.

Don’t let anyone look down on you because you are young, but set an example for the believers in speech, in conduct, in love, in faith and in purity.

1 Timothy 4:12
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 1250, ƒ/5.6, 1/100

 Children are paying attention to all we do and how we act.

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 2500, ƒ/5.6, 1/100

Yet to all who did receive him, to those who believed in his name, he gave the right to become children of God.

John 1:12

A photograph is a great gift for Christmas – Here some ideas for you

Søren Kierkegaard was a Danish philosopher, theologian, poet, social critic, and religious author widely considered the first existentialist philosopher.

Kierkegaard sourly prophesied a banal fate for the newly popularized art of photography. “With the daguerreotype,” he observed, “everyone will be able to have their portrait taken—formerly it was only the prominent—and at the same time, everything is being done to make us all look the same, so we shall only need one portrait.”

As we get older, it becomes more and more difficult for people to buy presents for us. We go out and buy what we need, so what would someone give you, and what can you give others that they don’t already have this Christmas?

One of the best personal gifts people can give is a photograph. The reason for this is that photos have the power to keep all our precious moments alive. And giving the gift of an especially well-chosen image is a way to preserve a fond memory with someone you treasure.

The gift of a photograph today has many ways for presentation. One way many uses now is a greeting card. This photo, however, is typically an individual or family sharing one of their memories with their family and friends.

If you give a photo to an individual, the image of something you shared cannot just show your friendship with them but help remind them of a memory that the two of you share.

Besides giving a photo print, you can have a shot put on just about anything. Here is just a sample of the items you could put the photograph on for that special gift:

• Coffee cup
• Candy Tin
• Blanket
• T-Shirts
• Aprons
• Coasters
• Calendars
• Neck Tie
• Ornament
• Porcelain Plate
• Puzzle
• Digital Photo Frame
• Coffee Table Book

The photo book also shows you took the time to make their gift. It will help preserve those memories of a family trip you made or one with your friends.   If you have the time and enough variety of photos, the photo book is one of my favorite things to come along. You can produce an excellent coffee table book for your friend for as low as $20 for a 20-page softcover book.  

If you choose to make a book, my favorite book publisher is www.Blurb.com.  

Go online to www.MyPhotoPipe.com, where you can get prints, holiday cards, and have canvas prints made.

Have Merry Christmas and Happy New Year!

Tis The Season for Group Photos

This photo was taken at the mall near us, where you could get your picture with Santa. They created an experience where you can go on an adventure to see Santa with Po and his friends. Our son loves Po, so we wanted the photo with Po even more than our photo with Santa.

They had created great backgrounds and overall experience to put families with Santa.

The key to group photos is planning — and how big you plan to use the image can make a big difference in your planning. We don’t hang wristwatches on the wall because their faces are so small you cannot tell time with them. You could have a three-inch face clock in most family rooms and say the time. In a classroom, you might need a 10-inch face. The clock face size is a good rule of thumb for determining whether someone will be recognized in a wall print at an average viewing distance.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art, ISO 900, ƒ/8, 1/100

The more you show in a photograph other than people’s faces, the larger the photo needs to be to recognize the people because their face size will diminish. If your group photo is more for identification, getting everyone close together where you can see their faces should be the primary goal. Then you can run the image in a publication, and people can tell what everyone looks like.

Nikon D5, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 2000, ƒ/5.6, 1/200 – 2 Alienbees B1600 strobes in a balcony lighting the room

On the other hand, if your photo is more about creating a mood for a poster of, say, a hip-hop band, you will shoot much looser and space the people out and let their body language help establish the mood. For these concept/mood photos, I like to spread people out and put people at different heights (relative to their faces). I want to think in triangles. If you were to connect the dots (faces) between people, do they make triangles? Create depth by having some people closer to the camera and others further away. This will give it a more three-dimensional feel.

Nikon D5, Nikon 85mm ƒ/1.8G, 4 – Alienbees B1600, 4 – PocketWizard Plus, ISO 100, ƒ/5.6, 1/200

If you go to the music store and look at the CD covers of music groups, you can see some of the leading work done in the industry. Try copying some of these until you get the hang of it and can come up with your concepts.

If you pre-plan, have a good idea, and consider people’s sizes, you will move pretty quickly through the process. If you don’t, it goes slowly, and your photo may fall apart — because you will lose the attention and interest of the people in the image.

Nikon D4, 14-24mm ƒ/8, ISO 100, ƒ/8, 1/200, Off camera Alienbees B1600

In scouting locations in advance, you are not only choosing a site because of the scenery but also ensuring you are there at the best time of day for a group photo. Having the sun right behind the group isn’t the best technical photo. Sometimes, a location won’t work simply because the group isn’t available at the right time of day to make the photo.

I have found that you can make any group photo in 10 to 15 minutes if you have done your homework. You may get to the location earlier, but the people in the image should be able to be placed into position immediately — and then you are just looking for good expressions.

Nikon D5, Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art, ISO 100, ƒ/8, 1/125, Off camera Alienbees B1600

One last thing that can significantly impact the quality of your photo has a laptop computer or TV on location to view the images as you shoot. Virtually all digital cameras will plug into a TV and let you see the picture big enough to assess the minor details — enabling you to move people only inches and improve the final product.

Storytelling is the biggest form of entertainment

Nikon D5, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 6400, ƒ/5.6, 1/200

Entertainment is a form of activity that holds the attention and interest of an audience, or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience’s attention. Although people’s attention is held by different things, because individuals have different preferences in entertainment, most forms are recognizable and familiar. Storytelling, music, drama, dance, and different kinds of performance exist in all cultures, were supported in royal courts, developed into sophisticated forms and over time became available to all citizens. The process has been accelerated in modern times by an entertainment industry which records and sells entertainment products. –– Wikipedia

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/5.6, 1/45

During my time in London, we stopped by The Globe. The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare’s playing company. A modern reconstruction of the Globe, named “Shakespeare’s Globe,” opened in 1997, approximately 750 feet from the site of the original theatre.

I believe photography is one way to preserve these storytelling moments and enjoy them in a new medium, and share them with many more than live theater can do. While theater is quite entertaining, it is just one way for us to capture the imagination of people. Storytelling is a great way to take the brain hostage and substitute one’s vision for another people.

Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 3200, ƒ/5.6, 1/100

I love the theater for the same reason I love the movies and TV dramas; they all help me think beyond my imagination. After watching these stories, I often find my mind dreaming new dreams made possible by these art forms.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 160, ƒ/5.6, 1/100

To me, the one thing that is just as impactful if caught in such a way that it is a slice of a story is real life. I believe photojournalism is that medium of telling real-life stories.

Here is a slice of a wedding, the first chapter of the couple’s new life together.

Real moments make your photography better. Real moments are perfect for hijacking a person’s brain from their own dreaming stories to your storytelling.

Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 4000, ƒ/5.6, 1/100

Great lighting, excellent stage direction, and acting can capture an audience’s attention. But a soundtrack can make your story even more memorable if you want the audience to remember.

We all have had an earworm. An earworm, sometimes called a brainworm, sticky music, or stuck song syndrome is a catchy piece of music that continually repeats through a person’s mind after it no longer plays. Phrases used to describe an earworm include “musical imagery repetition,” “involuntary musical imagery,” and “stuck song syndrome.”

Also, music can help create mood as much as light does. Finally, music helps us remember storylines and just about anything.

Multimedia packages are where I combine still images, motion, and audio to tell a story.

I do this for companies. Here is just one example:

Storytelling is an art form. The artist is always looking for ways to capture the audience’s attention. So you are competing not just with other things demanding their attention but with their daydreaming.

Why I prefer Nikon D5 over Fuji X-E2

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 25600, ƒ/4, 1/100

First of all, before you jump too sure, a $6,500 camera should be better than a $1,500 camera. It is more about the features than the prices. 

You will not hear that I love it because it weighs so much. One of the reasons I own the Fuji X-E2 system is because it is light. Spending a week in London walking everywhere would have been a pain carrying my Nikon gear.

The bride and groom asked me to take a photo with the groom’s grandmother. Unfortunately, there wasn’t a shot list, so I had to prepare for every situation. Ready for any case is why the Nikon D5 is the go-to camera for almost all my client jobs. I quickly got a custom white balance and then clicked the photo at ISO 25600. The lens was wide open, and I was shooting at 1/100. The lens has image stabilization as well.

To do this with the Fuji with available light would have me shooting at ISO 6400 and 1/25. I wouldn’t say I like slow shutter speeds with people when I prefer a sharp photo.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 22800, ƒ/4, 1/100

As a family friend, I was also at the rehearsal, and thank goodness. I was then utterly aware of how dark the church would be for the wedding.

When they mentioned that they wanted to have everyone in attendance in a group photo, I wanted to be sure you could see everyone clearly, so I just used strobes for that photo.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 1000, ƒ/5.6, 1/200–[2] Alienbees B1600 triggered with the PocketWizard TT1, TT5 system.

Another thing is that the Nikon flash system is far superior to the Fuji. I used fill flash for some photos of the bride and groom outside due to the overcast.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/5.6, 1/200–Nikon SB-900 TTL

Today I believe it is challenging to find the one camera system that does it all, but my Nikon D5 is that camera for me, and if it were light as my Fuji X-E2, then I would work only on it for all my work. However, for those times I need a camera but don’t want to lug my Nikons, I use the Fuji.

More photos from London with the Fuji X-E2

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 400, ƒ/4, 1/400

We have been having lots of fun in England this week. Morning full English breakfast at The Orangery at Kensington Palace. My daughter enjoyed her tea.

I am just going to add photos here from the last couple of days that I was able to capture with my Fuji X-E2. I use only 18-55mm and the 55-200mm lenses.

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 400, ƒ/7.1, 1/120
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 800, ƒ/9, 1/100
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 200, ƒ/4, 1/100
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 250, ƒ/4, 1/100
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 1600, ƒ/11, 1/100
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 1000, ƒ/11, 1/100
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 400, ƒ/5, 1/350
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 200, ƒ/4.7, 1/180
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 400, ƒ/5, 1/600
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 200, ƒ/5.6, 1/120
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 400, ƒ/5.6, 1/240
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 5000, ƒ/2.8, 1/100
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 400, ƒ/2.8, 1/350
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 200, ƒ/3.6, 1/680
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 400, ƒ/3.8, 1/950
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 400, ƒ/4.8, 1/300
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 400, ƒ/4.7, 1/120
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 400, ƒ/2.8, 1/1100
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 400, ƒ/3.2, 1/640
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 400, ƒ/3.6, 1/3800
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 200, ƒ/3.6, 1/750
Fujifilm X-E2, FUJINON XF 55-200mm, ISO 200, ƒ/4.8, 1/120
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 400, ƒ/2.8, 1/300
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/5.6, 1/45
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/5.6, 1/90
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 1600, ƒ/5.6, 1/100
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 2000, ƒ/5.6, 1/100
Fujifilm X-E2, FUJINON XF 18-55mm, ISO 4000, ƒ/5.6, 1/100

Harry Potter Warner Brothers Studio Tour London with Fuji X-E2

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/4.5, 1/100

Too look like my wife and daughter are going through Platform 9 3/4 at Kings Crossing train station a person holds the scarf and then lets go. I decided this would be a great time to use my motor drive setting on the Fuji X-E2. I put it on high so I would have more photos to choose from.

I doubt I will make it back here in my lifetime to repeat this again, so better be sure I get it the first time. Again my gear would do the job, but I had to make some adjustments to get the most out of it.

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/4, 1/60

I wanted to capture these deatheater masks used in the making of Harry Potter that were in a glass case. I moved until I got the angle where there wasn’t a glare and then just zoomed in with my 18-55mm to get a fairly close shot of the masks. They made over a thousand of these for the movie.

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 5000, ƒ/3.2, 1/100

I love the pop up flash on the Fuji X-E2 when it comes to situations like this. Just look at the lady in the backgrounds eyes. You can see the shadows from the lighting. I just popped up the flash and shot with it to help open up the eyes of my wife and daughter in front of the Hogwarts Train used for the 10 years of making of the 8 Harry Potter films.

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/3.2, 1/70

Even this far away the flash helped since I was shooting at ISO 6400. I have it set for slow sync on aperture priority so the flash is just helping with the exposure.  By the way this is the second 4 Privet Drive house used. It is a copy of the first one in movie one and used later in other sequels.

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/4, 1/45

I love that I am shooting RAW with the Fuji X-E2 and also JPEGs. This photo I later color corrected in Lightroom to get the skin tones closer to normal. However I am shooting under theatrical lighting where they are creating a night scene with blue lights.

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/4, 1/45

This is the original JPEG out of the camera.

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/3.2, 1/60

For such a small camera I was getting incredible results for my family to remember our time at the Warner Brothers Studio Tour in London for Harry Potter. Our family is all Potter Heads. We have all read all the books many times and own the movies on DVD.

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 5000, ƒ/5, 1/100

The last stop on the studio tour was a full size model of Hogwarts that they used for filming of the movies. They put a green screen around it and then just shot high resolution images and then often would used computer graphics to shrink down the actors to the scale of the model. They had touch screen monitors around the room for you to see how that all worked.

Let me tell you it was incredible to go onto all the sets they have preserved at the studio that were the actual sets used in the movies.

More sights of London with my Fuji X-E2

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 1250, ƒ/5.6, 1/100

I enjoyed seeing the sights in London. But unfortunately, some of the views were just reflections on the sidewalk of the Coke sign in Piccadilly Square in London.

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 400, ƒ/4.8, 1/100

There is so much to see in London, and there is not enough time for any tourist. So you pick your locations. For example, our family went to Buckingham Palace to watch the changing of the guard ceremony.

Finding one location to get good photos of every part of the ceremony is impossible. We got right next to the railing of the front gate. I had to shoot through the iron gates to get this photo.

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 800, ƒ/4.8, 1/100

I found the Fuji 55-200mm lens just great to use for this situation. Unfortunately, I was too far away for the 18-55mm, but I could have fun moments like this one of the London Bobby with tourists taking a selfie.

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 800, ƒ/4.8, 1/100

I just had to wait and watch to capture people in beautiful moments of expression. The people were more uncomplicated to do than catching the guard. They are very business-like throughout the event in their role.

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 640, ƒ/4.8, 1/100

In photography, to capture people’s attention, you need “surprises.” Most of the time, I find that expressions on people’s faces are the easiest to find. Different enough to be a “visual surprise,” like this guard wearing a turban rather than the tall bearskin hat that the rest of the guards wear—the only one with a beard makes this better photo.

Fujifilm X-E2, FUJINON XF 55-200mm, ISO 400, ƒ/3.5, 1/150

The most important thing for me the entire trip was that my wife and daughter were having fun. If they were enjoying everything, then I was OK with wherever we were in London.

We all love Harry Potter, and my wife has been a Downton Abbey fan for a while. So London was a perfect place for a vacation.

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/5.6, 1/70

This photo made me think of the “Night Bus” in Harry Potter. Maybe before Harry Potter, it would just be a double-decker bus in London, but the storyline of Harry Potter is part of my memory, and now these are the Night Bus in the series.

Technical Tip

Before I could concentrate on capturing the moments and moods of England, I had to understand my camera and make it do what I wanted, not just whatever it would create.

For all these photos, I used the ExpoDisc to create a Custom White Balance. Unfortunately, using presets or Auto White balance usually doesn’t yield good results. So here is how I do that in an older blog post.

For the most part, I think you can shoot much of travel photography with lenses between 28mm to 200mm. The FUJINON XF 18-55mm and FUJINON XF 55-200mm give me between 27mm to 300mm coverage. These two lenses was important to get those photos at Buckingham Palace.

Fujifilm X-E2, FUJINON XF 18-55mm, ISO 1600, ƒ/5.6, 1/100

You don’t have to get a camera with changeable lenses; you can buy cameras with built-in zooms that cover this range.

My last tip for your vacation travel and all photos is to write captions and keywords for the images. This way, you can find them later on when you need to. I use the software PhotoMechanic to do all my captions and keywording. Here is an earlier blog post to help you understand how this works. For those who prefer a video, I created a video showing this workflow.

After this trip, I will most likely create a coffee table book with Blurb, so I can enjoy this trip for years to come.

Celebrating Life Through A Funeral

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/8, 1/100

Today I was honored to be able to photograph the funeral of a firefighter who served our community for more than 45 years. Here is the official obituary.

Charles Edwin Booker of Roswell, Georgia, died Monday, October 31, 2016, in Hospice Atlanta Center.

Born in Roswell, Georgia, on July 19, 1946, to Emma Cobb and R.C. Booker, he was the youngest of five children. He attended Roswell High School and was a member of the Roswell Fire Department for 45 years. He loved his city, the fire dept., and became a State Certified Fire Safety Inspector, Arson Investigator, and Emergency Medical Technician. For 45 years, he was a dedicated firefighter and truly loved the people that served with him. He thoroughly enjoyed visiting with friends at the Roswell Hardware Store.

Charles is survived by his wife of 46 years, Elaine; his son, Mark; his wife, Melanie; and his sister Sarah Booker Barber. He also has many nieces, nephews, and great-nieces that he loved.

The visitation will be Thursday from 2-4 and 6-8 pm at the Roswell Funeral Home: 950 Mansell Road, Roswell, GA. The funeral will be Friday at 11 am at Roswell Presbyterian Church, 755 Mimosa Blvd, Roswell, GA.

Instead of flowers, the family requests that memorial donations go to Georgia Firefighters Burn Foundation.

Retired Deputy Chief Charles Booker Funeral Friday, November 4th, 2016. At Roswell Presbyterian Church, 755 Mimosa Boulevard, followed by a graveside service at Green Lawn Cemetery on Alpharetta Highway. [NIKON D5, 24.0-105.0 mm f/4.0, Mode = Aperture Priority, ISO 125, 1/100, ƒ/8, (35mm = 38)]

Funerals are, for the most part, a celebration for a family and community. We are celebrating as a group that bestows a sense of belonging, something crucial to human fulfillment. From birthdays to funerals, there is no end to celebrating who we are, where we came from, what we’ve done, what we worship, and even who or what we’ve lost.

Those who celebrate life by practicing an attitude of gratitude tend to be more creative, bounce back more quickly from adversity, have a more robust immune system, and have stronger social relationships than those who don’t practice gratitude. 

Is everything great in life? Of course not. However, those aware of their blessings tend to live healthier lives.

[NIKON D5, 24.0-105.0 mm f/4.0, Mode = Aperture Priority, ISO 100, 1/125, ƒ/10, (35mm = 24)]

One of the places our family does a lot of celebrating is in our house of worship. Besides the weddings, funerals, and baptisms that take place here throughout our lives, each and every week we celebrate our faith by living in a community where we share our lives together.

[NIKON D5, 24.0-105.0 mm f/4.0, Mode = Aperture Priority, ISO 360, 1/100, ƒ/11, (35mm = 24)]

We will one day have a service like Charles Booker had today. The party is a much bigger celebration of one’s life for those who live their lives in service to others.

I am not a firefighter saving our community. I do take pictures and love to tell stories. This is my offering today to not just our society and Charles Booker’s family, but ultimately for God, for whom I plan to spend all eternity after this life here on earth.

For none of us lives to himself, and none of us dies to himself. For if we live, we live to the Lord, and if we die, we die to the Lord. So then, whether we live or whether we die, we are the Lord’s. For to this end Christ died and lived again, that he might be Lord both of the dead and of the living. 

Romans 14:7-9

I propose a “My Town Thursday” rather than just a “Throw Back Thursday.”

In 1987 I drove up from Richmond, Virginia, to Rock Port, Maine, to attend a photography workshop. I was able to stop along the way and take some fun tourist photos of the country. This first photo is of Cape Elizabeth Lighthouse, Maine.

I was looking for this photo on my last trip to Bangor, Maine, last week. However, this was more than two hours away from Bangor, so I decided to go to Bar Harbor and take some photos there.

I was pleased with some of the photos but was still disappointed I couldn’t get a lighthouse.

In 1988 I decided to take another Northeast vacation and visited Cape Cod. Highland Lighthouse, located on Cape Cod, is one of 4 lighthouses on the outer cape. While I was in Hyannis, Massachusetts, part of Cape Cod, the closest lighthouse to me was on private property. I decided to try and capture some of the coastlines, so I shot this instead of the lighthouse.

Sometimes I think we get too locked into one visual icon representing an area of the world that we forget there is much more to see and capture.

Sometimes there are photos worth making just in your neighborhood, like this Kroger gas station near me.

Here is a bicycle race taking place about a mile from my house. My point is you don’t have to go far to capture exciting photos.

This was in my yard. While this is being posted on a Thursday, many people will post older photos for “Throw Back Thursday” why not take some time today and explore your city, neighborhood, or backyard?

Capturing Bangor Maine

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/13, 1/200

I shared earlier about doing travel photography and trying to capture a place and mood. Today I want to share my efforts here in our country’s Bangor, Maine area.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/9, 1/320

While Bangor is the biggest city in this area of Maine, people travel a great deal from Canada and go to the coast like Bar Harbor, which is only about 45 minutes away.

A person who lives in this part of Maine may be from a city nearby, but they all enjoy their state. They love to enjoy Maine’s oceans, parks, and other outdoor experiences.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/9, 1/500

The people of Maine love their water sports and fishing. The people of Maine also are very resilient. Mainers know one thing is always sure that winter is coming. They have a more pronounced Boston-like accent. It’s “Lobstah,” Not Lobster.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/4, 1/1250

Maine people are hearty people. Paul Bunyan is a giant lumberjack in American folklore. His exploits revolve around the tall tales of his superhuman labors. One of the statues of Paul Bunyan is in downtown Bangor, Maine. He exemplifies the ruggedness of the people of Maine.

Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/10, 15 sec

I will leave you with my last shot of the day. Remember when you travel to do the images that immediately come to mind and then look for some unique things to toss into your coverage.