Caption: Stanley Leary teaches studio lighting in the School of Photography in Kona, Hawaii. [photo by: Dennis Fahringer]

If you had told me years ago that I would be a professional communicator, I probably would have laughed—or panicked. Communication has never come easily, especially in social or visual contexts.

I identify as someone with Autism—specifically Asperger’s Syndrome, even though the term is no longer officially used. That means I don’t naturally read body language, facial expressions, or social subtext like most people do. I wasn’t born with the ability to understand what others are feeling or thinking instantly. And yet, here I am—teaching, creating, and helping others learn how to see and tell stories with light.

The path that led me here wasn’t paved with natural charisma or perfect social intuition. It was driven by something much more straightforward but far more powerful: curiosity.

Curiosity made me pick up a camera. It prompted me to ask, “What happens if I move the light this way?” or “Why does this image feel flat, and how can I make it more dynamic?” Curiosity allowed me to stay in the process long enough to improve, even when things felt uncomfortable or confusing.

As a photographer and visual storyteller, curiosity is more important than talent. Talent can help you start, but curiosity keeps you going. It asks better questions. It opens your eyes to details others overlook. It enables you to connect with your subject, not because you instantly understand them, but because you’re interested in understanding them.

I now teach studio and lighting in a missions training context, and one of the first things I tell my students is this: your success as a photographer doesn’t depend on how inspiring your teacher is. It depends on how curious you’re willing to be. That’s the truth.

You can learn lighting diagrams and camera settings from anyone. But developing an eye for story, a sense for timing, a heart that notices—those things grow when you stay curious, even when the work gets hard or the subject seems quiet.

Curiosity creates a breakthrough, makes space for wonder, and invites us to keep asking, keep seeking, and keep showing up with our eyes open.

So, if you’re starting in photography or feel like you’re hitting a creative wall, don’t look for a new trick. Start with a better question. Start with wonder. Let curiosity lead the way.

That’s where the real learning—and the real light—lives.

Caption: Straight from Tel Aviv to ATL, Israeli comedian Yohay Sponder brought the house down with his sharp, witty, and relatable humor! He was the headline act for Thursday Night Live, lighting up the stage for Federation’s Young Leadership Division (YLD) & AJC ACCESS Atlanta. An unforgettable night of laughs, community, and connection!

Not long ago, I got a call from fellow ASMP member Bob Mahoney. He was booked solid and had a client who needed coverage. Bob asked if I could help out, and of course, I said yes.

All my communication with the client made it clear: I was there to help because Bob was unavailable, not to poach or promote myself. I honored Bob’s pricing with them and ensured the job was seamless. Bob’s client got what they needed, and Bob had peace of mind knowing someone he trusted was taking care of things.

This kind of collaboration isn’t new to me. Over the years, I’ve helped other photographers when they’ve been overbooked or unavailable and called on others when I’ve needed the same.

This professional courtesy fosters strong relationships, helps satisfy clients, and enhances our industry when appropriately handled.

So if you’re a photographer who might need help, or you’re someone willing to help out, here’s a quick guide to the Dos and Don’ts of subbing or referring work:

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✅ To Do When Helping Out Another Photographer

1. Communicate Clearly With the Client
   • Let the client know you’re stepping in on behalf of the original photographer.
   • Make sure the expectations are consistent with the original agreement.
2. Honor Their Pricing
   • Respect the pricing and terms your colleague offered—this keeps trust strong.
3. Stay in Your Lane
   • Please refrain from using the job to market yourself to their client.
   • Keep branding and communication focused on supporting your colleague.
4. Follow Their Style (If Applicable)
   • Ask about any stylistic preferences the client expects based on past work.
5. Deliver Promptly and Professionally
   • Meet or exceed the standard your colleague would provide. It reflects on both of you.
6. Debrief
   • Follow up with the photographer you helped. Share how it went and any notes for the future.

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❌ What Not to Do

1. Don’t Undercut Pricing
   • Offering a lower rate than your colleague may win short-term jobs, but it breaks long-term trust.
2. Don’t Pitch Yourself to Their Client
   • It’s unethical and damages your reputation with other photographers.
3. Don’t Overpromise
   • Take only what you can truly handle. Helping out is good—burning out or underdelivering is not.
4. Don’t Skip Communication
   • Keep the client and the photographer informed before, during, and after the job.
5. Don’t Forget Copyright/Usage Agreements
   • Ensure you’re aligned with your colleague about who owns the work and how it can be used.

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Whether you’re helping someone or needing help, these principles ensure a positive experience for everyone, especially the client. Ultimately, it’s all about professionalism, integrity, and lifting one another in this industry.

I’m grateful to photographers like Bob Mahoney who trust me with their clients, and I’m always looking for ways to return the favor.

Have you ever helped or been helped by another photographer? I’d love to hear your stories.

Every time a camera company releases a new model, the internet goes crazy. The reviews start flooding in, YouTube thumbnails scream “GAME CHANGER,” and you can practically hear your credit card twitching in your wallet.

But here’s the thing: A new camera won’t automatically make you a better storyteller. The real question is—do you need to upgrade, or are you just caught up in the hype?

After decades behind the lens, I use the checklist before upgrading a camera. Whether you’re a working creative or a photo enthusiast, this will help you cut through the noise and make a decision that serves your goals.

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✅ 1. Does it solve a fundamental limitation you’re facing?

Are you struggling with low-light performance, slow autofocus, or video quality that doesn’t hold up? Maybe there are jobs you’ve passed on because your current gear can’t handle them. If a new camera removes a roadblock, it’s worth considering.

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✅ 2. Will it help you earn more or create more?

Will it open doors to new types of work? For me, a camera with stronger video specs or better hybrid features means I can say “yes” to more clients. If the upgrade expands your skillset or revenue streams, it’s not a luxury—it’s a business investment.

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✅ 3. Is this a big leap forward—or just a minor bump?

Not every upgrade is created equal. Sometimes it’s a subtle bump in resolution or frame rate, but other times it’s a complete game-changer, like vastly improved autofocus or dynamic range. Don’t get caught upgrading for something your clients won’t even notice.

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✅ 4. Are you entirely using your current gear?

This one stings a little. I’ve met photographers who chase the latest body but haven’t learned to master their current camera. If you’re not maxing out what you already have, upgrading won’t fix that. Sometimes, better storytelling techniques or lighting skills go further than a new sensor.

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✅ 5. Will your lenses and accessories still work?

If switching systems means buying all new lenses or adapters, that adds up fast. Make sure the upgrade fits into your existing gear ecosystem, or you’ll need to budget for a full transition.

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✅ 6. Is your current gear aging out?

It might be time if your camera shows wear and tear, freezing up, or you’ve outshot its shutter life. Plus, older gear drops in resale value over time. Sometimes the most brilliant financial move is selling before it’s worth pennies.

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✅ 7. Will this speed up your workflow?

I value gear that saves me time in the field and post. That might be dual card slots, GPS tagging, better battery life, or internal recording features that eliminate extra steps. If the new body helps you deliver faster and with fewer hiccups, that’s worth its weight.

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✅ 8. Are your needs changing?

If you’re doing more video, documentary, or travel work, maybe you need better codecs, in-body stabilization, or something lighter. Gear should match your direction, not just your wishlist.

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✅ 9. Can you justify the cost right now?

Ask yourself: Will this camera pay for itself in the next 6 to 12 months? That’s the business question. If the return on investment is higher than upgrading your lighting, lenses, or editing setup, go for it. But prioritize wisely.

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✅ 10. Be honest: Is it FOMO or a real need?

We’ve all been there—watching reviews at 2 a.m., feeling like our current camera is ancient. But that’s marketing doing its job. If the upgrade doesn’t serve your story, clients, or craft, it might be gear envy talking.

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Final Thoughts:

Gear matters—but only when it helps you tell better stories or serve your clients more effectively. That’s the heart of what I do, and why I don’t upgrade just because a new body hits the shelves.

Do you have a camera in mind and are unsure if it’s time to switch? Send me a message—I’m always happy to talk shop and help you make the decision.

The past few days have been a bit of a reality check, and if you’re freelancing or running your own business, you might relate.

I’ve been knee-deep catching up on bookkeeping. It’s the kind of task that’s easy to push aside when you’re focused on client work, editing projects, or traveling for assignments. But when you let it go too long, it’ll take a few solid days to get everything back in order. That’s precisely what I’ve been doing lately.

For my system, I use Quicken to help manage my books and FotoBiz to create and track invoices. Every American Express and bank account transaction must be appropriately categorized for tax purposes. It’s tedious but necessary.

And here’s one extra step: I scan every tax-related receipt, turn it into a PDF, and attach it directly to the transaction in Quicken. Why? Because if you’re ever audited—and I have been, three times—you’ll be incredibly thankful you kept a paper trail organized and ready to go.

Now here’s something I wish more folks talked about when starting their freelance journey:
Running your business takes time that doesn’t always appear on a client invoice.

According to the U.S. Small Business Administration and several time-tracking studies, solo business owners typically spend between 15% and 25% of their time on administrative tasks, such as bookkeeping, invoicing, categorizing expenses, and tax preparation. That’s 6 to 10 hours per week if you work a 40-hour.

If you’re starting, it’s easy to overlook this side of the work. But it’s just as important as delivering great client results.

My advice?
Set aside regular time—weekly if possible—to handle your books. It’s a lot easier to stay organized than to go back and clean up a mess. Trust me.

If you have questions about how I organize things or what I’ve learned from those audits, I’m happy to share. After all, part of my mission as a storyteller is helping others build strong foundations for the work they’re called to do.

This morning, I made a simple mistake in Quicken—one of those errors where you realize it just a second too late. I had to pull out the Time Machine backup, go back a few days, and restore the Quicken file. It worked, but I was drained afterward—way more than I expected. It was like the smallest thing completely zapped my energy.

If you’ve ever felt this way, you’re not alone. And you’re not broken.

Stress Doesn’t Always Announce Itself Loudly

Sometimes, stress doesn’t come from panic attacks or big emotional outbursts. It’s quieter. Subtler. It might show up like this:

• You feel exhausted after a basic task.
• You’re foggy-headed, but not sure why.
• You’re spending hours at the computer and still feel behind.
• You lose your patience faster, even with yourself.
• Your motivation feels buried under a fog of “meh.”

These can all be signs of burnout, especially when your regular rhythms are out of sync.

A big part of this was realizing how much I miss being out in the field—telling stories with my camera, not just behind a screen. I’ve spent years helping nonprofits and businesses craft their message visually, and when that rhythm slows down, it hits hard.

You’re Not the Only One

I’m learning — and maybe you are too — that this experience isn’t unique.

I talk to other creatives, nonprofit workers, small business owners… and there’s a theme: work has changed, pace has shifted, and many are left wondering, “Is it just me? Did I do something wrong?”

It’s not just you. These kinds of dry seasons can happen to anyone, and their weight adds up if we try to push through without processing them.

So What Can We Do About It?

Here are a few things I’ve been doing (and recommending) that help me move forward — slowly, intentionally, and with hope:

1. Check in with yourself like you would a friend

You’d never tell a tired friend, “Well, just try harder.” So give yourself the same grace. Ask:

• What do I need right now — rest, movement, connection?
• Am I operating out of fear or purpose?

2. Reconnect with people who already know your value

Instead of chasing new leads, I’ve started reaching out to past clients. Just checking in, reminding them I’m here, and seeing how they’re doing. These are the relationships where trust is already built.

3. Create small, clear offers

Sometimes people don’t hire you because they don’t know how to. I’ve been working on packaging things more clearly — story-driven videos, photo sessions, or even consulting. That way, it’s easy to say yes when someone is ready.

4. Share your own story

This post is part of me practicing what I preach. Vulnerability creates connection — sometimes, that opens the next door.

5. Rest isn’t optional — it’s fuel

Resting doesn’t mean you’re giving up. It means you’re smart enough to know you can’t run on empty. I’m learning this the hard way, but I’m learning it.

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If you’re in a season like this, I see you. And if you want to talk through ideas, get perspective, or just hear, “No, you’re not crazy,” — I’m around.

We’re all storytelling through seasons. This happens to be one of mine. Thanks for being part of the journey.

As a storyteller and brand builder, I’ve found that embedding GPS data and utilizing facial recognition in my photography workflow enhances my organization and adds immense value for my clients. These tools go beyond the basic EXIF data, providing deeper insights and context to each image.

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📍 The Power of GPS in Photography

With my Nikon Z9, GPS data is embedded directly into each photo. For my Nikon Z6, I sync GPS data using my smartphone, ensuring location information is captured even when the camera lacks built-in GPS. This geotagging is invaluable, especially when revisiting shoots or organizing large photo libraries. Camera Bits, Inc.+2forums.camerabits.com+2Camera Bits, Inc.+2

However, GPS signals can be unreliable indoors. I take a single photo outside the building to capture accurate GPS data to address this. Then, using Photo Mechanic, I apply this GPS information to all other images from the session:

1. Select all relevant images.
2. Right-click and choose “Set GPS Coordinates.”
3. Input the GPS data from the outdoor photo.
4. Click “Accept Location” and then “Apply to All.” forums.camerabits.com+3forums.camerabits.com+3Camera Bits, Inc.+3YouTube+8Camera Bits, Inc.+8forums.camerabits.com+8

This method ensures consistency across your photo set, even when GPS data isn’t available for every shot.

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🧑‍🤝‍🧑 Organizing with Face Recognition in Lightroom

Lightroom Classic’s facial recognition feature is a game-changer for organizing photos: Tutkit.com+7Adobe Help Center+7Adobe Help Center+7

1. In the Library module, switch to the People view by selecting View > People or pressing “O.”
2. Lightroom scans your catalog for faces, grouping similar ones.
3. Assign names to recognized faces, allowing Lightroom to tag them across your library. Honcho+3Adobe Help Center+3Tutkit.com+3SLR Lounge+3Honcho+3Lightroom Killer Tips+3

This system becomes more accurate over time, making locating photos of specific individuals easier, whether for personal memories or client projects.

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🔍 Enhanced Search Capabilities

Combining EXIF data, GPS information, and facial recognition allows for powerful search functionalities:

• EXIF Data: Search by camera settings like aperture, shutter speed, or ISO.
• GPS Data: Find photos taken at specific locations or within certain geographic areas.
• Facial Recognition: Quickly locate all images featuring a particular person.

This comprehensive metadata approach streamlines finding and organizing photos, saving time and enhancing efficiency. Camera Bits, Inc.

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🤝 Benefits for Clients

When working with clients, these tools offer additional advantages:

• Event Coverage: Clients can easily identify and access photos from specific events or locations.
• Personnel Tracking: Facial recognition helps catalog images of staff or participants, which is helpful for internal records or promotional materials.
• Customized Deliverables: Providing organized and searchable photo libraries adds value to your service, enhancing client satisfaction.

By leveraging GPS and facial recognition technologies, I improve my workflow and deliver a more comprehensive and user-friendly product to my clients.

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For a visual guide on using facial recognition in Lightroom Classic, check out the following tutorial: Tutkit.com+4Adobe Help Center+4Adobe Help Center+4

This video provides step-by-step instructions to help you organize your photos using facial recognition.

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Embracing these technologies has transformed how I manage and deliver photographic content, making the process more efficient and enriching the storytelling experience for myself and my clients.

Photo Caption: David and Tami Woods are beginning a new chapter in Bobo, Burkina Faso—and they’re not doing it alone. As they move into their new home, they were welcomed by homeowner M. Augustus Dembele (blue boubou) and supported by local friends who helped unload the truck: Karim Illa (brown boubou), Abraham Tankoano (checkered shirt), Colette Dembele (blue jean dress), and Ejemeba Dembele (brown top). This move isn’t just about a new house—it’s about building relationships and walking together in community.

Editorial Note Update:
After receiving thoughtful feedback, I want to clarify a distinction not fully expressed in the post. While the missionary I referenced still works where the Gospel is needed, the context matters: there’s a difference between serving in regions where 70% or more of the population already identifies as Christian and those where less than 2% have access to the message of Jesus. The latter often means people have little to no opportunity to hear and understand who Jesus is. That’s an important nuance in how we talk about missions—and why word choice does matter.

If you’ve been around faith-based nonprofits or international ministry work long enough, you’ve probably heard these words:

“I’m heading to Africa as a missionary.”

But here’s the thing: many countries people are “going to” today have more Christians and more active churches than the countries they’re coming from. Places like Nigeria, Kenya, and Ethiopia aren’t just “reached”—they send missionaries to Europe and North America.

So what happens when we continue to use outdated words like “missions” or “missionary”?

It sends the wrong message.

Even with good intentions, it can sound like we’re arriving to fix or lead—when the church is already thriving. These words can accidentally carry the baggage of colonial-era ministry: one-way help, top-down control, and a posture that doesn’t reflect today’s reality.

Our language needs to grow with our purpose.

Most of the global work happening now isn’t about proselytizing. It’s about partnership.
It’s about equipping, learning, building up, and being invited into what local churches are already doing.

That means it’s time to consider better words. Words that reflect mutuality and humility, like:

• “Cross-cultural partnership”
• “Global service”
• “Faith-based collaboration”
• “Supporting local leaders”
• Or even plainly say what you do: “I help train media teams in Uganda.”

We’re not just changing labels—we’re telling better stories.

As a visual storyteller and brand consultant, I’ve seen how a single word can shift the perception of an entire mission. The language we use becomes the lens through which people see our work. That’s why this change matters.

It’s not about semantics.
It’s about truth.
It’s about respect.
And it’s about showing up in a way that honors the people we’re working with, not just working for.

If you’re in this space—whether you serve, support, or send people into cross-cultural ministry—consider how you communicate the “why” and “how” of that work. The more clearly and authentically we speak, the more trust and impact we build.

Have thoughts on this? I’d love to hear your take.

Please drop me a comment or shoot me a message.

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Ministry vs. Missions: Understanding the Church’s Two Fronts

Ministry

Ministry refers to any act of service done in the name of Christ, often within the local church or Christian community. It’s the day-to-day expression of faith—serving others, teaching, leading worship, counseling, discipling, or running programs like youth groups, food banks, or small groups. Ministry often focuses on building up the body of Christ (believers) and supporting the local church.

Example: Leading a Bible study, organizing church events, or serving as a pastor are all forms of ministry.

Missions

On the other hand, Missions is about going beyond your immediate cultural or geographic context to bring the gospel to people who don’t yet know Jesus, especially those with little or no access to it. It’s often associated with cross-cultural work and focuses on evangelism, church planting, and discipleship in places or among people groups where Christ is not yet known.

Example: A missionary going to an unreached tribe in Southeast Asia, or even someone planting a church in a spiritually dry part of a Western country, is engaged in missions.

The Core Difference:

• Ministry is usually within the church or to those already exposed to the gospel.
• Missions are about reaching out beyond the church, often cross-culturally, to those who have not heard the gospel.

When people ask me why I still shoot in RAW instead of JPEG or TIFF, I smile and say, “It’s about options.” But let me break that down a bit more, because the truth is—RAW gives me the latitude I need to tell better stories.

In photography, light is our paintbrush. But we don’t always have perfect light. You may shoot in mixed lighting, harsh sun, or an indoor scene where the shadows swallow your subject. That’s where RAW steps in and saves the day.

White Balance Fixes After the Fact

When you shoot in JPEG, your white balance is baked in. Miss it, and your colors are stuck in that decision. But a RAW file? It’s like a digital negative. You can shift the white balance in post without degrading your image. That means more accurate skin tones, true-to-life colors, and fewer frustrated hours trying to “fix it in Photoshop.”

Recovering Highlights and Opening Shadows

Have you ever had a blown-out sky or lost detail in someone’s face because they were backlit? A JPEG may be toast. A RAW file, on the other hand, holds onto way more detail, especially in the highlights and shadows. You can pull back that blown sky or lift the shadows under a brimmed hat without making your image look fake.

AI Tools Make RAW Even More Powerful

And here’s what’s exciting in 2025: I can now make complex, local adjustments with Adobe’s AI masking tools with just a click. What used to take me an hour or more—masking a face, background, or clothing individually—can now be done in seconds.

Want to brighten just the subject’s face without touching the rest of the photo? AI does it.

Want to open up the shadows in a forest scene without overexposing the sky? AI does it.

But here’s the kicker: these tools are only as powerful as the data you give them. If you’re shooting JPEG, that latitude—the dynamic range, the color depth—is already compressed and limited. AI can’t recover what’s not there. But with RAW, all those details are still in your file. The AI helps you bring it out.

Final Thought

I shoot RAW because I believe every story deserves to be told with depth, clarity, and emotion—and RAW gives me the room to do that. Especially now, when the tools are so good, there’s no reason not to take full advantage of what your camera can capture.

So whether you’re shooting for clients, nonprofits, or just making images you love—give yourself the gift of latitude.

Shoot RAW. Tell it better.

Everywhere you turn, someone’s talking about how AI is changing everything—from writing scripts to editing videos and even generating photos. As a storyteller who’s spent decades working alongside nonprofits, missionaries, and small businesses, I see the power of these tools. They can speed up workflows and help organize ideas. But here’s the truth that too often gets overlooked:

AI doesn’t feel. It can’t listen with its heart. It can’t sit quietly in a room and sense what’s happening beneath the surface.

I’ve been in huts in West Africa, cramped apartments in Eastern Europe, and rural towns across the U.S.—camera in hand, listening for the heartbeat of a story. What makes those stories resonate isn’t just the visuals or clean audio. It’s the empathy. It’s the relationship I’ve built with the person sitting across from me. It’s knowing when to ask a question, and more importantly, when not to.

AI can string together words, but it can’t replace presence. One moment that stays with me was while filming a missionary family in Togo. As the mother shared about the challenges they faced with their child’s health, there was a pause—her eyes filled with tears. That silence… that space… spoke louder than words. I didn’t interrupt. I didn’t prompt her to keep talking. I just let the moment breathe.

AI would’ve missed that. Or worse, tried to fill it in with what it thinks people want to hear.

The same goes for storytelling through photos. One of my mentors, Don Rutledge, taught me the power of context. A great image isn’t just about lighting and composition. It’s about showing people within their world—the complete picture of their dignity, struggle, and joy. That takes patience, trust, and relationship-building. AI can generate an image, sure. But it won’t travel the world with you. It won’t pray with a family before you hit “record.”

When a nonprofit or mission agency hires me, they’re not just hiring a camera operator. They’re inviting a partner who knows how to listen well, ask the right questions, and honor the stories they hold sacred.

That’s why human storytellers still matter.

In an AI-saturated world, authenticity is our superpower—not perfection or polish, but honest, human connection.

So, while I embrace today’s tools, I hold even tighter to the craft I’ve been honing for 40+ years—storytelling that breathes, connects, and changes lives.

Because stories still matter. And so do the people who tell them.

Rose Nantonah, a nurse, is setting up an IV with a child patient at the Baptist Medical Center in Nalerigu, Ghana.

Today is National Nurses Day, and I want to take a moment to recognize the often unseen and underappreciated heroes working on the front lines of healthcare worldwide: nurses.

In my work as a visual storyteller, I’ve had the privilege of photographing nurses in Ghana, Togo, and Nicaragua, and what I witnessed left a lasting impact on me.

Today, on International Nurses Day, we honor the dedicated nurses at Baptist Medical Centre (BMC) in Nalerigu, Ghana. Since its founding in 1958 by IMB missionary Dr. George Faile II, BMC has been a beacon of healing and hope in northern Ghana. Nurses at BMC play a vital role in providing compassionate care, often going above and beyond their duties to serve patients from Ghana and neighboring countries.

Nurses at BMC are the heart of this mission. From the pioneering days of missionary nurse Diana Floretta Lay, who served for 37 years and helped expand the hospital from 40 to 110 beds, to today’s local professionals like Senior Nursing Officer Kingsley Kombat, their commitment has never wavered. Despite resource limitations, these nurses provide critical care gracefully and resiliently, often under challenging conditions. Their work addresses physical ailments and embodies the love and compassion central to their faith, profoundly impacting the communities they serve.

We celebrate the extraordinary nurses serving at Hôpital Baptiste Biblique (HBB) in Tsiko, Togo. Since its founding in 1985, HBB has provided compassionate, Christ-centered care to thousands, with nurses at the heart of this mission. These dedicated professionals not only tend to physical ailments but also share the hope of the gospel with every patient, embodying a holistic approach to healing.

The hospital’s three-year Nursing Education Program, established in 1997, has been instrumental in training Togolese men and women to serve their communities through nursing. Graduates of this program are equipped to provide care that addresses spiritual, physical, emotional, social, and intellectual needs. Their commitment has been vital in sustaining the hospital’s operations and expanding its reach through mobile health clinics and community health evangelism initiatives.

In Nicaragua, I had the honor of documenting Tracy Warner, a nurse who ventured into remote villages to care for people who rarely, if ever, saw a medical professional. With no backup team, no modern equipment, and limited resources, Tracy offered what she had — skilled hands, a listening ear, and a heart for the people she served. Watching her work was a powerful reminder that healthcare isn’t just about medicine — it’s about presence.

These moments remind me that nursing is more than a job—it’s a calling. While today many of us will celebrate nurses in our local hospitals and clinics (rightfully so!), let’s also remember those serving quietly, faithfully, and courageously in some of the world’s hardest-to-reach places.

I’m sharing a few photos to show the conditions and honor the spirit of care that transcends borders.

To all the nurses out there: Thank you. You are seen, appreciated, and a hero.

For as long as I can remember, words have never quite been enough.

They often come out tangled, too late, or not at all. Growing up on the autism spectrum, I struggled with language, both the written word and the spoken one. But there was always something else… something that felt like a native language to me.

Music
Photography

Two art forms couldn’t be more different in how they look, but they are the same in how they feel. Both are languages of the soul, bypassing the noise of words and letting something deeper rise to the surface.

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A Melody or a Moment Can Say What I Can’t

When I pick up my trumpet, flugelhorn, or cornet, it’s not just to make sound — it’s to make sense of my world. The same thing happens when I lift a camera to my eye. These aren’t hobbies or skills I’ve picked up; they’re how I speak when speaking fails.

Research shows that music and photography light up some of the brain’s emotional and sensory centers. I didn’t need science to tell me that — I’ve lived it. For those of us who process the world differently, structure and creativity aren’t opposites — they’re allies.

A camera has settings, and a trumpet has keys and scales. That structure gives me freedom. I can tell a story and show my feelings without getting lost in sentences that never quite land.

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The Power of Being Seen and Heard — Without Speaking

Both photography and music are about noticing the details most people miss:

– A glimmer of light on a face.
– The shift in a minor chord that turns happiness into longing.
– The moment before the tear falls.

People on the spectrum often have heightened sensitivity to light, sound, texture, and emotion. Some see these as “challenges.” But in the arts, they become superpowers. They allow us to go deeper, to notice what’s underneath the surface, and to bring it into the light or give it voice.

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When Friends Say Nothing, It Means Everything

Despite how much I’ve learned, words still have their limits. In moments of deep sadness or grief, I’ve found that the most healing thing isn’t what people say — it’s simply that they show up and sit with me.

Silence, shared presence, a held hand, or a friend just being there — these are often more powerful than any comforting phrase. Just like a photo can speak a thousand words, or a melody can bring tears without lyrics, presence is its language.

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This Is Why I Do What I Do

As a storyteller, musician, and photographer, I help others find their voice, especially when words don’t come easily. I work with nonprofits, missionaries, and businesses to help them show the world who they are through images and story-driven visuals.

And maybe… just maybe… I’m not just telling their stories.
I’m telling mine too.

Whether it’s through a lens or a brass bell, I’ve learned this:

You don’t have to speak to be heard.
You don’t have to write to be understood.
And sometimes, the most powerful stories are the ones that live in silence — until we’re brave enough to give them sound or light.

Photo by Dennis Fahringer

If you’ve ever worked with me, you know I’m constantly learning. That’s not just a professional habit—it’s wired into who I am.

Being on the autism spectrum has given me a deep appreciation for order, patterns, and systems. I always looked at how things worked beneath the surface as a kid. I use that same instinct in my photography, video, and storytelling work today. Once I recognize a pattern—whether it’s how people move through a scene, how a nonprofit connects with donors, or how light transforms a subject—I can build on it, refine it, and teach it.

Over time, I’ve learned how powerful this is in a constantly changing world. Technology, communication styles, and visual trends shift fast. But when you understand the structure underneath them, you don’t get overwhelmed—you adapt, and you help others do the same.

For example, one of the most significant breakthroughs in my work came when I began to study body language. I realized that reading subtle shifts in posture or expression wasn’t just about being aware but about anticipating moments. This allows me to capture authentic emotion in real time, not just take technically correct photos. It’s what helps me tell visual stories that move people.

The same is true when I work with organizations. I don’t just show up with a camera—I show up with curiosity. I ask questions. I dig for the patterns behind your mission. I want to know what drives your team, what stories your audience needs to hear, and how to connect those dots to your larger goals. That comes from a lifetime of seeing systems where others might see noise.

Learning Empathy—and the Value of Blunt Truth

One of the biggest challenges I’ve faced as an autistic person is learning how to read people emotionally. I’ve always been aware that it doesn’t come naturally for me to pick up on subtle emotional cues or to instinctively respond with empathy in the moment. It’s not that I don’t care—it’s that I often have to pause, study, and think my way through what others pick up intuitively.

Growing in this area has taken years of intentional effort, and I’m still learning. But here’s what I’ve discovered: because I’ve had to work at empathy, I now approach people with a more profound respect for their stories. I ask more questions, listen more closely, and do my best to communicate that I’m in your corner.

That said, sometimes I come across as blunt. I speak directly. I say what I see. For some, that’s surprising. But for many of my clients, that’s also why they trust me. I won’t sugarcoat or sell you something that doesn’t serve your story. If I see a better way, I’ll say it—not to criticize, but because I want you to succeed. I’ve learned that clarity, paired with compassion, is a powerful combination.

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This is Why I Do What I Do

I’ve realized that what once made me feel different is my greatest strength. Being on the autism spectrum means I notice things others may miss. I look for the rule behind the moment, and once I find it, I can build something meaningful from it. That’s why I’m so passionate about storytelling. It’s how I make sense of the world —and help others do the same.

So if you’re looking for someone who brings skill and deep attention to the “why” behind your story, I do that. And it’s not just work—it’s how I’m wired.