Alternative to Check Presentation

Reading Time: 4 minutes

Of check presentations, this is one of my favorites. All the kids from the Origami Club came to the Osh Kosh clothing store with the teacher and all the Cranes they made. Visually, this is quite interesting.

One of the main reasons I love the photo is that my daughter is in the group photo. If I were thumbing through a publication, this photo most likely wouldn’t make me stop to read the caption or the story.

A good lead for a story is as much about surprise as the content itself. If you are not careful, you can pay more attention to grammar and style and forget that the audience needs to be entertained to keep them engaged.

The best way to ensure that your photograph doesn’t do what it is supposed to is to use a cliché.

What is a photo supposed to do?

Why use a photo? Before you answer that question, you’ll need to ask what you want to accomplish. You may determine you don’t even need a photograph, an article, or a press release.

Sometimes, the primary audience you are trying to reach is so tiny you could hold a luncheon; sometimes, you meet with the people in person.

When the purpose has been decided that you need to communicate a message and the audience is best reached through a website, printed pieces, or social media, you know that people respond to photos more than text.

The most common mistake made at this point, which leads us to the check presentation photo, is the assumption that any photo will do. 

This is the best way to communicate your message; you have seen many check presentations. More people use it than other options; therefore, it must be the best, which needs to be revised.

What is the check for?

The best question to help you move to a better photo is to ask what the check is for.  

With Guest Conductor Arild Remmereit and Sergei Krylov as guest violin soloists, the Atlanta Symphony Orchestra spent some time with the Elkins Pointe Middle School Orchestra students, answering their questions. Due to gifts to the music program, students can meet some of the world’s best musicians.

Would you instead use the photo of the students getting time with one of the best violinists and orchestra conductors or the check presentation to the school administrator that helps support these types of opportunities?

Even a setup photo can do better than a check presentation photo. Would you stop and want to read more about this photo? If so, then it is successful. I can see this used to help talk about a Catholic School expanding to include new grades in the fall due to a gift assisting the school in adding more classrooms.

Series of photos

Could you think about one photo? Sometimes, a series of images will help tell the story even better. 

When Seth Gamba started teaching orchestra in North Fulton elementary schools, he had few instruments. He could buy some electronic orchestra instruments as gifts, which improved the students’ excitement about music.

Besides the expression helping communicate excitement, most of the public has never seen an electronic viola. So, this photo has some visual surprises that help share what a check presentation helped to fund.
The intensity of the student playing and the look of the strange instrument, an electronic cello, help communicate how a gift supports the arts.
This is an electronic violin. Again, seeing middle school students this engaged in school is exciting.

While the photo is a better visual surprise than a check presentation, a good writer will help drop in other surprises.

One study done at Georgia Tech found that the only thing that significantly impacted retention and graduation rates was whether a student took music classes. Tutors, Greek life, taking courses to help improve study habits, and everything the school could test had no significant impact other than music.

Can you see how working this into the caption can help the development office raise even more funds than a check presentation photo?

Next time someone suggests a check presentation photo, please remember to ask what the check is for and indicate a picture that shows the purpose of the gift.

Studio strobes or Hot Shoe Flash outside

Reading Time: 4 minutes

Walk and Talk with Hot Shoe Flash 

One of my favorite shots for organizations is doing what I call the “Walk and Talk.” This is where two or more people walk next to each other towards me.

I encourage them to feel each other barely next to each other. This keeps them from walking further and further apart. Their closeness also helps communicate that they are friends. This is using the body language of touching or almost touching to help communicate their relationship.

Here are examples I did while teaching in Kona, Hawaii, in February this year. In these first ones, I was showing the students how to use two hot shoe flashes as fill lights. I have included the assistant carrying the lights for these examples to show you what they are doing as well.

I talk to the subjects and explain what I want them to do—no flash when off here.

 

The photo assistant is carrying a Nikon SB900 and a Nikon SB800. They are zoomed out to 200mm for the SB900 and 120mm with the SB800. This helps the light go farther but also keeps the light mainly on their faces.

 

Notice that the assistant must be pretty close to the subjects for the flash to work properly. In addition to the flashes, I am using the RadioPoppers PX system to help relay the infrared signal from the Nikon SU800 on my camera to the flashes.

 

We switched out the subjects so everyone could experience what it felt like doing this exercise and see it being done.

 

While showing the class how to use the hot shoe flashes, there were a few times when I got ahead of the flashes’ recycling. By not waiting long enough between flashes (2 seconds), the flash wouldn’t fire.

Walk and Talk with Studio Strobe

To help everyone see the difference in flashes, I also used an AlienBee 1600 powered by a Vagabond Mini Lithium battery. I borrowed the Photo Schools radio remotes, but I now mostly use the Pocket Wizard Mini TT1 Transmitter on my Nikon Camera and the Pocket Wizard Plus II transceiver on the flashes.


The MiniTT1 will let me shoot at 1/500 sync speed rather than just 1/250.


Another thing you will notice that is different in these examples is how far away the photo assistant is from the subjects. 


The AlienBee 1600 has the reflector that comes with it, so notice that the flash lights more of the subject. I can change that by just adding a grid, but I didn’t for these photos.

The flash is set at about 1/8 power. I can almost shoot on the motor drive setting for these photos, which is why the recycle time is so short.


When I shot these photos, not a single time did the flash fire. I think that when it comes to getting the best expression, you need to be able to shoot at any moment and not just when your flashes are ready. 


I would highly encourage using the studio strobe over the hot shoe flash for this reason alone.

Just like I did above, I talk to the subjects and do a few test shots before I have them walk towards me.
 

 

After we did some tests to get them moving, I had them start over where they were talking to one another.

 

As you can see, it doesn’t take long for people to relax, and the photos look pretty natural. I would have changed one thing in these photos. I would have had the assistant put the light on a light stand and raise the light a little higher to help avoid the glare in the glasses.

 

This is to show that the flashes fired every time. 

Now look at the photos where the flashes didn’t fire. Besides their faces in the shade, the color on their faces isn’t as good. I think that using flash helps you get the best skin tones outside.

Go out and try this yourself.

When flying around the world, it is often easier to carry the Nikon SB900 and a Nikon SB800 than the AlienBee 1600 and the Vagabond Mini Lithium battery. So, depending on the situation, I can still take a photo with either system.