Here you can see my first major tornado that hit my last semester in college at East Carolina University.
I started my career in the 80’s and one of the first disasters I saw and covered for my college paper was a F4 tornado. There were 16 deaths and 153 injuries. The tornado was up to 3/4 of a mile in width. Portions of East Carolina University were severely damaged. 300 homes were leveled, most in Greenville, NC. My good friend Jesse Riggs lost family members that night.
No matter how many times you see disasters each time I feel a numbness come over me for the loss of life and property. You are sad for those who are having to rebuild their lives.
On November 10, 2002, a tornado destroyed 50 homes. At least seven people were killed in the Morgan County community of Mossy Grove in eastern Tennessee. I was looking for an overall perspective up the mountain when I shot this photo.
The tornado cut a swath about a mile wide and a mile long. The hard part when covering these disasters is showing items to give a sense of scale and what is destroyed. Here I wanted to show the cars overturned for scale and what happened.
What always amazes me is the quickness of the national media on covering these events.
What I realized over the years covering these events is that the national media always took the time even in a disaster to get the best lighting for a shot. Notice the hair light above the reporter in addition to the main light. This helped to separate the reporter from the early dawn background.
Just hours before a tornado destroyed this community
The national media all find similar angles to show the destruction to their viewers. Here you can see three networks all lined up for their early morning news shows. I chose to shoot this to show how a nation was mourning for the folks.
The key to group photos is planning — and how big you plan to use the photo can make a big difference in your planning. We don’t hang wristwatches on the wall, because their faces are so small you cannot tell time with them. In most family rooms, you could have a three-inch face clock and tell the time. In a classroom, you might need a 10-inch face. The clock face size is a good rule of thumb for determining whether someone will be recognized in a wall print at a normal viewing distance.
Agnes Scott Basketball [NIKON D2X, Sigma 120-300 mm f/2.8, Mode = Manual, ISO 400, 1/200, ƒ/16, (35mm = 202) + 4 Alienbee B1600s]
The more you show in a photograph other than people’s faces, the larger the photo needs to be to recognize the people, because their facial size will diminish. If your group photo is primarily for identification, getting everyone close together so you can see their faces should be the primary goal. Then you can run the photo in a publication, and people can tell what everyone looks like.
Truett Cathy, Dan Cathy, Bubba Cathy Perry Ragsdale, Steve Robinson, Buck McCabe, & Tim Tassopoulos
On the other hand, if your photo is more about creating a mood for a poster of, say, a hip-hop band, you will shoot much looser, spacing the people out and letting their body language help establish the mood. For these concept/mood photos, I like to spread people out and put people at different heights (relative to their faces). I like to think in triangles. If you were to connect the dots (faces) between people, do they make triangles? Create depth by having some people closer to the camera and others further away. This will give it a more three-dimensional feel.
Matt Ellenberg supports a Soccer Team for his employees.
Matt Ellenberg | Operator
Oxnard FSR
Chick-fil-A | Oxnard, CA
If you go to the music store and look at CD covers of music groups, you can see some of the leading work done in the industry. Try copying some of these until you get the hang of it and can come up with your own concepts.
If you plan ahead, have a good idea, and take people’s sizes into consideration, you will move pretty quickly through the process. If you don’t, it moves slowly, and your photo may fall apart because you will lose the attention and interest of the people in it.
When scouting locations in advance, you are not only choosing one for the scenery; you are also ensuring you are there at the best time of day for a group photo. Having the sun right behind the group isn’t the best technical photo. Sometimes, a location won’t work simply because the group isn’t available at the right time of day to make the photo.
Nikon D2X, 24-120mm, ISO 100, ƒ/16, 1/200–4 Alienbees shooting through white umbrellas
I have found that if you have done your homework, you can pretty much make any group photo in 10 to 15 minutes. You may get to the location earlier, but the people in the photo should be able to be placed into position immediately, and then you are just looking for good expressions.
One last thing that can make a great impact on the quality of your photo: either have a laptop computer or a TV on location to view the images as you shoot. Virtually all digital cameras will plug into a TV and let you see the image big enough to assess the smallest details — enabling you to move people only inches and improve the final product.
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