Great Photos Often Start With Dramatic Subjects

 
Fuji X-E2, XF 55-200mm, ISO 6400, ƒ/5, 1/105

How can you go wrong with a fire-eating subject? If you miss the exposure, maybe, but if you get a well-exposed photo of something average and then something more dramatic, you get the idea of why start with a more exciting subject.

Fuji X-E2, XF 55-200mm, ISO 6400, ƒ/5, 1/140

Look for things like this Luau in Kona, Hawaii, for example.

Nikon D4, 28-300mm, ISO 640, ƒ/4.5, 1/100

I photographed him for this Fire Knife dance at Truett’s Luau in Fayetteville, GA. So, you don’t always have to go to Hawaii to get your photo.

Nikon D4, 28-300mm, ISO 640, ƒ/5.3, 1/3200

Later, I photographed the same guy the following day, but this was outside in the sunlight. This change in time and location should help you see how much a place and lighting can help a situation or not at all.

I think to improve your photos, don’t light everything when they turned off all the stage lights and let the fire dancer be the center stage so that the image is more dramatic than in the bright sunlight.

Without flash. Photo by Clara Kwon
With off-camera flash. Photo by Clara Kwon

In these two photos, you can see how Clara Kwon had no flash, and then adding sparkle helped to make the subject “pop.” She is not lighting everything, and the rest of the scene is slightly darker, making the subject stand out.

Remember to pick exciting subjects and try your best to put them in the best light.

Nikon D4, 14-24mm, ISO 200, ƒ/22, 1/13 with two Alienbees B1600 with CTO triggered by Pocketwizards.