What Kind of Photographer Are You?

I’m not asking if you shoot weddings, sports, or make snapshots of your family. These are one way to define a type of photography, but there is another way to describe your pictures.

If you have your subjects turn and look at the camera and say “cheese,” there is a good chance you enjoy making photos for mainly your personal use. You like taking pictures and putting these in photo albums so you can revisit these moments in time. I think everyone wants to make these types of images to record their family history. Earlier in my career, when I managed 1-hour photo labs, I saw some incredibly well-done photography that would fit into this category.

I had a few customers who did an excellent job of getting good expressions of their friends and family looking at the camera. The photos were not so tight of the people that you didn’t know where they were, but they would show their friends in front of the Eifel Tower where you could see the people close to the camera with the location in the background easily identifiable.

This type of photographer, snapshot or memory jogger photographer, is concerned with recording a moment in time and who was there.

Another style is abstract photography. The abstract would be an instrumental composition with no words to use music as an analogy. The viewer’s responses are usually wide-ranging.

Ansel Adams is one of the most prominent abstract photographers. His photos create a mood and tone rather than deliver a specific message.

Elliott Porter, another giant in the genera of abstract photography, gave a perfect example of portraying beauty or eliciting emotion with his photography rather than a photojournalist statement of fact. When asked (by a photo editor for a news magazine) what he would do if he came upon a stream polluted and covered with oil Porter said, “I could not help but show the beauty of it regardless of the tragedy.”

In some abstract photographs, the subject is recognizable, yet in others may be so bizarre there is no subject recognition at all—the common theme for these types of photographers is a striking image. But, again, a specific message is not the purpose.

Then there’s the communications photographer. Their goal is to deliver a clear message. Many techniques used by the abstract photographer are employed, but the message is the thing.

Some communication photographers are conceptual in approach. Their work is thematic. The theme may be as simple as illustrating an intangible, say hot or cold or “going green.” Their photos communicate an idea.

Most Americans saw photojournalism first in Life magazine. However, these photographers deliver a message beyond the message they are pursuing truth. They want to tell the subject’s story accurately to obtain a response from the viewer; to make those seeing the photos want to take action.

Between the conceptual photographer and the photojournalist are many breeds of photographers concerned with capturing a message and engaging the audience with it.

Some photographers can move quickly between these approaches. For example, one day, they may be covering a news event for a wire service (photojournalism), and the next day is shooting an annual report or recruiting guide for a college. They know how to adjust the approach so they are not violating the ethics of the professional photojournalist.

What do these styles have in common? The finest photographers shoot what they love most. This enjoyment usually means they have invested time into their subjects and know them well.

Understanding these approaches will help you identify the best photographer for your projects. Maybe you’re the best for the job. But, on the other hand, perhaps you need to hire someone to shoot the task for you.

Most clients look beyond a photographer’s ability with the camera. Can you trust this photographer to do the job on his own? They will be representing you. Do you need to be there directing this person?

If you have a message you need to communicate, you don’t need to have a snap-shooter or an abstract photographer – they can fill the “holes” where the pictures are to go, but that doesn’t express your message to your audience.

Be sure your photographer can communicate your message and be someone you can trust. It is easy to hire a known quantity. Unfortunately, it’s not so easy to find the one who will get the job done, but the search is worth the trouble.

The Rekindling of Relationships

Christmas 2010 in Morganton, NC. Nikon D3, 14-24mm, ISO 200, f/2.8, 1/2500

Listen to me, O house of Jacob, all the remnant of the house of Israel, who I have born from your birth, carried from the womb; even to your old age, I am he, even when you turn gray, I will take you. I have made and will bear; I will carry and save. Isaiah 46:3-4

Chelle helped decorate a gingerbread house at our friend Jackie Reedy’s “Cookie Day” in 2010. Lumix DMC-TZ5. ISO 100, f/3.3, 1/4

“Chelle can you help me put up the Christmas tree?” was my question a few years ago. Our family uses a fake tree due to our allergies; it takes time to unpack and put it together each year. My daughter had finally gotten big enough to help hand me the branches. So together, we assembled the tree, and then Dorie, my wife, helped with the ornaments and other decorations around the house. The following year Chelle asked me, “Daddy, when are we putting up the tree?” Dorie reminded me we now had a tradition. So it continues to this day.

Our Christmas tree in 2011. Nikon Coolpix P7000, ISO 1600, f/2.8, 1/30

While I could tell you about all the symbolism of the Christmas tree, it boils down to what Christmas is about—the tradition of rekindling a relationship through the simple practice of putting up a Christmas tree. It is like the official start of the season for our family. It is a time my daughter enjoys with her father as a particular time together. Likewise, as a father, it is my time to spend time with my daughter.

Tacky Christmas Sweater Party for Kelly Stancil, graduating from Georgia Tech in December 2010. Lumix, DMC-TZ5. ISO 250, f/3.3, 1/30

Maybe this is what the season is about—rekindling our relationship with the father through his son, Jesus Christ. As long as all these traditions help and remind us to spend time with God, we are genuinely living the season.

Dear Lord, may these traditions remind me of spending time with you. Please help us to grow closer not only to you but to those around us this season. Please help us to celebrate the traditions in a way that draws us closer to you. Amen.

Be a Joiner

Isolation is happening to too many individuals in their jobs. Outside of their work, they are unknown. Isolation may be a costly mistake in today’s volatile economic times. Organizations are cutting staff positions, and freelancers’ clients have cut budgets or gone out of business.

If your source of income is drying up, one good way to find new work is through your network. Membership in professional organizations can be an outstanding resource. Having your name on a membership list can give you access to others in the organization; however, to make the organization work for you – you must work for it.

Volunteer. Become involved. Help the group accomplish its goals. For example, I volunteered to call members and guests to attend meetings. In making these cold calls, you are laying the foundation for a stable career.

You are getting to know others, and they are getting to know you. You will be way ahead if you ever need to call one of these people for a job. They know you, and it is no “longer” a “cold call.”

Serving on committees lets others see your skills and how you work and communicate. In addition, committees allow you to show your skills that are not in a resume, portfolio, or reference letter.

You are probably considered an expert due to your experience. People want to employ experts. It is a good idea to volunteer to lead seminars and workshops. While this shows your knowledge in their field, it also shows your ability to communicate your ideas to others. It shows you as a person who wants everyone to succeed.

Volunteer with more than one organization. They don’t all need to be within your work area so long as they help you connect to your community. For example, rotary clubs, coaching a youth sports team, volunteering for the Red Cross, and other groups will help you expand beyond your profession.

Industry leaders are involved in community programs. What better way to get to know leaders than to volunteer alongside them?

The number of groups you are a member of is not essential. What is important is not to be just a name on the membership role. Active involvement develops the all-important network.

I have worked with college recruiters and admissions offices for most of my career. Many of the suggestions I have listed are things colleges look for when going through applications. They want the best students to attend their college. It is the same with employers and clients. They want the best.

Networking builds communication skills. Volunteering improves skills in service roles and leadership positions.

All this volunteering is not just for the future. It is for right now. The benefits of networking help in current jobs.

The foundation of building a network is giving. As we learn to give our time and talents to those around us, we know that our most significant rewards are all the relationships we develop.