How to Ruin a Perfect Photograph

 
 
Nikon D750, Sigma 35mm ƒ/1.4 DG Art, ISO 50, ƒ/1.4, 1/400

The easiest way to hurt your sales on any photograph is not to hide text in a picture. The hidden text in computer files like photos is called metadata.

Now, if you shot your photo with a digital camera, there is already some metadata text inside the image. Even your smartphone captures some metadata. It is EXIF metadata.

EXIF is short for Exchangeable Image File, a format that is a standard for storing interchange information in digital photography image files using JPEG compression. Almost all new digital cameras use the EXIF annotation, storing information on the image such as shutter speed, exposure compensation, F number, what metering system was used, if a flash was used, ISO number, date and time the image was taken, white balance, auxiliary lenses that were used and resolution. Some images may even store GPS information so you can easily see where the images were taken!

That is how I know all that information I put under the photos I post here on my blog. I used PhotoMechanic software and adjusted my preferences to show this information under the image in the software. So it looks like this for me:

Now even if you had photographs as great as Ansel Adams, if you didn’t have some hidden text in the picture, then to find those photos, they would have to look at them somehow. But, still, they couldn’t search for them through Google, or even if they are on your computer, you couldn’t find them using the search function on your computer.

Most people who do not hide text in their photos create folders on their computer and then use the filename as another way to search for the photographs.

Now while your camera phone and digital camera are recording important information into the EXIF data fields, there is another set of data fields that you can use to give you even more versatility. Those fields are called IPTC. [International Press Telecommunications Council]

The IPTC Photo Metadata Standard is the most widely used standard to describe photos, because of its universal acceptance among news agencies, photographers, photo agencies, libraries, museums, and other related industries. It structures and defines metadata properties that allow users to add precise and reliable data about images. It has been around since the early 1990s.

Probably the most used software that lets you embed text [hide text] in photos is PhotoShop. Here is what the file information box looks like:

 

Now you can see and change a lot of those fields.

Another software used in the industry and especially by news photographers is PhotoMechanic. Here is what IPTC looks like in that software:

 

Using the search tool on my Mac, I can search any of the text in those fields, and it will pull up everything on my computer that has that string of text. So I searched the copyright field of the IPTC using “© Stanley Leary,” and this is what shows up:

I can click on “Show all in Finder…” and see the list of documents, emails, and, most importantly, photos with this information. So even if your client doesn’t have software to embed text into their images, they can search your photos using the reader and find them.

One more software used in the profession is Adobe Lightroom, and this is how the IPTC shows up in that software:

 

You can see the IPTC information in the Library Module of Lightroom.

Here is a detailed step-by-step on my digital workflow that explains how I put this information in the photos when I ingest the disks into my computer.

Now the cool thing about all this is you can create your system for file naming and what information you want to put into photos for yourself, and then with each of these software systems, you can export the images using your client’s system.

Now there are so many fields that you can use that I needed to take two screenshots of the PhotoMechanic software to give you an idea of what you can do:

I then scrolled down to show you the rest of the form you can fill out:

MARKETING TIP!!!!

If you are a photographer, you should make your clients aware that you do this, making your photos more valuable because they can find them!!!

If you embed all your photos with metadata IPTC information, then more than just PhotoShop, PhotoMechanic, Lightroom, or the search engines on your client’s computers can see this information. Online database systems will read all this information and make this available to the world to find your images.

PhotoShelter is one provider many photographers and stock agencies use to help market photos. For example, PhotoShelter interviewed me on how I helped Chick-fil-A adopt their Libris system for image archiving. You can see the interviews here on their blog post.

Not for the faint of heart

Accuracy with your metadata is critical. If you misspell a word, then people will not find the image. Metadata is tedious, and many people don’t do it because it is time-consuming.

Most photographers are not all that professional in their work. They like to shoot. If professional football players behaved the way most “professional photographers” work on Sunday afternoon, they would be carried off the field on a stretcher, never to play the game again. You see professional football players lift weights, do cardiovascular workouts, watch what they eat, and practice throughout the week. Most professional photographers just show up at the game time and think that is all they have to do.

You know how your cost of doing business, practicing with stand-in subjects before the subject is in front of the camera, and doing the detail work like metadata is what truly separates successful business photographers from those who only dream of it.

Now you might understand why someone else’s work is published that you think is subpar to your work–others could find their photos.

Photographers who want to get noticed need to be on Instagram

 

Like me, you are trying to figure out all the social media possibilities. There are many to choose from to help market your brand.

I am falling in love with Instagram.

It is a photographer’s friend. It lets you post your photos, tag them, and write a complete caption if you choose. You are not limited to the 140 characters of Twitter.

One of the people I like to follow is my friend Alex Garcia. Here is a link to his work https://www.instagram.com/alexgarciaimages/

Another photographer I like to follow is Dave Black. https://www.instagram.com/daveblackphoto/

You were limited to a square image space when it first came out. Well, that is why I didn’t enjoy the medium, but then Instagram finally allowed you to post rectangle proportions.

Now the cool thing with any social media is the #hashtag. #Hashtag is when you keyword your photo so that others who are following this keyword will be able to find your picture amongst the millions posting daily. For example, I tagged the above image with #TybeeIsland & #Lighthouse.

Now here I didn’t do such an excellent job with my post. I didn’t use the #hashtag for Romania or the town name. I did, however, use them in the location, which is almost as good. So be sure and use both.

When I posted this photo, I used the #hashtag #headshot and #actress, and within a minute, I had people in Hollywood like the image in the industry. Woo Hoo!!!!!

Did I get a job? Unfortunately, no. However, I am making a connection now within the industry.

 

In this photo, I tagged #IslandBreezeiwt, the name of the company that this dancer performs with in Hawaii and around the world. So to be sure they see it, you would tag the photo @IslandBreezeiwt because this is the name of their account.

Start typing @nameofcompany and see if it pops up as a choice. Suppose it does, be sure to use this if you want that company to see your photo.

Talk about getting the marketing department’s attention. That’s what I am talking about!!

 

Why # and @?

Without using a # or @, your photo is not discoverable. It is the same as walking into your public library and just sticking an image between the books on the shelf and leaving. But, on the other hand, you may hope people find it, and someone day might stumble over it.

However, people use the web much like the public library; they use search terms to help them find the things they are interested in. If you have no tags on your photos, they will not pop up on their feed.

Captions alone are not very helpful for searching as a #hashtag. The @ symbol sends an alert to those with that account. The odds increase by using the @ character with their name that they will see it if they check their account. They will most likely get an email when you link to them like this.

Once people see your image and maybe even like it, they can click on your account name, go to all your pictures, and see your account like mine here. https://www.instagram.com/stanleyleary/

My marketing strategy always drives everyone to my main website, where my complete portfolio, blog, contact information, and more reside. I want everyone to find me quickly and to connect.

If you are a photographer, you need to be on Instagram because this is where people look for photography and photographers.

Could you not take my word for it? Read this article 160+ Interesting Instagram Statistics


What photojournalism has taught me

 
Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 400, ƒ/11, 1/250 

Photojournalism is a particular form of journalism (the collecting, editing, and presenting of news material for publication or broadcast) that employs images in order to tell a news story. It is now usually understood to refer only to still images, but in some cases the term also refers to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography (e.g., documentary photography, social documentary photography, street photography or celebrity photography) by complying with a rigid ethical framework which demands that the work is both honest and impartial whilst telling the story in strictly journalistic terms. Photojournalists create pictures that contribute to the news media. ––Wikipedia

In photojournalism, you are capturing moments rather than creating them. Therefore, photojournalism is a great way to learn how to capture those moments that help convey the day’s events.

Since you cannot stage your coverage, you learn how to go about capturing life. You are trained that you need to get those elements that you can later choose from to help construct a sequence of images that, when accompanied by words, will tell a story of the day.

The Establishing Shot

The photo above is an excellent example of an establishing shot. Well, maybe not great as in call the Pulitzer committee, but for covering the Fort Worth Stockyards, it does help establish the place where your story takes place.

Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/4, 1/320 

Stand Alone

When shooting for news, the photojournalist is mindful of the space of the publication. They are looking for the one shot that helps convey most of the story elements. Here is an example from the morning I was at the Fort Worth Stockyards that might work as a stand-alone shot. You can see the herd of cattle herded as the cowboy does daily.

Detail Shots

Nikon D3, AF NIKKOR 85mm f/1.4D, ISO 2500, ƒ/1.4, 1/320

You may go down the street to the world-famous Billy Bobs and capture some boot scoot dancing for detailed shots.

Nikon D3, AF NIKKOR 85mm f/1.4D, ISO 2500, ƒ/1.4, 1/320

You may capture some portraits of the patrons for some of your detailed shots for the story.

Nikon D3, AF NIKKOR 85mm f/1.4D, ISO 6400, ƒ/1.4, 1/160

The photojournalist’s challenge is capturing those eye candy moments that are part of the story and not just graphically interesting.

Thinking larger package

 
Nikon D3, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 1000, ƒ/2.8, 1/125

My mentor Don Rutledge taught me there are times you don’t have an ending shot but rather just more examples of the flavor of the story. For example, here is the world-famous Joe T. Garcia restaurant where you cannot make a reservation. Bridal parties will just come and wait to be seated on their wedding days.

Nikon D3, AF NIKKOR 85mm f/1.4D, ISO 6400, ƒ/1.4, 1/160

Whenever I am at the Fort Worth Stockyards, I feel like I am in a travel story for some western magazine.

Nikon D3S, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 200, ƒ/5.6, 1/320

What photojournalism taught me was that if you pay attention and are sensitive to the moment, you can anticipate great moments that are more powerful for the most part over a well-produced movie. I believe it is true because the moment’s authenticity always trumps something made up.

Show & Tell Marketing for the Photographer

 

When the stars all align for you–take advantage of the moment. For me, my moment is now. My daughter is in the musical Into The Woods this April at her high school. She is the witch in the play. [Much of the type on our banner and posters are controlled by the licensing contract we signed to do the space]

The school buys the rights to produce the show. So they need to recover around $10,000 for the total costs of putting on the play. One of the ways they will recover the price is ticket sales. Another way is selling ads for the program. The last method is through donations.

Parents volunteer to help build the set, costumes, ticket sales, ushering, and many other roles to help keep our costs down.

The 6′ x 9′ Banner in front of the school was near the corner with a traffic light.

My wife and I volunteered to help with the PR since we both work in the industry. I was very excited about shooting some promotional photos of the primary characters for the musical. I had been researching other promotional shoots for Into The Woods and started thinking we could do some of what I saw with the Disney production.

I figured that much of our audience would be more familiar with the movie with Meryle Streep and Johnny Depp than the play productions. As a nod to the film is why I shot the poster shot in this style.

The school has had banners of the sports teams for a couple of years in front of the school. I think this is now a trend around the country. But unfortunately, the art kids don’t have the same backing and promotions due to more parents and the community not supporting them in the same way.

While a banner in front of the school helps just like a billboard promotes a product, the other thing the banner does is help celebrate our arts kids.

I also bought the domain name RHSIntoTheWoods.com to help us with promoting the play and directing everyone to the website where they can buy tickets. But, of course, you can also buy them–HINT HINT!!

 
Click on the photo to enlarge.

I decided I would pay for the banner and all the photo shoots. Paying for the banner was my way of helping as one of the parents. My wife came up with the concept of the Rate Card.

The Rate Card we designed was an 8.5″x11″ postcard. On the front was the poster, and on the back were the prices for the ads for the program. Each student/family is given 10 of these with a cover letter to call on businesses and individuals to take out ads. The company can then easily use the card as a poster in their store window or on the wall to promote the play.

Next, we started to use social media to promote the play. We are using all small events like putting up the banner as a good reason to post photos and always the #IntoTheWoods and pushing them to the website RHSIntoTheWoods.com.

We use Facebook, Instagram, and Twitter to help promote the musical. For example, we did individual shots of the cast members so we could post about each of them rather than using the same image over and over.

The banner again also is a way to celebrate the kids.

Besides this marketing campaign helping the school sell tickets, if this is more successful than in past years, I will have a great example to show all my clients and potential clients how I can help promote their brands using images to engage the audience.

Click on the image to see a larger version.

So here are the headshots I also did for the program and other PR uses.

 
Click on the image to see a larger version.

Now there is a considerable risk in doing all this work–if the sales are not better than in previous years, I will not have proved that my photography has helped with the promotion of a musical. So while there may be other circumstances that could impact it other than my photography, I will still not be able to show it was relevant.

Are you willing to take on a personal project and show that your photography can make a difference in your community?