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Author: Stanley Leary

Most companies know the value of a good story, but do not know how to tell their own story. Leary has a process to find and tell stories that communicate how they change lives, so that their companies grow again. Some of his clients include Chick-fil-A, Newell-Rubbermaid, Coke, Georgia Tech, and The Carter Center. Leary’s work has taken him across the United States and beyond — to Chile, Peru, Burkina Faso, Canada, France, Ghana, Guatemala, Haiti, Honduras, Mexico, Nicaragua, Portugal and Romania. The experiences of this award-winning communications allow him to engage audiences with storytelling that builds organization’s brand. His U.S. clients find that ability translates into making their messages cross-culturally relevant with diverse American audiences and within the mainstream media. Prior to forming his own company, Leary worked on staff for The Hickory (N.C.) Daily Record and theCOMMISSION magazine in Richmond, VA. For nine years he was on staff with PR team at Georgia Institute of Technology, Atlanta, Ga. Leary is also a teacher. He enjoys sharing his expertise with others. He has taught storytelling and brand building at Grady College of Journalism and Mass Communication, University of Georgia, Athens, Ga.; The University of the Nations, Kona, Hawaii; Reinhardt College, Waleska, Ga.; Berry College, Rome, Ga.; Portfolio Center, Atlanta, Ga.; and Dallas (Texas) Baptist University. He also has been a guest lecturer at World Journalism Institute, Washington, D.C.; Southwestern Photojournalist Conference, Fort Worth, Texas; Art Institute of Atlanta, Ga.; American Society of Media Photographers. Atlanta (Ga.) Chapter; and the Southeastern Photographic Society, Atlanta Ga. Clients often contract him to teach their staffs to become more visually effective in building their brand. Leary lives in Roswell, Ga., holds degrees in social work and communications, and is married to Dorie Griggs. They have three children.
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Famous Photographers: Are there really any?

Famous Photographers: Are there really any?

by Stanley LearyMarch 17, 2012September 1, 2025

Jay Maisel, Bernie Boston, Hugh Morton, and George Tames are four famous photographers. I took this at the Southern Short Course in the 1980s. Most photographers want to be known for their work, and almost everyone I know wants…

Parts To An Estimate

Parts To An Estimate

by Stanley LearyMarch 11, 2012September 1, 2025

There are three major sections to an estimate for a job you are bidding on for a client. 1.    Your costs2.    The price the client pays3.    Your selling of yourself and why you are the…

YWAM School of Photography: Mixed Lighting

YWAM School of Photography: Mixed Lighting

by Stanley LearyMarch 5, 2012September 1, 2025

Here is another lighting assignment for the students.  They were to go outside, use the sun as a backlight, and then use a strobe as the leading light.  Here are the assignment and diagram that…

YWAM School of Photography: 1:3 Ratio Lighting

YWAM School of Photography: 1:3 Ratio Lighting

by Stanley LearyMarch 1, 2012September 1, 2025

This is the students second shooting assignment this week. Assignment Description: 1:3 lighting ratio.  This photo is classic lighting. Items: Softbox This light is your main light. Get a light reading with just this first.…

YWAM School of Photography: Rembrandt Lighting Assignment

YWAM School of Photography: Rembrandt Lighting Assignment

by Stanley LearyFebruary 29, 2012September 1, 2025

I gave the class an assignment on making a Rembrandt light portrait using just one light with a 10º or 20º spot grid. Most of the class has never even turned on a studio strobe.…

Improve your Flash photos by not lighting everything

Improve your Flash photos by not lighting everything

by Stanley LearyFebruary 20, 2012September 1, 2025

How do you get this result? [Figure 1] When did you start here? [Figure 2] Nikon D3, 85mm, f/1.4, ISO 200, 1/500 on Matrix metering. Maybe you want the light on even less of the…

Where does your eye go first?

Where does your eye go first?

by Stanley LearyFebruary 6, 2012September 1, 2025

Turn your photos upside down; this will help you see where your eye goes first.  After seeing where your eye goes first, is this where your audience wants to look? Nikon D2Xs, ISO 400, f/7.1,…

Some things to look for in a photographers portfolio before you hire them

Some things to look for in a photographers portfolio before you hire them

by Stanley LearyFebruary 5, 2012February 14, 2026

When hiring a photographer, I recommend looking for a few things in the work they show you. If you pay attention to these little things, your storytelling will improve. Exposure When you look from photo…

Pass the Pen + Walk and Talk

Pass the Pen + Walk and Talk

by Stanley LearyFebruary 5, 2012September 1, 2025

Getting people to do something gives you better expressions. I have two techniques for keeping people engaged when I have to set up a situation and then help it become a real moment. Pass the…

Stop Losing Money: The Power of Organizing Your Photos with Metadata

Stop Losing Money: The Power of Organizing Your Photos with Metadata

by Stanley LearyFebruary 1, 2012January 11, 2026

Finding a Photograph is More Important Than Making One Why? Being able to locate your photos when you need them saves time, impresses clients, and ultimately helps you make money. “Now, Where Did I Put…

Ambient Light and Flash Combined

Ambient Light and Flash Combined

by Stanley LearyJanuary 31, 2012September 1, 2025

Caption: Available Light only (Nikon D3S, ISO 12,800, f/5.6, 1/40, 28-300mm) Hey Stanley, can you back up and explain this Ambient Light and under-stops thing you mentioned in that last post? A few people wrote…

12,800 ISO noise looks different with flash

12,800 ISO noise looks different with flash

by Stanley LearyJanuary 29, 2012September 1, 2025

Dave Black spoke at a seminar about using his Nikon Speedlight SB900 flashes instead of his Studio heads to light a basketball court and an ice rink. I was on the edge of my seat,…

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2 responses to “12,800 ISO noise looks different with flash”

  1. Andy Avatar
    Andy
    February 14, 2012

    Regarding the Canon flash, from a Canon user. Totally true! The Nikon system is consistant, -2/3 is – 2/3 every time. With Canon, if I want consistant fill flash, I've pretty much given up on ttl fill flash. I find it is easier to just tweak the + or – in the manual setting till I like it, and then click away.

  2. Andy Avatar
    Andy
    February 14, 2012

    Regarding the Canon flash, from a Canon user. Totally true! The Nikon system is consistant, -2/3 is – 2/3 every time. With Canon, if I want consistant fill flash, I've pretty much given up on ttl fill flash. I find it is easier to just tweak the + or – in the manual setting till I like it, and then click away.

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