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# Storyteller

Human Eyes. Honest Stories.

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## Posts

- [Why Photographers Have to Start Fighting Back — And Why It's Easier Than You Think](https://picturestoryteller.com/2026/08/17/why-photographers-have-to-start-fighting-back-and-why-its-easier-than-you-think/) - Today, my friend Chris Garner, who owns TPS Photography in Morganton, NC, found one of his images posted on social media — stolen, screenshotted, run through an AI watermark remover, and reposted looking dark, blurry, and cheap. His online shop has barriers built in specifically to prevent this. Someone got around them anyway. Chris didn't
- [Before You Pick Up the Camera: Questions That Help You Find the Story](https://picturestoryteller.com/2026/08/17/before-you-pick-up-the-camera-questions-that-help-you-find-the-story/) - I originally wrote about the questions I ask before doing a story back in 2016. A lot has changed since then. Cameras have become smarter. Phones have become incredibly capable cameras. Video has become an essential part of almost every visual story. Social media has changed how stories are discovered and shared. And now we
- [Two Reasons to Pick Up a Camera](https://picturestoryteller.com/2026/08/16/two-reasons-to-pick-up-a-camera/) - A friend recently shared a video from Simon d'Entremont, a nature and wildlife photographer, with the message: " Every photographer should watch this. Simon had just come back from three weeks in Botswana, and the video reflected on why photography matters in a world of AI and algorithms — why picking up a camera is
- [The Changing Landscape of Photography Seminars & Workshops: Why Attendance Is Splitting, Not Just Declining](https://picturestoryteller.com/2023/11/08/the-changing-landscape-of-photography-seminars-workshops-why-attendance-is-declining/) - Updated 2026 Back in 2023, I wrote about why in-person photography seminars and workshops seemed to be losing steam. Digital resources, time pressure, cost, and pandemic caution pulled people away from conference halls and into their living rooms. Three years later, the picture has changed enough that the original story needs an update. What held
- [Remembering Ambassador James T. Laney](https://picturestoryteller.com/2026/08/13/remembering-ambassador-james-t-laney/) - Two encounters with a man who shaped a university and a peninsula I learned this week that Ambassador James T. Laney, President Emeritus of Emory University, passed away at the age of 98. Over the years, my camera crossed paths with his twice — and both times, I came away with a deeper sense of
- [I propose a “My Town Thursday” rather than just a “Throw Back Thursday.”](https://picturestoryteller.com/2016/11/03/i-propose-a-my-town-thursday-rather-than-just-a-throw-back-thursday/) - In 1987 I drove up from Richmond, Virginia, to Rock Port, Maine, to attend a photography workshop. I was able to stop along the way and take some fun tourist photos of the country. This first photo is of Cape Elizabeth Lighthouse, Maine. I was looking for this photo on my last trip to Bangor, Maine,
- [Quoting for a Non-Profit](https://picturestoryteller.com/2019/11/03/quoting-for-a-non-profit/) - A photographer wrote me and asked for advice on quoting a nonprofit. Here is my advice for them. Now there was a list of specifics, but I wanted to get to the pricing strategy rather than giving them a quote I would do. You see, each person has different costs. This is due to where
- [Believe: The Word We Hang on the Wall When We Can't See What's Coming](https://picturestoryteller.com/2026/08/12/believe-the-word-we-hang-on-the-wall-when-we-cant-see-whats-coming/) - Seven letters. All caps. Handwritten on a piece of yellow construction paper and taped above a locker room door with athletic tape, crooked on purpose. That's the "Believe" sign from Ted Lasso — one of the most talked-about props in recent television. Ted put it up during his first week coaching AFC Richmond, and it
- [Nikon D5 Setting with the Atomos Ninja Blade](https://picturestoryteller.com/2017/05/05/nikon-d5-setting-with-the-atomos-ninja-blade/) - For video capture, I attached to my Nikon D5 using the HDMI output the Atomos Ninja Blade 5″ HDMI On-Camera Monitor & Recorder. Why I do, this is a great question. Most all DSLRs that record video have a 30-minute time limit. I understand this has to do with avoiding a double tax in some countries.
- ['People of Hope' museum brings stories of service to Roswell](https://picturestoryteller.com/2026/08/11/people-of-hope-museum-brings-stories-of-service-to-roswell/) - ROSWELL, Ga. — A 53-foot tractor-trailer turned traveling museum parked at Blessed Trinity High School on Aug. 5, giving visitors an immersive look at poverty in America and the people working to address it. The People of Hope Museum, a nationwide initiative from Catholic Charities USA, made its two-day metro Atlanta stop Aug. 4-5, hosted
- [A Story Without an Audience Isn't a Story Yet](https://picturestoryteller.com/2026/08/11/a-story-without-an-audience-isnt-a-story-yet/) - I have a folder on my hard drive I only half-jokingly call the graveyard. It's full of stories I love — a wildlife photographer tracking recovery species through North Atlanta neighborhoods. This hairstylist has turned herself into the region's go-to Santa hair specialist every December, a ballplayer down the street who happened to be the
- [Nikon Z6 @ Insane High ISO](https://picturestoryteller.com/2019/12/30/nikon-z6-insane-high-iso/) - Top Photo Camera Settings: [NIKON Z 6, 28.0-300.0 mm f/3.5-5.6, Mode = Aperture Priority, ISO 51200, 1/100, ƒ/5.6, (35mm = 122)] I could not believe how dark the venue at Lips Atlanta was, but the Nikon Z6 took on the challenge and didn't disappoint. We celebrated the birthdays of Dorie Griggs, my wife, and my
- [We are persuaded by reason, but we are moved by emotion.](https://picturestoryteller.com/2014/09/08/we-are-persuaded-by-reason-but-we-are-moved-by-emotion-2/) - Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.8, 1/420 I have a few friends who have bipolar disorder. My heart breaks for people dealing with clinical depression. We even lost Robin Williams to this powerful, mind-altering condition. All of us will experience times of depression in our lives; that is just part of living. I hope these
- [Light diagrams for dancers (Part 2)](https://picturestoryteller.com/2011/10/07/light-diagrams-for-dancers-part-2/) - We liked the lights in the photo to give that backstage feel and decided to rotate some dancers through and go with the best one rather than changing things a great deal. I like giving my clients options. We tried a few different looks with different dancers. You get a different look by swapping dancers
- [Picture Storyteller Is Evolving: From Photography Blog to Stories That Matter](https://picturestoryteller.com/2026/08/09/picture-storyteller-is-evolving-from-photography-blog-to-stories-that-matter/) - For nearly 20 years, I have been writing at PictureStoryteller.com. When I started the site around 2006, the purpose was pretty simple. I was teaching photography, particularly lighting and the business of photography, and I wanted my students to have a place they could return to after class. I could share what I was learning,
- [Two Years with the Nikon Z9: Why It’s Still My Ultimate Choice](https://picturestoryteller.com/2023/12/06/two-years-with-the-nikon-z9-why-its-still-my-ultimate-choice/) - When I first laid my hands on the Nikon Z9, I knew it was a game-changer. Two years down the road, that belief has only strengthened. It’s not just another camera in my arsenal; it’s become an extension of my photographic journey. From the beginning, I’ve embraced the features that set it apart, making it
- [Two Decades Online: A Look Back at My Digital Trail](https://picturestoryteller.com/2026/07/01/two-decades-online-a-look-back-at-my-digital-trail/) - I recently went digging through the internet's memory to piece together my own digital history — everywhere I've shared my work online since I first got a photo on the web. What I found surprised even me. Here's the trail, in order, with links so you can follow along. 2001 — LearyPhoto on CompuServe My
- [How to Geotag Photos with Your Phone's GPS](https://picturestoryteller.com/2026/08/07/how-to-geotag-photos-with-your-phones-gps/) - Understand GPS Metadata for Photography and how geotagging with your phone makes photos searchable and locatable. Learn practical steps for major brands and keep metadata intact.
- [What Happens When You Point a Drone (and a Camera, and Some Care) at Roswell Small Businesses](https://picturestoryteller.com/2026/08/05/what-happens-when-you-point-a-drone-and-a-camera-and-some-care-at-roswell-small-businesses/) - Over the past week, I did something I've been wanting to do for a while: I turned my camera toward two businesses I actually use — I Canita Cake and Gus' Barbershop — to show my neighbors what I already know about them. I didn't expect the response. I Canita Cake: 31,768 Views in 5
- [Telling the Stories Behind the Membership Cards: My Work with Wellbridge](https://picturestoryteller.com/2026/07/22/telling-the-stories-behind-the-membership-cards-my-work-with-wellbridge/) - Marco Betti, owner of Antica Posta, a Tuscan restaurant and bar in Atlanta's Buckhead neighborhood, plays tennis at Wellbridge's Athletic Club Northeast in Atlanta, Ga., on September 22, 2009. Betti, who splits his time between the restaurant's exhibition kitchen and its wine dinners, uses time on the court to stay active outside the kitchen. Every
- [Why Band Camp Matters in One of Georgia's Most Educated Communities](https://picturestoryteller.com/2026/07/20/why-band-camp-matters-in-one-of-georgias-most-educated-communities/) - Roswell, Georgia, is one of the most highly educated cities in the state. Census data shows roughly 65% of adults here hold a bachelor's degree or higher — nearly double the statewide rate of about 34% and well above the national average. It's a community where parents think hard about what their kids' time is
- [From Helicopter to Drone: How Aerial Photography Changed in Seven Years](https://picturestoryteller.com/2026/07/26/from-helicopter-to-drone-how-aerial-photography-changed-in-seven-years/) - Stanley flying in a helicopter in 2014 above Blessed Trinity. Photo by Craig Carden In September 2014, I climbed into a helicopter to get aerial shots of Blessed Trinity High School for a recruiting campaign. The clock was working against me before I even left the ground — by the time the helicopter left the
- [Client Spotlight: PR Pro Elizabeth Fairleigh Builds Balance at Wellbridge](https://picturestoryteller.com/2026/07/22/client-spotlight-pr-pro-elizabeth-fairleigh-builds-balance-at-wellbridge/) - In October 2006, Atlanta public relations professional Elizabeth Fairleigh committed to her health, joining Wellbridge to bring the same discipline to her own well-being that she brought to her clients' success. At the time, Fairleigh was building a reputation as one of Atlanta's go-to independent PR professionals. She had spent years as PR director for
- [Client Spotlight: Chef Michael Tuohy's Recipe for Staying Sharp at Wellbridge](https://picturestoryteller.com/2026/07/22/client-spotlight-chef-michael-tuohys-recipe-for-staying-sharp-at-wellbridge/) - Long before he was known as one of Atlanta's pioneering farm-to-table chefs, Michael Tuohy learned an early lesson in his San Francisco kitchens: what you put into your body matters as much as what you put on the plate. Decades later, as the chef/owner of Atlanta's celebrated Woodfire Grill, Tuohy applied that same philosophy to
- [Client Spotlight: How Dan Fisk Found More Than Fitness at Wellbridge](https://picturestoryteller.com/2026/07/22/client-spotlight-how-dan-fisk-found-more-than-fitness-at-wellbridge/) - Back in 2011, Georgia Tech psychology professor Dan Fisk walked into a Wellbridge location in Atlanta looking for one thing: to get healthier. What he found was a partnership with trainer Keith Walker that changed how he showed up not just at the gym, but in the rest of his life. Fisk's day job is
- [A Log, a Lathe, and a Life Built by Hand](https://picturestoryteller.com/2026/07/20/a-log-a-lathe-and-a-life-built-by-hand/) - I spent a Saturday not long ago in Seth Gamba's shop, watching wood shavings curl off a spinning block of box elder as it slowly became a bowl. Later that same day, I was in a different room watching him lock into a groove on upright bass while a new blues band worked out its
- [Is Your Life in Knots?](https://picturestoryteller.com/2019/07/29/is-your-life-in-knots/) - Red-Tailed Hawk [X-E3, XF55-200mm F3.5-4.8 R LM OIS, Mode = Aperture Priority, ISO 400, 1/60, ƒ/4.8, (35mm = 300)] Life is just difficult for everyone. When we look at our own lives, these struggles can be overwhelming. My colleagues in photography have gone through many years of turmoil. Making the switch from film to digital
- [It was Friday, but now it is Sunday!](https://picturestoryteller.com/2020/04/12/it-was-friday-but-now-it-is-sunday/) - The photo above is from Honduras Outreach at Estaban Olancho. [X-E2, XF18-55mmF2.8-4 R LM OIS, Mode = Aperture Priority, ISO 6400, 1/60, ƒ/4, (35mm = 83)] Today, our world is suffering like never before in my lifetime. As Christians, we are celebrating today the day Jesus Christ rose from the dead. Last night, Dorie and
- [Photographing The Citadel's Rifle Legion Drill Team in a ballroom.](https://picturestoryteller.com/2017/04/24/photographing-the-citadels-rifle-legion-drill-team-in-a-ballroom/) - The Citadel's Rifle Legion Drill Team performs for the Project GO meeting held at the Francis Marion Hotel in downtown Charleston, SC. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 10000, ƒ/5.6, 1/250] I am in Charleston, SC, covering a meeting where The Citadel's Rifle Legion Drill Team performed. The Citadel Rifle Legion Drill Team is an
- [Hardship Doesn't Make You Creative. Neither Does Comfort.](https://picturestoryteller.com/2026/07/12/hardship-doesnt-make-you-creative-neither-does-comfort/) - I've spent a career pointing a lens at people — in boardrooms, on porches, at parades, in the quiet moment before someone realizes they're being photographed. Somewhere along the way, I learned that the real story isn't the isolated subject; it's the subject in relationship — to their environment, their people, their calling. You can't understand someone
- [Beyond the Elevator Pitch: Why Your Business Story Needs a Visual Voice](https://picturestoryteller.com/2026/07/07/beyond-the-elevator-pitch-why-your-business-story-needs-a-visual-voice/) - Do you have an elevator pitch? If you're a business owner, chances are the answer is yes. You've trimmed it down over months or years — cut the fat, sharpened the hook, practiced it until it sounds natural instead of rehearsed. You can deliver it in the time it takes an elevator to climb six
- [The Ten-Thousand Hour Rule: Key to Success in Any Field](https://picturestoryteller.com/2009/09/09/the-ten-thousand-rule/) - Malcolm Gladwell's concept of the Ten-Thousand-Hour Rule still holds today, as it did when he first introduced it in his book Outliers. In this book, Gladwell cites a 1990s study of violinists by psychologist K. Anders Ericsson, which found that great players had put in 10,000 hours of practice by age 20. Gladwell argues that
- [The Hall of Famer in the Next Locker](https://picturestoryteller.com/2026/06/29/two-years-in-the-locker-room/) - For two years, I had a locker next to Ron Blomberg at a gym in Alpharetta. I knew he was friendly. I knew everyone liked him. I knew he never walked through a room without starting three conversations before he reached the door. What I didn't fully reckon with — at least not right away
- [Anticipation is key to capturing a decisive moment](https://picturestoryteller.com/2012/03/21/anticipation-is-key-to-capturing-a-decisive-moment/) - One of the more obvious places to capture a decisive moment in photography, I think, is in sports photography. Most everyone understands the purpose of the game—scoring points. Key ingredients (Most of the time) 1. The ball2. The competition3. Expression of the athletes Capturing these moments requires the photographer to anticipate them, not just recognize
- [Dress for Success](https://picturestoryteller.com/2017/05/10/dress-for-success/) - Nikon D750, 28-300mm, ISO 2200, ƒ/5.6, 1/100 My good friend Robin Nelson and I enjoy catching up over coffee, and our latest conversation was about how surprised we are about how photographers dress on jobs. Now above is my good friend James Dockery getting a video in a church in Romania. Dressing in dark colors
- [Community Is My Beat](https://picturestoryteller.com/2026/06/27/community-is-my-beat/) - I am not covering events. I am covering the people who show up — and what their presence says about who we are to each other. When my editor sends me out on an assignment, the brief is usually about an event: a festival, a fundraiser, a ceremony. But by the time I walk back
- [Why Your Sharpest-Looking Settings Might Be Ruining Your Images](https://picturestoryteller.com/2026/06/25/why-your-sharpest-looking-settings-might-be-ruining-your-images/) - Most photographers learn early that aperture controls depth of field. What takes longer to learn — sometimes the hard way — is that the two extremes of the aperture range each produce soft images, but for completely different reasons. And if you don't understand why, you'll spend a lot of time blaming your lens for
- [Why Computer Maintenance Matters More Than Most People Realize](https://picturestoryteller.com/2026/06/24/why-computer-maintenance-matters-more-than-most-people-realize/) - Yesterday I helped a client move files from a seven-year-old Windows laptop to a new Windows 11 computer. I expected the process to be simple. The old laptop only needed three folders transferred: Documents Music Pictures The plan was straightforward: copy those folders to an external SSD and then move them to the new computer.
- [Please, Not the Stranger](https://picturestoryteller.com/2026/06/20/please-not-the-stranger/) - The fear is real. So is the reward of crossing the line anyway. Almost everyone who has ever had to approach a stranger — to interview them, sell to them, photograph them, or simply love them as a neighbor — has felt the same tightening in the chest right before they do it. That feeling
- [Talking to Strangers Is the Most Important Lens You'll Ever Own](https://picturestoryteller.com/2026/06/19/talking-to-strangers-is-the-most-important-lens-youll-ever-own/) - After 40+ years of teaching photography, I can tell you the hardest assignment isn't lighting, composition, or gear. It's getting a student to walk up to someone they've never met and start a conversation. This week I was filling in for my friend Bill Bangham, who was scheduled to teach photojournalism but is still recovering
- [How Should I Be Responding to a Critique?](https://picturestoryteller.com/2026/06/18/how-should-i-be-responding-to-a-critique/) - Photographer and instructor Brien Aho works with students during a hands-on critique session, offering targeted feedback on composition, light, and storytelling. A critique is information about your photograph — not a verdict about you as a person. Learning to receive feedback well is one of the most powerful skills a photographer can develop. Understanding the
- [You Don't Need a Team to Be a Leader — You Just Need a Mirror](https://picturestoryteller.com/2026/06/18/you-dont-need-a-team-to-be-a-leader-you-just-need-a-mirror/) - How the Ideas of Brené Brown, Adam Grant, and Simon Sinek Are Actually More Powerful When You Work Alone There's a moment every freelancer knows. You're sitting at your desk — no team, no manager, no morning standup — and you've just finished a leadership podcast or cracked the spine on another business bestseller. And
- [Walter Cronkite's Warning and What It Means for Organizations Today](https://picturestoryteller.com/2026/06/17/walter-cronkites-warning-and-what-it-means-for-organizations-today/) - For decades, organizations relied on newspapers, magazines, radio stations, and television networks to help tell their stories. If a business launched a new service, a nonprofit started a new program, or a ministry made an impact in the community, they often turned to journalists to share the news. Then everything changed. The rise of Craigslist
- [Every Leader Should Go Through "Media Training"—Even If You Never Face a Camera](https://picturestoryteller.com/2026/06/14/every-leader-should-go-through-media-training-even-if-you-never-face-a-camera/) - Billy Darling, left, on lead guitar, and Devron Hooker on bass perform with Electric Soul at Guston's Grille in Woodstock, Ga., on Saturday, June 13, 2026. The band's performance of classic rock favorites drew a crowd of regulars, including members of the “Rock and Reunion” group, who gather weekly at live music venues along the
- [Your best clients don't need you.](https://picturestoryteller.com/2014/10/29/your-best-clients-dont-need-you/) - Reading Time: 2 minutes One of the most interesting business lessons I’ve heard came from investors discussing startups. They noted that having too many resources too early can sometimes be a disadvantage. When people assume they already know the answer, they often invest heavily in ideas without first understanding what their customers truly need.The same
- [Why Team Photos Matter: Showing Customers the People Behind Your Brand](https://picturestoryteller.com/2023/11/15/capturing-the-spirit-of-the-season-the-power-of-team-photos-for-holiday-cards/) - In a world filled with logos, websites, and automated communications, it's easy for companies to feel impersonal. Yet one truth remains constant: people do business with people. One of the simplest and most effective ways to humanize your brand is through professional team photography. Whether used on your website, social media, annual reports, recruitment materials,
- [The Relational Photographer: Why Connection Creates Better Pictures](https://picturestoryteller.com/2014/04/27/how-not-to-be-a-creepy-photographer-but-a-pleasant-photographer/) - Trust opened the door to this photograph. After taking time to build a relationship, I was invited into her home to document a quiet moment as she worked at her sewing machine. Some photographers chase moments. Others build relationships. I believe the photographers who consistently create the most meaningful images are the ones who invest
- [Student's 3:1 Lighting Ratio results](https://picturestoryteller.com/2015/02/12/students-13-lighting-ratio-results/) - © 2015 Stephanie LeilaniThese are the students' assignment results, in which they were to create a 1:3 lighting ratio for the subjects. They could add a background color or just white. They could also have fun, but they had to demonstrate the 1:3 lighting setup.Assignment Description:1:3 lighting ratio. This photo uses classic lighting.Items:SoftboxThis light is
- [More Than a Car Show: Building Community One Conversation at a Time](https://picturestoryteller.com/2026/06/07/more-than-a-car-show-building-community-one-conversation-at-a-time/) - This weekend I had the privilege of serving as the official photographer for Roswell Cops N Cars, an event hosted by the Friends of Roswell Police Foundation in partnership with the Roswell Police Department. On the surface, it was everything you would expect from a great community car show. Classic cars lined the parking lot,
- [Your Brand Is Too Important to Hand to the Cheapest Person With a Camera](https://picturestoryteller.com/2026/06/05/your-brand-is-too-important-to-hand-to-the-cheapest-person-with-a-camera/) - "We have a college student who takes great photos." I hear this all the time. And sometimes it's true. That college student may be talented, enthusiastic, and capable of making a few outstanding photographs. But if your brand matters, hiring a photographer should never be based on whether someone owns a nice camera or has
- [The Secret to Finding Great Stories: Learning How to Listen](https://picturestoryteller.com/2026/06/02/the-secret-to-finding-great-stories-learning-how-to-listen/) - Last week, while teaching at the School of Photography with YWAM Dunham in Quebec, one of the students, Sandrine Frédéric, asked me a question that many beginning storytellers wrestle with: "How do you interview someone?" For many young photographers and videographers, interviewing people is terrifying. Pointing a camera at someone is easy compared to asking
- [The Moment It Clicks: Why I Keep Teaching Photography After 20 Years](https://picturestoryteller.com/2026/05/29/the-moment-it-clicks-why-i-keep-teaching-photography-after-20-years/) - This past week, I had the privilege of teaching studio lighting and business practices to students in the School of Photography at YWAM Dunham in Quebec, Canada. While photography is often associated with cameras and gear, my goal has always been to help students understand that great photography is built on mastering light and learning
- [Clamshell Lighting: My Favorite Setup for Fast, Flattering Headshots](https://picturestoryteller.com/2026/05/27/clamshell-lighting-my-favorite-setup-for-fast-flattering-headshots/) - On May 26, while teaching at the School of Photography with Youth With A Mission (YWAM) in Dunham, Quebec, Canada, I spent time showing students one of the most practical lighting setups I know: clamshell lighting, sometimes called butterfly lighting with fill. If I have to photograph a lot of people in a short period
- [The Most Rewarding Part of Photojournalism Isn't Publication](https://picturestoryteller.com/2026/05/21/the-most-rewarding-part-of-photojournalism-isnt-publication/) - When I first started as a student photographer at East Carolina University, I quickly discovered that I loved working for the newspaper more than the yearbook. The yearbook was beautiful. It had higher production quality and was designed to become a keepsake people would hold onto for years. But the newspaper had something different. It
- [Why My Best Photos Started With Better Questions](https://picturestoryteller.com/2026/05/20/why-my-best-photos-started-with-better-questions/) - When I started my professional career as a photojournalist for The Hickory Daily Record in Hickory, North Carolina, in 1984, my job was pretty simple. I took photographs and gave the reporter enough information to write the captions. Back then, I was trained to think in shots: Opener — sets the scene Decisive moment —
- [Lighting Assignment: Combining Studio Strobes with Available Light](https://picturestoryteller.com/2016/02/12/lighting-assignment-combining-studio-strobes-with-available-light/) - Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 2500, ƒ/10, 1/50 This last shooting assignment I have given my class this week is to take a studio strobe out and make a photo where this complements the light already in the scene. Before they shot in the field, I did two different
- [The Most Important Storytelling Question: “So That…”](https://picturestoryteller.com/2026/05/13/the-most-important-storytelling-question-so-that/) - I often draw on communication principles from the Bible, not just because I’m a professional storyteller, but because faith has shaped much of my life. I grew up in a pastor’s home. I later attended seminary myself, and my wife also attended seminary and now serves as a chaplain. Alongside my work as a photographer,
- [Shoot to an outline for a Photo Story or Essay](https://picturestoryteller.com/2013/10/03/shoot-to-an-outline-for-a-photo-story-or-essay/) - Arabica coffee is grown at high altitudes under shade, as you can see with this plant in Mexico. A few blogs earlier, I discussed the importance of picking a good subject. Here is a link to that blog. Once you have your subject, construct an outline of how you would tell the story. Here are some photos
- [Freelance Professional Photographers: Your Spouse is THE KEY to success](https://picturestoryteller.com/2014/08/27/freelance-professional-photographers-your-spouse-is-the-key-to-success/) - My parents, David and Bonita, when they were dating Growing up, I watched my parents support one another. We hear that children do better when raised in a two-parent home. Children raised in intact married families: are more likely to attend college are physically and emotionally healthier are less likely to be physically or sexually
- [The Story Isn’t About You. It’s About the Audience.](https://picturestoryteller.com/2026/05/08/the-story-isnt-about-you-its-about-the-audience/) - One of the hardest lessons for organizations to learn is this: The stories you most want to tell are not always the stories your audience most wants to hear. That can feel frustrating, especially when you have poured years of work, passion, sacrifice, and resources into something important. But storytelling is not simply about importance.
- [Moving from the Kid’s Table to the Adult Table](https://picturestoryteller.com/2026/05/01/moving-from-the-kids-table-to-the-adult-table/) - KSU Tellers Spring Performance There's a moment most of us miss entirely. The first time we're given a seat at the adult table. At first, you mostly listen. You laugh when others laugh. You absorb the rhythm of conversation — the timing of a punchline, the pause that makes a story land. You're surrounded by
- [Why I’m Using On-Camera Flash Outside for Newspaper Photojournalism](https://picturestoryteller.com/2026/05/06/why-im-using-on-camera-flash-outside-for-newspaper-photojournalism/) - Mark Romzick, president of the Upper Chattahoochee Chapter of Trout Unlimited, carries his coat back to the car as the day warms up. Romzick said, “I love fly fishing, and this is a way to preserve streams for future generations." When I pulled into Chattahoochee Pointe Park to cover a tree-planting event along the river,
- [What You Miss When You Only Photograph the Moment](https://picturestoryteller.com/2026/05/04/what-you-miss-when-you-only-photograph-the-moment/) - Friends dressed in Derby attire attend the fourth annual Down & Derby fundraiser benefiting Children’s Healthcare of Atlanta at Crabapple Market Green on Saturday, May 2, 2026, in Alpharetta, Ga. From left are Daniel and Luz Cardamone, Lindsey Liranzo, Laura Hinchee, Mike Liranzo, and Dan Hinchee. Covering the Down & Derby event was one of
- [AI Can Make a Perfect Photo—But It Can’t Feel One](https://picturestoryteller.com/2026/04/30/ai-can-make-a-perfect-photo-but-it-cant-feel-one/) - Two cowgirls who have dismounted from their horses are attempting to flip the steer to complete the sequence. In team roping, a header ropes the steer’s head while a heeler targets the hind legs, working in coordination from horseback. They are competing in the Panaʻewa Stampede Rodeo in Hilo, Hawaii We’re entering an era where
- [Your Photo Isn’t the Whole Story](https://picturestoryteller.com/2026/04/29/your-photo-isnt-the-whole-story/) - Chief Pabel Troche couldn’t help but laugh in this moment during the Roswell Citizens’ Fire Academy. He had just asked Michael Dal Cerro a simple but loaded question: “If you were in a fire, who in this class would you trust most to come rescue you?” Michael paused, smiled, and said, “Well… I guess I
- [What a Bald Eagle Taught Me About Patience, Preparation, and Business](https://picturestoryteller.com/2026/04/27/what-a-bald-eagle-taught-me-about-patience-preparation-and-business/) - [NIKON Z 9, NIKKOR Z 100-400mm f/4.5-5.6 VR S Z TC-1.4x, Mode = Manual, ISO 4500, 1/2500, ƒ/8, (35mm = 560)] The first time I photographed a Bald Eagle fishing, it happened in the first 20 minutes. Perfect light. Perfect timing. Perfect moment. And if I’m honest, that moment spoiled me. Because ever since then,
- [Understanding Anxiety Through Life Moments and Work Disruptions](https://picturestoryteller.com/2026/04/20/understanding-anxiety-through-life-moments-and-work-disruptions/) - There are moments in life that seem small on the outside but create a cascade of thoughts on the inside. A camera strap coming undone is one of those moments for me. My Nikon Z 100–400 lens is now off for repair after my camera dropped. On the surface, it’s a gear issue. But internally,
- [Why Your Gut Reacts Before Your Brain: What Photojournalists Can Teach Us About Seeing](https://picturestoryteller.com/2026/04/18/why-your-gut-reacts-before-your-brain-what-photojournalists-can-teach-us-about-seeing/) - I’ve long believed that photojournalists don’t just take pictures—they train themselves to see. And in doing so, they uncover something most people overlook: your gut reacts long before your brain has time to explain why. That reaction? It’s not random. It’s built on what you see and hear—far more than the words someone chooses. 1.
- [Seeing the Story Differently at Atlanta’s Eid Celebration](https://picturestoryteller.com/2026/04/16/seeing-the-story-differently-at-atlantas-eid-celebration/) - For years, I’ve attended the Atlanta Mayor’s Eid Celebration with a camera in hand—there to serve a client, ensure every moment was captured, and deliver a complete visual story of the evening. This time was different. I was invited by Soumaya Khalifa of the Islamic Speakers Bureau of Atlanta, and instead of working the event,
- [My First Bald Eagle: Why Being Ready Matters More Than Being Perfect](https://picturestoryteller.com/2026/04/14/my-first-bald-eagle-why-being-ready-matters-more-than-being-perfect/) - [NIKON Z 9, NIKKOR Z 100-400mm f/4.5-5.6 VR S Z TC-1.4x, Mode = Manual, ISO 9000, 1/2500, ƒ/8, (35mm = 560)] This morning reminded me why I still get excited about photography after all these years. It wasn’t just about capturing my first bald eagle—it was about being ready when the moment showed up. The
- [AI Didn’t Replace Visual Storytelling—It Raised the Bar for Emotional Truth](https://picturestoryteller.com/2026/04/13/ai-didnt-replace-visual-storytelling-it-raised-the-bar-for-emotional-truth/) - There’s a lot of noise right now about AI in visual storytelling. Some say it will replace photographers. Others say it will make real images irrelevant. But what I’m seeing in the field tells a very different story. AI hasn’t replaced visual storytelling. It has raised the expectation for emotional truth. And that changes everything.
- [If the Camera Can Do Everything… What’s Left for the Photographer?](https://picturestoryteller.com/2026/04/10/if-the-camera-can-do-everything-whats-left-for-the-photographer/) - I’ve been watching cameras get smarter my entire career. Today, you can pick up a camera that will track a bird in flight, lock onto the eye, nail the exposure, and get you pretty close on white balance—all without you doing much at all. That used to take years to learn. So it raises a
- [Simple one light setup to balance existing light](https://picturestoryteller.com/2017/07/26/simple-one-light-setup-to-balance-existing-light/) - [Nikon D5, Sigma 35mm ƒ/1.4, ISO 400, ƒ/1.4, 1/125–Alienbees B1600, Translucent Umbrella, Pocketwizard remotes] My daughter helped me today with a photo shoot. Here she stood in for a test shot where I needed a key/leading light due to the overhead skylight creating unpleasant light on her face. Once I had my setup, I dialed
- [Why Smart Organizations Lead With Visual Storytelling](https://picturestoryteller.com/2026/04/09/why-smart-organizations-lead-with-visual-storytelling/) - If your goal is to get people to understand what you do, words will get you there. If your goal is to get people to care, trust you, and ultimately take action, you need to lead with visuals. This isn’t about creativity. It’s about how people make decisions. Simon Sinek popularized the idea of starting
- [Stop Living in Binary: Why Freelancers Need to Embrace the Infinite Game](https://picturestoryteller.com/2026/04/08/stop-living-in-binary-why-freelancers-need-to-embrace-the-infinite-game/) - Most freelancers I meet are exhausted—and it’s not just from the workload. It’s from the way we’ve been trained to think about our work. We default to binary thinking: Success or failure Booked or broke Good client or bad client Win or lose It feels clean. Simple. Manageable. But it doesn’t match reality. “It’s complicated.”
- [When “Just Show Up and Shoot” Isn’t Enough](https://picturestoryteller.com/2026/04/07/when-just-show-up-and-shoot-isnt-enough/) - Most people think great photography is about what happens when the shutter clicks. It’s not. It’s about everything that happens before and after. Recently, I had a simple request from Jim Rasmussen. He was speaking at a devotional at Chick-fil-A’s Support Center and wanted “good photos if possible.” That phrase—if possible—is where most photographers miss
- [Why Easter Eggs Matter (And What Photographers Should See That Others Miss)](https://picturestoryteller.com/2026/04/05/why-easter-eggs-matter-and-what-photographers-should-see-that-others-miss/) - Most people see Easter eggs and think of color, candy, and kids running through the yard. As photographers, we should see something deeper. Because behind every egg is a story—and if you miss that story, you’re just taking pictures of objects instead of creating images that mean something. The Symbol Most People Know In the
- [Naive Enough to Start](https://picturestoryteller.com/2026/04/03/naive-enough-to-start/) - There’s a moment before anyone starts something new where they stand at the edge of what they don’t know. For some, that’s where they stop. For others, that’s where they begin. Naiveté—what we often dismiss as inexperience or lack of awareness—might actually be one of the most powerful assets an entrepreneur has. Because if you
- [Don’t Just Document It—Make People Feel It: A Guide for Photojournalists](https://picturestoryteller.com/2026/03/31/dont-just-document-it-make-people-feel-it-a-guide-for-photojournalists/) - Emotion is the difference between a photo that informs and one that stays with someone. In photojournalism, you’re not just documenting what happened—you’re helping people feel why it matters. Anyone can record an event. What separates strong visual storytelling is the ability to recognize moments that carry weight, tension, and humanity—and to be ready when
- [The client is the one paying you.](https://picturestoryteller.com/2012/08/12/the-client-is-the-one-paying-you/) - A person, not a company, hires you. One of the most important things to understand is this: a person hires you—not a company. If John Smith hires you to photograph a project while working at Coke, your client isn’t Coke—it’s John Smith. I worked for Georgia Tech a few years ago, and the issue of
- [Make your photos "DIFFERENT" at events, or don't get hired.](https://picturestoryteller.com/2014/05/02/make-your-photos-different-at-events-or-dont-get-hired/) - Nikon D4, 14-24mm, ISO 100, ƒ/10, 1/100, off-camera flash using the Neewer TT850 flash & Neewer 433MHz Wireless 16 Channel Flash Remote Trigger I am often hired to cover events. Of course, anyone with a camera could cover these events, but I make my photos look different every time. I am using off-camera flash to
- [Introducing Simple, Scalable Storytelling Services for Your Brand](https://picturestoryteller.com/2026/03/31/introducing-simple-scalable-storytelling-services-for-your-brand/) - Most organizations don’t struggle with knowing they need better visuals or stronger storytelling—they struggle with knowing where to start. Some need a single, powerful story to clarify who they are. Others need a steady flow of content to stay visible and relevant. And many are somewhere in between. That’s why I’ve created four clear service
- [When Is It Safe to Reformat Your Camera Memory Card?](https://picturestoryteller.com/2026/01/13/when-is-it-safe-to-reformat-your-camera-memory-card/) - One of the most common questions I hear from photographers—especially those getting more serious about paid work—is surprisingly simple: “When is it actually safe to reformat my memory card?” The short answer is: later than you probably think. The longer answer has everything to do with workflow, redundancy, and understanding that your value to a
- [When Lightroom Forgets What It Knows: A Duplicate Import Lesson](https://picturestoryteller.com/2026/01/14/when-lightroom-forgets-what-it-knows-a-duplicate-import-lesson/) - One of the things Lightroom is supposed to do well is protect us from ourselves. When you import photos, Lightroom has that comforting checkbox: “Don’t Import Suspected Duplicates.” In theory, if an image already exists in the catalog, Lightroom should recognize it and skip it. In theory. Recently, I ran into a situation where that
- [Why Being a Great Journalist Doesn’t Automatically Make You a Great Organizational Storyteller](https://picturestoryteller.com/2026/01/16/why-being-a-great-journalist-doesnt-automatically-make-you-a-great-organizational-storyteller/) - Back in 2008, when Greg Thompson—then Director of Corporate Communications at Chick-fil-A—asked me to come on as a visual communications consultant, he didn’t just want pretty pictures. He wanted results. And the question he kept asking me until it finally clicked was this: “How is this proposal going to help operators and Chick-fil-A sell more
- [When the Phone Stops Ringing: A Hard Season Many Storytellers Face](https://picturestoryteller.com/2026/01/18/when-the-phone-stops-ringing-a-hard-season-many-storytellers-face/) - There’s a moment many photographers, videographers, and storytellers eventually experience—but almost no one talks about it publicly. A major client goes quiet.Another one disappears entirely.Calls aren’t returned. Emails go unanswered.Work you assumed would continue… just stops. I’ve had this happen to me more than once in my career. And I’ve been doing this a long
- [Maria & Chris | A Joy-Filled Wedding](https://picturestoryteller.com/2026/01/19/maria-chris-a-joy-filled-wedding/) - Some weddings are meaningful because of the details.Some because of the emotion.And some because of the history that led to the day. Maria & Chris’ wedding at Primrose Cottage in Roswell, Georgia was all three. I’ve been working with Maria’s mom for over 20 years, and along the way, I met Maria on one of
- [A Visit with John Payne and His Nikon Legacy](https://picturestoryteller.com/2026/01/22/a-visit-with-john-payne-and-his-nikon-legacy/) - Not long ago, I had the chance to swing by and catch up with an old family friend and fellow photographer: John Payne. John and I share something pretty special — he grew up in the same church where my grandfather was pastor, and I’ve known his family for as long as I can remember.
- [A Simple Event Hack I Wish I’d Done Years Ago: Custom Reserved Chair Signs](https://picturestoryteller.com/2026/01/31/a-simple-event-hack-i-wish-id-done-years-ago-custom-reserved-chair-signs/) - After shooting events for most of my life, I’ve learned something that may sound counterintuitive: The less you move, the better your work—and the better the experience for everyone else in the room. Don’t get me wrong. I still get up. I still move. I still chase moments. But when I can do my job
- [My Brain Won’t Let Go… And That’s Actually a Superpower](https://picturestoryteller.com/2026/02/03/my-brain-wont-let-go-and-thats-actually-a-superpower/) - Ever apologize for something and feel done with it—only to have your brain hit repeat? Yeah… me too. Sometimes, even when I know I’ve done everything I can, my mind keeps replaying the conversation like a broken record. If you’re autistic, this is pretty common. Our brains are wired to notice patterns, hold onto details,
- [The Most Important Work You’ll Ever Do (And Why Your Creativity Depends on It)](https://picturestoryteller.com/2026/02/06/the-most-important-work-youll-ever-do-and-why-your-creativity-depends-on-it/) - I’m becoming more convinced that the most important work we do in life isn’t our job, our craft, or even our calling. It’s the work we do on ourselves. Not in a self-help, navel-gazing kind of way—but in a posture of honest self-curiosity. Who am I, really?What are my gifts?Where am I weak?Where do I
- [Remembering in the Dark: Why I Put the Zooms Away at the Officer Jeremy Labonte Memorial Vigil](https://picturestoryteller.com/2026/02/09/remembering-in-the-dark-why-i-put-the-zooms-away-at-the-officer-jeremy-labonte-memorial-vigil/) - [NIKON Z 9, 85mm f/1.8G, Mode = Aperture Priority, ISO 18000, 1/250, ƒ/1.8, (35mm = 85)] Remembering in the Dark: Why I Put the Zooms Away at the Officer Jeremy Labonte Memorial Vigil One year ago, Officer Jeremy Labonte was killed in the line of duty while serving the City of Roswell. This past weekend,
- [House Cleaning Tips for Photographers](https://picturestoryteller.com/2026/02/11/house-cleaning-tips-for-photographers/) - Because creativity thrives in clean systems. Most photographers love the creative side of the craft. Very few love maintenance. But the truth is this: your camera, your computer, and your workflow are tools. And tools that aren’t maintained will eventually fail you — often at the worst possible moment. If you want fewer surprises, faster
- [How SSD & Memory Card Prices Changed (2024–2026)](https://picturestoryteller.com/2026/02/13/how-ssd-memory-card-prices-changed-2024-2026/) - Over the past couple of years, the storage market has shifted from a long price decline (where SSDs and memory cards steadily got cheaper) to a period of rapid price increases across the board: Key Trends ● 2023–2024: SSD and NAND flash pricing began stabilizing after years of decline as oversupply receded.● 2025: NAND flash
- [My One-Month Review of Aftershoot (February 2026)](https://picturestoryteller.com/2026/02/17/my-one-month-review-of-aftershoot-february-2026/) - I’ve been using Aftershoot for the past month during the free trial period, and I’ve decided to subscribe. That alone tells you something. The short answer to the big question: Does it save time?Yes. It does. But let’s unpack that. Where Aftershoot Really Helps Aftershoot is very good at the technical side of culling: Identifying
- [My Follow-Up on Aftershoot: I No Longer Recommend It](https://picturestoryteller.com/2026/02/20/my-follow-up-on-aftershoot-i-no-longer-recommend-it/) - Aftershoot assigned this image a 4-star rating during culling, even though it is out of focus. A few days ago, I shared my one-month review of Aftershoot and mentioned that I was planning to purchase it. After completing several more projects with it, I need to update that recommendation. I no longer recommend Aftershoot. When
- [When Every Name Matters: Capturing What It Feels Like to Be Seen](https://picturestoryteller.com/2026/02/24/when-every-name-matters-capturing-what-it-feels-like-to-be-seen/) - Jasmine Montgomery stands at the front of the room, naming nearly 400 team members from memory — one by one — as their faces appear on the screen behind her. In a department built on serving others, this moment quietly reminds everyone that they, too, are known. There are shoots where I’m simply documenting what
- [Ole Timers Dinner – Brotherhood That Doesn’t Retire](https://picturestoryteller.com/2026/02/26/ole-timers-dinner-brotherhood-that-doesnt-retire/) - Ryan Rucker and Dorie Griggs, Chaplain for the Roswell Fire Department, share a genuine reaction as another story unfolds across the table—one of those moments where laughter, memory, and years of brotherhood all meet in a single expression. There’s something powerful about being in a room filled with people who have spent decades running toward
- [What You Should Be Working on to Become a Photojournalist](https://picturestoryteller.com/2026/03/02/what-you-should-be-working-on-to-become-a-photojournalist/) - If you want to become a photojournalist, you need to understand something up front: this isn’t about taking pretty pictures. It’s about telling stories that make people feel something. And that requires two things working together all the time—technical mastery and emotional intelligence. Let’s start with the foundation. Master the Technical First Before anyone trusts
- [Celebrating Visual Storytelling at UTC’s 10th Annual Photo Night](https://picturestoryteller.com/2026/03/05/celebrating-visual-storytelling-at-utcs-10th-annual-photo-night/) - Billy Weeks interviews Brynn Anderson of the Associated Press during the 10th Annual Photo Night at the University of Tennessee at Chattanooga. Anderson shared stories from more than a decade covering major sporting events—including the Super Bowl, World Series, Olympics, and NCAA Final Four—and offered insights into what it takes to consistently deliver under pressure
- [When Photojournalists Forget the Words](https://picturestoryteller.com/2026/03/07/when-photojournalists-forget-the-words/) - Doug Mills shares the story behind a historic black-and-white photograph from Ground Zero, capturing President George W. Bush embracing a firefighter amid the rubble and rescue workers following the September 11 attacks. Over the years, I’ve noticed something interesting when photojournalists present their work at conferences or workshops. Many of them rely heavily on writers
- [Seeing Stories in the Smoke: What the Roswell Citizens’ Fire Academy Is Teaching Me About Storytelling](https://picturestoryteller.com/2026/03/11/seeing-stories-in-the-smoke-what-the-roswell-citizens-fire-academy-is-teaching-me-about-storytelling/) - Over the past few weeks, I’ve been attending the Citizens’ Fire Academy with the Roswell Fire Department here in Roswell. I originally signed up simply because I was curious. Like many people, I see fire trucks rushing past and know that somewhere a team of professionals is responding to an emergency. But I realized I
- [What Chores Taught Me About Building a Successful Creative Business](https://picturestoryteller.com/2026/03/13/what-chores-taught-me-about-building-a-successful-creative-business/) - A woman draws water from a well in Dakoro, Burkina Faso, West Africa, to supply her household’s daily needs. When I was growing up, my parents made sure my sisters and I had chores. Not occasional chores—regular chores. Some were daily. After dinner, we swept the kitchen and mopped the floor. We cleared the table.
- [When Your Dream Doesn’t Pay the Bills](https://picturestoryteller.com/2026/03/16/when-your-dream-doesnt-pay-the-bills/) - In Lima, Peru, we practiced mock interviews to teach missionaries how to draw out authentic stories and work effectively with a translator. Great storytelling doesn’t happen by accident—it’s learned, refined, and practiced. Early in my career, I had what I thought was my dream job. I was working for a Christian mission organization doing photography
- [When You Don’t Have the Whole Story (And Why That Matters More Than You Think)](https://picturestoryteller.com/2026/03/18/when-you-dont-have-the-whole-story-and-why-that-matters-more-than-you-think/) - During week five of the Roswell Fire Citizens’ Academy, we focused on the role of the Public Information Officer. On the surface, it’s about communicating clearly during emergencies. But what struck me most is how the lessons apply far beyond crisis communication—they speak directly to how we all communicate every day. We started with a
- [ƒ/8 and Be There: The Timeless Advice That Still Wins](https://picturestoryteller.com/2026/03/19/ƒ-8-and-be-there-the-timeless-advice-that-still-wins/) - The little boy holds onto the sheep during a Mutton Busting event at a rodeo, similar to bull or bronc riding, in which children ride or race sheep—the Panaewa Stampede Rodeo at the Equestrian Center Complex, Stainback Highway, Hilo, Hawaii. There’s an old saying in photojournalism: “ƒ/8 and be there.” It sounds almost too simple—especially
- [Before You Take the Photo… Do This First](https://picturestoryteller.com/2026/03/20/before-you-take-the-photo-do-this-first/) - One of the biggest differences between someone who gets the shot and someone who misses it has very little to do with creativity—and everything to do with preparation. Moments don’t wait for you. If you’re still fiddling with settings when the peak action, emotion, or expression happens… It’s gone. That’s why the most important part
- [Bringing Order to Your Photos: A Practical System for Organizing a Lifetime of Images](https://picturestoryteller.com/2026/03/23/bringing-order-to-your-photos-a-practical-system-for-organizing-a-lifetime-of-images/) - Most people don’t realize how scattered their photos have become until they go looking for something specific—and can’t find it. Maybe it’s a family moment buried on an old CD. A trip stored on a thumb drive in a drawer. A hard drive sitting on a shelf. Or images floating in a cloud account you
- [What a Cue Rehearsal Taught Me About Better Storytelling](https://picturestoryteller.com/2026/03/26/what-a-cue-rehearsal-taught-me-about-better-storytelling/) - Most people only see the final performance.What they don’t see is the moment where everything either comes together—or falls apart. I recently photographed a cue rehearsal for the musical She Loves Me at Kennesaw State University’s Robert S. Geer Family College of the Arts, and it reminded me of something every organization needs to understand
- [What I Saw From Above and On the Ground in Roswell](https://picturestoryteller.com/2026/03/28/what-i-saw-from-above-and-on-the-ground-in-roswell/) - There are moments when a story is best understood in layers—what you see from a distance, and what you feel when you’re standing inside it. Today’s “No Kings” rally at the corner of Holcomb Bridge Road and Alpharetta Highway in Roswell, Georgia, was one of those moments. From the ground, it was a gathering of
- [When a Story Gets Attention… What Is It Really Revealing?](https://picturestoryteller.com/2026/03/30/when-a-story-gets-attention-what-is-it-really-revealing/) - Over the past year, I’ve photographed many meaningful moments. Stories of faith.Stories of service.Stories of people doing quiet, important work that most never see. But this week, something different happened. My photojournalistic coverage of the “No Kings” protest in Roswell—shot for ZUMA Press—reached more people on Facebook than almost anything I’ve shared all year. 18,000+
- [The Psychology of the Telephoto Lens](https://picturestoryteller.com/2009/01/14/the-psychology-of-the-telephoto-lens/) - Nikon D3S, ISO 200, f/5.6, 1/125, & 300mm using an Alienbees 1600 Flash for fill flash. “What I need is a telephoto lens.” We’ve all said this. But, unfortunately, it doesn’t take long to discover we can’t get close enough to our subjects with a “normal” lens. If you have kids in sports or the
- [Know your audience](https://picturestoryteller.com/2019/01/29/know-your-audience/) - Look carefully at these first two photographs. What is similar, and what is different? They are in the same church on the same day. The difference is that the church has two types of worship services. The very first photo is from 8:45 a.m. Contemporary Worship Service and the second is from the 11:05 a.m.
- [The Important Role of Dad in Daughter's Lives](https://picturestoryteller.com/2017/11/17/the-important-role-of-dad-in-daughters-lives/) - A father's influence on a daughter's self-image. A dad's involvement in his daughter's life is a crucial ingredient in developing a young woman's self-esteem. ... Direct involvement and encouragement by her father will help diminish a girl's insecurity and increase her confidence in her abilities. My favorite type of photo is one that creates an
- [Following UGA Head Coach Mark Richt for a game assignment](https://picturestoryteller.com/2014/12/04/following-uga-head-coach-mark-richt-for-a-game-assignment/) - Decision Magazine hired me to follow UGA head coach Mark Richt and his wife, Katharyn Richt. If it worked out, I was to try to get photos of them together. That never happened, but I stuck with the coach and his wife for the rest of the day. I arrived early, met Katharyn, and then
- [Tips for Parents shooting sports](https://picturestoryteller.com/2013/04/29/tips-for-parents-shooting-sports/) - Nikon D4, Sigma 120-300mm ƒ/2.8 with Sigma 1.4 converter, ISO 900, ƒ/5.6, 1/2000 I am so thankful I was covering this lacrosse game between The Citadel and Emory University this past Friday, rather than when it was first played. Initially, they had between 100 and 1,000 players on a much larger field and played for
- [7 Tips for the financially struggling photographer](https://picturestoryteller.com/2018/02/07/7-tips-for-the-financially-struggling-photographer/) - A few weeks ago, I had a Facebook friend request. It was another photographer. Now, this scenario has happened to me more than once. I want to walk you through what happened and what I want to share with those photographers who are struggling financially. Since I didn’t recognize the name, I went to his
- [When it comes to marketing: Act like a freshman and not a senior](https://picturestoryteller.com/2012/03/23/when-it-comes-to-marketing-act-like-a-freshman-and-not-a-senior/) - Yesterday, I was privileged to speak at THE BUSINESS OF VISUAL JOURNALISM WORKSHOP, held at the Grady School of Journalism on the campus of the University of Georgia. The first speaker was Allen Murabayashi, CEO and co-founder of PhotoShelter, who covered fundamental web marketing tactics, essential website design requirements, and critical features (plus some advanced
- [Capturing Moments That Matter: Photographing Investiture and Retirement Ceremonies](https://picturestoryteller.com/2024/11/25/capturing-moments-that-matter-photographing-investiture-and-retirement-ceremonies/) - Charlie Jackson, Charlotte Pannell, and twins Billy & Bo Crider unveil the official portrait of their grandfather, Honorable Charles A. Pannell, Jr., now a lasting legacy in the courtroom. One of the most enjoyable aspects of my work as a professional photographer is being invited to the Richard B. Russell Federal Building in Atlanta. The
- [Why Photographers Should Use ChatGPT for Captions, Keywords, and Feedback](https://picturestoryteller.com/2024/12/14/why-photographers-should-use-chatgpt-for-captions-keywords-and-feedback/) - ChatGPT is an excellent tool for photographers, helping streamline tasks like writing captions, generating keywords, and refining storytelling. When used wisely, it can significantly speed up your workflow—but remember, AI isn’t perfect. You must provide it with clear, detailed information to get valuable results and, most importantly, double-check everything it generates. I often find that
- [The Purpose Behind the Click](https://picturestoryteller.com/2025/03/14/the-purpose-behind-the-click/) - A friend sent me a link to a photographer traveling the country, capturing images with a twin-lens reflex camera on film. It got me thinking about why photographers choose specific tools and how those choices shape their approach to storytelling. I respect anyone who finds balance and peace in their craft, even if I don’t
- [The Lost Art of Balance: Why We Must Reclaim the Right Brain in Society](https://picturestoryteller.com/2025/03/20/the-lost-art-of-balance-why-we-must-reclaim-the-right-brain-in-society/) - Why This Belongs on My Blog At first glance, this topic may seem unrelated to my usual focus on storytelling, photography, and branding. But in reality, it’s deeply connected. Storytelling isn’t just about capturing moments—it’s about understanding humanity. And right now, I see a world that has drifted too far into left-brain thinking, where efficiency
- [How to Pitch Story Ideas That Get Noticed](https://picturestoryteller.com/2025/04/13/how-to-pitch-story-ideas-that-get-noticed/) - One of the most valuable advice I give aspiring photojournalists, videographers, and writers is to learn to pitch their ideas well. It’s not just about having talent—it’s about showing people you can deliver and that you’re the right person to trust with the story. Relationships Matter More Than You Think This might be the biggest blind
- [The Importance of Storytelling in Building Relationships with Your Audience](https://picturestoryteller.com/2025/04/30/the-importance-of-storytelling-in-building-relationships-with-your-audience/) - In a world bombarded with messages from every direction, it’s easy to feel lost in the noise. But one tool that has always stood the test of time: storytelling. Whether you’re leading a nonprofit, a ministry, or a business, your stories can make all the difference in building lasting, meaningful relationships with your audience. When
- [“Seeing Is Believing”—But Are You Showing the Right Story?](https://picturestoryteller.com/2025/06/04/seeing-is-believing-but-are-you-showing-the-right-story/) - At the Panaewa Stampede Rodeo, a cowboy's rope lands true around the steer's neck—capturing the split-second precision and intensity of this high-stakes moment in Hawai‘i's rodeo tradition. We’ve all heard the phrase “seeing is believing.” That idea goes all the way back to the Apostle Thomas, who famously wouldn’t believe Jesus was resurrected until he
- [Resilience, Agency, and the Creative Journey — Lessons from Cory Richards](https://picturestoryteller.com/2025/06/09/resilience-agency-and-the-creative-journey-lessons-from-cory-richards/) - As someone who’s spent a lifetime listening to people’s stories, I’ve learned that what we often admire most in others—their creative voice, passion, and impact—is born out of pain. It’s not just talent or opportunity. It’s what they do with difficulty. I recommend a powerful two-part podcast interview with National Geographic photographer Cory Richards, hosted
- [Don’t Skip the Story: Why Leading with Local Impact Opens Doors for Global Leadership Work](https://picturestoryteller.com/2025/06/11/dont-skip-the-story-why-leading-with-local-impact-opens-doors-for-global-leadership-work/) - Caption:Media missionary Hannah Strayer extends a hand to Pastor Samweli Chacha in Tanzania, documenting his story — a story shaped by seminary training and agricultural mentorship that now allows him to shepherd his church and sustain his family. Her presence isn’t to take the spotlight, but to help share the light already shining through his
- [The Power of Friendship and Storytelling](https://picturestoryteller.com/2025/06/26/the-power-of-friendship-and-storytelling/) - Friendships aren’t just lovely to have—they’re essential. Research consistently shows that strong social bonds improve physical health, mental well-being, and longevity. Friendships help us live longer, manage stress better, and give us a sense of purpose. Simon Sinek, the leadership author known for books like Start With Why and Leaders Eat Last, has been thinking a lot about
- [Successful Self-Promotion for Photographers in 2025: A Practical Guide](https://picturestoryteller.com/2025/07/06/successful-self-promotion-for-photographers-in-2025-a-practical-guide/) - If you’re a photographer trying to stay relevant and profitable in 2025, you already know just being “good with a camera” isn’t enough. The photographers who thrive today aren’t just capturing images—they’re building trust, solving problems, and promoting themselves personally, strategically, and consistently. As someone who’s spent decades helping others tell their stories, here’s how
- [Be Prepared: What To Do If Your MacBook Pro Has a Meltdown](https://picturestoryteller.com/2025/07/08/be-prepared-what-to-do-if-your-macbook-pro-has-a-meltdown/) - Well, today didn’t go as planned. Instead of spending my workday creating stories or editing videos, I fixed my MacBook Pro. Again. This morning, I opened my laptop and was greeted with a warning: “Your disk is almost full.” Sound familiar? The crazy part? I had about 1.5 TB of free space on my 2TB
- [If I Were 20 Again—In 2025](https://picturestoryteller.com/2025/07/12/if-i-were-20-again-in-2025/) - Sometimes I think, “What if I were 20 years old today, just starting as a photographer and storyteller in 2025?” In 1982, when I was 20, I was at East Carolina University. I spent more time in the darkroom than the classroom—working for the school paper and yearbook, shooting black-and-white film and color slides. It
- [The “Why” Behind the Photograph: Lessons from Historic Images](https://picturestoryteller.com/2025/08/12/the-why-behind-the-photograph-lessons-from-historic-images/) - This is my favorite photograph by my mentor, Don Rutledge. I love it because the family’s eyes are not on Don’s camera, but on the missionary— their friend—standing just behind him. That simple detail speaks volumes about trust, relationship, and the deeper story behind the lens. My friend and fellow photojournalist Martin Smith-Rodden recently asked,
- [Why I Love Photographing Private High Schools](https://picturestoryteller.com/2025/10/22/why-i-love-photographing-private-high-schools/) - Over the years, I’ve photographed students, faculty, and campuses at private high schools nationwide. And I must say—it’s some of the work I love most. Why? Because private schools aren’t just about academics or athletics—they’re about community, character, and stories waiting to be told. Each student has a journey, each classroom has energy, and every
- [Why Your Nonprofit Doesn’t Need Hollywood-Style Video to Move Hearts – and What to Do Instead](https://picturestoryteller.com/2025/10/30/why-your-nonprofit-doesnt-need-hollywood-style-video-to-move-hearts-and-what-to-do-instead/) - The Grand Premiere night in Dar es Salaam culminated our week-long Storytelling Workshop with ABWE missionaries. Each participant shared their finished video story before an audience filled with their subjects, families, and friends. It’s always a powerful moment when those whose stories were told get to see their lives celebrated on screen, reminding us that
- [Finding Your Own Path in Photography](https://picturestoryteller.com/2025/10/31/finding-your-own-path-in-photography/) - James Nachtwey speaking at the Atlanta Photojournalism Seminar, 2024.Hearing him share his life’s work reminded me why I chose this profession. His courage, empathy, and relentless pursuit of truth have shaped generations of visual storytellers — myself included. But what James did can’t be repeated. His path was uniquely his — forged by moments, conflicts,
- [When a Member-Paid Organization Becomes Volunteer-Led: What Happens to Community?](https://picturestoryteller.com/2025/11/05/when-a-member-paid-organization-becomes-volunteer-led-what-happens-to-community/) - As I look forward to attending the Atlanta Photojournalism Seminar next week, I’ve been reflecting on the role NPPA plays in the lives of visual journalists. These are just some of my thoughts on how the organization supports photographers—especially freelancers—through connection, community, and collaboration. The National Press Photographers Association has always been more than an
- [Photojournalists covering disaster need to know their role](https://picturestoryteller.com/2013/05/30/photojournalists-covering-disaster-need-to-know-their-role/) - Moore Oklahoma Disaster Relief Coverage I find many people who have trouble covering disasters or helping with them due to being overwhelmed emotionally. While seeing horrific tragedy can affect you if it consumes you it isn't healthy. It is healthy to have a heart and be moved by the situation, but when it imobilizes you
- [Capturing the Thrilling Moments: My Experience Shooting the Atlanta Thrashers for the Associated Press](https://picturestoryteller.com/2023/09/06/capturing-the-thrilling-moments-my-experience-shooting-the-atlanta-thrashers-for-the-associated-press/) - Introduction As a photographer for the Associated Press, I've had the privilege of covering many events. Still, one of my most memorable experiences was getting the opportunity to photograph the Atlanta Thrashers in action. Surprisingly, when I first stepped onto the ice rink, I had only photographed hockey a few times. However, little did I
- [Resting in Jesus: Lessons from an Inspiring Retreat](https://picturestoryteller.com/2025/11/13/resting-in-jesus-lessons-from-an-inspiring-retreat/) - I recently had the privilege of covering a retreat focused on Resting in Jesus, designed for adults who serve nationally & internationally on mission trips—leaders and volunteers teaching others about leadership and servanthood. Events like this are rare opportunities: not only do I get to listen to incredible speakers, but I also get to capture
- [Stories That Move US](https://picturestoryteller.com/2022/02/18/stories-that-move-us/) - Pink Floyd’s song “Another Brick in the Wall” is a theme about where significant events in life cause us and many other people to detach themselves mentally from the outside world. Depression occurs in situations where you are so overwhelmed by your thoughts that you can't relax to process these events. Some events like a
- [The Power of Listening: A Photographer's Guide to Persuasion in 2024](https://picturestoryteller.com/2024/01/01/the-power-of-listening-a-photographers-guide-to-persuasion-in-2024/) - In the bustling world of photography freelancing, the art of persuasion often takes center stage. Yet, what if I told you that the most potent tool in your arsenal isn’t your eloquence or sales pitch but your ability to listen deeply? A fascinating insight unfolds in the book The Persuaders by Anand Giridharadas: the path
- [The Journey of the Red-Shouldered Hawks: A Personal Photo Project](https://picturestoryteller.com/2024/05/29/the-journey-of-the-red-shouldered-hawks-a-personal-photo-project/) - Since the onset of COVID-19, many of us have spent more time at home, discovering new hobbies and appreciating the nature surrounding us for me, this period of increased home time turned into a unique opportunity to connect with and document the lives of the red-shouldered hawks that nest in our backyard. A New Beginning
- [Speaking to a Camera Club: Insights from a Professional Photographer](https://picturestoryteller.com/2024/07/17/speaking-to-a-camera-club-insights-from-a-professional-photographer/) - Stanley is speaking to the YWAM School of Photography in Kona, Hawaii. Photo by Dennis Fahringer When asked to speak to a camera club composed mainly of amateurs, many thoughts run through the mind of a professional photographer. These invitations are both an honor and a responsibility. It’s a chance to share knowledge, inspire others,
- [How Often Should a Storyteller Tell Their Own Story?](https://picturestoryteller.com/2025/04/25/how-often-should-a-storyteller-tell-their-own-story/) - Photo by Dennis Fahringer As someone who helps businesses and nonprofits tell compelling stories to connect with their audiences, I've often wrestled with this question: How frequently should I tell my own story? When you make a living helping others shine, it can feel awkward—or even self-serving—to turn the camera around and share your journey.
- [Why the Atlanta Photojournalism Seminar Matters: A Personal Journey and Invitation](https://picturestoryteller.com/2024/11/09/why-the-atlanta-photojournalism-seminar-matters-a-personal-journey-and-invitation/) - Renowned portrait photographer Gregory Heisler, celebrated for his evocative work featured in Time magazine—including numerous iconic 'Person of the Year' covers—shared insights at the Atlanta Photojournalism Seminar on November 16, 2013. As I look forward to attending the 52nd Atlanta Photojournalism Seminar, I’m reminded of how this event has shaped my career as a visual
- [The Most Overlooked Part of Support-Raising Stories](https://picturestoryteller.com/2025/04/09/the-most-overlooked-part-of-support-raising-stories/) - Caption: The storytellers behind the lens—capturing purpose in action. I stayed behind the camera for this one, but this post is all about their stories (and yours). Not long ago, I encouraged a friend who’s been serving faithfully for years with a missions organization. She’s done everything from writing and photography to mentoring students and
- [Some things to look for in a photographers portfolio before you hire them](https://picturestoryteller.com/2012/02/05/some-things-to-look-for-in-a-photographers-portfolio-before-you-hire-them/) - When hiring a photographer, I recommend looking for a few things in the work they show you. If you pay attention to these little things, your storytelling will improve. Exposure When you look from photo to photo, is there consistency in the exposure? Amateur photographers often have inconsistent exposure values. Skin Tones When you
- [How using portrait in a photo story](https://picturestoryteller.com/2014/06/18/how-using-portrait-in-a-photo-story/) - Nikon D4, 85mm, ISO 125, ƒ/1.4, 1/100 I took three quick photos of a student in class yesterday to show them two things they can do very quickly to introduce a character into the story. We preferred not to have a posed portrait but rather something of her in action. Therefore, I did not take
- [One Light: Group Shot](https://picturestoryteller.com/2012/06/01/one-light-group-shot/) - After seeing the photos above, one of the first things people think they need to do is add another light. No question this would help solve our lighting problem. Now let’s be realistic here. Most photographers starting will have just one light and cannot justify another until they begin earning income. How do you solve
- [Why I prefer Nikon D5 over Fuji X-E2](https://picturestoryteller.com/2016/11/30/why-i-prefer-nikon-d5-over-fuji-x-e2/) - Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 25600, ƒ/4, 1/100 First of all, before you jump the gun, a $6,500 camera should be better than a $1,500 one. It is more about the features than the prices. You will not hear that I love it because it weighs so much. One
- [Are you a Br'er Rabbit Storyteller working with nonprofits?](https://picturestoryteller.com/2014/08/19/are-you-a-brer-rabbit-storyteller-working-with-nonprofits/) - Project Gutenberg's Uncle Remus and Brer Rabbit, by Joel Chandler Harris I grew up listening to Uncle Remus's stories about Br'er Rabbit. In case you are not familiar with the character, Br'er Rabbit is a trickster who succeeds by his wits rather than by brawn, provoking authority figures and bending social mores as he sees
- [A Photographer’s Best Friend for Large Group Photos: The Ladder](https://picturestoryteller.com/2025/12/20/a-photographers-best-friend-for-large-group-photos-the-ladder/) - If you’ve ever been responsible for photographing a large group, you already know the pressure. One blink, one blocked face, one row slightly out of focus—and suddenly you’re wishing you had a do-over. One of the simplest tools that makes a massive difference in large-group photography is a surprisingly low-tech one: a ladder. Why a
- [God With Us, Seen From the Aisles and the Balcony](https://picturestoryteller.com/2025/12/25/god-with-us-seen-from-the-aisles-and-the-balcony/) - Last night I had the privilege of covering two very different Christmas Eve services at Dunwoody United Methodist Church—and together they told one complete story. The evening began with the Family Service, filled with children’s choirs, wide eyes, nervous smiles, and that wonderful mix of excitement and holy chaos that only happens when kids lead
- [When Technical Mastery Is No Longer the Differentiator](https://picturestoryteller.com/2025/12/30/when-technical-mastery-is-no-longer-the-differentiator/) - When Technical Mastery Is No Longer the Differentiator There was a time when a photographer’s reputation rose or fell on technical proficiency. If you could consistently nail focus, exposure, timing, and composition—especially under challenging conditions—you stood apart. Your skill set wasn’t standard, and your results proved it. Wildlife photography is a perfect example. Back in
- [What Music Taught Me—and What Many Photographers Are Missing](https://picturestoryteller.com/2025/12/31/what-music-taught-me-and-what-many-photographers-are-missing/) - When I was playing trumpet in school, there was no confusion about where I stood. We challenged for chairs. First chair, second chair, third chair. Everyone knew their place because we had to prove it. You didn’t get a chair by confidence or by opinion—you earned it by playing better than the person next to
- [A New Year’s Resolution for Photographers:](https://picturestoryteller.com/2026/01/07/a-new-years-resolution-for-photographers/) - Stop Trying to Get Better Photos and Start Communicating Better Stories The beginning of a new year is when photographers tend to do two things: We look at our work from last year with a mix of pride and frustration.We start wondering what will finally improve our photography this year. For many, the default answer is
- [2015 Time For New Beginnings](https://picturestoryteller.com/2015/01/05/2015-time-for-new-beginnings/) - Fujifilm X-E2, 18-55mm, ISO 500, ƒ/14, 1/500 It is the beginning of a new year, and we need to look back to gain perspective on the year ahead. Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM S, Sigma 2X, ISO 12800, ƒ/5.6, 1/160 Aeneas Demetrius Williams is a former American football cornerback and free safety who
- [How much you can make as a photographer](https://picturestoryteller.com/2012/05/01/how-much-you-can-make-as-a-photographer/) - My stepson looked at his first paycheck and asked, “Who is FICA?” This was his first hard lesson about where the money goes – the cost of doing business. Much of the money we pay for a service doesn’t stay with the service provider. According to Dun & Bradstreet, “Businesses with fewer than 20 employees
- [Who has your back?](https://picturestoryteller.com/2017/07/19/who-has-your-back/) - [Nikon D2X, Sigma 18-50mm ƒ/2.8, ISO 400, ƒ/2.8, 1/320] If you are a freelancer or a business owner, you might be like me and wake up in the middle of the night, sweating with anxiety about how you will pay your bills this month. There is nothing on the books for a while, and you
- [Experiencing Israel during Holy Week in Georgia](https://picturestoryteller.com/2015/03/29/experiencing-israel-during-holy-week-in-georgia/) - Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 180, ƒ/8, 1/200 This past week, I had an assignment at the Explorations in Antiquity Center in LaGrange, Georgia. So I could experience ancient biblical life and times without going to Israel. This place is one of the ways I learn best–Experiential Learning. Experiential learning is the
- [The Crisis Threatening Professional Photography](https://picturestoryteller.com/2014/10/17/the-crisis-threatening-professional-photography/) - Mark E. Johnson, Senior Lecturer of Photojournalism at the University of Georgia, Fuji X-E2, 18-55mm, ISO 6400, ƒ/9, 1/20 [photo by Robin Nelson] I have been speaking to college photography students for many years. Mark E. Johnson has invited me to speak for the last several years to his students at the Grady College of
- [Some of my teachers, coaches & mentors through the years](https://picturestoryteller.com/2020/11/13/some-of-my-teachers-coaches-mentors-through-the-years/) - Stanley, Dorie, Lucy, and Don Rutledge in front of their home in Midlothian, Va. [Chelle Leary took photo] A few people helped me get my bearings in the world of photography. Don Rutledge had an incredible impact on my life. I think it has more to do with how much I admired his work and
- [Emotion Trumps Technique](https://picturestoryteller.com/2015/03/24/emotion-trumps-technique/) - Nikon D4, Nikon 85mm ƒ/1.8G, ISO 12800, ƒ/1.8, 1/250 The other night I was watching the TV Show The Voice. Nate Ruess was a guest advisor to all the contestants. I remember one comment that stood out the most: "Emotion trumps technique every time." Christina Aguilera often advises the other coaches, "Go with your heart!"
- [No More Cookie Cutter Senior Photos](https://picturestoryteller.com/2020/08/06/no-more-cookie-cutter-senior-photos/) - [NIKON Z 6, 120.0-300.0 mm f/2.8, Mode = Aperture Priority, ISO 100, 1/500, ƒ/4, (35mm = 145)] Stanley doesn’t believe in “cookie-cutter” graduation photos or senior portraits. That’s why each graduation photo session is all about the grad. Our photos will reflect your style, highlight your interests, and showcase your personality! Senior portraits can be
- [Stop Losing Money: The Power of Organizing Your Photos with Metadata](https://picturestoryteller.com/2012/02/01/can-you-find-your-photos-i-can-and-heres-how/) - Finding a Photograph is More Important Than Making One Why? Being able to locate your photos when you need them saves time, impresses clients, and ultimately helps you make money. “Now, Where Did I Put That?” In 1993, I was introduced to Nikon's Image Access scanner software. Over time, this evolved into what is now
- [The Gear We Don’t Talk About Enough: Shoes & Socks for Photographers and Filmmakers](https://picturestoryteller.com/2026/01/11/the-gear-we-dont-talk-about-enough-shoes-socks-for-photographers-and-filmmakers/) - Brooks Glycerin Max I talk a lot about cameras, lenses, computers, and software—and all of that matters. But there’s another piece of gear that quietly affects every single shoot, and most creatives ignore it until their body forces the issue. Your feet, legs, knees, and back. If you’re a photographer or videographer, chances are you
- [Photographers there will be failures–How do you turn them into success?](https://picturestoryteller.com/2014/12/12/photographers-there-will-be-failures-how-do-you-turn-them-into-success/) - Fuji X-E2, 18-55mm, ISO 6400, ƒ/6.4, 1/80 We had a group of about 25 photographers who gathered to hear Bob Rosato, the Chief Operating Officer of USA TODAY Sports Images. To start our time, Gibbs Frazeur, an Atlanta-based freelance photographer, opened us up with a moment of reflection. A good number of those attending have
- [Best moments of 2013 for me](https://picturestoryteller.com/2013/12/30/best-moments-of-2013-for-me/) - These tourists are enjoying Hawaii Volcanoes National Park. [Nikon D4, 28-300mm, ISO 160, ƒ/5.6, 1/1000] What a year it has been. I have had a great year of moments and feel incredibly blessed. Each year starts with me in the Georgia Dome covering the Chick-fil-A Bowl. This year will be no different. In addition, my
- [Crafting a Storytelling Video for Your Organization: A Step-by-Step Guide](https://picturestoryteller.com/2024/10/12/crafting-a-storytelling-video-for-your-organization-a-step-by-step-guide/) - Storytelling is at the heart of meaningful communication. Whether you’re working for a nonprofit, a business, or a community organization, a well-produced storytelling video can amplify your message and connect with your audience profoundly and emotionally. In this post, I’m excited to walk you through the critical steps in producing a storytelling video for your
- [Capturing the times of our lives](https://picturestoryteller.com/2016/10/10/capturing-the-times-of-our-lives/) - Nikon D5, Nikon 85mm ƒ/1.8G, ISO 200, ƒ/5.6, 1/80–Alienbees B1600, triggered with Pocketwizard TT1 and TT5 system [logo from Wikimedia Commons and modified] This weekend was my daughter’s high school homecoming. This is her senior year, when everything is the last time for her class. They commented that they all stood around the first year, afraid to
- [Instagram storytelling works best with enticing narrative](https://picturestoryteller.com/2018/10/09/telling-stories-through-instagram-has-a-lot-to-do-with-the-caption/) - Disclaimer: I have been researching how to write more effective story-oriented captions that remain journalistic. This is some of the research I have done. If you were to grade my caption writing at the moment, I think it is a passing grade at best. I hope what I have found helps not just you but
- [Lessons learned from Shakespeare, Bill Clinton, and Steve Jobs](https://picturestoryteller.com/2016/09/21/lessons-learned-from-shakespeare-bill-clinton-and-steve-jobs/) - Our house is quite busy this week. My daughter has not only been memorizing lines for her role as Olivia in Shakespeare’s play Twelfth Night, but she has also been making all the costumes for the actors. When you study Shakespeare, you soon realize how revolutionary he was, and I think creatives today can learn
- [Tis The Season for Group Photos](https://picturestoryteller.com/2016/12/19/tis-the-season-for-group-photos/) - This photo was taken at the mall near us, where you could get your picture with Santa. They created an experience where you can go on an adventure to see Santa with Po and his friends. Our son loves Po, so we wanted the photo with Po even more than our photo with Santa. They
- [Finding Light in a Season of Change](https://picturestoryteller.com/2025/11/27/finding-light-in-a-season-of-change/) - As we gather for Thanksgiving this year, my family and I are carrying both gratitude and grief. On Monday, we held a celebration service for my mother, who went home to be with the Lord on September 7. It was a beautiful time of remembering, storytelling, and acknowledging what she poured into all of us.
- [Test Your Gear Before the Job: A Lesson I Keep Re-Learning](https://picturestoryteller.com/2025/12/10/test-your-gear-before-the-job-a-lesson-i-keep-re-learning/) - Anytime I buy new camera gear—or even pull something off the shelf that I haven’t used in a while—I remind myself of one simple truth: never take it to a client job until you’ve tested it thoroughly. Today was one of those reminders. I’m preparing for a project in a few days, so I spent
- [Where's your camera?](https://picturestoryteller.com/2014/01/14/wheres-your-camera/) - Fuji X-E2 panoramic mode I finally started carrying my camera everywhere with me a few years ago. I think of it like my watch. I can't benefit from owning a look if I don't wear it. I am constantly looking for a camera solution I can use anytime. But, unfortunately, for the most part, my
- [Bracketing and HDR: How I Capture and Process Stunning Drone and Commercial Real Estate Images](https://picturestoryteller.com/2025/12/04/bracketing-and-hdr-how-i-capture-and-process-stunning-drone-and-commercial-real-estate-images/) - Shot with a 70mm lens on the drone to compress the distance from the property to I-75—a key selling point for logistics and distribution companies. When I’m out shooting with my drone—or capturing commercial real estate on the ground—one of my go-to techniques is bracketing exposures. I typically shoot 3 to 5 bracketed exposures, giving
- [Why Do Filmmakers Always Wet the Asphalt?](https://picturestoryteller.com/2025/12/02/why-do-filmmakers-always-wet-the-asphalt/) - Fun fact from my own street: Paul Rudd and Selena Gomez filmed The Fundamentals of Caring here back in 2016. They starred alongside Craig Roberts, who played a teen with muscular dystrophy that Rudd’s character cared for. Pretty wild to see Hollywood roll into the neighborhood! If you’ve ever watched a movie and noticed the
- [How My Upbringing, Autism, and Photojournalism Shaped How I Connect with People](https://picturestoryteller.com/2025/12/01/how-my-upbringing-autism-and-photojournalism-shaped-how-i-connect-with-people/) - Andy McCree Hern took my mother's Benfield Family photo around 1980. Growing up as the son of a pastor and a mother who supported his work, I was surrounded by people who genuinely cared about others. My parents weren’t just interested in names or titles—they were interested in gifts, talents, and the unique ways people
- [Getting Everyone Looking Their Best in Our Thanksgiving Family Photo](https://picturestoryteller.com/2025/11/27/getting-everyone-looking-their-best-in-our-thanksgiving-family-photo/) - Every Thanksgiving, I try to get at least one good group photo of our crew. This year’s gathering was extra special — we had four generations all together. My dad, Dorie, and I, my sisters and their spouses, their children… and now their children. Seeing that many branches of the family tree in one frame
- [When the Work Feels Fruitless: A Freelancer's Act of Worship](https://picturestoryteller.com/2025/11/29/when-the-work-feels-fruitless-a-freelancers-act-of-worship/) - If you’re a freelancer right now, you already know the landscape has shifted. Companies are pulling back, budgets are tightening, and many of us are staring at calendars that look far emptier than we’re used to. It’s easy to wonder if the effort we’re pouring in—updating portfolios, reaching out to clients, practicing new skills—makes any
- [Why Family Photos Matter More Than We Realize](https://picturestoryteller.com/2025/11/30/why-family-photos-matter-more-than-we-realize/) - Our family photo from Easter 1999 at my parents' home in Kinston, North Carolina. Many of us who love photography have a favorite niche that sparks our creativity. Some chase sunsets and misty mornings. Others lose themselves in macro details or the thrill of sports action. We pick up a camera because something in the
- [The Power of Contracts: Why Every Creative Needs One](https://picturestoryteller.com/2024/03/01/the-power-of-contracts-why-every-creative-needs-one/) - Starting in any creative business can be daunting. Whether you're a photographer, videographer, writer, or any other creative professional, there's often a sense of trepidation regarding contracts. It's understandable. Legal jargon can be intimidating, and formalizing agreements with clients can seem like overkill, especially when you're just starting. However, I'm here to tell you that
- [Tips shared by Jeffery Salter to Atlanta ASMP meeting](https://picturestoryteller.com/2018/04/13/tips-shared-by-jeffery-salter-to-atlanta-asmp-meeting/) - Jeffery Salter speaks to ASMP Atlanta/SE. Jeffery is an editorial and advertising photographer from Miami. Jeffery has created insightful portraits of celebrities, athletes, and CEOs for publications worldwide, and his work has been exhibited widely. [Fuji X-E3, 18-55mm, ISO 25600, ƒ/4, 1/35] How do some photographers get so successful? I think this is one of
- [Zoom Call Etiquette Tips](https://picturestoryteller.com/2020/07/27/zoom-call-etiquette-tips/) - If you have been invited to a Zoom Meeting, some things will help you and the other meeting participants enjoy your time together. First of all, the point of Zoom or other Video conferencing software is to enable two parties to communicate via video and audio over an Internet connection. It enables the parties to
- [If you are explaining your prices–Something is wrong.](https://picturestoryteller.com/2020/12/02/if-you-are-explaining-your-prices-something-is-wrong/) - For years, I have been to meeting after meeting like this one for the Atlanta ASMP chapter, and the main topic is usually business practices. I have written extensively on the subject and realize that all this talk is meant to help the artist, not the public. The public doesn't care anymore about how much
- [Making Photos POP!](https://picturestoryteller.com/2017/03/07/making-photos-pop/) - Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/1.4, 1/2500 Selective focus makes people pop out of photos or makes the backgrounds recede into a blur. And you choose what pops, what blurs, and what fuzzes over. Where do you want the viewer to focus their attention – the hedge in the foreground, the
- [Storytelling involves Setting The Scene](https://picturestoryteller.com/2014/03/25/storytelling-involves-setting-the-scene/) - Layering is one of the best techniques I know for setting scenes. Layering is when you have a foreground, a middle layer, and a background. For example, in the photo above, I use layering to engage the viewer with the little boy and his interaction with his parents within the overall concert scene. Here is
- [Getting the Most Out of Video Boards on Stage](https://picturestoryteller.com/2025/11/21/getting-the-most-out-of-video-boards-on-stage/) - More and more of my clients are moving from traditional projection screens to LED video boards. It’s a significant shift—when the stage lighting is close to daylight balance, those boards look incredible. The colors pop, the contrast holds, and the overall look is far cleaner than what we used to get with projectors fighting through
- [Unlocking Sony E-Mount Lenses on the Nikon Z9 with the Megadap ETZ21 Pro+](https://picturestoryteller.com/2025/11/18/unlocking-sony-e-mount-lenses-on-the-nikon-z9-with-the-megadap-etz21-pro/) - I spent the weekend at the Atlanta Photojournalism Seminar with two Sigma ART lenses you’ve probably been seeing around the internet lately — the Sigma 28–45mm f/1.8 DG DN | Art and the Sigma 135mm f/1.4 (ART) — and I mounted them on my Nikon Z9 using the Megadap ETZ21 Pro+ Sony E → Nikon
- [Which are you apart of? Group ƒ/64 or Group ƒ/1.4](https://picturestoryteller.com/2017/03/19/which-are-you-apart-of-group-ƒ64-or-group-ƒ1-4/) - Group ƒ/64 In 1930, Willard Van Dyke, Ansel Adams, and Edward Weston formed the Group ƒ/64. Group f/64 was founded by seven 20th-century San Francisco photographers who shared a standard photographic style characterized by sharply focused and carefully framed images, primarily from a Western (U.S.) viewpoint. In part, they formed in opposition to the pictorialist
- [I love my Fuji X-E2 for my everyday camera with family](https://picturestoryteller.com/2014/11/10/i-love-my-fuji-x-e2-for-my-everyday-camera-with-family/) - Fuji X-E2, 18-55mm, ISO 6400, ƒ/3.6, 1/70 I love shooting with my Fuji X-E2 for family events. I feel I can shoot available light, and the images look fine at high ISO settings. This Sunday, my wife and I were invited to a wedding shower for a young couple. So I took the Fuji X-E2
- [Remembering, Reflecting, and Capturing Courage on 9/11](https://picturestoryteller.com/2025/09/11/remembering-reflecting-and-capturing-courage-on-9-11/) - Just yesterday, our country faced another act of violence—this time in the tragic shooting and death of Charlie Kirk. It’s a harsh reminder that our world feels more polarized than ever, and the threats to our safety and unity come from more than just outside our borders. I saw one post on social media today
- [Maximizing Success with Timeline Planning: Insights from Stanley](https://picturestoryteller.com/2024/03/27/maximizing-success-with-timeline-planning-insights-from-stanley-leary-brand-builder/) - In the realm of project management, event coordination, and workshop organization, time is of the essence. As a professional photographer, videographer, and storytelling consultant, I've found that effective time management can make or break the success of any endeavor. That's where the invaluable tool of a timeline planning chart comes into play. I understand the
- [Reflections from the Atlanta Photojournalism Seminar](https://picturestoryteller.com/2025/11/15/reflections-from-the-atlanta-photojournalism-seminar/) - The Atlanta Photojournalism Seminar wrapped up today, and I’m heading home with a full heart and renewed passion for visual storytelling. I only caught two of the keynote presentations this year because I was helping at the NPPA table, but the two I heard—Doug Mills and Carol Guzy—left a lasting impression. Atlanta Photojournalism Seminar 2025Atlanta
- [Finding Treasure in the Darkness: Lessons from Katherine Wolfe](https://picturestoryteller.com/2025/11/14/finding-treasure-in-the-darkness-lessons-from-kimberly-johnson/) - Katherine Wolfe is a powerful storyteller, speaker, and advocate whose life was forever changed at the age of 26, when she suffered a massive stroke out of the blue. Before that morning in 2008, Katherine and her husband, Jay, lived what she describes as a “charmed life” in Los Angeles—pursuing acting and attending law school
- [How to Create HD 360º Panoramic](https://picturestoryteller.com/2015/04/30/how-to-create-hd-360o-panoramic/) - First of all, you are going to have to invest some money in these items: Fisheye Lens – I recommend the 180 ° model, which creates a circular image. I have the Sigma Fisheye 8mm f/3.5 EX DG Circular Fisheye Autofocus Lens for Nikon AF for $899.00 Nodal Panoramic Head – link available on B&H. Expect
- [A Week of Stories: At the Facing History & Ourselves Summit in Atlanta](https://picturestoryteller.com/2025/11/09/a-week-of-stories-at-the-facing-history-ourselves-summit-in-atlanta/) - Former Atlanta Mayor Shirley Franklin and historian Dr. Maurice Hobson share the stage during a panel discussion at the Facing History & Ourselves Summit in Atlanta, engaging educators in a robust conversation about leadership, equity, and the lessons history continues to teach today. Last week, I had the privilege of photographing the Facing History &
- [It’s About Something, Not Of Something](https://picturestoryteller.com/2025/11/07/its-about-something-not-of-something/) - There’s a quote I’ve always loved from wildlife photographer Tin Man Lee: “The best wildlife photos are about something, not of something.” That line sticks with me because it’s true far beyond wildlife photography. It applies to storytelling in every form—whether in photos, videos, or words. When I look back at the strongest work I’ve
- [“. . . Stand in front of more interesting stuff”](https://picturestoryteller.com/2020/02/21/stand-in-front-of-more-interesting-stuff/) - The photo above is of Don Senas, Fire Dancer [NIKON Z 6, VR Zoom 24-105mm f/4G IF-ED, Mode = Aperture Priority, ISO 100, 1/320, ƒ/4, (35mm = 75)] This week, I have been teaching how to use studio strobes to help improve one's photography. Last night was the only time I had the class join
- [Photo Tips I learned from Don Rutledge](https://picturestoryteller.com/2012/01/21/photo-tips-i-learned-from-don-rutledge/) - Don Rutledge has visited Russia a few times, and this is his second trip. The reason I am using his work as an example is that, in my opinion, his work is stellar and has had a significant impact on my work, as well as that of many of my colleagues. What is essential is
- [Depth-of-field is more than Aperture](https://picturestoryteller.com/2014/07/30/depth-of-field-is-more-than-aperture/) - Egypt—Missionary Mike Edens (left) worked closely with Egyptian Baptist pastors to enhance their discipleship and pastoral ministries. These pastors—(left to right) Mikhail Shehata Ghaly and Anwar Dakdouk—took MasterLife discipleship training in Cyprus in 1984 Technically, Depth-of-Field—is the distance between the nearest and farthest objects in a scene that appear acceptably sharp in an image. I have
- [Why the Words We Use Matter More Than Ever](https://picturestoryteller.com/2025/05/08/why-the-words-we-use-matter-more-than-ever/) - Photo Caption: David and Tami Woods are beginning a new chapter in Bobo, Burkina Faso—and they’re not doing it alone. As they moved into their new home, they were welcomed by homeowner M. Augustus Dembele (blue boubou) and supported by local friends who helped unload the truck: Karim Illa (brown boubou), Abraham Tankoano (checkered shirt),
- [The Walk & Talk Photo Shoot](https://picturestoryteller.com/2018/06/29/the-walk-talk-photo-shoot/) - When you use the flash outside, you can get much better lighting on people's faces. You can see the difference between these two photos. A few years ago, I demonstrated this technique to the YWAM School of Photography class in Kona, Hawaii. I shot this broad so you can see how the assistant must walk
- [The Enduring Gift](https://picturestoryteller.com/2019/07/06/the-enduring-gift/) - Emily Tromp, in the foreground, worked hard on her story during our Storytellers Abroad Multimedia Missions Workshop in Santiago, Chile. [NIKON Z 6, VR Zoom 24-105mm f/4G IF-ED, Mode = Aperture Priority, ISO 4500, 1/100, ƒ/5.6, (35mm = 28)] Before the workshop starts for participants, some coaches travel early to the country to lay the
- [Low light can be sometimes the best mood light](https://picturestoryteller.com/2014/06/20/low-light-can-be-sometimes-the-best-mood-light/) - Fuji X-E2, 18-55mm, ISO 6400, ƒ/2.8, 1/6 Last night, some PhotogenX students were sitting outside working on the projects they are presenting this morning. It was well past sunset, and just the lights from the court were in the background, but we were sitting where, if it were not for the light from their laptops,
- [Nikon D750 best portrait lens](https://picturestoryteller.com/2015/01/03/nikon-d750-best-portrait-lens/) - Click Here for Enlarged View Choosing the right lens for doing a portrait can significantly impact your subject and how they look. Above, I shot these photos, filling the frame so that the head size was pretty close to the same size in the frame. I shot all these photos on the Nikon D750 using
- [#1 mistake made with multimedia/video](https://picturestoryteller.com/2014/04/24/1-mistake-made-with-multimediavideo/) - Shure FP15/83 Combo Wireless System, H5 Our teaching team for our International Missions Photography Workshop in Lisbon, Portugal, started prioritizing the subjects we teach. Poor sound is the number one technical mistake we see most often in multimedia projects. Your audience will tolerate poor-quality images more than poor audio in a multimedia presentation. Before teaching
- [Writing With Light](https://picturestoryteller.com/2019/08/26/writing-with-light-3/) - Available Light, no flashes at night. We’re headed to the corn maze! Jumpee pillow, hayride, smores, and corn cannon, too. [NIKON D3S, 14.0-24.0 mm f/2.8, Mode = Aperture Priority, ISO 12800, 1/80, ƒ/2.8, (35mm = 14)] In writing, we use italics, bold, quote marks, and other techniques to emphasize parts of the composition. In photography,
- [Why do we need Associations, Workshops and Seminars?](https://picturestoryteller.com/2017/04/02/why-do-we-need-associations-workshops-and-seminars/) - An association is a conglomerate of professionals engaged in the same profession working toward goals that promote the best practices and ethical behavior, and provide services for the general welfare and common benefit of all members. But what happens when an industry starts losing jobs, as in photojournalism? Photographers, artists, and videographers have experienced a
- [Go 10 or 20 miles to the left or right](https://picturestoryteller.com/2016/03/30/go-10-or-20-miles-to-the-left-or-right/) - Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/8, 4 sec Sometimes looking for that perfect angle requires more than moving a foot to the left or right; sometimes, it means driving 10 to 20 miles around the subject. Driving around is what I was doing yesterday in Portland, Oregon. I
- [Photographers do you finish strong everytime or just when you are inspired?](https://picturestoryteller.com/2014/08/17/photographers-do-you-finish-strong-everytime-or-just-when-you-are-inspired/) - Lisbon, Portugal [Fuji X-E2, 18-55mm, ISO 6400, ƒ/2.8, 1/50] My friends often mention two photographers when discussing the types of photographers out there. One is my friend Ken Touchton, and the other I will not mention. The unmentionable photographer is one of the best shooters we have ever known, but we all qualify that statement
- [It is time for ASMP and NPPA to combine](https://picturestoryteller.com/2016/02/29/it-is-time-for-asmp-and-nppa-to-combine/) - Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 5000, ƒ/4, 1/100 I have been at the Southwestern Photojournalism Conference for the past few days. Over the years, many who have attended the conference have been members of either NPPA or ASMP. Many, like myself, have been members of both organizations. Don Winslow,
- [Sleepless in Seattle](https://picturestoryteller.com/2015/04/08/sleepless-in-seattle/) - Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 160, ƒ/8, 1/125 When you go to Seattle, visit Kerry Park [211 W Highland Dr, 98119] at sunset to get some great photos. I arrived early and shot the picture above with my Nikon D750. You must hang out until about 20 minutes after sunset; it
- [Photographers: Three ways to direct the audience](https://picturestoryteller.com/2014/03/30/photographers-three-ways-to-direct-the-audience/) - Nikon D4, 14-24mm, ISO 1100, ƒ/3.2, 1/100 Custom White Balance with ExpoDisc Composition/Graphics You can use compositional elements like leading lines in the photo above to help direct your audience through a scene to where you want them to look. For example, I have the lines from the shirt directing me back into the photograph
- [Covering the oldest football rivalry in the south–The 125th Game](https://picturestoryteller.com/2015/11/23/covering-the-oldest-football-rivalry-in-the-south-the-125th-game/) - Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 900, ƒ/5.6, 1/2000 The weather in Richmond for the football game was sunny between 48º and 57º F, which was great fall football weather. This was the 125th meeting between the University of Richmond and William and Mary, making this the
- [The Five Hazardous Attitudes That Can Sabotage Your Business Success](https://picturestoryteller.com/2023/02/28/the-five-hazardous-attitudes-that-can-sabotage-your-business-success/) - When I was training a few years ago to get my Part 107 drone certification, I first encountered a well-defined list of hazardous attitudes that can sabotage one's flying and decision-making abilities. As I learned more about these attitudes, I realized they could apply to aviation and many areas of life, including business. In this
- [How to get rid of orange and green backgrounds with flash](https://picturestoryteller.com/2012/04/17/how-to-get-rid-of-orange-and-green-backgrounds-with-flash/) - Nikon D4, ISO 3200, f/6.3, 1/80, 28-300mm, White Balance: Flash Have you been getting photos like this with your off-camera flash? You have a mixed lighting situation. The background is tungsten, or 3200º Kelvin, and the subject has flash, or 5500º Kelvin. With Lightroom 12.2.1 Release and later, you can use a mask to select
- [The Nikon Z 9’s Autofocus: A Steep but Rewarding Learning Curve](https://picturestoryteller.com/2025/08/29/the-nikon-z-9s-autofocus-a-steep-but-rewarding-learning-curve/) - The Steep Learning Curve of Autofocus in Mirrorless Cameras Switching from DSLR to mirrorless has been one of the steepest learning curves of my career. Not because the mirrorless system is inferior—it’s the opposite. The Nikon Z 9 outpaces any DSLR in sheer autofocus speed, accuracy, and subject detection. But the sheer number of autofocus
- [Preserving Family History, One Memory at a Time](https://picturestoryteller.com/2017/03/24/preserving-family-history-one-memory-at-a-time/) - My sister is on the couch with my grandfather and grandmother during one of our many times of watching the slide show my grandfather had created from his recording of our family that year, and often years in the past. I'm not sure if my dad or uncle took this photo. Webster’s Dictionary defines a
- [Are We Living Traditions or Performing Them?](https://picturestoryteller.com/2025/11/01/are-we-living-traditions-or-performing-them/) - Every fall and winter, my social media feed fills with familiar scenes — families in pumpkin patches, kids bundled up picking out Christmas trees, couples posing in front of twinkling lights. And every year, I see photographers talking about putting their take on these traditions. Now, there’s nothing wrong with that. In fact, I think
- [Good Work Habits Lead to More Work](https://picturestoryteller.com/2017/05/12/good-work-habits-lead-to-more-work/) - Instilling Good Habits There are two good reasons why it’s essential to instill the habit of making the bed every morning. First, it does feel good to know we’ve made our bed for the day. While it’s a small task, it makes a big difference in getting things done. Considering it’s the first thing that should
- [Success & Failure Are Often The Results Of Our Communications](https://picturestoryteller.com/2022/11/09/success-failure-are-often-the-results-of-our-communications/) - Communication plays a critical role in everything we do here on earth. We communicate in so many ways. When we talk to another person face-to-face, we have our words, tone, body language, and the ability to dialogue. Using our ears and eyes, we can observe how our message is received or how we interpret what
- [Look for Audience before Story](https://picturestoryteller.com/2019/01/15/look-for-audience-before-story/) - When you first begin your journey into becoming a storyteller, you start with a story. When I teach Intro to Photojournalism at the University of Georgia, the students find something that interests them. I started my professional career at East Carolina University, where the newspaper's photo staff was paid to do stories. After college, I went
- [Capturing the Spirit of Riverwood’s Pre-Homecoming Party](https://picturestoryteller.com/2025/10/26/capturing-the-spirit-of-riverwoods-pre-homecoming-party/) - This past weekend, I had the pleasure of photographing Riverwood International Charter School’s Pre-Homecoming Party. The event was held at a beautiful home, providing the perfect backdrop for a fun and memorable afternoon. More than 90 students — and their dates — arrived, dressed to the nines, ready to kick off the night. As students
- [Friday Night Under the Lights: Georgia Tech vs. Auburn Women’s Softball Exhibition](https://picturestoryteller.com/2025/10/25/friday-night-under-the-lights-georgia-tech-vs-auburn-womens-softball-exhibition/) - Last night, I took my gear to cover the exhibition game between Georgia Tech and Auburn under the lights, a perfect challenge for storytelling through sports photography. The high-energy atmosphere, athletic motion, fast plays, and the dim, artificial light all came together to test camera settings, gear choices, and technique — and ultimately deliver images
- [Why Your Organization Should Hire a Professional Photographer](https://picturestoryteller.com/2025/10/21/why-your-organization-should-hire-a-professional-photographer/) - In today’s crowded marketplace, every organization is competing for attention. And in a world dominated by visuals, the quality of your images says a lot about who you are. So why should you hire a professional photographer instead of relying on smartphone snapshots? The answer is simple: professional photography is not just pictures—it’s strategic storytelling,
- [Since 2006 — Teaching, Storytelling, and Chasing Dreams](https://picturestoryteller.com/2025/10/20/since-2006-teaching-storytelling-and-chasing-dreams/) - In February 2006, my first YWAM photography class gathered for a quick group photo—with my son Taylor and Chelle joining in, too! Grateful to have Dorie behind the camera capturing this moment where teaching, family, and storytelling all came together in one frame. In March 2006, I started this blog with a simple purpose: to
- [Why Upgrading to FotoQuote® Pro 8 is Essential for Photographers & Videographers](https://picturestoryteller.com/2025/10/17/why-upgrading-to-fotoquote-pro-8-is-essential-for-photographers-videographers/) - As a visual storyteller, pricing your work accurately is crucial to ensure fair compensation and reflect the value of your expertise and creativity. With the release of FotoQuote® Pro 8, Cradoc fotoSoftware has introduced significant enhancements that make this tool indispensable for professionals navigating the complexities of stock and assignment pricing. What's New in FotoQuote®
- [Protesting Power: Visual Storytelling at the ‘No Kings’ Rally in Marietta](https://picturestoryteller.com/2025/10/18/protesting-power-visual-storytelling-at-the-no-kings-rally-in-marietta/) - A frog, a diaper-clad baby, and a handmaid cross paths at the intersection of Roswell Road and Johnson Ferry Road, their homemade signs waving in the breeze. Over 3,000 people gathered Saturday, honking horns in support, as East Cobb became the stage for a modern-day protest invoking one of America’s oldest principles: no kings. The
- [The Dual Nature of Studio Flash: TTL vs. Manual Mode](https://picturestoryteller.com/2023/12/13/the-dual-nature-of-studio-flash-ttl-vs-manual-mode/) - In the fast-paced world of photography, the need for speed and accuracy often collides with the pursuit of consistent and controlled results. Enter the realm of studio flashes equipped with TTL (Through-The-Lens) capabilities, exemplified by the Flashpoint XPlor 600 HSS TTL. These flashes offer a swift solution when time is scarce, instantly delivering acceptable images
- [12 Presentation Mistakes Photographers Make—and How to Avoid Them](https://picturestoryteller.com/2011/12/04/speaker-tips-for-photographers/) - After two days of watching photographers present their work, I was inspired and frustrated. Some presentations were outstanding—thoughtful, well-prepared, and engaging. Others, unfortunately, missed the mark. For more than twenty years, I’ve helped organize and evaluate photo conferences. Our team often discusses which speakers we’ll invite back. At this recent event, a few of us
- [I am a Volunteer for our Roswell Fire Department](https://picturestoryteller.com/2022/07/31/volunteer-for-our-roswell-fire-department/) - This is some of the leadership for Roswell Fire Department in front of their brand new ladder truck. [NIKON Z 9, 14-24mm f/2.8G, Mode = Aperture Priority, ISO 250, 1/200, ƒ/6.3, (35mm = 14)] First, I am not a Volunteer Fireman. I do not have those skills or knowledge. I do have my photography/video skills
- [Shooting Football With The Nikon Z9 after Firmware & Software Updates](https://picturestoryteller.com/2022/09/04/shooting-football-with-the-nikon-z9-after-firmware-software-updates/) - [NIKON Z 9, VR 120-300mm f/2.8G + 2X Converter, Mode = Aperture Priority, ISO 18000, 1/2000, ƒ/5.6, (35mm = 600)] My first football game with the Nikon Z9 was the Peach Bowl on December 30, 2021. Many changes have occurred since then regarding firmware updates and software updates with Adobe Lightroom and Camera Raw. Just
- [Visual Storytelling involves being prepared](https://picturestoryteller.com/2014/04/02/visual-storytelling-involves-being-prepared/) - Be Prepared: The Motto of the Boy Scouts of America "Be prepared for what?" you might ask. For everything is the response, scout leaders will tell those who ask. Be prepared to live happily and without regret, knowing that you have done your best. I started scouting and then joined the Civil Air Patrol. Civil
- [My Nikon Z9 Sports Settings](https://picturestoryteller.com/2022/01/01/my-nikon-z9-sports-settings/) - I have found that this setting works well for me. You may see different results when you use other settings. Here are some shots from my coverage of the Chick-fil-A Peach Bowl that I mixed in to show my results. These are the settings that I use on my Nikon Z9 for shooting most sports
- [Famous Photos Require a Narrative](https://picturestoryteller.com/2020/07/05/famous-photos-require-a-narrative/) - Two things I am talking about here. 1) The quality of the image sure does make a difference, & 2) the narrative makes it memorable. I have shared this photo in the past, but not like this one. I continue to search for the best copy of this photo. Caption for the photo above ––
- [Do This In Remembrance Of Me](https://picturestoryteller.com/2021/06/23/do-this-in-remembrance-of-me/) - photo by Don Rutledge Memories are essential in our lives because they allow us to grow and learn to be better people. Our recollections can teach us necessary life lessons, demonstrate skills and abilities, and make us feel happy and entertained. Having memories helps us know what is right and wrong. We can also remember where we made our mistakes and
- [When AI Is the Fire of Our Age — Why Generative Intelligence May Be Humanity’s Next Wheel](https://picturestoryteller.com/2025/10/10/when-ai-is-the-fire-of-our-age-why-generative-intelligence-may-be-humanitys-next-wheel/) - Introduction I sometimes think about our ancestors’ first fire. That flicker in the dark. How dangerous it must have seemed at first — a force to be tamed, understood, and wielded. And later, the simple, powerful, and deceptively elegant wheel took centuries before humans grasped all its implications for transport, machines, and civilization. In my
- [Passion Isn’t Enough — Turning Love for Photography Into Skill](https://picturestoryteller.com/2025/10/12/passion-isnt-enough-turning-love-for-photography-into-skill/) - Many people tell me, “I’m passionate about photography.” And I get it. That passion is where it all starts. But passion alone doesn’t make a professional. I’ve had another passion all my life—music. I love playing my trumpet, cornet, and flugelhorn. I played in bands and orchestras all the way through college. I still love
- [Before you use the studio strobes–See the light first](https://picturestoryteller.com/2015/02/10/before-you-use-the-studio-strobes-see-the-light-first/) - Nikon D4, 85mm ƒ/1.8G, ISO 5000, ƒ/1.8, 1/250 Today was the first class of lighting I was teaching at the School of Photography at the University of Nations in Kailua-Kona, Hawaii. I asked one of the students to be my model. Bethany is helping me as the model for the first assignment on Rembrandt lighting
- [What is an environmental portrait and what is not](https://picturestoryteller.com/2015/04/17/what-is-an-environmental-portrait-and-what-it-is-not/) - An environmental portrait does not have to be formal. I captured Philip Newberry, who had lost both legs and arms to spinal meningitis. Little Philip jumped on the merry-go-round, had fun, and smiled at his parents. I just composed and had a great "environmental portrait" of Philip. This photo could also be an "environmental portrait"
- [Faith Peppers asks, "What do you want to be known for?"](https://picturestoryteller.com/2016/06/02/faith-peppers-asks-what-do-you-want-to-be-known-for/) - Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 2500, ƒ/3.5, 1/100 Faith Peppers, the director of public affairs and chief communications officer for the University of Georgia College of Agricultural and Environmental Sciences, recommends that communications professionals ask themselves, "What do you want to be known for?" Peppers says she often hires for a character and
- [Tips for Prom Pictures 2016](https://picturestoryteller.com/2016/03/13/tips-for-prom-pictures-2016/) - Nikon D4, Sigma 24-105mm f/4 DG OS HSM Art Lens, 2 – Alienbees B1600, Pocketwizard TTL system, ISO 250, ƒ/5.6, 1/200 Location First, pick a location before you do anything else. My daughter and her friends had picked the public location. Many years ago, I did her brother’s prom pictures [2008] in one of the
- [The Story Thread – Exploring Faith and Storytelling with Seth Royal Croft](https://picturestoryteller.com/2025/10/08/38581/) - As a storyteller, I’m always inspired by people who use their craft to connect hearts and minds across cultures—and few do this better than Seth Royal Croft. On Friday, October 10, 2025, at 11:00 AM Eastern, I’m hosting a live Zoom session with Seth titled “The Story Thread.” This conversation will dive into how he
- [Students' first Missions Multimedia Storytelling packages](https://picturestoryteller.com/2016/07/23/students-first-missions-multimedia-storytelling-packages/) - Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 5600, ƒ/5.6, 1/100 I have had a great week in Kona, Hawaii, teaching Sébastien Pannatier and Jessie Toney Multimedia Storytelling. Dennis Fahringer, pictured above on the left, is the leader of the YWAM School of Photography 2, which invited me to teach. Neither student
- [Why Strategy Begins with Story: Rethinking How Companies Create Real Impact](https://picturestoryteller.com/2025/10/07/why-strategy-begins-with-story-rethinking-how-companies-create-real-impact/) - Paul Tiendeno studies at the theology school in Koudougou, Burkina Faso, where being strategic means preparing pastors for ministry and daily life. Alongside their theological training, students learn farming skills from Clarence Lance [in red hat]—a former U.S. Department of Agriculture specialist—to sustainably support their families while serving as bi-vocational pastors in their communities. After
- [Behind the Scenes – Crafting Slopes BBQ’s Catering Video](https://picturestoryteller.com/2025/10/03/behind-the-scenes-crafting-slopes-bbqs-catering-video/) - When showcasing a business like Slopes BBQ, it’s not just about showing food—it’s about telling a story. For this latest catering video, I wanted viewers to feel the warmth, hospitality, and mouthwatering flavors that Slopes delivers with every order. We started with the foundation: footage from their previous 30-second commercial. However, since this video is
- [The Importance of Distilling Information into a Short Summary](https://picturestoryteller.com/2023/02/28/the-importance-of-distilling-information-into-a-short-summary/) - Have you ever found yourself in a similar situation where a friend or colleague sends you a long article or video without explanation, leaving you unsure whether it's worth reviewing it? If so, you're not alone. This is a common problem many of us face in today's digital age, where we are bombarded with information
- [Time to work the soil & plant seeds](https://picturestoryteller.com/2020/05/11/time-to-work-the-soil-plant-seeds/) - Paul Tiendeno at the theology school in Koudougou, Burkina Faso. They teach theology and farming to help the pastors feed their families while they minister as bi-vocational pastors. (Photo By Stanley Leary)[NIKON D2X, 18.0-50.0 mm f/2.8, Mode = Aperture Priority, ISO 100, 1/320, ƒ/5, (35mm = 27)] I am thinking about Chauncey Gardiner, the main
- [Tip on dealing with depression that often comes with freelancing](https://picturestoryteller.com/2016/03/21/tip-on-dealing-with-depression-that-often-comes-with-freelancing/) - Nikon D4, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 7200, ƒ/5.6, 1/250 Ernest Hemingway used this long quotation from Ephesians in his book The Sun Also Rises: "What profit hath a man of all his labour which he takes under the sun? One generation passeth away, and another generation cometh, but the earth abideth for
- [Keeping Older Macs Running the Latest macOS](https://picturestoryteller.com/2025/09/29/keeping-older-macs-running-the-latest-macos/) - One of the main reasons I used to buy new computers was simple: my older MacBook Pros couldn’t run the latest MacOS. Photographers depend on our computers for speed and compatibility with Lightroom, Photoshop, and Final Cut software. If your Mac can’t install the current OS, eventually, your apps stop updating, forcing an upgrade. But
- [25 Years of Storytelling with ISB Atlanta](https://picturestoryteller.com/2025/09/22/25-years-of-storytelling-with-isb-atlanta/) - Last night, I photographed the ISB Atlanta Gala — an inspiring evening that brought together more than 500 leaders from Atlanta’s faith, business, civic, and nonprofit communities. Today, I’m excited to share a gallery of event images that capture the night's spirit. For me, this was more than just another assignment. My connection to ISB Atlanta
- [Proud of Failing Again](https://picturestoryteller.com/2025/09/24/proud-of-failing-again/) - This week, I managed to break something big. I was working on my Photo Mechanic Plus database from two different computers, and in the process, I corrupted the catalog. With more than 670,000 images in that system, the only solution was to rebuild it — a process that takes several days. At first, I was
- [Another Big Failure (and Another Lesson Learned)](https://picturestoryteller.com/2025/09/26/another-big-failure-and-another-lesson-learned/) - Last week, I wrote about how I was proud of failing again when I corrupted my Photo Mechanic Plus catalog and had to rebuild it. That was frustrating, but the path to fixing it was clear. This week brought a much bigger challenge. I had installed OpenCore Legacy on my older 2016 MacBook Pro to
- [Travel photography tips for your next vacation](https://picturestoryteller.com/2017/04/19/travel-photography-tips-for-your-next-vacation/) - For me, the second most fun thing to do, other than traveling the world and meeting new people, is taking photos to share with others about my travels. I hope you are making some vacation plans for the summer. Here are some tips for capturing your vacation and keeping it for the years to come,
- [Transitioning From Photographer to Storyteller](https://picturestoryteller.com/2015/03/14/transitioning-from-photographer-to-storyteller/) - Photo courtesy of Knolan Benfield, Jr. One of my earliest memories with our family is my grandfather, whom I called Daddy “B,” with his slide projector sharing his latest trip with all the family. The photo above is with my Daddy “B,” Nana “B,” my mother, sister, and me wearing an Indian hat and watching
- [ACP Special Exhibition: Picturing Justice](https://picturestoryteller.com/2018/10/04/acp-special-exhibition-picturing-justice/) - Tonight I attended the Atlanta Legal Society's opening reception for Picturing Justice. I was attending because my friend Robin Rayne had her photos exhibited. Picturing Justice is an annual exhibition that explores how photography can illuminate the human stories behind common shorthand such as “case,” “client,” and “issue.” The core of Legal Aid’s mission is to
- [The #1 Key to Great Photos](https://picturestoryteller.com/2017/02/17/the-1-key-to-great-photos/) - Many things go into the making of a photograph. However, only one will indeed be the key to a great picture. Exposure Triangle The exposure triangle is a common way of associating the three variables determining a photograph's exposure: aperture, shutter speed, and ISO. To achieve the desired result, one must balance all three, and adjusting
- [Do your photos have Gibberish in them?](https://picturestoryteller.com/2015/12/03/do-your-photos-have-gibberish-in-them/) - How would this photo look as a sentence? asdfaggsgggTEENAGE GIRLS, YOUNG MANadsfgalgalcln What is all that gibberish around the subjects in the photo? Kizuna Ceremony Students from the area stricken by the earthquake two years ago, in 2011, are visiting Roswell to share their experiences of survival and recovery following this disaster. While the people
- [Why Realtors Need Real Headshots — Not Just an AI Filter](https://picturestoryteller.com/2025/09/20/why-realtors-need-real-headshots-not-just-an-ai-filter/) - The most successful realtors know that photography is about branding. It is one of the most important ways a realtor establishes themselves and determines who is attracted to that brand. Your headshot isn’t just a picture — it’s your handshake, welcome mat, and digital first impression. Before clients ever meet you, they’ve already formed an
- [Navigating the Ever-Changing Photography Industry: How Professional Photographers Can Thrive](https://picturestoryteller.com/2024/06/01/navigating-the-ever-changing-photography-industry-how-professional-photographers-can-thrive/) - The speaker uses a Plate Spinning entertainer to address the issue with the audience of having so many stressors in one's job. The photography industry has undergone significant changes over the past few decades, with each wave bringing challenges and opportunities. Photographers have faced numerous disruptions from the transition of film to digital, the commoditization
- [The Power of Community Gatherings](https://picturestoryteller.com/2025/09/15/the-power-of-community-gatherings/) - This weekend, I photographed the 2nd Annual Heroes, Hummers & Hops, hosted by the Roswell First Responders Foundation at From the Earth Brewing Company. The afternoon was filled with incredible food, craft beer, live music, and laughter—but at its heart, it was about something much more profound: community. Events like this remind me why I
- [When Business Slows, Storytelling Can Help You Stand Out](https://picturestoryteller.com/2025/09/04/when-business-slows-storytelling-can-help-you-stand-out/) - This photo is captivating because of the moment the flame touches his tongue. Anticipation hooks the viewer—what will happen next? That’s the same power great visuals bring to storytelling: they stop people in their tracks and open the door for the story that follows. If you’re feeling the pinch right now, you’re not alone. Many
- [Finding Peace Through Passion: Why Hobbies Matter](https://picturestoryteller.com/2025/09/07/finding-peace-through-passion-why-hobbies-matter/) - Life has a way of throwing challenges at us that we never expected. My friend Gibbs Frazeur knows this all too well. As a lifelong photojournalist, he built a career on capturing moments that mattered. But a small tick changed everything when it gave him Lyme disease. The diagnosis didn’t come quickly, and even after,
- [From Field to Frame: My New Captioning System for Sports Shoots](https://picturestoryteller.com/2025/08/31/from-field-to-frame-my-new-captioning-system-for-sports-shoots/) - Fourth quarter — No Huddle-Shotgun: South Carolina Gamecocks quarterback LANORRIS SELLERS (16) rushes left for a 16-yard gain, shaking off a tackle by Virginia Tech Hokies linebacker MICHAEL SHORT (30) to reach the VAT 40, where defensive lineman KEMARI COPELAND (13) pushes him out of bounds for a first down during the 2025 Aflac Kickoff
- [Why We All Need to Think About Portraits Before It’s Too Late](https://picturestoryteller.com/2025/09/02/why-we-all-need-to-think-about-portraits-before-its-too-late/) - Knolan “Uncle Brother” Benfield, remembered for his warmth, leadership, and lifelong passion for photography, is pictured here in a candid moment that reflects his approachable spirit. Though not a formal portrait, this image was chosen for his obituary because it captures the genuine presence that his family and friends loved dearly. My brother-in-law once pointed
- [How Much Is Enough?](https://picturestoryteller.com/2021/09/24/how-much-is-enough/) - We have all seen the photo of too much stuff in a photograph. The picture fails to communicate because the photographer does not attempt to select one subject. The “run-on sentence” is the written word comparison to this visual example. A close-up of detail frequently reveals more of the subject than a picture of the
- [Why Now Is the Moment to Upgrade from DSLR to Mirrorless](https://picturestoryteller.com/2025/06/27/why-now-is-the-moment-to-upgrade-from-dslr-to-mirrorless/) - If you’ve been holding on to your DSLR, hoping to squeeze out a little more life from it, it’s time to consider upgrading seriously. The industry has spoken—and mirrorless cameras aren’t just the future but the present. As a professional photographer and storyteller, I’ve seen firsthand how switching to mirrorless has changed my work. If
- [Clarity Through Connection: What Great Teachers and Leaders Share](https://picturestoryteller.com/2025/06/27/clarity-through-connection-what-great-teachers-and-leaders-share/) - Great teaching doesn’t just transfer knowledge—it builds trust, invites vulnerability, and creates space for laughter. Here’s a fun moment with students and staff from the YWAM School of Photography in Kona, Hawaii, where we didn’t just learn photography—we learned how to lead by showing up as ourselves. “The best teachers translate complexity into clarity, not
- [Why I Use Manual Flash Most of the Time (Even Though TTL is Pretty Smart)](https://picturestoryteller.com/2025/07/03/why-i-use-manual-flash-most-of-the-time-even-though-ttl-is-pretty-smart/) - Teaching Light with Purpose—During a hands-on lighting demo at the School of Photography with YWAM in Kona, Hawaii, I showed students how using gels on off-camera flash can better shift the background's mood and color to support the story. Photo by Dennis Fahringer. Over the years, I’ve used everything from Nikon’s speedlights to studio strobes
- [How Nikon Metering Modes Changed My Photography—and What Still Matters Most](https://picturestoryteller.com/2025/07/03/how-nikon-metering-modes-changed-my-photography-and-what-still-matters-most/) - When I started in photography, getting the exposure right meant knowing your film, your light, and your camera like the back of your hand. There were no histograms or blinking highlights, just your eyes, meter, and instincts. Back in the Kodachrome days, there was little room for error. That film had a narrow latitude—you exposed
- [Capturing the 4th of July Fireworks – From the Air and the Ground](https://picturestoryteller.com/2025/07/05/capturing-the-4th-of-july-fireworks-from-the-air-and-the-ground/) - This year’s 4th of July celebration was a little different for us—but in the best way possible. Our friends George and Robbie Coppenhaver graciously invited us to join them for fireworks in their cul-de-sac inside Roswell Country Club, here in Roswell, Georgia. It was the perfect setup for a relaxing evening. My wife Dorie is
- [Why the Infinite Mindset Matters for Photographers and Freelancers](https://picturestoryteller.com/2025/07/09/why-the-infinite-mindset-matters-for-photographers-and-freelancers/) - As a freelance photographer and visual storyteller, it's easy to fall into the trap of thinking we compete for jobs, fight for exposure, and try to be the best. But here’s a thought that changed the game: business is not a finite game with winners and losers. It’s an infinite game where the goal is
- [Why Join a Professional Photography Association in 2025?](https://picturestoryteller.com/2025/07/10/why-join-a-professional-photography-association-in-2025/) - Photographer and educator Todd Bigelow shares real-world insights during the Business of Photography Workshop, hosted by ASMP/Atlanta. A powerful reminder that success in photography isn’t just about your images—it’s about how you run your business. There’s a question I hear from newer photographers all the time:“Why should I join an organization like ASMP, NPPA, or
- [Rediscovering the Joy of Photography](https://picturestoryteller.com/2025/07/11/rediscovering-the-joy-of-photography/) - As professional photographers, many spent decades chasing light, meeting deadlines, and crafting images for clients. But we may have set down our cameras somewhere once the assignments stopped coming. I’ve noticed a trend among many of my friends, particularly those who have retired or slowed their workload—they’ve lost their sense of purpose, and with that,
- [How to Build Trust in an Age of Misinformation (Through Storytelling)](https://picturestoryteller.com/2025/07/15/how-to-build-trust-in-an-age-of-misinformation-through-storytelling/) - A moment of awe and inspiration — a young family watches in wonder as Roswell Fire Station 25 lights up and prepares to roll out. For this child, it might be the first spark of a lifelong dream. We live in a time when trust is more complex than ever to earn. Every day, we’re
- [Why I Stick with Nikon—and What It Has to Do with Asperger’s and Mastery](https://picturestoryteller.com/2025/07/16/why-i-stick-with-nikon-and-what-it-has-to-do-with-aspergers-and-mastery/) - When I first picked up a camera, it wasn’t by brand choice; it was a gift. I started with a Pentax, equipped with just two lenses: a 50mm and a 135mm. It was enough to get me going. But everything changed when I got to East Carolina University. At ECU, the photography department for the
- [From Horse-Drawn to High-Tech: A Roswell Firefighting Tradition Lives On](https://picturestoryteller.com/2025/07/26/from-horse-drawn-to-high-tech-a-roswell-firefighting-tradition-lives-on/) - Today, I photographed two meaningful ceremonies here in Roswell, Georgia—the Push-In Ceremonies for the new fire engines at Stations 22 and 26. This isn’t just a photo op. It’s a tradition deeply rooted in the history of firefighting. Back in the days of horse-drawn fire wagons, firefighters had to physically push their equipment back into
- [“Do You Feel Lost?” — Why Knowing Your True North as a Creative Matters More Than Ever](https://picturestoryteller.com/2025/07/29/do-you-feel-lost-why-knowing-your-true-north-as-a-creative-matters-more-than-ever/) - A young Fulani shepherd watches over his cattle under the scorching sun in Burkina Faso. Known for their rich nomadic heritage, the Fulani are expert cattle herders, moving with the rhythm of the land and seasons. His Marlboro hat—an unexpected blend of tradition and Western branding—was likely a secondhand item from the global used-clothing trade
- [More Than BBQ: The Story Behind the Slopes Video](https://picturestoryteller.com/2025/08/02/more-than-bbq-the-story-behind-the-slopes-video/) - This 30-second video for Slopes BBQ may have been designed to play during high school games on the jumbotrons around Roswell, Georgia, but it’s more than just a quick commercial. Angel, the owner of Slopes BBQ, reached out and asked if I could create a video for those in-game sponsor moments. Last year, he used
- [Don’t Just Show Up: Why Preplanning Makes or Breaks Your Next Shoot](https://picturestoryteller.com/2025/08/06/dont-just-show-up-why-preplanning-makes-or-breaks-your-next-shoot/) - Before filming began, the team gathered with missionary Judy Bown in Togo, West Africa, to discuss her story and clarify the purpose behind the video. As coaches and producers, we took time to listen, ask questions, and collaborate, making sure we understood Judy’s heart and message so we could tell her story with authenticity and
- [The Wealth of Pursuing Your Calling](https://picturestoryteller.com/2025/08/08/the-wealth-of-pursuing-your-calling/) - Caption: Dave LaBelle, renowned photojournalist and storyteller, speaks to students at the Grady College of Journalism at the University of Georgia, alongside Mark Johnson. I’ve known a lot of photographers who chased assignments that paid the most, and I’ve known others who chased stories that mattered most. Dave LaBelle is one of those rare people
- [Finding Rhythm in Life: How Playing an Instrument Can Keep You Positive](https://picturestoryteller.com/2025/08/11/finding-rhythm-in-life-how-playing-an-instrument-and-moving-your-body-can-keep-you-positive/) - Sometimes life throws you into a rut. The kind where your mind starts circling the same thoughts repeatedly, and you feel stuck. This year’s latest season of Professor T unexpectedly hit me. The brilliant but often socially awkward criminology professor plays the drums in the show, not to become a rock star, but because his
- [When Holding On Holds You Back](https://picturestoryteller.com/2025/08/14/when-holding-on-holds-you-back/) - One of the biggest challenges for businesspeople — and honestly for anyone — is knowing when to let go of what’s always worked. It’s not just hard because change is uncomfortable. It’s hard because what you’re being asked to let go of is often the very thing that built your success in the first place.
- [Why Change Acceptance Matters More Than You Think](https://picturestoryteller.com/2025/08/16/why-change-acceptance-matters-more-than-you-think/) - Caption: At the close of our storytelling workshop in Tanzania, the community gathered to watch the premiere of the films created that week. For many, it was the first time they had seen their story told with such care and clarity. Even those whose lives were featured were often the most moved—because they could truly see their
- [Understanding Corporate Communications vs. Advertising & Marketing](https://picturestoryteller.com/2025/08/20/understanding-corporate-communications-vs-advertising-marketing/) - At the grand opening of Ross Cathy’s Chick-fil-A in Columbus, Georgia, surrounded by fellow operators and supported by his father, Dan Cathy, and grandparents, Truett and Jeanette Cathy, the founders of Chick-fil-A. One of the greatest blessings of my career has been working with this remarkable family, a relationship I’m grateful to continue to this
- [Authenticity Is a Lie. Consistency Is Your Brand’s Promise.](https://picturestoryteller.com/2025/08/21/authenticity-is-a-lie-consistency-is-your-brands-promise/) - You might be told that “being authentic” is the key to winning hearts—but Seth Godin flips that on its head. In his view, authenticity isn’t the goal. Consistency is. Absolute professionalism is doing what you promise—even when you don’t like it. What Seth Says As Seth writes: “We call a brand or a person authentic
- [Why Every Business Needs Professional Team Photos and Headshots](https://picturestoryteller.com/2025/08/25/why-every-business-needs-professional-team-photos-and-headshots/) - I recently had the privilege of photographing the Edward Jones office team in Forest City, NC. We created an outdoor team photo and indoor headshots, giving them a consistent and polished look for their website, marketing, and client communications. If you’re wondering whether it’s worth investing in professional photos for your team, here are a
- [What Dorothy, the Yellow Brick Road, and Seth Godin Taught Me About Strategy](https://picturestoryteller.com/2025/06/24/what-dorothy-the-yellow-brick-road-and-seth-godin-taught-me-about-strategy/) - During one of our early scouting trips for the Storytellers Abroad Multimedia Missions Workshop, Jeff Raymond and I are overlooking the Pacific in Lima, Peru. Like Dorothy on the Yellow Brick Road, this journey wasn’t one I could walk alone. Jeff and I spent more than a decade building something bigger than ourselves—training creatives to
- [Light: The Photojournalism of Don Rutledge](https://picturestoryteller.com/2006/03/24/light-the-photojournalism-of-don-rutledge/) - Photo of Don Rutledge with John Howard Griffin as they worked on the book Black Like Me. Don Rutledge has worked in 143 countries and all 50 states. His work has included assignments from the world-famous Black Star picture agency in New York to civil rights efforts (including documenting the work of John Howard Griffin
- [The Truth Needs No Ally, However Conservatives May Need One](https://picturestoryteller.com/2006/03/24/the-truth-needs-no-ally-however-conservatives-may-need-one/) - The conservatives see the American Media’s role as Public Relations for the Executive Branch of Government. Pat Buchanan on NBC’s Today Show said the media’s role was to help bolster the troops and the country's morale. The media’s role isn’t public relations for the conservatives. However, this is the problem with this group in power.
- [How to Make the Most of a Mentor](https://picturestoryteller.com/2007/08/20/how-to-make-the-most-of-a-mentor/) - Don Rutledge is editing a coverage. "I have three treasures which I hold and keep. The first is mercy, for from mercy comes courage. The second is frugality, from which comes generosity to others. The third is humility, for from it comes leadership." -- Master Po "Strange treasures. How shall I hold them and keep
- [Seeing Eye to Eye Isn't Always Best](https://picturestoryteller.com/2008/03/06/seeing-eye-to-eye-isnt-always-best/) - In Psychology 101 we learn the value of relating to others at eye level. Many books on photography discuss unusual angles such as a worm's eye or a bird's eye view. Such perspectives can create interesting photos, but there is much more to the choice of the angle of view than just making a nice
- [Photographing Fireworks](https://picturestoryteller.com/2008/08/09/photographing-fireworks/) - 4th of July Fireworks at Roswell High School Good fireworks photos have one thing in common - good foregrounds. The fireworks are way up in the sky, of course, but what you put between you and the fireworks can make the difference between an okay photograph and a great shot. During the 1976 Bicentennial Celebration at
- [The Psychology of the Wide-Angle Lens](https://picturestoryteller.com/2009/01/05/the-psychology-of-the-wide-angle-lens/) - Some folks choose a telephoto lens to see how close a subject can appear - a bear, for instance. But, unfortunately, these same people doubtlessly chose a wide-angle lens to get-it-all in the picture, usually a landscape picture. If these people studied the work of professional photographers, they would probably be surprised to find that the
- [Understanding Your Audience: How to Engage with Them Effectively](https://picturestoryteller.com/2009/05/11/time-slicing-day-parting/) - Have you ever wondered how people use media throughout their day? Tom Kennedy, former multimedia director for WashingtonPost.com, gave a talk to the Atlanta ASMP group, and one of his slides during the presentation intrigued me. He shared a list of ways people interact with media throughout the day: Commuting: Podcasts, iPhones, Radio Work Hours:
- [Social Networking](https://picturestoryteller.com/2009/05/25/social-networking/) - The World Wide Web was born in 1993. Websites began. Connecting to the world was no longer just through email. You could publish photos on the web and put up storefront businesses. This was the beginning of the .com era. In 1994 podcasts took hold. A Podcast is a series of digital media files, usually
- [How to Use Photography to Tell a Compelling Story](https://picturestoryteller.com/2009/06/17/do-your-photos-provide-context-for-your-subject/) - Professional communicators understand the importance of getting the audience's attention. A robust hook is necessary to stimulate their interest in the message, and a quote or a visual impact is an effective way to achieve that. However, when it comes to photography, a powerful image alone is not enough to convey a message. A photograph
- [Collaboration vs. Compromise: Understanding the Power of Active Listening and Trust in Successful Partnerships](https://picturestoryteller.com/2009/09/29/collaboration/) - The Pitfalls of Compromising: Why Watered-Down Solutions Lead to Disappointment Compromising can seem like the easiest solution when parties come together with different ideas or solutions for a problem. However, when both parties are focused on pushing their idea forward, a watered-down version emerges, leaving everyone unsatisfied with the answer. The Power of Collaboration: How
- [Shoot for a variety, not just the one shot.](https://picturestoryteller.com/2010/05/16/shoot-for-a-variety-not-just-the-one-shot/) - The other night, I watched a slideshow of a friend’s trip. They showed a lot of things they came across, including a building they saw, a person they met, and a famous location they stumbled upon. In every snapshot, the subjects were dead center (and I mean slow). I began to wonder if their camera
- [Shallow Depth-of-Field](https://picturestoryteller.com/2011/01/27/shallow-depth-of-field/) - I thought I would answer a friend’s question I received the other day. Hey Stanley,I have a quick question for you. I bought a Canon ƒ/1.4 50mm prime lens last year and I love it. My only issue is that when set to automatic the depth-of-field can be so narrow that a nose is in
- [Three Stages of Composition](https://picturestoryteller.com/2011/02/27/three-stages-of-composition-2/) - Stage One: "Literal" Snapshot – making photographs to describe what you see. Typical Snapshot A snapshot is popularly defined as a photograph that is "shot" spontaneously and quickly, often without artistic or journalistic intent. Snapshots are commonly considered technically "imperfect" or amateurish, out of focus, poorly framed, or composed. We all start with the literal
- [If you could eavesdrop on a critique](https://picturestoryteller.com/2011/03/11/if-you-could-eavesdrop-on-a-critique/) - Keep the subject off center. If you were listening in last week when I was giving one critique after another at the Southwestern Photojournalism Conference, you would have heard a theme running through my comments. First, I also like to review all the photos before I comment. This way I can categorize some of the
- [Lens Choice: Just the subject or a story](https://picturestoryteller.com/2011/03/16/lens-choice-just-the-subject-or-a-story/) - Reading Time: 2 minutes Filling the frame with a subject can look quite different depending on the lens’s focal length. In these three examples, the f/stop stayed the same. I moved the camera forward or backward to keep the stuffed ducks the same size in the frame.The 28mm wide-angle lens lets you see the environment around
- [How to get really sharp photos](https://picturestoryteller.com/2011/03/17/how-to-get-really-sharp-photos/) - Reading Time: 2 minutes Here are a series of photos showing a full-framed image followed by a cropped 100% view of the same image. If you want to enlarge your photos and have people admire them on the walls of your home or office, be sure they are in focus and sharp.For this exercise, I
- [Why is my color off?](https://picturestoryteller.com/2011/03/31/why-is-my-color-off/) - Reading Time: < 1 minute Spyder2Express Color CalibrationFrom the moment you click the shutter to make a photo until the final place where the photo is to be viewed, everything can make or break a photo.After you transfer your images from your digital camera to your computer, you can view them on your computer’s screen.
- [What will they buy? —Not what do I have to sell?](https://picturestoryteller.com/2011/04/04/what-will-they-buy-not-what-do-i-have-to-sell/) - Are you selling prints, DVDs, digital files, or the memories you capture? Too often, photographers look only at the cost of making a photo—pushing the button. In the days of film, many of these same photographers would try and sell a 25¢ piece of paper. Both then and now, these photographers miss the point—the medium
- [Active Listening](https://picturestoryteller.com/2011/04/06/active-listening/) - Vince Stanton attempts Troublemaker during the Professional Bull Riders Atlanta Classic at the Georgia Dome. From WikipediaActive listening is a communication technique that requires the listener to understand, interpret, and evaluate what they hear. Listening actively can improve personal relationships by reducing conflicts, strengthening cooperation, and fostering understanding. When interacting, people often do not listen attentively. They
- [I always travel with a tripod](https://picturestoryteller.com/2011/04/08/i-always-travel-with-a-tripod/) - Reading Time: 2 minutes Gitzo GT-0531 Mountaineer 6X Carbon Fiber tripod I always try to have a tripod with me. Finding a sturdy tripod was pretty easy. However, you will quickly look for something much lighter once you fly and carry your tripod through airports worldwide. Carbon fiber’s high tensile strength, low weight, and low thermal expansion
- [Students have access to superstars](https://picturestoryteller.com/2011/04/17/students-have-access-to-superstars/) - Reading Time: 3 minutes Sergej Krylov and Arild Remmereit talk to the students from Elkins Point Middle School orchestra and band. Next to Sergej is his Stradivari “Scotland University” (1734) from the Sau-Wing Lam Collection, courtesy of “Fondazione A. Stradivari” in Cremona. (photo by: Stanley Leary) Having kids give us a great excuse, if we need
- [How to capture better color with your camera](https://picturestoryteller.com/2011/04/19/how-to-capture-better-color-with-your-camera/) - Reading Time: 4 minutes Reflections in hood and glass Polarizing filter eliminates reflections “I’ll fix that in post,” is the mantra for so many photographers. As long as you get the best possible exposure and shoot in the RAW mode of your camera there is a great deal that you can correct in the postproduction.
- [Variety is the spice of life](https://picturestoryteller.com/2011/05/01/variety-is-the-spice-of-life/) - When covering an event, I try to think of it as telling a story. So there are seven things I try to always have in my coverage. This week, I discovered that my friend Mark Sandlin, Director of Photography for Southern Living, uses this same list. The list is what all photojournalists have drilled into
- [Off Camera Flash](https://picturestoryteller.com/2011/05/21/off-camera-flash-blog-post-3-of-3/) - You can see the blur in the volleyball even with strobes being used due to the 1/250 sync limitation. TTL Flash offers some advantages over manual flash. I use the Nikon Speedlight system, which has given me an edge over many other photographers who do not use the system. Three things make me choose my
- [Joplin Tornado brings back memories](https://picturestoryteller.com/2011/06/01/joplin-tornado-brings-back-memories/) - Here you can see my first major tornado that hit my last semester in college at East Carolina University. I started my career in the 80's and one of the first disasters I saw and covered for my college paper was a F4 tornado. There were 16 deaths and 153 injuries. The tornado was up
- ["Gone with the Wind" --75th Anniversary](https://picturestoryteller.com/2011/06/01/gone-with-the-wind-75th-anniversary/) - There are a lot of events in the Atlanta area to celebrate the 75th anniversary of the book Gone with the Wind. If you're in or around the city, consider these venues: -- The exhibit Atlanta's Book: The Lost Gone With the Wind Manuscript (June 4-Sept. 5) at the Atlanta History Center features the final
- [Sometimes you need a unique lens like the Fish-Eye.](https://picturestoryteller.com/2011/06/12/sometimes-you-need-a-special-lens-like-the-fish-eye/) - Waco YMF Biplane Years ago, I found myself in some pretty small areas. While photographing research labs, I was photographing what felt like the inside of a closet. So finally, I bought a fish eye 16mm Nikon f/2.8 lens. It gives me a 180-degree view. This past weekend, it came in handy to help capture
- [Model Releases: Easing the pain on getting them](https://picturestoryteller.com/2011/07/03/model-releases-easing-the-pain-on-getting-them/) - These are tips on how to get model releases and what I can do to obtain them. Let's start with how you ask for a person to sign a model release. Less is more when asking someone to sign a model release. I always start with the reason I am making the photos. I am here
- [The best preventive camera insurance](https://picturestoryteller.com/2011/07/22/the-best-preventive-camera-insurance/) - Back in 1980, during Christmas break from college, I went ice skating with my friends on a lake in New Jersey. I remember this time very well, because it was the moment I dropped my rangefinder camera onto the ice and it was destroyed. The reason I dropped it was that I didn't have a
- [How much should I charge? Part 3](https://picturestoryteller.com/2011/08/11/how-much-should-i-charge-part-3/) - You need to understand what you need for each category over a year. Knowing the costs of doing business is step two of learning how to quote a price to someone when they ask you, "How much do you charge?" In step one, you should have devised an annual figure for your living expenses in
- [Light diagrams for dancers](https://picturestoryteller.com/2011/10/02/light-diagrams-for-dancers/) - "Our dance department needs some photos for a poster to promote the department," was the request. After discussing the proposal and what they wanted in more detail, I realized we would wing this one. I packed up in my van all my lights and backgrounds. Of course, I had most of my cameras and lenses
- [Use dark objects to learn how to light](https://picturestoryteller.com/2011/11/04/use-dark-objects-to-learn-how-to-light/) - If you like this image I will walk you through the steps to get here. (Figure 1) I started here and got the exposure to pretty close to the tones in the carving. (Figure 2) By just adding one light off to the right I got the next image. (Figure 3) I liked the result,
- [Create drama with lighting](https://picturestoryteller.com/2011/11/06/create-drama-with-lighting/) - How do you get the photo on top versus the one below? Read on. Lighting everything and using a white background are what you typically get at the bottom. TIP: to get a clean white background, be sure the background is 1 stop greater than the subject. Also, slightly angle the background so it isn't
- [Mike Davis' list of five things in good photos](https://picturestoryteller.com/2011/12/06/mike-davis-list-of-five-things-in-good-photos/) - Creating images that last beyond the day has been Mike’s mission in settings as diverse as National Geographic Magazine and The Albuquerque Tribune, The White House and pdxcross.com Mike Davis started his presentation by giving us his background as he transitioned into his educational part of the program on how he does photo editing by
- [How to become a humanitarian or missions photographer](https://picturestoryteller.com/2011/12/27/how-to-become-a-humanitarian-or-missions-photographer/) - "I feel God calling me into missions photography ..." or "I want to be a humanitarian photographer and would like to meet you," are two things I am hearing almost weekly now. To make this dream a reality is to engage your head and your heart in this journey. Reasons not to become a humanitarian/missions
- [My Digital Workflow](https://picturestoryteller.com/2011/12/29/my-digital-workflow/) - Step 1 Ingest Step 1 - I ingest the images from my Compact Flash Card or SD Card. My camera settings are RAW, and I normally use the ExpoDisc to get a custom white balance. I also shoot in ADOBE RGB color space. All the settings give me images that are the best possible for
- [Russia from Don Rutledge's Eyes](https://picturestoryteller.com/2012/01/17/russia-from-don-rutledges-eyes-2/) - Don Rutledge covered Christians in Russia in the late 1980s, and we can learn a few things from his coverage. Don Rutledge could go to a different culture and cover it even tho he didn't speak their language or understand their customs. During his career, Don covered more than 150+ countries and all 50 of
- [One Week of Studio Lighting in Kona, Hawaii](https://picturestoryteller.com/2012/01/23/one-week-of-studio-lighting-in-kona-hawaii/) - Students work from 2006 YWAM School of Photography 1 Students go from not knowing how to turn on the strobes in one week to doing incredible work. My job is to take the fear out of trying new things and teach them some basics upon which they can build. Take a look at these shows
- [Website Tips for Photographers](https://picturestoryteller.com/2012/01/24/website-tips-for-photographers/) - I must have the navigation always visible so people can quickly find what they need. If a potential customer were to find your website, would they hire you? A photographer’s website is to showcase their work and helps them book jobs. I have been designing my website for 17 years and have learned a few
- [Attaining good skin tones with digital cameras](https://picturestoryteller.com/2012/01/27/attaining-good-skin-tones-with-digital-cameras/) - Sepia Tone filter The photograph's color can take you back in time, create a mood, or make your work look amateurish. In an homage to the Kodak Instamatic and Polaroid cameras, Instagram confines photos to a square shape. It lets you apply a filter and, combined with edge effects, the square format can make
- [12,800 ISO noise looks different with flash](https://picturestoryteller.com/2012/01/29/12800-iso-noise-looks-different-with-flash/) - Dave Black spoke at a seminar about using his Nikon Speedlight SB900 flashes instead of his Studio heads to light a basketball court and an ice rink. I was on the edge of my seat, absorbing what he was talking about. I didn't go out and buy more SB900 flashes and use them instead of
- [Ambient Light and Flash Combined](https://picturestoryteller.com/2012/01/31/ambient-light-and-flash-combined/) - Caption: Available Light only (Nikon D3S, ISO 12,800, f/5.6, 1/40, 28-300mm) Hey Stanley, can you back up and explain this Ambient Light and under-stops thing you mentioned in that last post? A few people wrote to me asking similar questions. So, let's delve into ambient light and under—or over-exposure with a flash. Step One: Get
- [Pass the Pen + Walk and Talk](https://picturestoryteller.com/2012/02/05/pass-the-pen-walk-and-talk/) - Reading Time: 5 minutes Getting people to do something gives you better expressions. I have two techniques for keeping people engaged when I have to set up a situation and then help it become a real moment.Pass the PenMany schools love to show the seminar setting for a class. When you photograph in a room
- [Where does your eye go first?](https://picturestoryteller.com/2012/02/06/where-does-your-eye-go-first/) - Start upside downOne of the ways I was first taught to look at a photo is to turn it upside down. This way, you see how the photo's composition and light values will direct someone to what is essential or away. The light values alone have a tremendous effect on the viewer. If you put
- [Improve your Flash photos by not lighting everything](https://picturestoryteller.com/2012/02/20/improve-your-flash-photos-by-not-lighting-everything/) - How do you get this result? [Figure 1] I started this photo shoot with Figure 2. I started with a backlighted subject. Most of the light is in the background, and the subject is in the shade. I suggest doing this assignment and taking notes to ensure you remember all your settings. While Nikon will
- [YWAM School of Photography: Rembrandt Lighting Assignment](https://picturestoryteller.com/2012/02/29/ywam-school-of-photography-rembrandt-lighting-assignment/) - I gave the class an assignment on making a Rembrandt light portrait using just one light with a 10º or 20º spot grid. Most of the class has never even turned on a studio strobe. Here is the assignment: Description:Rembrandt portrait using one grid light Items: SubjectPlease get the best possible expression. It would be
- [YWAM School of Photography: 1:3 Ratio Lighting](https://picturestoryteller.com/2012/03/01/ywam-school-of-photography-13-ratio-lighting/) - This is the students second shooting assignment this week. Assignment Description: 1:3 lighting ratio. This photo is classic lighting. Items: Softbox This light is your main light. Get a light reading with just this first. The light should be 45 degrees off the axis of the camera and 45 degrees above the subjects eyes. Subject
- [YWAM School of Photography: Mixed Lighting](https://picturestoryteller.com/2012/03/05/ywam-school-of-photography-mixed-lighting/) - Here is another lighting assignment for the students. They were to go outside, use the sun as a backlight, and then use a strobe as the leading light. Here are the assignment and diagram that I sent to them. Description: Mixed lighting Items: MonoblocIf you choose, you may use your hot-shoe flash, but it must
- [Parts To An Estimate](https://picturestoryteller.com/2012/03/11/parts-to-an-estimate/) - There are three major sections to an estimate for a job you are bidding on for a client. 1. Your costs2. The price the client pays3. Your selling of yourself and why you are the best person for the job Your Costs There are two sections to every job when it comes to expenses. 1.
- [Famous Photographers: Are there really any?](https://picturestoryteller.com/2012/03/17/famous-photographers-are-there-really-any/) - Jay Maisel, Bernie Boston, Hugh Morton, and George Tames are four famous photographers. I took this at the Southern Short Course in the 1980s. Most photographers want to be known for their work, and almost everyone I know wants to have their work judged as significant. Like many other photographers, I have tried numerous times to get hired by National
- [A college freshman has advantages over a senior](https://picturestoryteller.com/2012/03/30/a-college-freshman-has-advantages-over-a-senior/) - Photography advice for the college student So you want to be a photographer. I have some general suggestions after having written numerous students lately. I want to help others who want to become photographers. Freshman If you are reading this and you are a freshman in college or younger you will benefit more from my
- [Tips for Off Camera Flash for +/- exposure problems](https://picturestoryteller.com/2012/04/11/tips-for-off-camera-flash-for-exposure-problems/) - When I first wrote about using off-camera flash, I realized I needed to revisit the topic and highlight some points. ISO, Shutter Speed, Aperture, and +/- A few things will affect your ability to get proper exposure. Let's set each of these on a Nikon so that everything will work. ISO - Be sure you
- [Off Camera Flash Examples](https://picturestoryteller.com/2012/04/14/off-camera-flash-examples/) - Nikon D4, 28-300mm, ISO 100, 1/250, f/4.5, Off-Camera Fill Flash with Alien Bees 1600 and fired with Pocket Wizard Plus System. Walk and Talk This past week, I was privileged to photograph a college campus. I combined two things that gave me some of my best photos: off-camera flash and people moving. These combined techniques
- [Shooting under fluorescent requires you to slow down](https://picturestoryteller.com/2012/05/11/shooting-under-fluorescent-requires-you-to-slow-down/) - Shooting under fluorescent lights can give unpredictable results if you do not slow down. Fluorescent lamps using a magnetic mains frequency ballast do not give out a steady light; instead, they flicker at twice the supply frequency. This results in fluctuations in light output and color temperature, which may pose problems for photography and people
- [Most organizations need a stock photography library](https://picturestoryteller.com/2012/05/14/most-organizations-need-a-stock-photography-library/) - One of the best things any organization can do is to create a stock photo library. These are photos people can use for a variety of uses. If your organization has specific main themes or initiatives, you need images to help illustrate the concept. "Seeing is believing" is the old saying we all know to
- [Why Learn Ratio Lighting?](https://picturestoryteller.com/2012/06/02/why-learn-ratio-lighting/) - First of all, there are times you need to be sure your photos can be adequately reproduced. For example, the headshot is the most used picture I know of in publications. There are some pretty cool lighting setups you can use, but if you are unaware of how this will affect the photo in print,
- [Studio strobes or Hot Shoe Flash outside](https://picturestoryteller.com/2012/06/05/studio-strobes-or-hot-shoe-flash-outside/) - Reading Time: 4 minutes Walk and Talk with Hot Shoe Flash One of my favorite shots for organizations is doing what I call the “Walk and Talk.” This is where two or more people walk next to each other towards me.I encourage them to feel each other barely next to each other. This keeps them from
- [What clothing works best for a portrait?](https://picturestoryteller.com/2012/06/10/what-clothing-works-best-for-a-portrait/) - Pick your clothing carefully There are two types of photos when it comes to clothing: 1) For Portraits and 2) For Fashion. If the photo shoot is for portrait you need to be sure that the clothing doesn’t distract, but rather compliments the person’s face. The fashion photo shoot is all about the clothing and
- [Lighting African American on black background](https://picturestoryteller.com/2012/06/26/lighting-african-american-on-black-background/) - This is one of my favorite photos that I have ever made. I think the model brought as much to this session as I did lighting her. I love her hair, the turtle neck and her wonderful skin and smile. Simplicity is what makes this work so well. You need to have the background far
- [Off camera flash for beach portraits](https://picturestoryteller.com/2012/07/05/off-camera-flash-for-beach-portraits/) - Reading Time: 2 minutes Nikon D4, 28-300mm @ 98mm, ISO 1,200, ƒ/8, 1/50Gitzo GT-0531While on vacation with the family, I ended up taking some portraits on the beach. I had my Nikon SB-900 and SB-800 with me.I wanted to use the beach as the background for the photos. There is no need for a white
- [Super simple off camera flash portrait](https://picturestoryteller.com/2012/07/06/super-simple-off-camera-flash-portrait/) - Reading Time: 3 minutes Nikon D4, 85mm ƒ/1.4, ISO 200, 1/8000The key to any good photo is the old KISS rule, which is: Keep It Simple, Stupid.For this portrait of my dad, I chose to shoot outside and use some of the sunny weather we were having down at the beach. We shot this outside
- [Cable Management and being prepared](https://picturestoryteller.com/2012/07/13/cable-management-and-being-prepared/) - When I travel, I need many different cords. I need power cords for my computer, cellphone, iPad, and card readers. Thinktank has designed several different Cable management bags. I use two of them. To hold all these cables, I use the Cable Management 30. I use the Cable Management 10 to store my RadioPoppers. You
- [Butterfly Lighting and Foot Lights](https://picturestoryteller.com/2012/07/25/butterfly-lighting-and-foot-lights/) - Available Light First, always start with no lights before adding lights. This photo at the top shows you the excellent diffused lighting of the open shade on our deck. Foot Lights One of the lights used in theater is the foot lighting. This helps the older actors look younger. So, while they can act better
- [Camera Insurance](https://picturestoryteller.com/2012/08/01/camera-insurance/) - I woke up to sad news this morning, that two of my friends were robbed in London in the basement of a church behind two locked doors. All of their camera gear was stolen. Dennis Fahringer was the photography instructor for Youth With A Mission, and his student Xiao Dong Yu from China had his
- [Camera Insurance for College Students](https://picturestoryteller.com/2012/08/09/camera-insurance-for-college-students/) - A few days ago, I posted a blog about camera insurance. It was inspired by what happened to some of my friends covering the Olympics in London. A few days later, I realized that there is a group out there that is the most vulnerable. These are college students. First Before you head off to
- [Faith and Photography](https://picturestoryteller.com/2012/08/21/faith-and-photography/) - Kiplinger just "...analyzed the jobless rates and salaries for graduates with the 100 most popular majors to come up with our list of the ten worst values in college majors." The research they did was on undergraduate degrees. Number three on their list was "Film and Photography." I posted this to my FaceBook page and
- [Sports Photography: High-Speed Flash vs No Flash](https://picturestoryteller.com/2012/10/24/sports-photography-high-speed-flash-vs-no-flash/) - Caption: Nikon D4, 28-300mm, ISO 12,800, ƒ/5.6, 1/400 -- Flashes used (4) Alienbees B1600 with 11" long throw reflectors with PocketWizard Plus II receivers and being triggered by the PocketWizard Mini TT1. with DXO Pure RAW 4 & Lightroom High-Speed Flash vs. No Flash In the photo above, I used a flash with an output about the
- [300 PPI and Output sizes](https://picturestoryteller.com/2012/11/13/300-ppi-and-output-sizes/) - The magazine publishing my pictures requires images to be at least 300 ppi. How do I change the resolution to 300 ppi? Editorial Note: DPI (or dots per inch) is commonly accepted but not technically correct. It refers to the resolution of output devices such as laser or inkjet printers, plate setters, or film imagesetters.
- [How I covered Hurricane Sandy Disaster Relief](https://picturestoryteller.com/2012/11/20/how-i-covered-hurricane-sandy-disaster-relief/) - This is just some of the damage to homes by Hurricane Sandy in Union Beach, New Jersey that I saw last week while covering a companies work there. Ken is one of my mentors helping me with business practices. My good friend and fellow photographer Ken Touchton, pointed out to me how we are called
- [Covering Tragedy](https://picturestoryteller.com/2012/12/17/covering-tragedy/) - Reading Time: 2 minutes Jesus & Gloria say good-bye before the funeral service for their son Jesus Fonseca, Jr.The recent events in Newtown, Connecticut have lit up social media and forums about how will we go forward and change.PhotojournalismWhile photojournalists and journalists have trained to cover tragedy nothing truly prepares you for the actual event. An
- [Photography: Assignment Details](https://picturestoryteller.com/2012/12/21/photography-assignment-details/) - Photographers can learn a thing or two from other businesses. You go to just about any business and if you are receiving any services they are going to fill out some forms. When you go to college they get all your information and put you into their system. Hospitals do the same thing and get
- [Workshops can be better than new equipment](https://picturestoryteller.com/2012/12/23/workshops-can-be-better-than-new-equipment/) - If you are still looking for a present for the photographer's friend, consider a gift certificate for a workshop. If they don't have one, give a VISA or AMEX gift card with a printout of the website to tell them you are giving them the funds to go to the workshop. Difference between Photography Workshops/Seminars
- [Don Rutledge my mentor](https://picturestoryteller.com/2013/01/05/don-rutledge-my-mentor/) - Don's awareness of body language is sometimes very clear-cut, like here in this photograph of the teacher and students. Often, the body language is more subtle in Don's photographs. Body language is always essential in Don's photographs. I was processing film at the Hickory Daily Record when I got a call from Don Rutledge. He
- [Master's Thesis on Don Rutledge: Chapter Two](https://picturestoryteller.com/2013/01/12/masters-thesis-on-don-rutledge-chapter-two/) - THE EARLY YEARS WITH BLACK STAR, 1955 TO 1966 Don was born in Smithfield, Tennessee. The family moved to Murfreesboro, Ten­nessee, South of Nash­ville, shortly after being born. "Good ole' home folk," is what you would say about the Rutledges. They lived on a farm where they all worked together as a family. Growing up
- [Master's Thesis on Don Rutledge: Chapter Three](https://picturestoryteller.com/2013/01/13/masters-thesis-on-don-rutledge-chapter-three/) - HOME MISSION BOARD, 1966 TO 1980 When Walker Knight went to the Home Mission Board of the Southern Baptist Convention in 1959, he was handed photo story packages done by Don Rutledge. He published some of those photo stories. Walker Knight became acquainted with Don Rutledge. When Don traveled to Atlanta for coverage or passing
- [Master's Thesis on Don Rutledge: Chapter Four](https://picturestoryteller.com/2013/01/15/masters-thesis-on-don-rutledge-chapter-four/) - FOREIGN MISSION BOARD, 1980 TO 1993 When Dr. Keith Parks went to the Foreign Mission Board in 1975, his responsibility was to head up the mission support division. Establishing one of the finest communications departments possible was one of Dr. Parks's goals for himself and the Foreign Mission Board. He discovered Don Rutledge did the
- [Master's Thesis on Don Rutledge: Chapter One](https://picturestoryteller.com/2013/01/16/masters-thesis-on-don-rutledge-chapter-one/) - This writer has en­joyed seeing the world, approximately 137 coun­tries, and all of the United States without ever leav­ing his own home. Most of the travel­ing was done with the help of The Commission Magazine and Missions USA. Both maga­zines have won some of the highest awards in the country. The Commission Magazine has placed third
- [Master's Thesis on Don Rutledge: Chapter Five – Conclusion](https://picturestoryteller.com/2013/01/16/masters-thesis-on-don-rutledge-conclusion/) - Don Rutledge (photo by Ken Touchton) CONCLUSION To a non-Christian, Don would have been considered crazy for taking the positions with Southern Baptist. Going to the Home Mission Board was a step down in pay and prestige for Don Rutledge. Why would someone leave a superposition to drastically cut salary and work with people who
- [Nikon D4: Normal Camera Setting](https://picturestoryteller.com/2013/01/23/nikon-d4-normal-camera-setting/) - These are my settings for everyday shooting. Regular shooting is more photojournalistic for me, and I use many available lights and lenses from the 14 - 300mm range. The first thing I do is select my shooting menu bank in the menu. I have saved two primary shooting setups. I have normal for most average
- [Nikon D4: Sports Camera Setting](https://picturestoryteller.com/2013/01/27/nikon-d4-sports-camera-setting/) - In an earlier blog post, I gave you my standard settings for the Nikon D4 for how I shoot. Here is a link to that post. These are the settings that I use on my Nikon D4 for shooting most all sports action. Nikon has made it pleasant to allow photographers to save these settings
- [Seven Reasons Not to Become a Freelance Professional Photographer](https://picturestoryteller.com/2013/02/02/seven-reasons-not-to-become-a-freelance-professional-photographer/) - 7) Not a self-starter—In your first year or so you will be getting up with no photo shoots on your schedule. You must be able to fill your day with something that will be productive. If you are someone that takes initiative and rarely needs someone to tell you what you should be doing at
- [9 things you need to do before going freelance full-time](https://picturestoryteller.com/2013/02/07/9-things-you-need-to-do-before-going-freelance-full-time/) - Reading Time: 4 minutes Stanley teaching at YWAM School of Photography 1 in Kona, Hawaii [Photo by Dennis Fahringer] Here is a checklist I recommend going through to go full-time freelance. You may think of even more to add to this list. Microsoft Excel Home Budget TemplateCreate a home budget – You need to have a budget
- [My response to all those who ask how to do "Missions Photography"](https://picturestoryteller.com/2013/02/09/my-response-to-all-those-who-ask-how-to-do-missions-photography/) - Young photographers and old, but all those fairly new to missions, want to know how to start photographing missions. Their attitude and communication says they are ready and should be doing this now. This is my opportunity to empty out all those emotions that are running through my head and articulating what I'm feeling, without
- [The environmental portrait](https://picturestoryteller.com/2013/02/19/the-environmental-portrait/) - Tom Butler, coffee farmer on the Big Island of Hawaii. Tom sells the incredible 100% Kona coffee. Nikon D4, 28-300mm (300), ISO 2000, ƒ/10, 1/200 - Off camera fill-flash using the Nikon SB-900 pointed at the coffee farmer. The Flash is on the Pocketwizard TT5 and being triggered by the Mini TT1 on the Camera
- [Off-camera flash and gels for the sky](https://picturestoryteller.com/2013/02/25/off-camera-flash-and-gels-for-the-sky/) - When I get this kind of situation on a cloudy day in Kona, Hawaii, sometimes I fix it with flash. By using an off-camera flash, I set the flash to be 2 stops over the available light, and the camera I underexposed by -2 stops. While this made the photo much better, the color didn't
- [Lighting Setup: Table-top Product Photography](https://picturestoryteller.com/2013/03/11/lighting-setup-table-top-product-photography/) - White or transparent objects on a white background can be very challenging to photograph and can become quite frustrating for even the most experienced photographers. This is a basic setup for a catalog photo shoot where the object needs to be the focal point. I have a couple of examples here. You have the lighting
- [Hand held light/flash meter](https://picturestoryteller.com/2013/03/12/hand-held-lightflash-meter/) - Reading Time: 3 minutes Flash/Light Meter simplifies lighting.Anyone using studio strobes will greatly benefit from a flash meter. Here is the older Sekonic Meter I use most of the time. The primary thing I use the flash meter for is getting the exposure for my subject. I always start here when shooting. The light I am
- [Only Photography can capture the "Microexpressions"](https://picturestoryteller.com/2013/04/08/only-photography-can-capture-the-microexpressions/) - Microexpressions Lie to Me is the hit TV [January 21, 2009 to January 31, 2011] series based on the research of Dr. Paul Ekman. Haggard and Isascs are credited with the discovery of Micro Expressions in the 1960s. Paul Ekman created a coding system for microexpressions and in 2001 he was named by the
- [Shooting a photo package on a person](https://picturestoryteller.com/2013/04/12/shooting-a-photo-package-on-a-person/) - Shooting a package This is the bread-and-butter assignment for the editorial/photojournalist. You get a call from an editor who has a story about a person and wants some photos to accompany it. While hanging out with a person for a week and picking the best images would be great, the budget is not there for
- [Photographing school plays](https://picturestoryteller.com/2013/05/03/photographing-school-plays/) - Nikon D4, 70-200mm, ISO 11,400, ƒ/5, 1/500 Be Prepared Here are a few tips before you start shooting the performance. Arrive Early—You need some time before the curtain goes up. Fast lens and/or high ISO—You need gear to take low-light photos. Find a good seat—You might think the front row is the best, but sometimes
- [How much should I charge?](https://picturestoryteller.com/2013/05/21/how-much-should-i-charge/) - It is quite common for a professional photographer to get a call asking to use a photo and the photographer doesn't know how to give a quote for the usage. Understanding Copyright First let me start with understanding of copyright. It is safe to say that unless you have permission from a photographer to use
- [PhotoMechanic is a must have for the editorial/sports photographer](https://picturestoryteller.com/2013/06/14/photomechanic-is-a-must-have-for-the-editorialsports-photographer/) - If you were in the press room and watched all the photographers ingest their images, write captions, crop, and upload their pictures to wire services or newspapers, you would find most of them using PhotoMechanic. It costs $150 and works on a PC or a Mac. Why PhotoMechanic? The number one reason most use it is
- [High ISO is King for Night Events](https://picturestoryteller.com/2013/06/24/high-iso-is-king-for-night-events/) - Nikon D4, 14-24mm, ISO 12,800, ƒ/2.8 & 1/125 Available Light I try my best to always look at the light that is present and go with it before I use a flash. When Nikon introduced the Nikon D3 the ISO on that camera went to 6400 with no trouble. Then Nikon bumped it up again
- [Flash or not to flash](https://picturestoryteller.com/2013/06/25/flash-or-not-to-flash/) - Reading Time: 3 minutes Nikon D4, 70-200mm, ISO 10000, ƒ/2.8, 1/800 with Nikon SB900 on camera flash fired at slow syncWhile at first glance this photo may seem acceptable, the main light is now my flash, not the stage lighting.Nikon D4, 70-200mm, ISO 2500, ƒ/2.8, 1/100The second shot is available light and was shot only
- [How to photograph 4th of July Fireworks](https://picturestoryteller.com/2013/06/30/how-to-photograph-4th-of-july-fireworks/) - Caption: Nikon D3S, 14-24mm, ISO 100, ƒ/8, 8 sec Location, Location, Location The success of a fantastic fireworks shot is the location. You need to know where the fireworks will go off well before they do. You don't want to try to line up your shot after they start. You can tweak your composition, but
- [TTL Nikon Off Camera Flash Kit](https://picturestoryteller.com/2013/07/05/ttl-nikon-off-camera-flash-kit/) - The total package cost of $1,067.01Prices based on July 5, 2013 This is just a list of what I recommend for those wanting to do off-camera flash with the Nikon TTL system and using the PocketWizard radio system to fire the flashes. You can substitute another Nikon TTL or off-brand to lower the price. $10.17
- [Importance of Model Release for the photographer](https://picturestoryteller.com/2013/07/08/importance-of-model-release-for-the-photographer/) - Why do I need a model release? Whoever publishes a photo is the one who needs the model release. Photographers get model releases as a general rule to help out their clients.Having a model release increases the value of a photograph, because now it can be used in more ways than without one.What release should
- [Checklist for Sharp Photos](https://picturestoryteller.com/2013/07/29/check-list-for-sharp-photos/) - Nikon D4, 28-300mm [85mm], ISO 800, ƒ/8, 1/400 Squeeze the shutter — Don't punch the shutter release Keep the camera as still as possible. If you can shoot with a tripod, all the better. If you can shoot with a monopod. One of the biggest reasons most people's photos are not sharp is camera movement. Shutter
- [Concert photography: Better known as the Black Hole](https://picturestoryteller.com/2013/07/31/concert-photography-better-known-as-the-black-hole/) - Huey Lewis and the News 1982 in Greenville, NC At least I found ONE photo for the paper I remember being in the darkroom, looking through my concert photo shoot, and struggling to find one image I could give to the editors. When I was photographing bands in the 1980s, I was starting this career. Every
- [I am switching to USB Flash Drives from DVDs, and I advise you to do the same](https://picturestoryteller.com/2013/08/05/i-am-switching-to-usb-flash-drives-and-i-advise-you-to-do-the-same/) - Apple kills Flash for websites. I have a Love/Hate relationship with Apple. When they rolled out their iTouch, iPhones, and iPads, they refused to support Flash—killing it as a platform. If your website used Flash, you either updated your website to html5 or just started over. You couldn't afford to have people come to your
- [Tips for contacting professional photographers for help](https://picturestoryteller.com/2013/08/07/tips-for-contacting-professional-photographers-for-help-2/) - Ways to connect You can contact photographers in many ways. But first, it is essential to know some basic etiquette for connecting. Introduce yourself Tell the person you are and why you want to connect. "hi, my name is—after reading about you, I noticed we have a few things in common" or "Hi, my name
- [Should a photographer list their prices on their website?](https://picturestoryteller.com/2013/08/08/should-a-photographer-list-their-prices-on-their-website/) - Yes and No: It Depends Listing your prices depends on what type of customer you have. For example, if you are shooting for public portraits and weddings, you should have your prices listed. Another way to think of it is, are you doing B2B or B2C? B2B is contemporary shorthand for a longtime business-to-business sales
- [Advice to the Humanitarian Photographer on Getting Published](https://picturestoryteller.com/2013/08/09/advice-to-the-humanitarian-photographer-on-getting-published/) - A young boy in the village of Konadouga, Burkina Faso, whose native language is Senara and the formal language taught in French. This is just a mile from the Ivory Coast border where rebels had been fighting. Photographers, for the most part, are some of the most compassionate people you will ever meet. They want
- [Photographers are hired for brains and not gear](https://picturestoryteller.com/2013/08/12/photographers-are-hired-for-brains-and-not-gear/) - Surprise It is pretty standard for me to show up at a photo shoot and find out that the person hiring me is an amateur photographer with a lot of gear. Those amateur customers have great equipment, and we often talk shop. I mention this because when I meet amateurs, they often talk to me
- [Simple One Light Outside Group Photo](https://picturestoryteller.com/2013/09/16/simple-one-light-outside-group-photo/) - Nikon D4, 28-300mm ƒ/3.5-5.6, ISO 100, ƒ/8, 1/125, Off camera Alienbees B1600 The Setup Simple lighting setups work great outside when you already have the sun as one of the lights. Before getting the photo above, you must plan and do some test shots. I recommend putting the strobe opposite the sun and using the
- [Wedding Lighting Kits](https://picturestoryteller.com/2013/09/18/wedding-lighting-kits/) - Kit One These are the AC-powered strobes that I use for many different shots. Here is a list of what is in the kit: 3 Alienbees B1600—If I think the facility for the reception needs more than this, I can bring even more of these monobloc lights 3 PocketWizard Plus Receivers 2 PocketWizard Plus Transmitters
- [My photographs of a Black Dodge Viper](https://picturestoryteller.com/2013/09/19/my-photographs-of-a-black-dodge-viper/) - Nikon P7000, ISO 100, ƒ/8, 1/640 I just wanted to have fun, so I photographed a Dodge Viper. So I rolled the Dodge Viper into my studio. Here are some shots. After doing different shots with the blue gel, I switched to red and reshot the photos. Now how did I take all these photos?
- [High Key Dodge Viper Photos](https://picturestoryteller.com/2013/09/20/high-key-dodge-viper-photos/) - I decided to go back to the Dodge Viper and shoot it purely high-key. So here are some from this morning's shoot. For these last few, I turned the 30" x 60" softbox long side front to back rather than side to side, which helped eliminate a black line that you may see in the
- [Gross income broken down for the independent photographer](https://picturestoryteller.com/2013/09/26/gross-income-broken-down-for-the-independent-photographer/) - If you are considering becoming a professional independent photographer, look at some of these numbers. Of course, you may want to keep your day job and do this as a hobby instead. One thing most self-employed people know about their business, if they are successful, is that only a tiny part of what you charge
- [Learning from a "Contact Sheet" or today a grid of thumbnails](https://picturestoryteller.com/2013/10/02/learning-from-a-contact-sheet-or-today-a-grid-of-thumbnails/) - Talking of bad photographers, I have often heard it said that one of their characteristics is that they look at their contacts in order to discover which is the best picture, whereas a good photographer examines each frame on a contact sheet and asks: why is this one not a good picture?[Jay, Bill; Hurn, David
- [OZ Magazine Interview's Stanley](https://picturestoryteller.com/2013/10/18/oz-magazine-interviews-stanley/) - Oz Magazine called me and asked to interview me a couple of months ago, and the interview is in this October's magazine on page 43. Click here for the link. Above is the interview. HOW DID YOU GET INTO THE BUSINESS? While in college, my father gave me a camera. Immediately, I started shooting for
- [Simple High Key Head Shot](https://picturestoryteller.com/2013/10/20/simple-high-key-head-shot/) - Let me walk you backward through this process. The top photo is one of the potential retouched photos. I used the software program Portrait Professional to do the touchups. You may not like any of the touchups, but I wanted to show you often you may make some touchups for various reasons. This software helps
- [Environmental portrait needs to explore possibilities](https://picturestoryteller.com/2013/10/24/environmental-portrait-needs-to-explore-possibilities/) - The client will enjoy seeing choices when you get hired to shoot an environmental portrait. Having options is even more important for designers. Some of the variations you give to the client are only you moving to the left or right to compose the photo from a slightly different angle. For this environmental portrait, I
- [Want better posed group photos, pick better locations](https://picturestoryteller.com/2013/10/25/want-better-posed-group-photos-pick-better-locations/) - Bulloch Hall Plantation is in Historic Roswell, GA Location, Location, Location Like real estate, your photos will look better when you choose your location. Springtime is the time of year for holiday parties, school dances, and even weddings. So while going into your yard and finding a clean background is a great idea, picking a
- [Storytellers purpose is to be the glue of the community](https://picturestoryteller.com/2013/10/27/storytellers-purpose-is-to-be-the-glue-of-the-community/) - Alive After 5 is the Third Thursday each month, April – October, from 5-9 pm on Canton Street in downtown Roswell, GA. I love living in Roswell, GA. While we are in one of the most extensive metro communities in the United States, Roswell has a slight-town feel. We have events like the Alive After
- ["Motivating Light" is my favorite](https://picturestoryteller.com/2013/11/18/motivating-light-is-my-favorite/) - Gregory Heisler is a professional photographer known for his portraits. Long before 2007, when David Hobby started his blog "The Strobist," Heisler was already doing some incredible work with strobes. Heisler is most known for his 50 Time Magazine covers. Today many photographers will quickly pull out their large softboxes for portraits. While even Greg
- [Learning Curves and Personal Projects](https://picturestoryteller.com/2013/12/03/learning-curves-and-personal-projects/) - Learning Curves A few things impact our success as photographers and creatives in general. First, no matter the subject, two things affect our understanding of that subject. First is our book knowledge of the subject, and the second is our experience with the subject matter. One thing is to understand the inverse square law, and
- [Custom White Balance vs Presets](https://picturestoryteller.com/2013/12/14/custom-white-balance-vs-presets/) - Custom White Balance using ExpoDisc Today I shot the Wreaths Across America Day event at Roswell Presbyterian Cemetery. While shooting this, I realized many folks assume those presets for white balance will give good enough results. Well, sometimes they do. They will put you in the ballpark for each type of situation. Auto White Balance
- [Fuji X E-2 16M is it enough megapixels?](https://picturestoryteller.com/2013/12/26/fuji-x-e-2-16m-is-it-enough-megapixels/) - Fuji X E-2, ISO 6400, ƒ/3.2, 1/50 handheld Can the Fuji X E-2 16M sensor do the job for a working pro? As you can see in the photo above, the quality is there for available light shooting full frame, but when people ask if the 16M sensor is good enough, they want to see
- [Fuji XF 18-55mm ƒ2.8-4 and XF 55-200mm ƒ/3.5-4.8 at the Chick-fil-A Bowl game](https://picturestoryteller.com/2014/01/01/fuji-xf-18-55mm-ƒ2-8-4-and-xf-55-200mm-ƒ3-5-4-8-at-the-chick-fil-a-bowl-game/) - [Fujifilm X E2, 18-55mm, ISO 640, ƒ/2.8, 1/60] I am not entirely comfortable enough to shoot an assignment with the camera alone. The reason is nut the camera's capabilities but my knowledge of how to use it. Shooting with the Nikon D4 is second nature. I must get to this point with the camera where
- [Fujifilm X-E2 testing the 18-55mm and 55-200mm with Test Chart](https://picturestoryteller.com/2014/01/03/fujifilm-x-e2-testing-the-18-55mm-and-55-200mm-with-test-chart/) - I bought the Large High-Resolution Test Chart for Camera Lens off eBay for $27. Here is a link if you choose to do something similar. Here is the setup where I had two soft boxes at 45º. I did a custom white balance using ExpoDisc. Put the chart on a music stand and then moved
- [Photographers we are part of a community](https://picturestoryteller.com/2014/01/05/photographers-we-are-part-of-a-community/) - A few days ago, Dave “Mullet” Martin, Associated Press photographer based in Montgomery, Ala., died after collapsing on the Georgia Dome field after the Chick-fil-A Bowl on Tuesday night. Dave Martin is on the left wearing the blue shirt in this photo of photographers covering the Chick-fil-A Kickoff earlier this year. In the days following
- [Photographer's Devotion: Fighting Depression](https://picturestoryteller.com/2014/01/06/photographers-devotion-fighting-depression/) - You can have what everyone else would say is a mountain-top experience and still be depressed. I know I have been many times in my life. 1996 Olympic gold medalist Derrick Adkins used running to help deal with his depression. When he wasn’t feeling good, he just went out and ran, and his feeling of
- [Fuji X-E2 AF Settings](https://picturestoryteller.com/2014/01/09/fuji-x-e2-af-settings/) - Every new camera I get has a learning curve, and changing to another brand greatly increases the learning curve. Autofocus with the Fuji X-E2 has been challenging because I have to learn how the camera works best. This was true when I knew all the settings for my Nikon D4. I use different AF settings
- [My Fuji X-E2 travel kit](https://picturestoryteller.com/2014/01/10/my-fuji-x-e2-travel-kit/) - The Fuji kit looks like what is becoming my go-to system. Unfortunately, I am missing the new 10-24mm ƒ/4, which will not be out until March. If they made a 28-300mm equivalent to the Nikon system, I would use this and maybe just a super wide zoom like the 10-24mm slotted for March. Right now,
- [Fuji X-E2 Manual Focus](https://picturestoryteller.com/2014/01/12/fuji-x-e2-manual-focus/) - Here in this photo is the setup I am using to demonstrate the manual focus of the Fuji X-E2. When you switch the focus mode selector to M (manual), you can turn the focus on the lens. The switch is on the front of the camera, as you see. It would be excellent for you
- [Photographer how's your memory?](https://picturestoryteller.com/2014/01/15/photographer-hows-your-memory/) - I bought some of the Case Logic hard drive cases, which I continue to use today. The cases outlast the drives. Here is a link to those cases in Case you want them. I haven't done a lot of research on hard drives. I have read about which ones are doing well, but when I
- [Successful photographers focus on two things others do not](https://picturestoryteller.com/2014/01/17/successful-photographers-focus-on-two-things-others-do-not/) - Benjamin Franklin says he wasn’t sure if the painted image carved on the chair used by George Washington during the Constitutional Convention was a sun rising or setting. However, when the Constitution was finally approved and signed, he declared, “I have the happiness to know that it is a rising, not a setting sun.” What
- [Explore with your subject](https://picturestoryteller.com/2014/01/20/explore-with-your-subject/) - Nikon D3S, 85mm ƒ/1.4, ISO 200, ƒ/1.4, 1/5000 A couple of years ago, I made environmental portraits of the students in the executive MBA program at Georgia Tech. I would take about 15 minutes to walk around with the student at the campus and create the photos you see here. The setup for all these
- [Carrying my Fujifilm X-E2 every where I go--for a good reason](https://picturestoryteller.com/2014/01/21/carrying-my-fujifilm-x-e2-every-where-i-go-for-a-good-reason/) - Fujifilm X-E2 with 55-200mm, ISO 2500, ƒ/5.6 & 1/125 with OS turned on and handheld. Being ready is why it is essential to take photos all the time. I tested my new FUJINON LENS XF55-200mmF3.5-4.8 R LM OIS on Sunday. Cropped to about 100% from the photo above My daughter's choir was singing as well
- [Shallow depth-of-field @ ƒ/9 can give great Bokeh](https://picturestoryteller.com/2014/01/23/shallow-depth-of-field-ƒ9-can-give-great-bokeh/) - When you first think of ƒ/9 you might think of the photo above where you can see from the lady to the sign behind her that most of photo is in focus, but that the far background of the building is out of focus. I have written on this topic before in a different way
- [Ideas for working with NGOs & Companies using Storytelling](https://picturestoryteller.com/2014/01/24/ideas-for-working-with-ngos-companies-using-storytelling/) - Reading Time: 4 minutes A friend wrote me, asking, “Were you ever able to make progress on ideas around working for NGOs?” Here are my comments to help him navigate this from what I have learned. Today, it is easier than ever to become a photographer and publish. The gatekeepers are no longer in the way
- [The Importance of a photography community--that you belong to one](https://picturestoryteller.com/2014/01/26/the-importance-of-a-photography-community-that-you-belong-to-one/) - Ben Gray, Visual Manager at the Atlanta Journal-Constitution, was our keynote speaker. [Fuji X-E2, 18-55mm, ISO 6400, ƒ/6.4, 1/110] While I have tried for many years to get a large group of photographers together for mainly social time to get to know each other, it has been a struggle. Finally, however, this weekend, we had thirty-two
- [How will your audience see your photos?](https://picturestoryteller.com/2014/01/27/how-will-your-audience-see-your-photos/) - Print When you shoot for print, especially a magazine, you will compose some photos for the cover. As a result, you leave a little more space than you would have if you had not been trying to make room for the text that needs to be on the cover. Most editorial photographers benefit financially if
- [The use of color is essential to the overall look of a project.](https://picturestoryteller.com/2014/01/28/the-use-of-color-is-very-important-to-the-overall-look-of-a-project/) - If you want your portfolio to go to a new level, maybe you should pay attention to color pallets [color schemes]. One thing that sets professional work apart from home videos is control of the color scheme. The color scheme is simply the collection of colors in the film or video: the clothes, the backgrounds,
- [Digital lets you shoot in manual mode and still be in the auto.](https://picturestoryteller.com/2014/01/30/digital-lets-you-shoot-in-manual-mode-and-yet-still-be-in-auto/) - Reading Time: 2 minutes Fuji X-E2, XF 55-200mm, ISO 3200, ƒ/8, 1/1000I was shooting some photos of birds on our bird feeder when I realized I wanted a little more depth-of-field than wide open at ƒ/4.8, so I closed down the camera to ƒ/8. ƒ/8 made it possible to keep the bird in focus.In Aperture
- [The Portfolio Presentation: Mistakes photographers make and how to avoid them](https://picturestoryteller.com/2014/02/02/the-portfolio-presentation-mistakes-photographers-make-and-how-to-avoid-them/) - Reading Time: 5 minutes There are many ways you may get to show your work to someone. What you need to know is that you never know who is the actual person who may end up hiring you. For example, while this person was reviewing the work by the legendary Dave Black, two other people
- [Photographing the Island Breeze Luau cast on the beach of Hawaii](https://picturestoryteller.com/2014/02/13/photographing-the-island-breeze-luau-cast-on-the-beach-of-hawaii/) - Nikon D4, 14-24mm ƒ/2.8, ISO 200, ƒ/16, 1/200 with 2 Alienbees with CTO 1 for off-camera flash. These are triggered with the Pocketwizard Radio Remotes. I enjoyed shooting these photos of the Island Breeze Impact Tour cast at the Old Kona Airport State Park on the Big Island of Hawaii. In this setting, I took
- [12 week photography workshop for those who believe photography to be a calling](https://picturestoryteller.com/2014/02/17/12-week-photography-workshop-for-those-who-believe-photography-to-be-a-calling/) - Dennis Fahringer has been leading a photography program in Kona, Hawaii for more than 25 years. I first heard of the program back in the 1980’s from my friend and mentor Don Rutledge. Don was leaving on a trip to do work in Hawaii and at the time Don worked for the International Mission Board
- [Student's work from the YWAM School of Photography 1 2014](https://picturestoryteller.com/2014/02/19/students-work-from-the-ywam-school-of-photography-1-2014/) - These are examples of the student's work from this past week on lighting that I taught in the School of Photography 1, which is part of Youth With A Mission's University of the Nations campus in Kona, Hawaii. This class was the first time most of the course used studio strobes. They learned how to
- [Great Photos Often Start With Dramatic Subjects](https://picturestoryteller.com/2014/02/20/great-photos-often-start-with-dramatic-subjects/) - How can you go wrong with a fire-eating subject? If you miss the exposure, maybe, but if you get a well-exposed photo of something average and then something more dramatic, you get the idea of why start with a more exciting subject. Look for things like this Luau in Kona, Hawaii, for example. I photographed
- [Storytellers: Who's Your Audience—NO REALLY!!!](https://picturestoryteller.com/2014/03/03/storytellers-whos-your-audience-no-really/) - James Gregg, Staff Photographer, San Diego Union-Tribune [Fuji X-E2, XF 55-200mm, ISO 6400, ƒ/4.8, 1/10] All photos from the Southwestern Photojournalism Conference At every conference I attend today, I am passionate about “Storytelling” and “Giving a Voice to the Voiceless.” I don’t think this is all that new, but what is new is the focus
- [Visual Storytellers: The elements they use to tell a story](https://picturestoryteller.com/2014/03/20/visual-storytellers-the-elements-they-use-to-tell-a-story/) - Reading Time: 5 minutes To help with the conflict portion of the plot for my story on coffee growers in Mexico, I had to talk about the immigration issue. Why did coffee farmers risk illegally crossing the border before they formed a coffee cooperative? I think this photo with the border patrol is one way
- [Storytelling involves conflict](https://picturestoryteller.com/2014/03/23/storytelling-involves-conflict/) - My last post was on the elements of the story. This is just on one of those elements: CONFLICT.Here are some tips on capturing that for the visual storyteller. Conflict—The major problem of the story There are two categories External—Happens outside the character, involves more than 1 person, can be observed Internal—Happens inside of the
- [Storytelling Involves Characters](https://picturestoryteller.com/2014/03/24/storytelling-involves-characters/) - Here is one way to introduce a character running straight at the audience. The show, don't tell. When introducing your character, sharing an experience of the essence with the audience is essential. With the football players, this is an easier way to introduce a character into the story. But, again, the action helps to tell
- [Storyline involves a Plot](https://picturestoryteller.com/2014/03/27/storyline-involves-a-plot/) - Fujifilm X-E2, 18-55mm, ISO 6400, ƒ/3.6, 1/250, custom white balance with ExpoDisc A plot "ensures that you get your character from point A to point Z." The shooting of the story is often not in the order of telling the story. It is standard in Hollywood when they are making a movie to shoot a
- [Storytelling using multimedia to tell the story](https://picturestoryteller.com/2014/03/31/storytelling-using-multimedia-to-tell-the-story/) - How many times have you been called to talk to a group, and you have either said or wanted to say, "You just had to be there to know what I am talking about?" When I traveled to see the coffee growers in Salvador Urbina in the southernmost part of Mexico in Chiapas, I was
- [Storytelling is about capturing moments](https://picturestoryteller.com/2014/04/04/storytelling-is-about-capturing-moments/) - Storytelling is about moments. You may think that sitting around a room where people are just talking; things move at a much slower pace than, say, a baseball game. You would be wrong. I think the action moves just as fast as in any sporting event. Sports photographers are not pushing their shutter on the
- [Stills + Video | NOT Video OR Stills](https://picturestoryteller.com/2014/04/04/stills-video-not-video-or-stills/) - A client wrote to me the other day. Here was her question: CLIENT: A production company did a video on cup recycling, and I noticed this evening that if we could get stills from the video, we'd actually have most of the images we need. I recall you saying once that stills from video
- [16 Travel Mistakes Made By Photographers](https://picturestoryteller.com/2014/04/08/16-travel-mistakes-made-by-photographers/) - Don’t make these common mistakes when traveling for vacation this year. They are in no particular order, but here to ensure you are ready for travel abroad. 1. Forget you need a Passport—When traveling abroad, you need a current and up-to-date passport. It takes 4 to 6 weeks to get a passport by standard processing, and
- [How to fix the silhouetted subject when you want to see them](https://picturestoryteller.com/2014/04/14/how-to-fix-the-silhouetted-subject-when-you-want-to-see-them/) - Reading Time: 4 minutes [X-E2, XF18-55mmF2.8-4 R LM OIS, Mode = Aperture Priority, ISO 6400, 1/18, ƒ/5.6, (35mm = 27), Neewer TT850 flash with Neewer 433MHz Wireless 16 Channel Flash Remote Trigger @ 1/32 power]This past weekend I was photographing Bottles and Cans performing at North Beach Bar & Grill on Tybee Island. There were
- [Composition Tips from world renowned photojournalist Don Rutledge](https://picturestoryteller.com/2014/04/18/composition-tips-from-world-renowned-photojournalist-don-rutledge/) - Reading Time: 6 minutes Don Rutledge took this in 1967 inside the Arctic Circle. People are so comfortable with Don that he can be a part of the woodwork.The Eskimo family is my favorite photo that Don Rutledge took. I have enjoyed seeing the world’s approximately 150+ countries and all of the United States without
- [How did your Easter family photo come out yesterday?](https://picturestoryteller.com/2014/04/21/how-did-your-easter-family-photo-come-out-yesterday/) - Fujifilm X-E2, 18-55mm, ISO 200, ƒ/8, 1/180, flash is set for -1 EV If you look closely, you will notice another family on the opposite side taking photos. The location for them is because they get direct sunlight. By standing on this side of the cross, we were not staring into the sun, and our
- [Graduation is an event, so what's the story?](https://picturestoryteller.com/2014/04/28/graduation-is-an-event-so-whats-the-story/) - Reading Time: 3 minutes If, after four or more years of high school or college, this is the photo you pull the camera out for and then put it away, you will be sorely disappointed.We often put too much emphasis on the event and not enough on the story. For example, the level of college
- [The biggest mistake made by photographers](https://picturestoryteller.com/2014/04/30/biggest-mistake-made-by-photographers/) - Reading Time: 2 minutes My most challenging assignments are the most personal ones to cover for our family. So while I want to sit back and enjoy myself, I also want to record these milestones in our family life.When I arrive to cover an event, I often set up strobes to ensure I get good
- [Fuijifilm X-E2 firmware upgrade 2.00 is major for me](https://picturestoryteller.com/2014/05/01/fuijifilm-x-e2-firmware-upgrade-2-00-is-major-for-me/) - Reading Time: 2 minutes Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.4, 1/55The firmware update Ver. 2.00 from Ver. 1.20 has made a massive difference in my experience when it comes to focusing. While nowhere in the information about the changes is the focusing improvement mentioned, I noticed considerably better performance.Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.8, 1/150Frankly, I
- [White balance 2.0: Saving even more time in post-production](https://picturestoryteller.com/2014/05/05/white-balance-2-0-saving-even-more-time-in-post-production/) - I recently upgraded my ExpoDisc, which comes with the Portrait Warming Filters. This little addition saves me more steps in Adobe Lightroom and gives me more time to enjoy life. I have been using ExpoDisc since 2005. George Wallace invented It to help his students at San Jose State better expose themselves to Kodachrome 25.
- [What is TTL Flash, and do I need it?](https://picturestoryteller.com/2014/05/14/what-is-ttl-flash-and-do-i-need-it/) - Reading Time: 3 minutes In my last blog post, I explained three things that affect exposure when using flash.Flash Power—The bright flash will influence if the picture is over, under, or properly exposed. You can control the Neewer flash from 1/128 to full power in 1/3 stop increments.ƒ-stop/Aperture—You control how much of the light is
- [Sigma 70-200mm ƒ/2.8 great lens for party pics](https://picturestoryteller.com/2014/05/16/sigma-70-200mm-ƒ2-8-great-lens-for-party-pics/) - Reading Time: 3 minutes Nikon D4, Sigma 70-200mm, ISO 12800, ƒ/3.2, 1/80 optical stabilization onI love to watch people and especially across the room. The lens that captures these moments the best for me is the Sigma 70-200mm f/2.8 EX DG APO OS HSM for Nikon. Up to 4 Stops of Optical Stabilization makes hand-holding
- [Time of day can have a significant impact on your photo.](https://picturestoryteller.com/2014/05/18/time-of-day-can-have-a-huge-impact-on-your-photo/) - Reading Time: 2 minutes Nikon D4, 28-300mm, ISO 800, ƒ/22, 20sec [10:08 pm]Plan your travel as best you can to make the most of a given location, especially if you want a great photograph that WOWs.The first photo here is from dusk. Again, the city’s lights are on, giving the image a lot more pop
- [When you travel, give yourself a little time to acclimate](https://picturestoryteller.com/2014/05/19/when-you-travel-give-yourself-a-little-time-to-acclimate/) - Reading Time: 2 minutes Nikon D4, 14-24mm, ISO 100, ƒ/8, 1/500I am teaching a class with two of my friends Jeff Raymond, from ABWE, and James Dockery, ESPN, this week in Lisbon, Portugal. Our first day of class is Monday, which is today.Yesterday we let the students shoot around the area just to get acclimated
- [Still image is still king in social networking](https://picturestoryteller.com/2014/05/27/still-image-is-still-king-in-social-networking/) - Reading Time: 5 minutes Hotel Avenida Palace, downtown Lisbon, Portugal [Fuji X-E2, 18-55mm, ISO 6400, ƒ/2.8, 1/90]I am returning after a week-long Visual Storytelling Workshop in Lisbon, Portugal. While doing the workshop, I started watching how the students were already engaging their audience, and then it hit me—The Still Image is King in Social Networking. You
- [Photographers: Speaker's Kit and Camera Club Kit](https://picturestoryteller.com/2014/06/01/photographers-speakers-kit-and-camera-club-kit/) - Reading Time: 2 minutes Here is my traveling speaking kit. This kit has two speakers, a projector, cables, and a spare bulb inside a Pelican 1650 case with dividers.Be sure you have the best quality you can afford. So, for example, you would hate to continue to tell the audience if you could see it
- [Photographers love the triangle and for good reason](https://picturestoryteller.com/2014/06/06/photographers-love-the-triangle-and-for-good-reason/) - Reading Time: 2 minutes Rembrandt LightingRembrandt is generally considered one of the greatest painters. An illuminated triangle characterizes Rembrandt lighting under the eye of the subject on the less bright side of the face.If you want to learn more about achieving this look, read my earlier blog post where I show some of the student’s
- [Photography is about anticipating](https://picturestoryteller.com/2014/06/19/photography-is-about-anticipating/) - I posted this photo on Facebook last night, and a friend said, "I love this photo. It looks like a postcard. What are the settings you used?" The Facebook comment makes me want to say Patience Young, Grasshopper. If you are not old enough, in the 1970s was a TV show called Kung Fu. Here
- [The most under utilized setting on a camera](https://picturestoryteller.com/2014/06/23/the-most-under-utilized-setting-on-a-camera/) - Reading Time: < 1 minute Your photos might look much better if they look sharp in the viewfinder. This dial is how you make sure they are in focus.Most cameras today have a diopter adjustment dial near the viewfinder. For example, this arrow points to the diopter adjustment on the Fuji X-E2.The camera comes with
- [Don't be a Naysayer](https://picturestoryteller.com/2014/06/23/dont-be-a-naysayer/) - Reading Time: 4 minutes This photo is of the Mexico/US border in Douglas, Arizona. Many children are now crossing the Mexican border without their parents. You can read more about this here. Why? They are desperate to solve a problem they have, and even risking their lives in the middle of the desert is better
- [Common portrait mistake made by photographers](https://picturestoryteller.com/2014/06/25/common-portrait-mistake-made-by-photographers/) - Reading Time: < 1 minute Fuji X-E2, 55-200mm, ISO 1000, ƒ/4.8, 1/500When making a person’s portrait, people often end up with a photo like the one above. Instead, they are looking for an image like the one below. Fuji X-E2, 55-200mm, ISO 1000, ƒ/4.8, 1/500As you can easily see, the background in the first photo is
- [The Two Most Made Travel Photography Mistakes](https://picturestoryteller.com/2014/06/27/two-of-the-most-made-travel-photography-mistakes/) - Reading Time: 2 minutes BatteriesThe number one mistake I see most often made by people traveling with cameras is not having enough fresh batteries.Depending on your camera and flash, you may need more than just one extra battery. For example, my Nikon D4 camera can go most of a day shooting still images with one
- [The fastest way to being a great photographer](https://picturestoryteller.com/2014/06/30/the-fastest-way-to-being-a-great-photographer/) - The fastest way to become successful is to study a master craftsman's work. A few things involve learning the master's, not just being aware of their work. Don Rutledge, my mentor and friend for so many years until he passed away in 2013, knew more about other photographers than anyone else I have ever known.
- [Photojournalism is a great way to develop social skills](https://picturestoryteller.com/2014/07/01/photojournalism-is-a-great-way-to-develop-social-skills/) - Reading Time: 5 minutes photo by Jeff RaymondBeing a visual storyteller requires you to capture a wide range of information and distill it down to the essential elements to capture an audience’s attention and inform them about a subject.Starting this profession, you learn extensively from your mistakes those first few years. One of the first
- [You may need a new camera before a new lens](https://picturestoryteller.com/2014/07/03/you-may-need-a-new-camera-before-a-new-lens/) - Reading Time: 2 minutes Nikon D60 was announced in January 2008You may have an excellent camera that isn’t all that old. For example, this Nikon D60 was a great camera in January 2008.It was a 10.2-megapixel camera with an ISO range of 100—1600; you could push it to 3200.What prompted this blog post was a class
- [Favorite 4th of July Photos](https://picturestoryteller.com/2014/07/04/favorite-4th-of-july-photos/) - Nikon D100, Sigma 120-300mm ƒ/2.8, ISO 200, ƒ/8, 19 seconds [Emerald Isle, NC 2004] I just wanted to share a few of my 4th of July photos through the years. I hope you enjoy them and also go out and make some photos for you to cherish through the years. Settings and gear are below
- [Cosmic Bowling & Off Camera Flash](https://picturestoryteller.com/2014/07/07/cosmic-bowling-off-camera-flash/) - Here is a photo I took of bowling with a point-and-shoot Panasonic DMC-TZ5. I love the camera, and it has a great Zeiss lens. ISO limit up to about 1600. It is the type of photo most people will get at the bowling alley during cosmic bowling without a flash. I shot this of my
- [The best photo is often the difference is as clear as Night and Day](https://picturestoryteller.com/2014/07/08/the-best-photo-is-often-the-difference-is-as-clear-as-night-and-day/) - Reading Time: < 1 minute Fuji X-E2, 55-200mm, ISO 400, ƒ/7.1, 1/600 [3 images stitched together in PhotoShop CS6] HandheldIt is a Night and Day difference between these photos. Maybe we need to remember that saying next time we travel.I find that few photos from the middle of the day stand up to dusk and
- [When you travel with Super Stars you need off camera flash to make them look good](https://picturestoryteller.com/2014/07/09/when-you-travel-with-super-stars-you-need-off-camera-flash-to-make-them-look-good/) - Nikon D4, 14-24mm, ISO 100, ƒ/8, 1/250—Off camera fill-flash using the Nikon SB-900 & SB800. The Flash is on the Pocketwizard TT5 and being triggered by the Mini TT1 on the Camera with the AC3 to control the output of the flash. I am traveling with the famous Chick-fil-A Cow Mascots this week. They are
- [Photographers need repetition to grow](https://picturestoryteller.com/2014/07/21/photographers-need-repetition-to-grow/) - My bird feeders are teaching me a great deal these days. Of course, the feeder doesn't change daily, but the light and the birds do. This past weekend I observed we had a lot of fledglings. Fledge is the stage in a young bird's life when the feathers and wing muscles are sufficiently developed for
- [Protecting and help retain the value of lenses](https://picturestoryteller.com/2014/07/21/protecting-and-help-retain-the-value-of-lenses/) - Not long after I bought my first Sigma 120-300mm ƒ/2.8, I invested in the LensCoat Neoprene Cover for the lens. On the most basic level, it prevents cosmetic blemishes on the surface of the lens and helps retain the value of the lens. However, your lens will still depreciate. Look at KEH's guide, and you will
- [Getting the moment in a portrait with the Nikon D4](https://picturestoryteller.com/2014/07/28/getting-the-moment-in-a-portrait-with-the-nikon-d4/) - Reading Time: 3 minutes Nikon D4, Sigma 70-200mm ƒ/2.8, ISO 500, ƒ/5, 1/640—Off-camera fill-flash using the Nikon SB-900 & SB800. The flash is on the Pocketwizard TT5 and triggered by the Mini TT1 on the Camera with the AC3 to control the flash’s output.My client recently hired me to capture her granddaughter. She wanted the
- [Photographers digital has divided us.](https://picturestoryteller.com/2014/08/01/photographers-digital-has-divided-us/) - Reading Time: 3 minutes Christians in Photojournalism July meeting in suburbs of Atlanta, GAStaff photographers have always had a built-in community in their workplaces. Freelance photographers had some community through their professional labs and camera stores in the days of film.In the days of film, even when you processed your own film as a staff
- [Great Photographers are like Great Fishermen](https://picturestoryteller.com/2014/08/04/great-photographers-are-like-great-fishermen/) - Reading Time: 4 minutes Alaska [photo by Don Rutledge]Fishermen know the habits of fish and know they are creatures of habit. So they work hard to be in the best spot to drop their lines to catch fish when they bite.There is a lot of waiting for the fishermen. I have sat for hours waiting
- [Everyone is a photographer—only a few will be pros.](https://picturestoryteller.com/2014/08/06/everyone-is-a-photographer-only-a-few-will-be-pros/) - Reading Time: 5 minutes Nikon D2X, Sigma 120-300mm w/ 1.4 converter, ISO 200, ƒ/5.6, 1/750Everyone is a PhotographerAlmost everyone that I know has a camera. In the past few years, I would say that most of my friends’ photos are with their camera phones.Before camera phones, people took pictures, but now having that phone with
- [Time for Senior pictures](https://picturestoryteller.com/2014/08/07/time-for-senior-pictures/) - Reading Time: 4 minutes Nikon D4, Sigma 120-300mm f/2.8 DG OS HSM, ISO 100, ƒ/5, 1/250—Two Alienbees B1600 mixed with daylight [diagram below]It is that time of year that I get requests for doing Senior photos. I have not marketed myself to this market, but friends through church and work call and ask if I will
- [Photography Tips for Covering Football](https://picturestoryteller.com/2014/08/08/photography-tips-for-covering-football/) - Reading Time: 3 minutes Nikon D2X, Sigma 120-300mm ƒ/2.8, ISO 400, ƒ/2.8, 1/1250Action ShotsThis blog post is about the action on the field and not reactions to that action.Three things I think you should strive to have in all your action shots on the field:The BallExpressionThe competitionWhile not every great sports photo will have all
- [First Day of School Photos](https://picturestoryteller.com/2014/08/11/first-day-of-school-photos/) - Reading Time: 4 minutes Fuji X-E2, 18-55mm, ISO 6400, ƒ/7.1, 1/70—Neewer TT850 on light stand. The Neewer 433MHz Wireless 16 Channel Flash Remote Trigger fires the off-camera flash and controls the camera’s power. Power 1/128On the first day of school, photare is a tradition at our house. I know many people are doing the same
- [Use strobes even with the sun outside.](https://picturestoryteller.com/2014/08/13/use-strobes-even-with-the-sun-outside/) - Reading Time: < 1 minute Nikon D3, 14-24mm, ISO 200, ƒ/14, 1/250 [Lighting Diagram below]Using a flash outside can give your photos the pop you need to improve photos.Now I often get asked to take group photos, and even with some sunlight facing the subject, I find that the shadows under the eyes and sometimes
- [Storytellers know thy purpose](https://picturestoryteller.com/2014/08/15/storytellers-know-thy-purpose/) - Reading Time: 5 minutes The shortest distance isn’t always the best routeKnow Thyself“He who knows others is wise; he who knows himself is enlightened.”― Lao TzuWe are familiar with the saying to “Know Thyself” because you can accomplish so much more through understanding yourself. You learn your strengths and limits, which will help you navigate
- [Silhouette AND Reveal @ The College Football Hall of Fame Grand Opening](https://picturestoryteller.com/2014/08/23/silhouette-and-reveal-the-college-football-hall-of-fame-grand-opening/) - Nikon D4, 14-24mm, ISO 100, ƒ/8, 1/200—off-camera flash using the Neewer TT850 flash & Neewer 433MHz Wireless 16 Channel Flash Remote Trigger With Flash at Full Power I covered the Grand Opening of the College Football Hall of Fame downtown in Atlanta, Georgia. Here are a couple of photos from today. To me, there is
- [Seeing the light vs Creating the light](https://picturestoryteller.com/2014/08/25/seeing-the-light-vs-creating-the-light/) - Fuji X-E2, 18-55mm, ISO 6400, ƒ/4, 1/500 Are you impressed with my photo of Jack Sparrow? The way you get this photo is no different than shooting any concert tour or theater production. Set the white balance, get good exposure, and then wait for a great moment. Fuji X-E2, 18-55mm, ISO 6400, ƒ/2.8, 1/200 Just
- [ISO 51200 & 25600 with Sigma 120-300mm on Nikon D4](https://picturestoryteller.com/2014/08/29/iso-51200-25600-with-sigma-120-300mm-on-nikon-d4/) - Nikon D4, Sigma 120-300mm f/2.8 DG OS HSM w/ Sigma 2x, ISO 51200, ƒ/5.6, 1/2000 Chick-fil-A Kickoff Last night I had the privilege to shoot the Chick-fil-A Kickoff Game between Ole Miss and Boise State. Ole Miss pulled away in the second half from Boise State for a 35—13 victory. I enjoyed shooting with my Sigma
- [Love the Nikon D4 & Sigma 120-300mm f/2.8 DG OS HSM for Football](https://picturestoryteller.com/2014/08/31/love-the-nikon-d4-sigma-120-300mm-f2-8-dg-os-hsm-for-football/) - Reading Time: 2 minutes Nikon D4, Sigma 120-300mm f/2.8 DG OS HSM w/ Sigma 2x, ISO 36204, ƒ/5.6, 1/2000There are a few things that are fundamental technical aspects of a fantastic sports photo:Well exposedIn focusSharpThe Nikon D4 and the Sigma 120-300mm ƒ/2.8 DG OS HSM with the Sigma 2x converter helps me to get the
- [Underexpose a scene and flash just the subject](https://picturestoryteller.com/2014/09/03/underexpose-a-scene-and-flash-just-the-subject/) - Nikon D4, 14-24mm, ISO 11400, ƒ/10, 1/100—off-camera flash using the Neewer TT850 flash & Neewer 433MHz Wireless 16 Channel Flash Remote Trigger with flash at 1/128 Power You want your photos to pop, then light the subject but not everything else in your photo. Where do you put the flash? Off camera and create a
- [Shooting 11 assignments in 4 1/2 hours](https://picturestoryteller.com/2014/09/05/shooting-11-assignments-in-4-12-hours/) - Reading Time: 2 minutes Nikon D4, 14-24mm, ISO 4000, ƒ/7.1, 1/100It is widespread when I call photo assistants to tell them I am unsure about what we are doing today. For example, we may be setting up and taking lights down all day long as we go around a college or school campus.It is widespread
- [Importance of signature in emails](https://picturestoryteller.com/2014/09/09/importance-of-signature-in-emails/) - Most email programs let you create a signature that, by default, will put all the essential information people need to stay in touch with you at the bottom of the email. Important content for a signature: Include your name, role, and business name Please include a few of your best contact details, but not all
- [Business Tips from Truett Cathy for Photographers](https://picturestoryteller.com/2014/09/12/business-tips-from-truett-cathy-for-photographers/) - Reading Time: 5 minutes Truett Cathy promoted his book “How did you do it, Truett?”Shortly after making this photo of Truett Cathy, Chick-fil-A put me on retainer. For the past eleven years, I have had the privilege to work with such a wonderful organization.I have learned a great deal from Truett Cathy, and here are
- [Working under Mercury-Vapor Lights](https://picturestoryteller.com/2014/09/15/working-under-mercury-vapor-lights/) - If you read my blog regularly, my favorite way to set my white balance is to do a custom white balance setting using ExpoDisc. So here is a quick reminder–skip down if you want to see another way to set your white balance. Remember under fluorescent and mercury vapor to set the white balance at
- [Covering Football: Action, Reaction and more](https://picturestoryteller.com/2014/09/17/covering-football-action-reaction-and-more/) - Nikon D4, Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 28735, ƒ/5.6, 1/2000 ACTION! The most apparent photos from a football game are those of the action during the game. If you only shoot this, you will miss much of what the game is about. Nikon D4, Sigma 120-300mm f/2.8
- [Nikon D4 Analyzing Your Focus](https://picturestoryteller.com/2014/09/19/nikon-d4-analyzing-your-focus/) - Reading Time: 2 minutes Nikon D4, Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 28735, ƒ/5.6, 1/2000FOCUSThe most significant issue I find with many photographers’ sports images is out-of-focus photos. If your focus point is on the subject, it is most likely going to be in focus. So how
- [Great portraits require trust between the photographer and the subject](https://picturestoryteller.com/2014/09/22/great-portraits-are-built-on-trust-between-photographer-and-the-subject/) - Reading Time: 3 minutes Nikon D4, 85mm ƒ/1.8, ISO 100, ƒ/1.8, 1/400Three things for a great portraitExpressionExpressionExpressionEvery time I get ready to do a portrait session, I have butterflies. I get incredibly nervous and anxious. I believe most seasoned photographers and artists feel the same way. Of course, they may react differently from each other, but
- [Peak Action + Exposure/Focus + Post Processing = Great Football Action Photo](https://picturestoryteller.com/2014/09/23/peak-action-exposurefocus-post-processing-great-football-action-photo/) - Reading Time: 4 minutes Nikon D4, Sigma 120-300mm f/2.8 DG OS HSM, Sigma 2x EX DG APO Autofocus Teleconverter, ISO 1100, ƒ/5.6, 1/2000If Ansel Adams had shot football games like many photographers, he would have never become famous.Ansel Adams is not a great photographer because he was able to capture a great moment and compose
- [Key to growing your business—Surprise your Customer.](https://picturestoryteller.com/2014/09/26/key-to-growing-your-business-surprise-your-customer/) - Reading Time: 4 minutes Nikon D4, Nikon 85mm ƒ/1.8G, ISO 50, ƒ/4, 1/160—off-camera flash using the Neewer TT850 flash & Neewer 433MHz Wireless 16 Channel Flash Remote Trigger with flash at 1/128 PowerHow to make emotional connectionsThere are brands like Apple, Starbucks, Ritz Hotels and others you can think of that have some of the
- [What to include or exclude in a photo](https://picturestoryteller.com/2014/09/28/what-to-include-or-exclude-in-a-photo/) - Theater A great place to practice your craft is in the theater. For this production of Steel Magnolias at Roswell High School, I sat in the back row for a good reason. On the back row, you can see the actors' feet; on the front row; you often find the angle that has you missing
- [Photographer, are you well suited and prepared for business?](https://picturestoryteller.com/2014/09/30/photographer-are-you-well-suited-and-prepared-for-business/) - These football players know the play; what's the goal, and their competition. Are you this focused on your business? Metaphors A metaphor is a great way to get our heads around something we must work on. Now the bible uses a lot of metaphors. I think today's football is very similar to the metaphor used
- [WHY? is the key to great storytelling photos](https://picturestoryteller.com/2014/10/03/why-is-the-key-to-great-storytelling-photos/) - Fuji X-E2, 18-55mm, ISO 6400, ƒ/2.8, 1/6 Great Photos Often Ask WHY? Looking at the photo above, I want to know what they are doing. The more critical question is: WHY? My mentor, Don Rutledge, talked about how photographers must approach their work like a child, asking, "Why is the sky blue?" I have written
- [Shooting in Honduras and need my flash in the sunlight](https://picturestoryteller.com/2014/10/06/shooting-in-honduras-and-need-my-flash-in-the-sunlight/) - Nikon D4, 14-24mm, ISO 125, ƒ/14, 1/250, -1.0 EV—Off Camera Neewer TT850 using the Neewer 433MHz Wireless 16 Channel to control the flash. I am down this week in Honduras working at capturing some stories for the NGO HOI. This is just a quick example of what I have taught a few times on the blog about
- [Honduras in Context](https://picturestoryteller.com/2014/10/09/honduras-in-context/) - Reading Time: 3 minutes Nikon D4, 14-24mm, ISO 10000, ƒ/5, 1/100This young Honduran teen is hanging just outside the door and watching the leader for Young Life lead the group of youth. Michael Aguilar and his wife, Daniela Perez, lead the Young Life program. They have only been in Honduras for less than five months
- [Honduran Dentist prefers education to pulling teeth](https://picturestoryteller.com/2014/10/10/honduran-dentist-prefers-education-to-pulling-teeth/) - Dr. Natalia Velásquez Alonzo is a dentist in the rural Agalta Valley of Honduras. She is at her main office at Rancho el Paraíso of Honduras Outreach. I went with her and the rest of the mobile medical team to a small village El Pedrero two hours north of the ranch on these dirt roads. I
- [Shooting scenics on dirt roads out of moving Toyota Land Cruiser](https://picturestoryteller.com/2014/10/12/shooting-scenics-on-dirt-roads-out-of-moving-toyota-land-cruiser/) - Reading Time: 3 minutes Fuji X-E2, Fujinon XF 18-55mm, ISO 400, ƒ/4, 1/1700While in Honduras, I spent a long time in a Toyota Land Cruiser on dirt roads feeling like a bobblehead doll.Fuji X-E2, Fujinon XF 18-55mm, ISO 2500, ƒ/7.1, 1/500–Raindrops got on the lens.We would be on dirt roads like this one for a
- [Broken foot, broken lens, and no place to stay helped remind me of community](https://picturestoryteller.com/2014/10/14/broken-foot-broken-lens-and-no-place-to-stay-helped-remind-me-ofcommunity/) - Reading Time: 6 minutes I sent this out as my e-newsletter, but I thought I would also post it here.Nothing throws a monkey wrench into your plans than an accident like mine of breaking my foot yesterday in Charleston.This trip was supposed to be an excellent weekend for our family in Charleston, SC.This June, Dorie,
- [Meet Honduran Chicken Coop Entrepreneur Claudio Cesar Aguirre](https://picturestoryteller.com/2014/10/15/meet-honduran-chicken-coop-entrepreneur-claudio-cesar-aguirre/) - I met Claudio Cesar Aguirre, an entrepreneur in Honduras. He was one of a few families that came together. They started a chicken coop with a small grant from some organizations, government agriculture department training, and a few other entities. What is the big deal with a chicken coop? Didn't everyone have chickens? Before they
- [When to use flash and not to use flash](https://picturestoryteller.com/2014/10/19/when-to-use-flash-and-not-to-use-flash/) - Reading Time: 3 minutes Nikon D4, 28-300mm, ISO 160, ƒ/5, 1/250–off-camera flash using the Neewer TT850 flash & Neewer 433MHz Wireless 16 Channel Flash Remote TriggerAvailable LightI love to use available light–that is, any light that is available to use. Ubaldo demonstrates how to rope a calf. Ubaldo teaches this during the family missions team
- [The Human Voice: Storytelling](https://picturestoryteller.com/2014/10/22/the-human-voice-storytelling/) - Reading Time: < 1 minute Nikon D4, 14-24mm, ISO 100, ƒ/6.3, 1/320Here is a photo of Jose Mondragon, Director, Rancho el Paraiso in Honduras, talking with Laurie Willing, the Executive Director of HOI in Tucker, GA.No matter how well I capture their conversation, the most potent part of the storytelling is the human voice.Listen to
- [easyCover–The Otterbox for your camera](https://picturestoryteller.com/2014/10/23/easycover-the-otterbox-for-your-camera/) - Reading Time: 3 minutes When I bought my Nikon D4 cameras, I was looking for a silicon cover like the Otterbox many people use on their Smart Phones.I couldn’t find them anywhere. Just before I took off for my trip to Honduras, I searched the web again and found the easyCover [http://www.easycover.eu/].I had invested $12,000
- [Storytelling best in the voice of the subject](https://picturestoryteller.com/2014/10/24/storytelling-best-in-the-voice-of-the-subject/) - After arriving in the Agalta Valley in Honduras, my first location was at this community chicken coop. The community, with some guidance, formed its community development committee. They assessed all their resources and the needs of the community. They came up with the idea of a chicken coop. I interviewed the president of community development.
- [#1 Complaint in Multimedia/Motion Packages](https://picturestoryteller.com/2014/10/25/1-complaint-in-multimediamotion-packages/) - Reading Time: 5 minutes ContextEvery time I sit down and start editing a package, I come up short with B-Roll. B-Roll is the supplemental or alternative footage intercut with the main shot in an interview or documentary. So, for example, when Larry King interviews Bill Clinton, and the footage appears of Clinton playing the saxophone
- [How good are you? Ask those you impact.](https://picturestoryteller.com/2014/10/28/how-good-are-you-ask-those-you-impact/) - Reading Time: < 1 minute Nikon D4, 14-24mm, ISO 1600, ƒ/9, 1/100While in Honduras, we interviewed some of the dignitaries to put later into a larger video package.Nikon D4, 14-24mm, ISO 400, ƒ/6.3, 1/25—Off-camera fill-flash using the Nikon SB-900 & SB800. The flash is on the Pocketwizard TT5 and triggered by the Mini TT1 on
- [What am I listening for anyway?](https://picturestoryteller.com/2014/10/28/what-am-i-listening-for-anyway/) - Reading Time: 3 minutes Nikon D4, 28-300mm, ISO 5600, ƒ/5.6, 1/250How To ListenFirst, before you can decide on what to listen for when dealing with a client, you must tune in your listening skills.These listening skills are not just in your ears but your eyes as well.You will listen for more than just words. For
- [Storytelling?–I don't think so](https://picturestoryteller.com/2014/10/30/storytelling-i-dont-think-so/) - Reading Time: 3 minutes Nikon D4, 28-300mm, ISO 7200, ƒ/5.6, 1/250Storytelling?I don’t think portraits tell stories but are part of the story. For the most part, most portraits are the nouns of a sentence. For a complete sentence, you need a verb.Nikon D4, 28-300mm, ISO 280, ƒ/5.6, 1/250Storytelling?Yes, this photo has a subject and a
- [Change your perspective this Fall](https://picturestoryteller.com/2014/10/31/change-your-perspective-this-fall/) - Reading Time: 2 minutes Nikon D4, 28-300mm, ISO 110, ƒ/9, 1/250Yesterday my AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR came back from Nikon Repair. It came back better than it was just before I fell and broke my foot and the lens.I went outside to do some test shots to ensure everything was working fine.Here is
- [Capturing my daughter's 16th birthday](https://picturestoryteller.com/2014/11/03/capturing-my-daughters-16th-birthday/) - Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 8000, ƒ/4.5, 1/100 My wife and daughter planned a fabulous 16th birthday party. My daughter invited her group of friends. Unfortunately, some couldn't make it, so capturing moments to feel like they were there was key. I shared a gallery of images for her to share with her
- [Think Story when shooting a Band Concert](https://picturestoryteller.com/2014/11/05/think-story-when-shooting-a-band-concert/) - Reading Time: 4 minutes Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 5000, ƒ/5.6, 1/60—Off camera fill-flash using the Nikon SB-900 & SB800. The Flash is on the Pocketwizard TT5 and being triggered by the Mini TT1 on the Camera with the AC3 to control the output of the Flash. Think StoryToo often see people going
- [Same model but different looks](https://picturestoryteller.com/2014/11/07/same-model-but-different-looks/) - [NIKON D4, 85.0 mm f/1.4, Mode = Manual, ISO 200, 1/200, ƒ/8, (35mm = 85)] These are the same young lady and shot in a couple of hours. Again, we changed the outfits, makeup, and lighting. Notice how much of a different personality comes through by changing backgrounds and lighting. Bangs vs. No Bangs changes
- [Fuji X-E2 helped me to capture memories in Hawaii](https://picturestoryteller.com/2014/11/11/fuji-x-e2-helped-me-to-capture-memories-in-hawaii/) - Reading Time: 2 minutes Fuji X-E2, 18-55mm, ISO 1600, ƒ/3.2, 1/500Back in June this year, I was in Hawaii teaching 30+ students who were going to travel the world using photography as a way to engage with people.I had my Fuji X-E2 on me at all times. The Fuji X-E2 helped me to capture moments
- [Nikon D4, 85mm ƒ/1.8G and High ISO are great combination for bands](https://picturestoryteller.com/2014/11/12/nikon-d4-85mm-ƒ1-8g-and-high-iso-are-great-combination-for-bands/) - I returned to Swayze's Venue in Marietta last night with my daughter and her friends to see Say We Can Fly. I put one of his most famous songs here to hear his music. Braden Barrie is a singer who grew up in a small town and felt a sense of abandonment; he shows listeners
- [How I covered the President of Honduras for a day](https://picturestoryteller.com/2014/11/15/how-i-covered-the-president-of-honduras-for-a-day/) - Reading Time: 3 minutes Nikon D4, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 12800, ƒ/5.6, 1/50–Image stabilization onYesterday was a whirlwind for me and felt like a highlight reel. I was the official photographer for the President of Honduras, Juan Orlando Hernández, all day long.This photo of him with former President Jimmy Carter was my favorite.Nikon
- [My takeaways from the Atlanta Photojournalism Seminar](https://picturestoryteller.com/2014/11/17/my-takeaways-from-the-atlanta-photojournalism-seminar/) - Reconnecting is one of the best things for photographers when they go to conferences. Here you see Robert Seale talking with Andy Dunaway, the Nikon Representative, while Gladys and Frances are busy cleaning and checking in the background. The expressions that capture why I attend these events yearly are what I like about the photo.
- [Do you feel adrift? Time to take some action](https://picturestoryteller.com/2014/11/19/do-you-feel-adrift-time-to-take-some-action/) - Reading Time: 4 minutes Nikon D4, AF-S NIKKOR 28-300mm, ISO 12800, ƒ/4.5, 1/60 [President of Honduras talks with Maria Saporta]Do you feel like you are working hard but are not getting any traction? You might even feel adrift in this world.Here is a good indicator you are struggling and not getting traction to move forward in
- [Remember Photography is Writing with Light](https://picturestoryteller.com/2014/11/21/remember-photography-is-writing-with-light/) - Reading Time: 3 minutes Nikon D3s, 14-24mm, ISO 200, ƒ/8, 1/500I shoot a lot of exteriors of restaurants. I cover these locations because they are often in a new market. My job is to capture that they are in a unique need.Chick-fil-A opened a new restaurant in downtown Chicago by Loyola University. I wanted to
- [Found my Kodak Master Photoguide](https://picturestoryteller.com/2014/11/23/found-my-kodak-master-photoguide-2/) - I found this in the drawer today, and it took me down memory lane. What is it, you might ask? While this Kodak Master Photoguide has been gathering dust, its contents are burned into my brain from years of repeatedly using it to help me learn the principles of photography. Here is what is on
- [Storytellers need a high Curiosity Quotient more than Intelligence Quotient](https://picturestoryteller.com/2014/11/24/storytellers-need-high-cq-more-than-iq/) - Nikon D4, 14-24mm, ISO 1600, ƒ/6.3, 1/100 You may know about I.Q. [Intelligence Quotient] and E.Q. [Emotional Quotient], but there is a third C.Q. [Curiosity Quotient] that also plays into our success. I argue that the most important of these three for the entrepreneur and storyteller is C.Q. C.Q. is the ultimate tool for producing
- [Nikon D750 has arrived!](https://picturestoryteller.com/2014/11/26/nikon-d750-has-arrived/) - Reading Time: 2 minutes Yesterday my Nikon D750 arrived. I think I have shot only 20 shots at the most on it. These are my first impressions of holding it and going through the menu.I first noticed when picking up the camera that all my lenses felt much heavier than on my Nikon D4.So while
- [Nikon D750 vs Nikon D4 @ ISO 100 and ISO 12800](https://picturestoryteller.com/2014/11/28/nikon-d750-vs-nikon-d4-iso-100-and-iso-12800/) - I decided to shoot some known variables and compare the Nikon D750 to my Nikon D4. The reason is this is what I own. The first two photos are from the Nikon D750. One is full frame and the other 100% view. The first thing I was reminded of is the 100% view is much
- [Nikon D750 available light ISO 12800, 25600 & 51200 @ Wedding](https://picturestoryteller.com/2014/11/30/nikon-d750-available-light-iso-12800-25600-51200-wedding/) - Reading Time: 5 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 51200, ƒ/4.5, 1/100I attended a wedding for a friend yesterday as a guest. I thought I would take some photos and give those to the bride and groom from the day. I stayed out of the way of the hired photographers and just
- [Nikon D750 used for annual family Christmas photo](https://picturestoryteller.com/2014/12/01/nikon-d750-used-for-annual-family-christmas-photo/) - This year we decided to have fun with our annual Christmas card photo. I am taking a photo of the rest of the family. My daughter is dressed in her Hogwarts Gryffindor robe and casting a spell on her brother Taylor. Dorie is dressed in her clerical robe. She is a chaplain at the Veterans
- [Using Strobes Outside To Overcome Shadows](https://picturestoryteller.com/2014/12/02/using-strobes-outside-to-overcome-shadows/) - I wish I had taken a before photo so that you could see the lack of light on the statue in the background. The sculpture helps inform you that this is a Catholic school, not just a prep school. Another problem is when the student reads, the sun is above, and her face is in
- [Shooting Christmas ornaments with Nikon D750](https://picturestoryteller.com/2014/12/05/shooting-christmas-ornaments-with-nikon-d750/) - A fun thing to shoot this time of year are ornaments on a Christmas tree. Our ornaments all have a story with each one and how it helps us spend the season of remembering. Here is the basic setup I did for the photos in the slideshow here. Take a look at each photo and
- [Transition Tips for Staff Photographers to Freelance](https://picturestoryteller.com/2014/12/06/transition-tips-for-staff-photographers-to-freelance/) - [NIKON Z 6, 24.0-105.0 mm f/4.0, Mode = Manual, ISO 100, 1/125, ƒ/4, (35mm = 105)] I had coffee yesterday with my good friend Robin Nelson [http://assignmentatlanta.com/]. Robin is one of the few freelancers that I know that most of the time is in good spirits. When staff photographers lose their jobs many of them
- [Key to survival: Variety of assignments for 2014](https://picturestoryteller.com/2014/12/07/key-to-survival-variety-of-assignments-for-2014/) - I went back, looked through my assignments from just this year in still images, and pulled some of my favorites. It had me jumping for joy. I feel blessed this year. Take a look at some that I pulled from the year in this package: While I did everything from Sports, Portraits, Studio, Travel, Events,
- [Making the most of your Fuji X system](https://picturestoryteller.com/2014/12/08/making-the-most-of-your-fuji-x-system/) - Reading Time: 2 minutes If you are reading this because you saw this might apply to the Fuji X system, then you need to invest in Bill Fortney’s A User’s Guide to the Fuji X-System ebook. If you are thinking about the Fuji system, this is the best $9.95 you will spend. It will help
- [The Big Reveal for Photographers](https://picturestoryteller.com/2014/12/10/the-big-reveal-for-photographers/) - Reading Time: < 1 minute The Big RevealThis photo is another example of exposure to the sunset, which creates a silhouette of a person and then uses your flash to reveal the subject.Most photo books call this Fill-Flash, but the silhouette reveals language that Dave Black coined, which I think describes what is happening better.
- [Nikon D750–Wreaths Across America](https://picturestoryteller.com/2014/12/13/nikon-d750-wreaths-across-america/) - Reading Time: 3 minutes Nikon D750, 28-300mm, ISO 125, ƒ/8, 1/125Today is National Wreaths Across America Day. Owner of Worcester Wreath Company formed this organization in 1992 to:REMEMBER the fallenHONOR those that serve and their families and,TEACH our children the value of freedom.– See more at: http://www.wreathsacrossamerica.orgNikon D750, 14-24mm, ISO 320, ƒ/9, 1/30These are the
- [Photographers may need a class in IMPROV](https://picturestoryteller.com/2014/12/14/photographers-may-need-a-class-in-improv/) - Reading Time: 4 minutes Nikon D750, Sigma VR Zoom 120-300mm ƒ/2.8 IF-ED, ISO 4500, ƒ/2.8, 1/640All these photos were taken at Roswell High School’s Improv Troupe “What’s the Buzz?” performance on December 5, 2014. That’s my daughter in the blue shirt on the left above. I guess you can tell I am proud of her.In
- [Review of Battery Grip Holder Pack For Nikon D750](https://picturestoryteller.com/2014/12/17/review-of-battery-grip-holder-pack-for-nikon-d750/) - I decided to save some money when buying a battery grip for the Nikon D750 and bought an off-brand. On eBay, I found a High-Quality Multi-Power Battery Grip Holder Pack For a Nikon D750 Vertical Camera for $78 and $10 for shipping from overseas. Here is the LINK It comes with two types of battery
- [Review of Fuji X-E2 Camera Body Update Ver 3.00 and Camera Remote APP](https://picturestoryteller.com/2014/12/19/review-of-fuji-x-e2-camera-body-update-ver-3-00-and-camera-remote-app/) - Reading Time: 3 minutes Two changes happened today for my Fuji X-E2. The first is a new firmware update, and the second is a new app that lets you remotely control the camera. The photo above shows the APP on my Motorola Turbo Android phone and the Fuji X-E2 on a tripod with the 18-55mm
- [Photographing the Ramblin' Wreck](https://picturestoryteller.com/2014/12/22/photographing-the-ramblin-wreck/) - Nikon D2X, Sigma 120-300mm, ISO 1600, ƒ/4, 1/1250 Through the years I have photographed the Ramblin' Wreck coming onto the football field before home games at Georgia Tech. Nikon D2X, Sigma 120-300mm, ISO 800, ƒ/2.8, 1/640 The cheerleaders all jump onto the Ramblin' Wreck and then it tears through the banner made for the game
- [Education and Journalism have a lot in common.](https://picturestoryteller.com/2014/12/22/education-and-journalism-have-a-lot-in-common/) - Reading Time: 3 minutes There are a lot of similarities between education and journalism. Just take the storyline and the learning curve, for example. Above is the storyline, and below is the typical learning curve.I believe the connection between the two is people find themselves in crisis and looking for solutions. Education and a good
- [Nikon NPS 2015 Calendar came in, and time to reflect once again.](https://picturestoryteller.com/2014/12/23/nikon-nps-2015-calendar-came-in-and-time-to-reflect-once-again/) - Reading Time: 3 minutes This afternoon my Nikon NPS pocket calendar arrived. I have been able to put the 2014 calendar in my collection since 1983.I enjoy looking back, seeing what I did in the past, and counting my blessings. This is the time for reflection at the end of the year.In the spring of
- [Seeing 20/20 with your Camera Lenses](https://picturestoryteller.com/2014/12/26/seeing-2020-with-your-camera-lenses/) - As we get older, we need to go to the eye doctor. People ages 20 to 30 should have an eye exam every two years unless visual changes, pain, flashes of light, new floaters, injury, or tearing occurs. Then, immediate care is necessary. Yearly exams become essential in the late thirties when changes in vision
- [Covering Meeting With The Sigma 120-300mm ƒ/2.8 DG OS HSM S Plus 2X Converter](https://picturestoryteller.com/2014/12/29/covering-meeting-with-the-sigma-120-300mm-ƒ2-8-dg-os-hsm-s-plus-2x-converter/) - Reading Time: 2 minutes Nikon D4, Sigma 120-300mm f/2.8 DG OS HSM w/ Sigma 2x, ISO 5600, ƒ/5.6, 1/100This morning I was covering the FCA Chick-fil-A Peach Bowl Breakfast at the Marriott Marquis, where the TCU and Ole Miss football teams were enjoying the master of ceremonies, Ernest Johnson, Jr., a sportscaster for Turner Sports.Nikon
- [EasyCover–The Otterbox For Your Nikon D750](https://picturestoryteller.com/2014/12/30/easycover-the-otterbox-for-your-nikon-d750/) - Reading Time: 3 minutes My EasyCover for my Nikon D750 came in yesterday. I wrote about buying these earlier for the Nikon D4 camera. [Read More] Most of the pros I know would wish they would make a model that covers the camera name and model.While many amateurs may want to show off their gear,
- [Chick-fil-A Peach Bowl Highlights](https://picturestoryteller.com/2015/01/01/chick-fil-a-peach-bowl-highlights/) - Reading Time: 4 minutes Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM S [600mm], Sigma 2X, ISO 12800, ƒ/5.6, 1/2000These are just photos from my daily coverage of the Chick-fil-A Peach Bowl held at the Georgia World Congress Center and the Georgia Dome.It starts early in the morning, covering the FanZone before the game. FanZone is
- [Photographing the Moon with both the Nikon D750 and Fujifilm X-E2](https://picturestoryteller.com/2015/01/07/nikon-d750-vs-fujifilm-x-e2-on-shooting-the-moon/) - Reading Time: 2 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/9, 1/200I was not planning on comparing the two cameras but ended up noticing quite a difference between the two cameras when taking some photos of the moon.Fujifilm X-E2, FUJINON XF 55-200mm, ISO 800, ƒ/8, 1/4000While editing the two photos, I noticed
- [Nikon D750 vs Fujifilm X-E2 on test chart](https://picturestoryteller.com/2015/01/07/nikon-d750-vs-fujifilm-x-e2-on-test-chart/) - Fujifilm X-E2, FUJINON XF 18-55mm, ISO 200, ƒ/16, 1/180 I posted a blog earlier today showing my observations with my moon shots comparing the Nikon D750 to the Fujifilm X-E2. I received many comments that this was not a good test. Well, it wasn't a test. Here is a test of the difference between the
- [Photo Story on Russian Pastor by Don Rutledge](https://picturestoryteller.com/2015/01/09/photo-story-on-russian-pastor-by-don-rutledge/) - I returned today to look at Don Rutledge's coverage in Russia in the 1980s. Don, more than anyone I ever knew, could tap into the audience's subconscious through symbolism. I love the photo of one of the pastors in Russia with the kids. What makes the image even more, is the artwork of "The Last
- [NPPA Annual Meeting at their new location the Grady College of Journalism](https://picturestoryteller.com/2015/01/11/nppa-annual-meeting-at-their-new-location-the-grady-college-of-journalism/) - Reading Time: 3 minutes Mark E. Johnson is on the Henry W. Grady College of Journalism and Mass Communication faculty at the University of Georgia, teaching photojournalism and multimedia journalism courses. He talks to the board about some of the expenses associated with the offices now being in the school. [Fuji X-E2, 18-55mm, ISO 6400,
- [The Holy Grail Camera](https://picturestoryteller.com/2015/01/12/the-holy-grail-camera/) - Reading Time: 3 minutes “If the photographer is interested in the people in front of his lens, and if he is compassionate, it’s already a lot. The instrument is not the camera but the photographer.” — Eve ArnoldThere are many comments by many pro photographers throughout history reminding us that it is the six inches
- [Same Nikkor 85mm ƒ/1.8G Lens on Nikon D750 and Fuji X-E2 Test](https://picturestoryteller.com/2015/01/12/same-nikkor-85mm-ƒ1-8g-lens-on-nikon-d750-and-fuji-x-e2-test-2/) - Reading Time: 2 minutes The other day, I compared the Fujifilm X-E2 with the FUJINON XF 18-55mm lens, shooting the same test chart as the Nikon D750 with the Nikkor 85mm ƒ/1.8G.Some thought that this wasn’t such a good test. However, I was comparing mirrorless to DSLR and the sensors as well.The second complaint was
- [Sometimes I can't give my work away. Guess what? That is a good thing.](https://picturestoryteller.com/2015/01/14/sometimes-i-cant-give-my-work-away-guess-what-that-is-a-good-thing/) - Reading Time: 3 minutes Nikon D4, 14-24mm, ISO 5000, ƒ/2.8, 1/100A couple of my close friends have just gotten engaged. While I do not promote myself as a wedding photographer, I will do them for close friends.I offered to both of them to shoot their weddings as a gift.Anytime I have done this in the
- [Fujifilm X-E2's Six Inches Behind The Viewfinder](https://picturestoryteller.com/2015/01/17/fujifilm-x-e2s-six-inches-behind-the-viewfinder/) - Fujifilm X-E2. Fujinon XF 55-200mm, ISO 400, ƒ/4.8, 1/750 Our family has been waiting to be able to come to Orlando, Florida, to take in The Wizarding World of Harry Potter–Diagon Alley at Universal Studios. J. K. Rowling is the writer of the Harry Potter literary series, which the books have gained worldwide attention, won multiple
- [Thinking and Shooting Cinematically with Fujifilm X-E2](https://picturestoryteller.com/2015/01/20/thinking-and-shooting-cinematically-with-fujifilm-x-e2/) - Fujifilm X-E2, Fujinon XF 18-55mm, ISO 1250, ƒ/8, 1/125 Learning to think "Cinematically" when framing your images means thinking about the end user. Today, more than ever, most of my audience will experience my images online through the internet. Computer displays with aspect ratios wider than 4:3 are also called widescreens. Widescreen computer displays are typical
- [Photographers what are you doing when you don't have an assignment?](https://picturestoryteller.com/2015/01/21/photographers-what-are-you-doing-when-you-dont-have-an-assignment-2/) - Nikon D3s, 28-300mm, ISO 400, ƒ/5.6, 1/2000 The Army's Airborne School has training before you jump out of the plane with a parachute. Photographers would do well to learn a few things from the military about how they approach their jobs. When you come out of the plane, many things can go wrong. On one
- [In a photography crisis– Who ya gonna call?](https://picturestoryteller.com/2015/01/23/in-a-photography-crisis-who-ya-gonna-call/) - Reading Time: 3 minutes Every once in a while, I injured my lower back. Years ago, I bought an inversion table similar to the one you see here.Five minutes in the morning and five minutes in the evening hanging about like this angle you see here the lady doing is as far as I need
- [Making tourist shots around The Big Island of Hawaii more interesting](https://picturestoryteller.com/2015/01/25/making-tourist-shots-around-the-big-island-of-hawaii-more-interesting/) - Reading Time: < 1 minute Nikon D4, 14-24mm, ISO 100, ƒ/8, 30 secI just drove up tonight to Mauna Kea and took a few photos. Here is one where I used my cell phone’s LED light to paint the branch in front of me.Here it is without light painting. There were four of us driving around
- [Great photos are about a visual pause](https://picturestoryteller.com/2015/01/26/great-photos-are-about-a-visual-pause/) - Reading Time: 3 minutes Nikon D4, 14-24mm, ISO 100, ƒ/14, 1/320Enjoying a picnic overlooking a scenic vista is the same reason I am stopping to take a photo. The picnickers are enjoying the moment.Nikon D4, 14-24mm, ISO 180, ƒ/14, 1/250Here my friends Lily and her husband Philip enjoy looking for whales migrating off the coast
- [Photography isn't all about sunshine](https://picturestoryteller.com/2015/01/28/photography-isnt-all-about-sunshine/) - Reading Time: 2 minutes Fujifilm X-E2, Fujinon 18-55mm, ISO 1250, ƒ/6.4, 1/500I love sunrises and sunsets as much as anyone else. To me, they signify new beginnings and bring a sense of hope and peace.Fujifilm X-E2, Fujinon 18-55mm, ISO 400, ƒ/6.4, 1/1800While teaching here on The Big Island of Hawaii, I took a trip or
- [A week of photographic communications class in Kailua-Kona Hawaii](https://picturestoryteller.com/2015/01/30/a-week-of-photographic-communications-class-in-kailua-kona-hawaii/) - Reading Time: 4 minutes Nikon D4, 14-24mm, ISO 400, ƒ/2.8, 30 secToday I wrap up a week-long training of young photographers from nine different nations who were part of the School of Photographic Communication at the University of Nations here in Kailua-Kona, Hawaii. The photo above is on The Big Island.I started the week by
- ["Match Total Exposures" saves time in Lightroom](https://picturestoryteller.com/2015/02/02/match-total-exposures-saves-time-in-lightroom/) - Reading Time: < 1 minute Use “Match Total Exposures” to save some time in Lightroom.If you have a similar scene, you can select many images as I have shown here:Then make all the corrections to the first photo like you would in all your “Auto Sync” situations, and then go to the Settings in Develop
- [Word choices are as confusing as foreign language and often worse](https://picturestoryteller.com/2015/02/03/word-choices-are-as-confusing-as-foreign-language-and-often-worse/) - Reading Time: 3 minutes Nikon D4, 28-300mm, ISO 12800, ƒ/5, 1/80Circle of Confusion at best or Linguistic ChaosUsing jargon and acronyms from your industry with someone not familiar with that jargon will alienate rather than alleviate, creating a barrier bigger and harder to fix.Word ChoiceI grew up in a Southern Baptist Bubble. I used words
- [Disaster strikes due to a mistake](https://picturestoryteller.com/2015/02/04/disaster-strikes-due-to-a-mistake/) - Reading Time: 3 minutes I was tired of working at my computer when helping a friend who asked me to help fix their jump drive. It needed to be formatted.Well, it just wasn’t working at first. After a few tries, I finally formatted it, and since I was used to just clicking the drive and
- [One light is often better than too many.](https://picturestoryteller.com/2015/02/06/one-light-is-often-better-than-too-many/) - Reading Time: 3 minutes Nikon D3s, 14-24mm, ISO 400, ƒ/5.6, 1/500—Off-camera fill-flash using the Nikon SB-900. The flash is on the Pocketwizard TT5 and is triggered by the Mini TT1 on the camera with the AC3 to control the flash’s output.I have been going through my files, preparing for next week when I teach lighting
- [Nikon D4 and D750 shooting Hawaiian Fire Dancer](https://picturestoryteller.com/2015/02/12/nikon-d4-and-d750-shooting-hawaiian-fire-dancer/) - Reading Time: 2 minutes Nikon D750, NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 5000, ƒ/25, 1/40I went out to shoot with strobes last night to show the students how to use a fill flash.We set up a strobe to take some photos. This top one was without the strobe, which was a pleasant surprise to me.Here you
- [Mixed lighting assignment comparing TTL Hotshoe to Studio Strobes](https://picturestoryteller.com/2015/02/13/mixed-lighting-assignment-comparing-ttl-hotshoe-to-studio-strobes/) - Today I taught the students the difference between studio strobes using them outside for lighting and using a TTL Hotshoe flash. I love the photo at the top with the ƒ/1.8 look. Now, all these test shots show the difference between the lights. Not so much about finding a great location–now, seeing these, I should
- [Nikon D750 & AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR at Hawaiian Luau](https://picturestoryteller.com/2015/02/13/nikon-d750-af-s-nikkor-28-300mm-f3-5-5-6g-ed-vr-at-hawaiian-luau/) - Last night I took in the beautiful Luau put on by Island Breeze at the Courtyard Marriott King Kamehameha's Kona Beach Hotel. If you come to the Big Island, this is a must-see!!! I am also working on putting together a photography workshop here and will do my best to make this part of the
- [Why Change?](https://picturestoryteller.com/2015/02/17/why-change/) - Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/4.5, 1/200 Sunrises and sunsets are two of my favorite times of the day. They represent new beginnings and endings to me. This week, I attended a corporate meeting. One thing that struck me was that the attendees acknowledged that one of the greatest threats
- [Theater photography with Sigma 120-300mm ƒ/2.8 DG OS HSM | S](https://picturestoryteller.com/2015/02/18/theater-photography-with-sigma-120-300mm-ƒ2-8-dg-os-hsm-s/) - Reading Time: 2 minutes Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 5000, ƒ/2.8, 1/1000I love using the Sigma 120-300mm ƒ/2.8 DG OS HSM | S to shoot things other than sports.My daughter is in the high school theater, and I am getting many opportunities to capture her and her friends on stage. In
- [Plan ahead for great Prom Pictures](https://picturestoryteller.com/2015/02/20/plan-ahead-for-great-prom-pictures/) - Reading Time: 2 minutes Nikon D3S, 24-120mm, ISO 200, ƒ/9, 1/60The key to a great photograph of any kind has much to do with the location. So check with your friends for possible locations before all the kids go off to the prom.One of the parents had a lovely backyard with steps that made for
- [How to capture "Golden Light"](https://picturestoryteller.com/2015/02/22/how-to-capture-golden-light/) - Reading Time: 2 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 12800, ƒ/5.3, 1/30While most people are facing the sunset on the beaches of Hawaii, I like to turn around 180º and face the beach.Guess what you will find?Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 12800, ƒ/4.5, 1/25You will find the
- [Guest Blog: Story is King!](https://picturestoryteller.com/2015/02/22/guest-blog-story-is-king/) - Robin Rayne is an Atlanta-based photojournalist for international and domestic magazines and newspapers. Robin is also producing a documentary film on people with significant disabilities who have been mandated to relocate from state hospitals into community. It was only 96 hours on an island in the middle of the Pacific, but the joy and rewards
- [The Culling of Photographers](https://picturestoryteller.com/2015/02/24/the-culling-of-photographers/) - Reading Time: 3 minutes When populations of deer get too great, they can start to destroy the land due to the lack of resources. There are Wildlife Management Programs around the country to control the population of deer.Without management, you can overharvest, and it will take a long time for the population to recover; if
- [Southwestern Photojournalism Conference wraps up in Fort Worth, Texas.](https://picturestoryteller.com/2015/03/02/southwestern-photojournalism-conference-wraps-up-in-fort-worth-texas/) - Reading Time: 4 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 12800, ƒ/5.6, 1/100The past few days, I had a lot of fun at the Southwestern Photojournalism Conference and student practicum in Fort Worth, Texas. The time started right with me helping a student at Leddy’s. M.L. Leddy is a legend in the handmade
- [Lovin' Nikon D750 @ High ISO](https://picturestoryteller.com/2015/03/03/lovin-nikon-d750-high-iso/) - Reading Time: 2 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 5000, ƒ/5, 1/250I have been looking through my photos from the Southwestern Photojournalism Conference shot on my Nikon D750. I was shocked at the quality of the images.The EXPEED 4 Image-Processing Engine and 24.3 MP FX-format CMOS sensor are a significant jump
- [Little bit of red better than a lot](https://picturestoryteller.com/2015/03/06/little-bit-of-red-better-than-a-lot/) - Reading Time: < 1 minute Fuji X-E2, FUJINON XF 55-200mm, ISO 6400, ƒ/8, 1/320Just a dash of red in this otherwise very monochromatic photo gives it the pop necessary to grab your attention.Notice how the same black & white photo doesn’t have the same POP as the color photo.Fuji X-E2, FUJINON XF 18-55mm, ISO 6400,
- [Cross Culture experience is similar to a night at the Opera.](https://picturestoryteller.com/2015/03/09/cross-culture-experience-is-similar-to-a-night-at-the-opera/) - Reading Time: 2 minutes Fuji X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/10, 1/20Here is a photo of my wife Dorie, a 1991 graduate of The Citadel and opera stand-out Morris Robinson. We were able to go backstage after seeing Rigoletto due to an invitation by Morris and meet some of the cast.Fuji X-E2, FUJINON XF
- [Nikon D750 Settings](https://picturestoryteller.com/2015/03/11/nikon-d750-settings/) - Reading Time: < 1 minute I was asked what my settings were for the Nikon D750. Here are most of those settings, but I want to be sure you know that these are not what I use every time. I do modify these based on situations.However, this is how I generally leave the camera set.Aperture
- [When being prepared isn't enough.](https://picturestoryteller.com/2015/03/13/when-being-prepared-isnt-enough/) - Reading Time: 5 minutes Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 250, ƒ/8, 1/250This week I have been covering the grand opening of the brand new Chick-fil-A in Birmingham, Alabama.Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 12800, ƒ/5.6, 1/80 ***4:13 a.m. EST***One of the fun yet not-so-fun things is waking up to capture Dan
- [Rim light can be critical in portraits](https://picturestoryteller.com/2015/03/16/rim-light-can-be-critical-in-portraits/) - Reading Time: 2 minutes Nikon D750, Nikon 85mm ƒ/1.8G, ISO 100, ƒ/9, 1/200My friend contacted me and wanted me to reshoot their son’s senior photo but match the background. Here is one of the photos from the session. Below are the lighting diagram and settings for the image.The softbox on the camera’s right is -2 EV
- [Ever wonder what happened to your camera???](https://picturestoryteller.com/2015/03/18/ever-wonder-what-happened-to-your-camera/) - The other day I was trying to take photos with my Nikon D4, and it would just not focus. There was a delay when I pushed the shutter until the camera fired. I looked to see if I had set the timer. I didn’t select it. So now I am telling myself, what the &#%!@?!?
- [Backstage Tour of ESPN-U studios in Charlotte, NC](https://picturestoryteller.com/2015/03/20/backstage-tour-of-espn-u-studios-in-charlotte-nc/) - Reading Time: 4 minutes Here I am on the set of Sports Center with photo assistant David White. [Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 12800, ƒ/7.1, 1/100]This past Tuesday, I called my friend James Dockery who will be helping teach the Storytellers Abroad Workshop in Romania, with Jeff Raymond and me, letting
- [What time is it on your camera?](https://picturestoryteller.com/2015/03/22/what-time-is-it-on-your-camera/) - Reading Time: 2 minutes Sunday, March 8th, Daylight Savings time happened. We lost an hour. Did you move all your clocks forward?Time setting is essential if you have only one camera, but it is critical to have more than one camera for a photo shoot. Go through your menu and set the camera for the correct
- [Chick-fil-A App – No Skymiles Needed](https://picturestoryteller.com/2015/03/27/chick-fil-a-app-no-skymiles-needed/) - Reading Time: 3 minutes While this may not seem to be about photography, it is about saving some time when ordering your breakfast, lunch, or dinner. As we know today, the most precious commodity we have is our time.One of my favorite Apps and programs I use is the Delta Skymiles program. The loyalty program
- [2015 Staff Photojournalist Job Requirements](https://picturestoryteller.com/2015/03/30/2015-staff-photojournalist-job-requirements/) - Reading Time: 3 minutes Nikon D810, 24-70mm [photo by: Robin Nelson]For those who want to find a staff job in a Newspaper, Magazine, or online outlet, the job description is a lot different these days than it was years ago.Here are a few descriptions I pulled from job postings with the National Press Photographers Association:Candidates
- [Photographer are you shooting yourself in your foot?](https://picturestoryteller.com/2015/03/31/photographer-are-you-shooting-yourself-in-your-foot/) - Reading Time: 2 minutes Fuji X-E2, FUJINON XF 18-55mm, ISO 1000, ƒ/2.8, 1/500In the words of Joan Rivers, “Can we talk?” Let’s get honest here; we are often too concerned about ourselves and not enough about our clients.Did you know that many people do what they consider loving actions to hurt someone? They are more
- [First Shoot with Sigma TC-2001 2x paired with Sigma 120-300mm ƒ/2.8 DG OS HSM | S](https://picturestoryteller.com/2015/04/02/first-shoot-with-sigma-tc-2001-2x-paired-with-sigma-120-300mm-ƒ2-8-dg-os-hsm-s/) - Reading Time: 3 minutes Nikon D4, Sigma TC-2001 2x, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 12800, ƒ/5.6, 1/800Ever since I heard about the new Sigma TC-2001 2x, I have been interested in getting one for my Sigma 120-300mm ƒ/2.8 DG OS HSM | S.Last night at 6:30 pm, UPS delivered the lens to
- [The Kodak Carousel](https://picturestoryteller.com/2015/04/06/the-kodak-carousel/) - I own a Kodak Carousel projector. For me, it was a magic lantern to the past. I loved how simple it was to operate. I regularly created slideshows for my work, synchronizing two or more projectors to a soundtrack. The audio tape had two tracks: left and right for stereo. One track was for mono
- [Telephoto or Wide-angle Lens?](https://picturestoryteller.com/2015/04/09/telephoto-or-wide-angle-lens/) - Reading Time: 2 minutes Nikon D4, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 6400, ƒ/6.3, 1/100Should you use a Telephoto lens or a Wide-Angle lens? Well, that all depends.Here I walked across the street and up a small hill and shot back at all the First 100 Campers sleeping over the night in the parking
- [Forming a Photographic Style](https://picturestoryteller.com/2015/04/11/forming-a-photographic-style/) - Nikon D4, AF NIKKOR 85mm f/1.4D, ISO 200, ƒ/1.4, 1/80 My friends and I were teaching a class, and we had one student that we all were trying to figure out why they were taking the course. He found each of us and wanted to tell us all he knew about photography. One of us
- [Great Photography Implores Yin-Yang of ...](https://picturestoryteller.com/2015/04/13/great-photography-implores-yin-yang-of/) - Reading Time: 3 minutes Photography requires one to understand yin-yang.Wikipedia definition of Yin-YangIn Chinese philosophy, yin and yang (also, yin-yang or yin yang) describes how apparently opposite or contrary forces are actually complementary, interconnected, and interdependent in the natural world, and how they give rise to each other as they interrelate to one another. Many
- [Capturing A “Moment” Helps To Build A Brand](https://picturestoryteller.com/2015/04/15/capturing-a-moment-helps-to-build-a-brand/) - Nikon D3S, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 560, ƒ/5.3, 1/80 I was covering a meeting where Dan Cathy, the president of Chick-fil-A, talked about Daddy Daughter Date Night events. Dan projected my photo as he talked about how every daughter wants this attention from their dad. This moment on stage is one of
- [Photographers be like farmers in the Springtime–Prepare the fields](https://picturestoryteller.com/2015/04/15/photographers-be-like-farmers-in-the-springtime-prepare-the-fields/) - Reading Time: 4 minutes Fuji X-E2, Fuji XF 18-55mm, ISO 1000, ƒ/4.5, 1/500This time of year is when you can drive around your neighborhood and see a significant difference in lawn care. This photo shows just the difference spreading Weed & Feed with the watering can make in the appearance of your lawn.Only the farmer who
- [What gear and where to sit to capture theater productions](https://picturestoryteller.com/2015/04/19/what-gear-and-where-to-sit-to-capture-theater-productions/) - Reading Time: 4 minutes Nikon D750, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 12800, ƒ/5.6, 1/200If you were in the front row of the theater, you would not see this photo. The reason is simple. The actor is lying on the stage just above the orchestra pit area.I like to
- [Photographing Women's Soccer](https://picturestoryteller.com/2015/04/21/photographing-womens-soccer/) - Reading Time: 2 minutes Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 1100, ƒ/8, 1/2000I spent an afternoon shooting a girl’s middle school soccer game. These are just a few of the photos from the shoot.I shot 1458 images and edited them down to 444 photos; that is what
- [Face Recognition with Lightroom 6](https://picturestoryteller.com/2015/04/22/face-recognition-with-lightroom-6/) - Reading Time: 2 minutes It takes time to explore new or upgraded software, so all I am writing about is just what I discovered and loved immediately with the latest Lightroom upgrade. As I discover all the new bells and whistles in Lightroom 6, I will write about them if I see something worth my
- [What would you say if Eugene Smith was on the front row listening?](https://picturestoryteller.com/2015/04/24/what-would-you-say-if-eugene-smith-was-on-the-front-row-listening/) - Reading Time: 3 minutes Don Rutledge was the speaker on the second day of the Atlanta Photojournalism Conference in 1975. The night before, William Albert Allard had blown away the group with his work on the American Cowboy. The first time anyone had spoken to the group and gotten a standing ovation. Following Don Rutledge would
- [Covering the bicycle race–The Roswell Criterium](https://picturestoryteller.com/2015/04/27/covering-the-bicycle-race-the-roswell-criterium/) - Reading Time: 3 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 220, ƒ/14, 1/30Today I decided to go and have some fun covering The Roswell Criterium for a beautiful Sunday sunny day after a lot of rain in our town.I thought I would play with panning, and let me say it is hard
- [Playing Tourist in Atlanta & Mother's Day idea](https://picturestoryteller.com/2015/05/04/playing-tourist-in-atlanta-mothers-day-idea/) - Reading Time: 4 minutes Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 100, ƒ/5.6, 1/200We haven’t played tourist in Atlanta for a long time, and we decided to take in a couple of attractions this weekend. After doing this, I would recommend this for a Mother’s Day present.Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO
- [When shooting sports–Shoot Variety to capture Athleticism and Competition](https://picturestoryteller.com/2015/05/07/when-shooting-sports-shoot-variety-to-capture-athleticism-and-competition/) - Reading Time: 3 minutes Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 1400, ƒ/11, 1/2000When covering sports, you want to communicate the athleticism and the competition. Here I went low for a good reason.When you get below eye level of your subject, you give them power. When you get low as I did here, you
- [New Camera Gear Can Create Panic](https://picturestoryteller.com/2015/05/08/new-camera-gear-can-create-panic/) - Reading Time: 4 minutes When my wife and daughter help me with assignments, and it comes time to pack up, they bring the gear to me, and then I put it away.Often as we are doing this, the client is nearby, and my wife explains how I have a particular place for everything and how
- [Your feet are the secret to better photos](https://picturestoryteller.com/2015/05/11/your-feet-are-the-secret-to-better-photos/) - Reading Time: 2 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 5000, ƒ/5.6, 1/100–Off camera flash Neewer TT850 triggered by the Neewer 433MHz Wireless 16 Channel radio remote set to 1/128th power and with gels and gridI love it when you can get super close because people forget about you. Here this boy is
- [Multimedia Storytelling–NEED to know vs. WANT to know](https://picturestoryteller.com/2015/05/13/multimedia-storytelling-need-to-know-vs-want-to-know/) - Reading Time: 4 minutes Last year’s storytelling workshop in Lisbon, Portugal [Fuji X-E2, Fuji XF 18-55mm, ISO 6400, ƒ/13, 1/450]When teaching workshops on storytelling, we always like to get a feel for what the students want to learn from the experience.There are some very consistent things people want to learn from a storytelling multimedia workshop.
- [The Principles of Photography Versus the Techniques of Photography](https://picturestoryteller.com/2015/05/15/the-principles-of-photography-versus-the-techniques-of-photography/) - Nikon D4, Nikon 85mm ƒ/1.8G, ISO 100, ƒ/1.8, 1/400 Have you ever noticed that using a technique that a famous photographer perfected and maybe even taught you doesn’t produce the same results? Maybe you have realized that you are implementing all these techniques correctly in your photos, and you continue not to win any competitions
- [Scanning old negatives](https://picturestoryteller.com/2015/05/18/scanning-old-negatives/) - Reading Time: 3 minutes Pentax K1000 & Pentax 135mm lens, Kodak Tri-X [April 7, 1982]My daughter loves theater, and this made me want to pull out some photos I shot during college at East Carolina University’s theater doing Show Boat.To scan my negatives, I used the Nikon Coolscan V-ED [Adorama has one for $739]. On
- [Getting the Iconic travel photo](https://picturestoryteller.com/2015/05/20/getting-the-iconic-travel-photo/) - Reading Time: 2 minutes Three photos stitched together, Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/9, 15 secNikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/7.1, 20 secWhen traveling in a new town, I like to try and get the Iconic image of the city, which is often a skyline
- [Memorial Day remembering the people who died while serving in the country's armed forces](https://picturestoryteller.com/2015/05/25/memorial-day-remembering-the-people-who-died-while-serving-in-the-countrys-armed-forces/) - ON THE BEACH: The first wave of Marines takes cover behind the sand dunes on Saipan beach, during the World War II invasion of Marianas Islands. The soldier kneeling in the sand at far right is Carl Matthews of Texas; second from right is Wendal Nightingale of Skowhegan, Maine; standing is Lt. James Stanley Leary
- [Nikon D4 Video Settings](https://picturestoryteller.com/2015/05/27/nikon-d4-video-settings/) - This is based on my experience, and others may have other suggestions that might contradict my comments. I recommend a few settings when shooting a video on your Nikon D4. When this becomes critical, you decide to shoot multiple cameras and need everything to match when you get into post-production. I think editing RAW images
- [How to deliver photos to clients](https://picturestoryteller.com/2015/05/28/how-to-deliver-photos-to-clients/) - Reading Time: 3 minutes I talked on an earlier blog about switching from CD/DVD as a deliverable to USB. It also talks about where I ordered my custom USB jump drives. Here is that post.The question came up about how to deliver photos to a client on a board the other day. With new computers
- [Scanning some photos from college in 1982](https://picturestoryteller.com/2015/05/29/scanning-some-photos-from-college-in-1982/) - Reading Time: 2 minutes Link to an earlier blog on my gear for scanning. It was a lot of fun going through my work while I was in college. This photo is from my Junior year at East Carolina University. Now one thing I am noticing already that I love about today’s digital cameras
- [Turning into a Bird Watcher](https://picturestoryteller.com/2015/05/31/turning-into-a-bird-watcher/) - Reading Time: 2 minutes Fuji X-E2, FUJINON XF 55-200mm, ISO 4000, ƒ/4.8, 1/500Do you feel like a little kid all excited about a subject you get to photograph? I know I do, and lately, since we have an excellent bird feeder and a variety of birds at the feeder.Here we have the male purple finch
- [Nikon D750 Helps Get A Better Perspective.](https://picturestoryteller.com/2015/06/03/nikon-d750-helping-get-a-better-perspective/) - Reading Time: 2 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 2500, ƒ/5.6, 1/500Getting this photo was much easier than before I owned my Nikon D750. Seeing what you are shooting while your camera is on the ground is almost impossible. Instead, you can use the Nikon DR-6 Rectangular Right Angle Viewfinder, which costs
- [Six Tips To Improve Your Next Project](https://picturestoryteller.com/2015/06/04/six-tips-to-improve-your-next-project/) - Reading Time: 4 minutes James Dockey, a Senior Editor with ESPN, helped a student with settings during our Storytellers Abroad Workshop in Lisbon, Portugal, last year. [Fuji X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/2.8, 1/60]We are finalizing all the plans for the workshop I am helping teach in a couple of weeks in Romania. Through
- [Cleaning Up Background By Panning](https://picturestoryteller.com/2015/06/08/cleaning-up-background-by-panning/) - Reading Time: < 1 minute Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 6400, ƒ/5, 1/3I was taking some photos of the band Farewell, My Love when I realized the background wasn’t really what I wanted.I thought for a moment and decided that since the shutter speed was already slow, pan the shot to blur
- [Looking for moments that trigger nostalgia at the beach](https://picturestoryteller.com/2015/06/10/looking-for-moments-that-trigger-nostalgia-at-the-beach/) - Reading Time: 2 minutes Fuji X-E2, FUJINON XF 18-55mm, ISO 1250, ƒ/6.4, 1/500Whenever I go to the beach, I look for those moments that are timeless and make me connect to years gone by. Honestly, it isn’t easy to do, but I try each time again.Fuji X-E2, FUJINON XF 18-55mm, ISO 3200, ƒ/9, 1/500I do
- [Key To Good Reflection Photos](https://picturestoryteller.com/2015/06/12/key-to-good-reflection-photos/) - Reading Time: 2 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 1100, ƒ/16, 1/100The key to getting dramatic photos of reflections is getting your camera as close as possible to the ground.I am using the technique I mentioned earlier when photographing mushrooms in my yard. I am using LIVE VIEW with the Nikon
- [Annual Family Reunion Photo](https://picturestoryteller.com/2015/06/15/annual-family-reunion-photo/) - Reading Time: 2 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 500, ƒ/8, 1/60I memorialized our family reunion at Emerald Isle Beach in North Carolina this year with the family photo of those who could make it.Here is the setup I used for the photo:To fire the Nikon D750, I used the Nikon
- [Want better pictures? Find better light](https://picturestoryteller.com/2015/06/17/want-better-pictures-find-better-light/) - Reading Time: 3 minutes Fuji X-E2, FUJINON XF 55-200mm, ISO 6400, ƒ/11, 1.1 secI took a Maine Photography Workshop class with Steve McCurry early in my career. I learned a few things during my week.One thing that was quite frustrating was that no one was helping me get over the hump with my work. I
- [Why are some people so resistant to learning?](https://picturestoryteller.com/2015/06/18/why-are-some-people-so-resistant-to-learning/) - I love teaching and have been told that I am good at it. However, the results tell me there is still room for growth. I love to pick apart something to a level that, quite frankly, annoys some people. I will obsess over what seems forever to examine what could be done better. This photo
- [Storytellers Abroad Workshop In Bucharest Romania](https://picturestoryteller.com/2015/06/23/storytellers-abroad-workshop-in-bucharest-romania/) - Reading Time: 2 minutes Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 1000, ƒ/5.6, 1/500RomaniaStorytellers Abroad WorkshopThis week I am helping teach storytelling with seven students with Jeff Raymond and James Dockery in Bucharest, Romania.Yesterday I went with Liz Ortiz as she interviewed Nicoleta, a children’s teacher in a small village outside of Bucharest, Romania.Nikon
- [Storytelling is more than ƒ/8 and be there](https://picturestoryteller.com/2015/06/24/storytelling-is-more-than-ƒ8-and-be-there/) - Reading Time: 2 minutes [NIKON D4, 14.0-24.0 mm f/2.8, Mode = Aperture Priority, ISO 1600, 1/2000, ƒ/13, (35mm = 14)]ƒ/8 Be ThereThe quote “ƒ/8 and be there” is attributed to Weegee, a famous street photographer during the 1930s, ’40s, and beyond. It represents a philosophy to keep technical decisions simple and be where your vision
- [Shooting In A Romanian Village](https://picturestoryteller.com/2015/06/25/shooting-in-a-romanian-village/) - Reading Time: 3 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 1600, ƒ/5.6, 1/100Shooting in a village with 10+ photographers drew much attention in a town outside of Bucharest, Romania.Storytellers Abroad It was challenging to get moments when people were unaware of me. So I shot some images to capture the village as they
- [Use light to direct your audience](https://picturestoryteller.com/2015/06/26/use-light-to-direct-your-audience/) - Reading Time: 3 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/22, 25 secStorytellers Abroad We are progressing through the multimedia workshop here in Bucharest, Romania. Last night we went out on the town to get some b-roll for the student’s projects. Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 2200, ƒ/4.5, 1/500Bucharest has
- [Two Distinct Parts of being a Multimedia Storyteller](https://picturestoryteller.com/2015/06/29/two-distinct-parts-of-being-a-multimedia-storyteller/) - Reading Time: 4 minutes Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 12800, ƒ/5.6, 1/25At the end of a whole week of the Storytellers Abroad Workshop in Bucharest, Romania, we showed the projects to our hosts. While not all were complete, we showed the works in progress.We did a few with just minor tweaks that
- [Should I buy primes or zooms?](https://picturestoryteller.com/2015/07/01/should-i-buy-primes-or-zooms/) - Reading Time: 5 minutes Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 2200, ƒ/5.6, 1/500Primes vs. zooms. Well, that is not a simple one-size-fits.Don’t be the photographer who always says prime or zoom–you will be like the guy who uses a hammer to fix everything.If you know what and how you like to shoot, it
- [Want to be a better photographer or storyteller? Take Multimedia & Marketing Workshop](https://picturestoryteller.com/2015/07/03/want-to-be-a-better-photographer-take-multimedia-marketing-workshop-2/) - Reading Time: 6 minutes James Dockery saw this little boy on the steps as we went to buy some water at this corner convenience store in Bucharest, Romania. After asking his mother if he could take a photo, I captured him and the boy. [Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 1600, ƒ/7.1,
- [Romanian Camp Ministry](https://picturestoryteller.com/2015/07/04/romanian-camp-ministry/) - Reading Time: 3 minutes Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 1800, ƒ/5.6, 1/500This photo is how I see Keziah Khoo. She is always having fun and making lots of friends all over the world.Here she is with her new friends in Bucharest, Romania. I first met Keziah in February 2014 at the School
- [Romania Orphan Ministry](https://picturestoryteller.com/2015/07/05/romania-orphan-ministry/) - Reading Time: 3 minutes Fuji X-E2, FUJINON XF 55-200mm, ISO 400, ƒ/3.6, 1/2200Last year I met Korinna Waggoner for the first time. She was one of the participants of the Lisbon, Portugal Storytellers Abroad Multimedia Workshop.She liked the experience so much that she wanted to do this again, so she joined us in Bucharest, Romania,
- [Romanians Winning Their Jerusalem](https://picturestoryteller.com/2015/07/06/romanians-winning-their-jerusalem/) - Reading Time: 2 minutes Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 12800, ƒ/8, 1/320Meet Rob Krieg, IT Director, who was one of the workshop participants in the Storytellers Abroad Missions Multimedia Workshop in Bucharest, Romania.Rob had been a news photographer earlier in his career. He loved photography and wanted to add to his skills
- [Multimedia Workshop helps a participant navigate through the fog.](https://picturestoryteller.com/2015/07/07/multimedia-workshop-helps-a-participant-navigate-through-the-fog/) - Reading Time: 3 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 280, ƒ/5.6, 1/100I’m sorry, I haven’t the foggiest. But, in fog is how the story process was starting for Liz Ortiz. Liz’s thoughts were clouded by a thick fog early in capturing her story as a workshop participant in the Storytellers Abroad
- [We are doing a multimedia package when you can't show the subjects' faces.](https://picturestoryteller.com/2015/07/08/doing-a-multimedia-package-when-you-cant-show-the-subjects-faces/) - Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 800, ƒ/3.5, 1/100 Hannah Strayer listens to James Dockery as he gives editing suggestions to her project on the Romanian Prostitution story she put together during the Storytellers Abroad Missions Multimedia Workshop in Bucharest, Romania. Hannah, a recent graduate of Baptist Bible College who has been
- [Creative directors used to large crews chose to go alone to Romania to cover Gypsies.](https://picturestoryteller.com/2015/07/10/creative-director-used-to-large-crews-chooses-to-go-alone-to-romania-to-cover-gypsies/) - Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 9000, ƒ/6.3, 1/100 Jon Franz, senior creative director for Kimberly-Clark, was a joy to get to know on our trip to Romania. For Jon, this is the first time I have had a role reversal while teaching a creative director. Typically creative directors hire people like
- [Shooting St Louis Skyline](https://picturestoryteller.com/2015/07/14/shooting-st-louis-skyline/) - Reading Time: 3 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/16, 20 secTo get this photo, we need to go back a week. So I researched online to find the pictures I liked of the skyline. After digging a little, I found that the best place for skyline shots is 185
- [How To Improve Your Camp Photos](https://picturestoryteller.com/2015/07/15/improve-your-camp-photos/) - Reading Time: 2 minutes Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 450, ƒ/4, 1/100If the kid moves a few more inches forward, he will touch my camera. That is how close I am when shooting most of the time. People feel me right there, but the viewer, THE AUDIENCE, is also that close.If you
- [Tom Kilpatrick 72 years old and still learning](https://picturestoryteller.com/2015/07/16/tom-kilpatrick-72-years-old-and-still-learning/) - Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/8, 1/200 This photo of Tom Kilpatrick caught how I see him. He is such a kid. He loves to explore and have fun. He has taught photography for more than 30 years. He has been a photojournalist for years, yet he decided to join
- [Combating Portfolio Depression](https://picturestoryteller.com/2015/07/17/combating-portfolio-depression/) - Reading Time: 6 minutes Nikon D2X, Sigma 18-50mm f/2.8 EX DC HSM Macro Lens, ISO 400, ƒ/2.8, 1/160Most photographers grow despondent of their portfolios over time due to having little new work that can replace their best work. I call this Portfolio Depression.There are times in life when we need some intervention. Sometimes this is
- [Shooting Atlanta Braves Game with Fuji X-E2](https://picturestoryteller.com/2015/07/20/shooting-atlanta-braves-game-with-fuji-x-e2/) - Reading Time: 3 minutes Fuji X-E2, FUJINON XF 55-200mm, ISO 4000, ƒ/4.8, 1/2000As a spectator, I went this past Friday night to see the Cubs vs. Braves at Turner Field in Atlanta, Georgia.Atlanta Braves rules for camerasAll hand-held cameras that are no longer than 5″ in length are permitted in the ballpark provided they are
- [Des Moines Skyline](https://picturestoryteller.com/2015/07/23/des-moines-skyline/) - Reading Time: < 1 minute Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/16, 1/1.7I used a new function on the Nikon D750 for the Des Moines Skyline. One can use the optional ML-L3 remote control to reduce camera shake.Choose the “Remote mirror-up” setting, which will let you lock the mirror up and
- [Shooting theater with the Fujifilm X-E2 and Nikon D750](https://picturestoryteller.com/2015/07/24/shooting-theater-with-the-fujifilm-x-e2-and-nikon-d750/) - Reading Time: 3 minutes Fujifilm X-E2, FUJINON XF 55-200mm, ISO 6400, ƒ/5, 1/300When it comes to shooting from an audience, I prefer the Fujifilm X-E2 over my Nikon D750 because it is so quiet.The quality of the images is excellent for shooting theater, which is a real bonus since my daughter loves theater. She is
- [Change Capture Time in photos using Adobe Lightroom](https://picturestoryteller.com/2015/07/26/change-capture-time-in-photos-using-adobe-lightroom/) - Reading Time: 2 minutes Yesterday I shot an event with a friend. We were posting these to an online photo gallery for the client. Well, we discovered that the cameras were not all set to the correct time. Uh-oh!You might need to change the capture times if you traveled to a different time zone and
- [Shooting portraits in the middle of a department store for a workshop](https://picturestoryteller.com/2015/07/26/shooting-portraits-in-the-middle-of-a-department-store-for-a-workshop/) - Reading Time: 4 minutes Nikon D750, Nikon 85mm ƒ/1.8G, ISO 10000, ƒ/1.8, 1/500BEST BUY® DIGITAL PHOTOGRAPHY WORKSHOPToday I taught a workshop at the Best Buy 850 Cobb Place Boulevard Nw, Kennesaw, GA 30144. After a brief overview, we divided into two groups. We would rotate from Portraits and Low Light to Sports and Macro.Andrew was the
- [Fujifilm X-E2 and Fujinon XF 55-200mm for vacation pictures at the North Carolina Beach](https://picturestoryteller.com/2015/07/29/fujifilm-x-e2-and-fujinon-xf-55-200mm-for-vacation-pictures-at-the-north-carolina-beach/) - Reading Time: 2 minutes Fujifilm X-E2, FUJINON XF 55-200mm, ISO 250, ƒ/9, 1/500This morning on the news, they announced some of the schools are starting back next week in our area. My daughter will start her Junior year of high school in a couple of weeks. At the beginning of the summer, we were at
- [Fuji X-E2 with Nikon 85mm ƒ/1.8 vs Nikon D750 with Nikon 28-300mm](https://picturestoryteller.com/2015/07/31/fuji-x-e2-with-nikon-85mm-ƒ1-8-vs-nikon-d750-with-nikon-28-300mm/) - Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/14, 1/160–Three Alienbees with one on 30" x 40" Softbox Today I was shooting food. Here is one of the shots of some cookies. With the Nikon D750 I shot this with large overhead 30" x 40" softbox and two other flashes just filling in
- [I just got two new Fuji Lenses–Check and see if you can too!](https://picturestoryteller.com/2015/08/01/i-just-got-two-new-fuji-lenses-check-and-see-if-you-can-too/) - Reading Time: 2 minutes I feel like I just got two new Fuji lenses, but that is what it feels like after Fuji introduces a firmware upgrade.I discovered today that I had missed two firmware upgrades for my Fuji system. I had done the firmware upgrade in December for my Fujifilm X-E2 to Version 3.00,
- [Photography Boot Camp is a great way to learn photography](https://picturestoryteller.com/2015/08/03/photography-boot-camp-great-way-to-learn-photography/) - Reading Time: 4 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 5000, ƒ/25, 1/40–off camera flash with Alienbees B1600 powered by Vagabond and triggered using the Pocketwizard system.Many people will talk about being Baptized by Fire when they take on a new responsibility. New responsibility is when you sink or swim, as one
- [Announcing Multimedia Storytelling Workshop with Coffee Farmers in Mexico](https://picturestoryteller.com/2015/08/04/announcing-multimedia-storytelling-workshop-with-coffee-farmers-in-mexico/) - Reading Time: 2 minutes I am putting on a multimedia storytelling workshop in Chiapas, Mexico, with Cafe Justo’s coffee growers from January 9th – 16th, 2016.I hope you consider joining me and learning how to tell a story by doing all the processes yourself with the guidance of James Dockery and myself.Here is James working
- [The pictures you want tomorrow, you have to take today.](https://picturestoryteller.com/2015/08/05/the-pictures-you-want-tomorrow-you-have-to-take-today/) - Reading Time: 3 minutes These are my great grandfather/grandmother and my grandfather, whom I am named after. Unfortunately, it is the only photo I have of Henry Leary.When I look at this photo, I see the family resemblance, and this photo makes me ask a lot of questions about my family.Here is a snapshot of
- [Updating My Websites](https://picturestoryteller.com/2015/08/07/updating-my-websites/) - Reading Time: 3 minutes I am in the process of updating my website and thought I would share some of my thoughts about this process.You can click on the thumbnails of the websites I have posted here to see them in action. I still have to change some domain names and make a few more
- [Nikon AF 60mm f/2.8 D Micro on Fuji X-E2 and Nikon D750](https://picturestoryteller.com/2015/08/09/nikon-af-60mm-f2-8-d-micro-on-fuji-x-e2-and-nikon-d750/) - Reading Time: 3 minutes I have had this Nikon AF 60mm f/2.8 D Micro for a while and use it occasionally. I was curious today about what this would do on my Fuji X-E2. I knew the results I was getting with my Nikon full-frame cameras, but I just shot the Nikon D750 to show
- [Is your photography website scalable from Desktop to Mobile?](https://picturestoryteller.com/2015/08/12/is-your-photography-website-scalable-from-desktop-to-mobile/) - Reading Time: 3 minutes 60 Percent Of Internet Access Is Mostly MobileThis is how the rest of the world is consuming the web, excluding the UK and the USA. Here is a link to that story. I pulled the report on my website. These are some of the numbers of visitors to my website. The main discovery
- [The Organic Process Professional Photographer](https://picturestoryteller.com/2015/08/12/the-organic-process-professional-photographer/) - Reading Time: 4 minutes Nikon D2X, Sigma 18-50mm f/2.8 EX DC, ISO 400, ƒ/2.8, 1/5000This “Chicken Man” was on the road between Tenkodogo and Ouagadougou in Burkina Faso, West Africa. These are “free range” chickens that tie their feet together to take them to market.Instead of ordering “free range” chickens off the menu, they are called
- [Photographer's self-sufficiency is another word for poverty](https://picturestoryteller.com/2015/08/13/photographers-self-sufficiency-is-another-word-for-poverty/) - Nikon D2X, Sigma 70-200mm f/2.8 EX DG APO OS HSM, ISO 400, ƒ/2.8, 1/1600 Self-sufficiency is another word for poverty. I read that and immediately bristled, but as I listened more to Matt Ridley’s comment, I realized he was right. Listen to Matt here: The more we work for each other, the better off we
- [Sigma 120-300mm ƒ/2.8 DG OS HSM | S shooting Friday Night High School Football](https://picturestoryteller.com/2015/08/15/sigma-120-300mm-ƒ2-8-dg-os-hsm-s-shooting-friday-night-high-school-football/) - Reading Time: 3 minutes Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 10000, ƒ/5.6, 1/2000My daughter’s high school had its first football pre-season game tonight. Roswell High School played cross-town rival Johns Creek high school.In the first photo, Roswell High School’s #1 full back Sheldon Evans runs for a
- [Window Light shooting with Fujifilm X-E2 & Nikon 85mm ƒ/1.8G](https://picturestoryteller.com/2015/08/16/window-light-shooting-with-fujifilm-x-e2-nikon-85mm-ƒ1-8g/) - Reading Time: 2 minutes Fujifilm X-E2, Nikon 85mm ƒ/1.8G, Nikon AI Mount Lens to Fujifilm FX Mount Camera Adapter, ISO 2500, ƒ-wide open, 1/500Window light is not all the same when it comes to shooting portraits. Having your subject face directly towards the window gives you a very flat light, similar to your on-camera flash.
- [Why Photography/Photojournalism is an Awesome Career](https://picturestoryteller.com/2015/08/19/why-photographyphotojournalism-is-an-awesome-career/) - Reading Time: 6 minutes Nikon D4, 14-24mm, ISO 160, ƒ/8, 1/100This simple photo of Claudio Cesar Aguirre, who is helping run a Chicken Coop in San Esteban, Olancho, Honduras, helped to get funds for micro-loans to help the community change. As a result, people are now living longer, healthier lives and gaining access to better
- [Throw Back Thursday tips for copying old photographs](https://picturestoryteller.com/2015/08/20/throw-back-thursday-tips-for-copying-old-photographs/) - Throwback Thursday If you are on social media, you know that today, people post old photos to remember loved ones. This is a photo of my little sister with our great-grandmother, Mama Benfield, and me. Our family had a print of this, which is how I made a copy of the photo. I put the
- [Shooting HS Football Look for Competition](https://picturestoryteller.com/2015/08/22/shooting-hs-football-look-for-competition/) - Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 4000, ƒ/5.6, 1/2000 Here are four photos from the same play. Which one would you choose to use if you were the editor for a publication? Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO
- [President Jimmy Carter and my fellow Photojournalists have something in common.](https://picturestoryteller.com/2015/08/24/president-jimmy-carter-and-my-fellow-photojournalists-have-something-in-common/) - Reading Time: 4 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 7200, ƒ/5.6, 1/500I was blessed today to see former President Jimmy Carter teach Sunday School at his hometown, Maranatha Baptist Church in Plains, GA.Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 12800, ƒ/3.5, 1/15To get this opportunity, I realized last week
- [Are you stuck in Ground Hog Day like Bill Murray's character Phil was in the 1993 movie?](https://picturestoryteller.com/2015/08/26/are-you-stuck-in-ground-hog-day-like-bill-murrays-character-phil-was-in-the-1993-movie/) - Back in 1993, Bill Murray and Andie MacDowell starred in Groundhog Day. It was a story where a weatherman repeatedly found himself living the same day. He is learning from his mistakes and even intentionally makes terrible choices due to his bad attitude. While I would love to wake up each day looking like I did
- [Capturing Hummingbirds with Fuji X-E2 with 55-200mm](https://picturestoryteller.com/2015/08/27/capturing-hummingbirds-with-fuji-x-e2-with-55-200mm/) - Reading Time: 2 minutes Fujifilm X-E2, FUJINON XF 55-200mm, ISO 5000, ƒ/6.4, 1/2000I may have accidentally gotten a photo of a hummingbird in the past, but now with a feeder on our back porch, I think I will make a better attempt for the first time.I realize the feeder placement may need to change, and
- [Photographing Hummingbirds with Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S & a High-Speed Sync Flash](https://picturestoryteller.com/2015/08/27/photographing-hummingbirds-with-nikon-d4-sigma-120-300mm-ƒ2-8-dg-os-hsm-s-high-speed-sync-flash/) - Reading Time: 2 minutes Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, Nikon SB-900, Nikon SB-800, PocketWizard Transceiver TT5, PocketWizard Mini TT1, AC-3, ISO 6400, ƒ/10, 1/2000The hummingbird bird feeder we have is close to the house. I have a door with many window panes where I put the two hot
- [How to add HSS Sync to the latest cameras using PocketWizard Flex system](https://picturestoryteller.com/2015/08/29/how-to-add-hss-sync-to-the-latest-cameras-using-pocketwizard-flex-system/) - Reading Time: 3 minutes Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, Nikon SB-900, Nikon SB-800, PocketWizard Transceiver TT5, PocketWizard Mini TT1, AC-3, ISO 6400, ƒ/10, 1/2000Getting this type of photo of the hummingbird, I used the PocketWizard Flex system to help trigger my Nikon SB-900 and SB-800 flashes using
- [Football Tips](https://picturestoryteller.com/2015/08/31/football-tips/) - Reading Time: 4 minutes Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 7200, ƒ/5.6, 1/2000Here are a few tips to help you get better football pictures this fall.First, arrive early and set up your gear for shooting sports. I recommend using the AUTO ISO setting the shutter speed to
- [Fujifilm X-E2: Capturing the stories of our lives](https://picturestoryteller.com/2015/09/04/fujifilm-x-e2-capturing-the-stories-of-our-lives/) - Reading Time: 4 minutes Fujifilm X-E2, FUJINON XF 18-55mm, ISO 400, ƒ/7.1, 1/600One of the best things the camera phone has helped us do is capture ourselves in our pictures. Capturing a moment with a horse that Keziah met on her trip around The Big Island of Hawaii is something she wants to keep for
- [Shooting the Chick-fil-A Kickoff Game with Nikon D4 and Sigma 120-300mm w/ 2X converter](https://picturestoryteller.com/2015/09/06/shooting-the-chick-fil-a-kickoff-game-with-nikon-d4-and-sigma-120-300mm-w-2x-converter/) - Reading Time: 3 minutes Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 12800, ƒ/5.6, 1/1250I wanted to share some photos I captured from the Chick-fil-A Kickoff this year, where Auburn defeated Louisville 31 to 24.Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 12800,
- [Perspective changes the view of the game.](https://picturestoryteller.com/2015/09/08/perspective-changes-the-view-of-the-game/) - Reading Time: 3 minutes Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 12800, ƒ/5.6, 1/1250I am in the end zone on my knees to get this photo, shooting down the field with a 600mm lens. I am shooting up to the player’s face.Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS
- [Are you a photojournalist who finds yourself suffering from depression?](https://picturestoryteller.com/2015/09/09/are-you-a-photojournalist-who-finds-themselves-suffering-from-depression/) - Nikon D3, Sigma 70-200mm f/2.8 EX DG APO OS HSM, ISO 1000, ƒ/8, 1/160 These are a few sentences I found interesting in an article by Rev. Peter M. Wallace a few years ago. There has never been a more challenging time in [fill in the blank]. Everyone is scrambling to find the right way
- [Solve a problem, then start the business](https://picturestoryteller.com/2015/09/11/solve-a-problem-then-start-the-business/) - Too many photographers are trying to start a photography business and fail because they are not solving any problems. If you are thinking of starting a photography business or have created one and are struggling, then I want to encourage you to stop and spend some time answering these questions. Establish the need for your solution
- [Nikon D750 vs Fuji X-E2 with Sigma 120-300mm](https://picturestoryteller.com/2015/09/14/nikon-d750-vs-fuji-x-e2-with-sigma-120-300mm/) - The last time I shot this I did it from shooting inside the house looking through a window. This time I am outside shooting. The other reason I did this again is the weather was incredible at my home today. We woke up to 50º F and it got to about 69º F at the
- [How I solved the problem of providing prints on location](https://picturestoryteller.com/2015/09/15/crisis-providing-prints-on-location/) - Crisis Situation "Can you provide prints onsite?" was a client's question to me. I hated making prints with inkjet printers through the years, and some of the other solutions were just too expensive to justify. Suppose you owned one and did any amount of printing; you most likely have had to clean the heads due
- [Community Journalism with Fujifilm X-E2](https://picturestoryteller.com/2015/09/17/community-journalism-with-fujifilm-x-e2/) - Reading Time: 2 minutes Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/3.6, 1/50Community JournalismLast night at my daughter’s high school, the county had an informational meeting about the planning for schools in our county. I took my Fuji X-E2 camera with me just in case I wanted to use it.There were less than ten people
- [The love of photography can cloud your judgment.](https://picturestoryteller.com/2015/09/18/love-of-photography-can-cloud-your-judgement/) - Reading Time: 5 minutes Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 12800, ƒ/5.6, 1/1250There are two things I love to shoot more than anything else: Sports & Humanitarian subjects.Both of these subjects are like an adrenaline rush for me to cover.Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR,
- [Workshops Help Photographers Navigate the Precariat Class](https://picturestoryteller.com/2015/09/21/workshops-help-photographers-navigate-the-precariat-class/) - Business of Photography Workshop presented by Todd Bigelow This past weekend for two solid days, Todd Bigelow shared from his perspective business tips to the American Society of Media Photographers Atlanta Chapter. ASMP believes that if everyone is fully informed about the photography business, this will help photographers know how to run a successful business.The
- [Patience Grasshopper: Patience Photographer](https://picturestoryteller.com/2015/09/23/patience-grasshopper-patience-photographer/) - Reading Time: 2 minutes Nikon D3S, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 200, ƒ/7.1, 1/100Sunset PhotosTiming is crucial when shooting sunsets. The sun barely dipped below the horizon, and the sky is still getting light from the visible sun.Nikon D3S, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 200, ƒ/7.1, 1/100Nine minutes later, the sun has minimal
- [Photographer are you Liked or Loved](https://picturestoryteller.com/2015/09/25/photographer-are-you-liked-or-loved/) - Reading Time: 3 minutes Monetizing a Like on Facebook is more important to a freelance photographer trying to make a living than how many likes you can get.We need to understand a Like on Facebook is someone walking by a newsstand and noticing a headline. Someone may even pick up that publication and glance through
- [Using photography to build a brand](https://picturestoryteller.com/2015/09/28/using-photography-to-help-build-a-brand/) - Nikon D4, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 7200, ƒ/9, 1/100 This coming Saturday, October 3rd, Chick-fil-A is opening its first store in Manhattan, New York. My job was to capture some of the inside and outside of the restaurant. The photos will help everyone who works for Chick-fil-A get a glimpse of the
- [Photographer you get the call–Are you ready to go?](https://picturestoryteller.com/2015/09/30/photographer-you-get-the-call-are-you-ready-to-go/) - Reading Time: 3 minutes Your Go-To BagFor most of my career, I have been getting assignments just a day or two before the shoot. As a result, I have had a fair number of requests that had me grabbing my bag and running out the door.Now when you get that call, are you ready? I
- [Unexpected moments](https://picturestoryteller.com/2015/10/05/unexpected-moments/) - Reading Time: 2 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 12800, ƒ/5.6, 1/250Sometimes you walk out the door, and you see this. Of course, everyone will grab a camera as these did at a recent The Carter Center in Atlanta event.Everyone here is going for their smartphone camera.Nikon D750, AF-S NIKKOR 28-300mm
- [How to create an online presence for your photo business](https://picturestoryteller.com/2015/10/06/how-to-create-an-online-presence-for-your-photo-business/) - Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 5000, ƒ/2.8, 1/250 I stopped by my online internet presence provider today while in New York City. My website is hosted through them. I also provide my images to my clients online through them. My clients can not only download pictures. They can order prints and more
- [Those who like to shoot film might also like classic cars for similar reasons.](https://picturestoryteller.com/2015/10/07/those-who-like-film-might-also-like-classic-cars-for-similar-reasons/) - Reading Time: 2 minutes DROID TURBO by Motorola 64GB in Black Ballistic Nylon, ISO 50, ƒ/2, 1/307Whenever I see a classic car like this Duesenberg 1935 SJ LaGrande Dual-Cowl Phaeton, I, too, would love to have one.Very few classic cars can compare to most modern vehicles for performance. However, there are cult followings for these
- [Dear Humanitarian photographer asking for money to complete your project](https://picturestoryteller.com/2015/10/09/dear-humanitarian-photographer-asking-for-money-to-complete-your-project/) - Reading Time: 5 minutes Nikon D4, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 400, ƒ/8, 1/100We all love to have incredible experiences. I am an adrenaline junky with a compulsive desire for excitement and adventure. I can tell you early in my life; they said, “a bit of an adrenaline junkie, he appears to have
- [Photographing The Citadel's Ring Day Weekend](https://picturestoryteller.com/2015/10/10/photographing-the-citadels-ring-day-weekend/) - Reading Time: 3 minutes Nikon D3, Sigma 120-300 mm f/2.8 DG EX APO IF HSM, ISO 6400, ƒ/3.5, 1/100The Citadel Ring Day WeekendThis weekend is the time the seniors at The Citadel get their rings. Most cadets go through the ring with their parents and date. My wife is going through the ring with my
- [Halloween Photography Tips](https://picturestoryteller.com/2015/10/12/halloween-photography-tips/) - Reading Time: 3 minutes Coolpix P7000, ISO 400, ƒ/4, 1/7The time for Halloween is just days away. Halloween can be fun for photographers to document their kids through the years and get some fun photos.Coolpix P7000, ISO 1061, ƒ/2.8, 1/280Take the time and photograph your family getting ready for Halloween. Here I am with my
- [Pocketwizard AC9 a Game Changer with Alienbees High Speed Sync 1/8000](https://picturestoryteller.com/2015/10/12/pocketwizard-ac9-a-game-changer-with-alienbees-high-speed-sync-18000/) - Reading Time: 3 minutes Nikon D4, Nikon 85mm ƒ/1.8G, ISO 125, ƒ/1.8, 1/1250Today, for the first time, I was shooting with my Alienbees outside with shutter speeds above 1/400. That is all I could sync before using my Pocketwizards and plugging into the Alienbees with a 1/8 plug.I bought the Pocketwizard AC9 to combine with my
- [You can never scout enough before the shoot](https://picturestoryteller.com/2015/10/16/you-can-never-scout-enough-before-the-shoot/) - Reading Time: 2 minutes Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 2000, ƒ/2.8, /100I am in the suburbs of Chicago, IL, this weekend in the town of Homewood to photograph a wedding for my friends.At the rehearsal, one of the people said you don’t see photographers at rehearsals.That is very true. If you are
- [Lessons from my last wedding with a second shooter](https://picturestoryteller.com/2015/10/19/lessons-from-my-last-wedding-with-second-shooter/) - Reading Time: 3 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 200, ƒ/5.6, 1/30–Pocketwizard AC9 to combine with my Pocketwizard TT5 and then using the phone cord plug into the back of the Alienbees B1600.Available light or strobes?First, I had an excellent second shooter for my last job. Second, Laura Deas Espeut is
- [Don't just click the shutter – Learn to click with people](https://picturestoryteller.com/2015/10/20/dont-just-click-the-shutter-learn-to-click-with-people/) - Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 560, ƒ/8, 1/100 Yesterday I talked with the family after the wedding and was told they were thrilled to have had me at their wedding. They said it felt right to have me there and thought I was just part of the family. It was also important
- [Adobe Lightroom Tip – Correcting Multiple Images](https://picturestoryteller.com/2015/10/22/adobe-lightroom-tip-correcting-multiple-images/) - Reading Time: < 1 minute This screenshot is just a simple tip for those editing in Lightroom who want to correct a series of photos simultaneously, but there is a slight variation in exposures. The variations in exposure often happen when your camera is in some form of auto exposure mode like Aperture or Shutter
- [Overcast and Gloomy day–No Problem](https://picturestoryteller.com/2015/10/26/overcast-and-gloomy-day-no-problem/) - Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 200, ƒ/5.6, 1/125 – [2] Alienbees B1600 triggered with AC9 on Pocketwizard TT5 talking to the TT1 with the AC3 to control the power output from on the camera.Yesterday it was overcast and really flat lighting. No problem, I just brought the Alienbees and
- [Learning to manage expectations](https://picturestoryteller.com/2015/10/27/learning-to-manage-expectations/) - Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 10000, ƒ/5.6, 1/250The one thing that helps to calm my fears for an assignment is seeing what the client has gotten in the past from other photographers. I also love it when they tell me how they felt about that coverage.The best thing you can do
- [My guest lecture experience at UGA's Grady School of Journalism taught me something](https://picturestoryteller.com/2015/10/30/my-guest-lecture-experience-at-ugas-grady-school-of-journalism-taught-me-something/) - Reading Time: 3 minutes Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/2.8, 1/80This week, I was asked to be a guest lecturer at the Grady School’s Advanced Photojournalism class on the campus of the University of Georgia.This was my sixth year, and I spoke on business practices to this class.While the content hasn’t radically changed
- [Working with a recording artist Sydney Rhame](https://picturestoryteller.com/2015/11/01/working-with-a-recording-artist-sydney-rhame/) - Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, AC-9, AC-3, PocketWizard Mini TT1, TT5, Paul Buff Vagabond, Alienbees B1600, ISO 320, ƒ/2.8, 1/640 Today I was privileged to work with Sydney Rhame who was on The Voice this year. To get those chairs to turn as she did you have to be comfortable in
- ["How do you describe PhotoShelter to others?"](https://picturestoryteller.com/2015/11/04/how-do-you-describe-photoshelter-to-others/) - [Caption: Stanley is speaking to the staff at the PhotoShelter headquarters in New York City. Photo by David White] “How do you describe PhotoShelter to others?” was the question I was asked while speaking to those working at PhotoShelter’s NYC offices. PhotoShelter is a system for photographers to deliver images to clients and those searching
- [Quick Passports using Nikon D750 and Sigma 24-105mm ƒ/4](https://picturestoryteller.com/2015/11/07/quick-passports-using-nikon-d750-and-sigma-24-105mm-ƒ4/) - Here is the gear I used to create these passport prints Nikon D750 Sigma 24-105mm f/4 DG OS HSM Art Lens 5 Alienbees B1600 30º Honeycomb Grid for 7" reflector Paul Buff Beauty Dish – 22-inch diameter, bright white reflector with a white sock Paul Buff 86" Extreme Silver PLM™ with On-Axis Speedring Mount Pocketwizard
- [If the eyes are the windows to the soul ...](https://picturestoryteller.com/2015/11/09/if-the-eyes-are-the-windows-to-the-soul/) - Nikon D750, Nikon 85mm ƒ/1.8G, ISO 1250, ƒ/1.8, 1/200My mentor Don Rutledge said the the eyes are the windows to the soul. When I am really connecting with another human being in conversation I am very much aware that we are locking in on each other's eyes.We are allowing the other person into our world
- [Fixing a Macbook Pro that crashes](https://picturestoryteller.com/2015/11/11/fixing-a-macbook-pro-that-crashes/) - My computer crashed many times the past month and I was attributing this to the new El Capitan Mac Operating system.After reading the crash log report I kept noticing similar crashes no matter what programs I had open. One thing in common was the programs that were crashing were using a lot of memory like
- [Meet Ray with my new Sigma 35mm ƒ/1.4 Art lens](https://picturestoryteller.com/2015/11/13/meet-ray-with-my-new-sigma-35mm-ƒ1-4-art-lens/) - Milestone: This is my 1000th blog postNikon D750, Sigma 35mm ƒ/1.4 DG Art, ISO 110, ƒ/1.4, 1/80I want you to meet my barber Ray Espinal. Ray is 75 years old and from the Dominican Republic. He has been cutting my hair for years.Three years ago Ray at the age or 72 decided to buy the
- [Your Plan B should be really your Plan A](https://picturestoryteller.com/2015/11/15/your-plan-b-should-be-really-your-plan-a/) - Former Mayor Shirley Franklin is the keynote speaker at the Islamic Speakers Bureau “Building Bridges Awards Dinner” a the Hyatt Regency in downtown Atlanta on Saturday, November 14, 2015. [Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 2800, ƒ/5.6, 1/100] I wrote this as a post on a forum
- [How a faith impacts the work of photographers](https://picturestoryteller.com/2015/11/16/how-a-faith-impacts-the-work-of-photographers/) - Nikon D3, Nikon 24-120mm ƒ/3.5-5.6, ISO 200, ƒ/8, 1/100 My faith has a lot to do with who I am. People often ask me what it means to be a “Christian Photographer?” There is an assumption that my faith impacts my work in a way that makes me different than those who are not Christian.
- [How to shoot at ƒ/1.4, ISO 50, 1/4000 Shutter Speed and with Studio Strobes](https://picturestoryteller.com/2015/11/19/how-to-shoot-at-ƒ1-4-iso-50-14000-shutter-speed-and-with-studio-strobes/) - Nikon D750, Sigma 35mm ƒ/1.4 DG Art, ISO 50, ƒ/1.4, 1/4000–2 Alienbees B1600Getting this photo of Truett Cathy at the Original Dwarf House in Hapeville, GA wasn't as simple as just pulling out the camera and shooting it at ƒ/1.4. Here is what you get if you do that alone.Nikon D750, Sigma 35mm ƒ/1.4 DG
- [BOKEH Test with Sigma 35mm ƒ/1.4, Nikon 85mm ƒ/1.8 & Sigma 24-105mm f/4](https://picturestoryteller.com/2015/11/25/bokeh-test-with-sigma-35mm-ƒ1-4-nikon-85mm-ƒ1-8-sigma-24-105mm-f4/) - Nikon D750, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/1.4, 1/2000 I was at an event lately, and another photographer noticed my lens. The first thing he asked was how the BOKEH was on that lens. I just wanted to see the BOKEH on three of my lenses. I am showing you the 1) Sigma 35mm
- [Shooting ornaments on Christmas tree with Nikon D750 and Sigma 35mm ƒ/1.4 DG Art, Sigma 24-105mm f/4 DG OS HSM Art Lens](https://picturestoryteller.com/2015/11/28/shooting-ornaments-on-christmas-tree-with-nikon-d750-and-sigma-35mm-ƒ1-4-dg-art-sigma-24-105mm-f4-dg-os-hsm-art-lens/) - Nikon D750, Sigma 35mm ƒ/1.4 DG Art, ISO 280, ƒ/1.4, 1/80 Just a quick comparison of shooting the Sigma 35mm ƒ/1.4 DG Art wide open capturing ornaments on a Christmas tree. I love the extreme shallow depth-of-field of the 35mm @ ƒ/1.4. Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 3200, ƒ/4, 1/80
- [Great BOKEH with Sigma 35mm ƒ/1.4 DG Art on Fuji X-E2](https://picturestoryteller.com/2015/11/28/great-bokeh-with-sigma-35mm-ƒ1-4-dg-art-on-fuji-x-e2/) - Fujifilm X-E2, Sigma 35mm ƒ/1.4 DG Art, Nikon G AFS lens to Fujifilm X, ISO 6400, ƒ/1.4, 1/300 I wanted to test the Sigma 35mm ƒ/1.4 DG Art with Nikon mount on my Fuji X-E2. With the help of the Nikon G AFS lens to Fujifilm X converter I shot some of our Christmas ornaments we just
- [Use Christmas lights for foreground and background](https://picturestoryteller.com/2015/11/30/use-christmas-lights-for-foreground-and-background/) - Nikon D750, Nikon 85mm ƒ/1.8G, ISO 900, ƒ/1.8, 1/80 Wrap your subject in light. I shot all of these photos wide open to get the out of focus lights. Nikon D750, Sigma 35mm ƒ/1.4 DG Art, ISO 560, ƒ/1.4, 1/80 I just created this setup to show how putting lights in front of these nutcrackers
- [APP Tip for tracking business mileage for IRS Taxes](https://picturestoryteller.com/2015/12/04/app-tip-for-tracking-business-mileage-for-irs-taxes/) - When photography is your business then you need to be tracking your mileage and vehicle expenses for tax purposes.Why is mileage log important to me?The IRS also requires you to keep detailed records. IRS Publication 463 Travel, Entertainment, Gift, and Car Expenses Table 5-1 "How To Prove Certain Business Expenses" states"For car expenses, the cost
- [Importance of Practicing Before the Assignment](https://picturestoryteller.com/2015/12/07/importance-of-practicing-before-the-assignment/) - Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 400, ƒ/5.6, 1/2000This past weekend I watched a lot of football getting ready for the Chick-fil-A Peach Bowl that I will be shooting on December 31st.The game continues to evolve and each team has it's own unique characteristics. This year I
- [Deep Depth of Field](https://picturestoryteller.com/2015/12/09/deep-depth-of-field/) - Reading Time: < 1 minute Nikon D2X, Sigma 15-30mm, ISO 100, ƒ/14, 1/15By looking around the industry, you would think that everyone is shooting wide open at ƒ/1.4. However, some places like Country Living Magazine want just the opposite for their viewers. Why would someone want everything sharp from front to back in a photo? Many people
- [Use Light to help in compositions with Deep Depth-of-Field](https://picturestoryteller.com/2015/12/11/use-light-to-help-in-compositions-with-deep-depth-of-field/) - Reading Time: 2 minutes Nikon D3s, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 3200, ƒ/10, 1/250–off-camera Nikon SB-900 fired with Pocketwizard TTL system.When photographing in this plant, I needed to see the background to give context to where the employee is working. For this reason, I am shooting with an aperture of ƒ/10. I also
- [Shooting theater with Nikon D750 or D810 just got easier](https://picturestoryteller.com/2015/12/12/shooting-theater-with-nikon-d750-or-d810-just-got-easier/) - Reading Time: 3 minutes Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 1600, ƒ/4, 1/80, 0 EVYou might get more out of your camera if you read the manual. But unfortunately, I didn’t read everything in the manual about my Nikon D750 and only stumbled across the tip about the Highlight-Weighted Metering
- [Think Rim Light or Back Lighting](https://picturestoryteller.com/2015/12/14/think-rim-light-or-back-lighting/) - Reading Time: 3 minutes Nikon D750, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 12800, ƒ/5.6, 1/200The backlight also called a rim, hair, or shoulder light, shines on the subject from behind, often to one side or the other. It gives the subject a rim of light, separating the subject from
- [Getting Good Skin Tones Shooting Basketball](https://picturestoryteller.com/2015/12/16/getting-good-skin-tones-shooting-basketball/) - Reading Time: 2 minutes Nikon D3, Sigma 120-300 mm f/2.8 DG EX APO IF HSM, ISO 400, ƒ/7.1, 1/200Using strobes is the best way to shoot the basketball and get the best skin tones. I have four Alienbee B1600s on a catwalk lighting the basketball court.Depending on the room’s colors, the color can shift and
- [Location Lighting Tip – Arrive Early](https://picturestoryteller.com/2015/12/18/location-lighting-tip-arrive-early/) - Reading Time: 3 minutes I had a major executive headshot the other day. We were to shoot in four locations with multiple outfits.All the locations were onsite at the corporate headquarters. Thus I had to set up all the lighting on site.I may have left some things regarding my lighting gear, but everything I owned
- [Christmas lights now easier with the Nikon D750](https://picturestoryteller.com/2015/12/21/christmas-lights-now-easier-with-the-nikon-d750/) - Reading Time: 2 minutes Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 12800, ƒ/4, 1/160Last night, we drove around our community to see the Christmas light decorations.The Nikon D750’s Highlight-weighted metering mode nailed the exposures. I didn’t have to adjust the EV [Exposure Value].Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens,
- [Want Silky BOKEH? Get Closer!](https://picturestoryteller.com/2015/12/23/want-silky-bokeh-get-closer/) - Nikon D750, Micro‑Nikkor Macro 60mm f/2.8 D, ISO 12800, ƒ/5, 1/200 I shoot wide open with the Micro‑Nikkor Macro 60mm f/2.8 D lens. Since I am as close as the lens will let me focus, which gives me a 1:1 ratio, the ƒ-number gets more extensive due to the lens extending and getting further from
- [How to control brightness of the background when using flash](https://picturestoryteller.com/2015/12/30/how-to-control-brightness-of-the-background-when-using-flash/) - By changing your ISO when using your flash, you can change the look of the background. For example, with the camera on a tripod and using Aperture priority mode, all I did between these three photos was change the ISO from ISO 100 [far left] to ISO 400 [center] and ISO 2000 [far right]. I
- [How to embed IPTC Metadata on NIKON D4 into each photo as you shoot](https://picturestoryteller.com/2016/01/02/how-to-embed-iptc-metadata-on-nikon-d4-into-each-photo-as-you-shoot/) - Reading Time: 2 minutes This screenshot is Nikon’s IPTC Preset Manager application that you put onto your computer, fill out, and then embed into every photo you shoot on your Nikon D4 Camera. Now compared to the PhotoMechanic fields, there are not as many, but you can embed these into each image as you shoot.PhotoMecahnic’s
- [Same lens, but a different perspective can engage your audience.](https://picturestoryteller.com/2016/01/04/same-lens-but-different-perspective-can-engage-your-audience/) - Reading Time: 4 minutes Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 5600, ƒ/5.6, 1/100The same lens and a different perspective can change a photo’s impact on an audience.Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 5000, ƒ/5.6, 1/100Here is a clue to your photos having more impact. Find a perspective that the audience rarely
- [Where are your photos displayed?](https://picturestoryteller.com/2016/01/06/where-are-your-photos-displayed/) - Reading Time: < 1 minute Nikon D4, Sigma 35mm ƒ/1.4 DG Art, ISO 12800, ƒ/4, 1/125Celebrate your family and your photography by displaying it on your walls at home. My mother had prints made last year and put those up around her house.When people visit, they will not go onto their smartphones to look at
- [3 Light High Key Headshot](https://picturestoryteller.com/2016/01/08/3-light-high-key-headshot/) - Reading Time: < 1 minute Nikon D750, Nikon 85mm ƒ/1.8G, ISO 100, ƒ/5.6, 1/80Keeping your setup simple and concentrating on expressions is my suggestion. For example, here is my setup for this photo above. Here is the gear that I am using for the photo.3 – Alienbee B1600Paul Buff – White High Output Beauty DishLastolite Triflector
- [Software recommendations for the freelancer starting out](https://picturestoryteller.com/2016/01/11/software-recommendations-for-the-freelancer-starting-out/) - As we start a new year, many are making resolutions. This is because we want to start on a good foot in the future. I want to recommend to any photographer thinking of doing freelance to make it a goal of yours to manage the business side of photography as well, if not better than
- [2016 business tips for the freelancer to grow their business](https://picturestoryteller.com/2016/01/13/2016-business-tips-for-the-freelancer-to-grow-their-business/) - These are some business tips for the freelancer to grow their business. You will need to do things as simple as contacting people through email and more this year. Here is one blog post for those who have yet to take the plunge – 9 things you need to do before going freelance full-time. Some tips
- [Creating Nighttime during the Daytime](https://picturestoryteller.com/2016/01/16/creating-nighttime-during-the-daytime/) - Reading Time: 2 minutes Nikon D4, Sigma 35mm ƒ/1.4 DG Art, ISO 200, ƒ/1.4, 1/640–Alienbee B1600 with CTO +1 triggered with Pocketwizard TT1 and TT5 system.If you need to create a nighttime scene, the easiest way is to turn your color temperature to 3200º Kelvin or even lower. Then the daylight will appear blue.Next, warm
- [The terrorist attack in Ouagadougou had me remembering my time there](https://picturestoryteller.com/2016/01/18/the-terrorist-attack-in-ouagadougou-had-me-remembering-my-time-there/) - This weekend there was a horrible attack where 32 people lost their lives in Ouagadougou, Burkina Faso. Above is a quick slide show I did back in 2005 of my visit to Burkina Faso & Ghana. Here some of the news reports: Newsweek Burkina Faso Capital Security Tightens After Jihadi Attack New York Times-3 hours agoOUAGADOUGOU, Burkina
- [Expression is often the key element to great photos](https://picturestoryteller.com/2016/01/20/expression-is-often-the-key-element-to-great-photos/) - Reading Time: 5 minutes Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 12800, ƒ/5.6, 1/1250Key elements of the sports photo often include the ball and the competition. Here you can see the player’s expression and the valiant effort of the receiver to catch the ball. He is fully extended,
- [Think of Social Media as another publication](https://picturestoryteller.com/2016/01/21/think-of-social-media-as-another-publication/) - Reading Time: 3 minutes If you grew up in the industry shooting and writing for a printed newspaper, magazine, or even for a website, you need to see Social Media as another publication.Too many editors, journalists, and photojournalists are too consumed by the story and not enough about the audience. In most traditional places, for
- [Make your family photos more valuable for future generations](https://picturestoryteller.com/2016/01/25/how-to-make-your-family-photos-more-valuable/) - Reading Time: 4 minutes Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 200, ƒ/6.3, 1/160–Neewer T850, Neewer 433MHz Wireless 16 Channel Radio systemThis past weekend our family flew down to Jupiter, Florida, to surprise my wife’s oldest sister for her 80th birthday.We met some of the family for the first time and
- [A Director of Photography is your organizations parachute and/or translator](https://picturestoryteller.com/2016/01/26/a-director-of-photography-is-your-organizations-parachute-andor-translator/) - Reading Time: 3 minutes Nikon D3S, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 400, ƒ/5.6, 1/2000You don’t jump out of a plane without a parachute unless you want to die. It is pretty self-explanatory as to why you need support, or you will crash to the ground.The parachute is a device used to slow the
- [Shooting wireless tethered for headshots](https://picturestoryteller.com/2016/01/29/shooting-wireless-tethered-for-headshots/) - Reading Time: 2 minutes Nikon D4, Nikon 85mm ƒ/1.8G, ISO 50, ƒ/4.5, 1/160Yesterday I did headshots for my daughter’s theater. I used a straightforward setup that I have shown here before.As I was shooting, you can also see the setup with my wife helping with putting the names into the metadata fields.Now I was shooting
- [Creating the promotional poster for a theater production](https://picturestoryteller.com/2016/01/31/creating-the-promotional-poster-for-a-theater-production/) - Reading Time: 4 minutes Nikon D4, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 1250, ƒ/8, 1/50Just the other week, I teased you with some test shots. These are some of the final images from our shoot.Editorial Note: Due to the contract signed to put on the play we cannot promote the name of
- [Why I chose my Nikon D4 over my D750](https://picturestoryteller.com/2016/02/03/why-i-chose-my-nikon-d4-over-my-d750/) - Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 200, ƒ/4, 1/500 While in Florida at a family reunion, we were suddenly in the backyard watching our kids enjoying Go Karting. I started shooting this with my Nikon D750 with a Sigma 24-105mm f/4 DG OS HSM Art Lens. I quickly realized the
- [Success is most often in the nuance of the details](https://picturestoryteller.com/2016/02/05/success-is-most-often-in-the-nuance-of-the-details/) - Reading Time: < 1 minute Nikon D4, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 2500, ƒ/6.3, 1/18000The success of a photo is often in the nuance of the details. For this photo shoot, it was essential that I not only have the subjects in their costumes and makeup but that I was lighting
- [Seeing Rembrandt lighting and then creating it](https://picturestoryteller.com/2016/02/08/seeing-rembrandt-lighting-and-then-creating-it/) - Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 2200, ƒ/4, 1/500 This morning, while eating breakfast at Ken's House of Pancakes in Hilo, Hawaii, I noticed what appeared to be a mother and daughter together. After analyzing the photograph, I noticed that it caught my eye due to the lighting on the
- [Lighting setup 2 assignment for my class: 3:1 Lighting Ratio](https://picturestoryteller.com/2016/02/10/lighting-setup-2-assignment-for-my-class-31-lighting-ratio/) - Reading Time: 3 minutes Photo by: Maile PowellThe first assignment I gave the students this week with one light gave us excellent Rembrandt lighting. The downside to this type of lighting is sometimes you need to fill in those shadows.This week’s second assignment for the students in my photo class is a 3:1 Lighting Ratio. Nikon
- [Warning Signs for Becoming a Professional Photographer](https://picturestoryteller.com/2016/02/15/warning-signs-for-becoming-a-professional-photographer/) - [Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 1600, ƒ/18, 1/500] While taking my drive around the Big Island of Hawaii last week, I turn onto the 4 mile scenic route of Old Mamalahoa Highway just outside of Hilo, Hawaii. About halfway on the road we came across this beautiful view of
- [Are you all Sizzle or Steak?](https://picturestoryteller.com/2016/02/17/are-you-all-sizzle-or-steak/) - Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 12800, ƒ/5.6, 1/1600 “All About That Bass” Because you know I’m all about that bass ‘Bout that bass, no treble I’m all about that bass ‘Bout that bass, no treble I’m all about that bass ‘Bout that bass, no treble I’m
- [How a photo agency can help you](https://picturestoryteller.com/2016/02/19/how-a-photo-agencyagent-can-help-you/) - My good friend Ken Touchton and I are covering a Georgia Tech football game. Ken has been one of my best business mentors. Both Ken and I worked with the photo agency Black Star. Black Star, also known as Black Star Publishing Company, was started by refugees from Germany who had established photographic agencies there
- [Four tips to grow your photography brand](https://picturestoryteller.com/2016/02/23/four-tips-to-grow-your-photography-brand/) - Reading Time: 3 minutes Nikon D4, Sigma 35mm ƒ/1.4 DG Art, ISO 5600, ƒ/1.4, 1/500I am in Orlando, Florida, covering a great meeting. I learned about four key elements today to grow your business.Avoid ComplacencyKnow the CustomerFocus to WinWork TogetherI already knew this, but the speaker packaged them in a neat package for the audience. Nikon
- [Photographers what is it that you provide your customers?](https://picturestoryteller.com/2016/02/24/photographers-what-is-it-that-you-provide-your-customers/) - Reading Time: 2 minutes Link to AmazonToday I met and listened to Matthew Kelly, the New York Times bestselling author of The Rhythm of Life and twenty other books published in more than twenty-five languages and sold more than 15 million copies.Kelly says, “To win their hearts, you must take care of their legitimate physical,
- [Create that triangle with your flash, camera and subject to improve your photos outside](https://picturestoryteller.com/2016/02/27/create-that-triangle-with-your-flash-camera-and-subject-to-improve-your-photos-outside/) - Reading Time: 2 minutes Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, Pocketwizard TTL system with Nikon SB-900 ISO 100, ƒ/ 2.8, 1/3200 Photographing this year at the Fort Worth Stockyards, I encountered a noon-day sun combination with cowboy hats.The hats are supposed to shade, which means you don’t see their faces unless you add some flash. So I
- [Show & Tell Marketing for the Photographer](https://picturestoryteller.com/2016/03/02/show-tell-marketing-for-the-photographer/) - Reading Time: 4 minutes When the stars all align for you–take advantage of the moment. For me, my moment is now. My daughter is in the musical Into The Woods this April at her high school. She is the witch in the play. [Much of the type on our banner and posters are controlled by
- [What photojournalism has taught me](https://picturestoryteller.com/2016/03/04/what-photojournalism-has-taught-me/) - Reading Time: 3 minutes Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 400, ƒ/11, 1/250 Photojournalism is a particular form of journalism (the collecting, editing, and presenting of news material for publication or broadcast) that employs images in order to tell a news story. It is now usually understood to refer only to
- [Photographers who want to get noticed need to be on Instagram](https://picturestoryteller.com/2016/03/07/photographers-who-want-to-get-noticed-need-to-be-on-instagram/) - Reading Time: 4 minutes Like me, you are trying to figure out all the social media possibilities. There are many to choose from to help market your brand.I am falling in love with Instagram.It is a photographer’s friend. It lets you post your photos, tag them, and write a complete caption if you choose. You
- [How to Ruin a Perfect Photograph](https://picturestoryteller.com/2016/03/08/how-to-ruin-a-perfect-photograph/) - Reading Time: 5 minutes Nikon D750, Sigma 35mm ƒ/1.4 DG Art, ISO 50, ƒ/1.4, 1/400The easiest way to hurt your sales on any photograph is not to hide text in a picture. The hidden text in computer files like photos is called metadata.Now, if you shot your photo with a digital camera, there is already
- [First questions to ask when doing a story](https://picturestoryteller.com/2016/03/08/first-questions-to-ask-when-doing-a-story/) - Reading Time: 4 minutes For most of my career, I thought I understood communication pretty well. But then, I worked on staff as a photographer who went out and captured stories.Here is the basic process of that communication for most of my life:First, I captured content, which was the Message, and I became the Messenger,
- [Three Simple Tips To Improve Your Photos](https://picturestoryteller.com/2016/03/10/three-simple-tips-to-improve-your-photos/) - Reading Time: 2 minutes Nikon D4, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 1800, ƒ/4, 1/250Why does this above photo work so much better than the one below?Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 250, ƒ/2.8, 1/100I got much closer. That is the most significant difference between the two photos. I could also control
- [Are you a Performer or a Creator?](https://picturestoryteller.com/2016/03/15/are-you-a-performer-or-a-creator/) - Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 12800, ƒ/4, 1/250 Jeffrey Masin is a one-person band that entertains New Yorkers in the subway stations. I ran into him a few times while in NYC. I am using Jeffrey as a point of reference because his performances stop folks, and they not
- [I am in the People Business](https://picturestoryteller.com/2016/03/17/i-am-in-the-people-business/) - Reading Time: 4 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 1400, ƒ/5.6, 1/100McDonald’sMost people don’t realize it, but McDonald’s is not a burger-flipping restaurant chain; it is one of the world’s best real estate portfolios. Franchisees flip the burgers. McDonald’s owns the best commercial property all over the world.Well, through the years
- [Love how the Fuji X-E2 is for Theater](https://picturestoryteller.com/2016/03/18/love-how-the-fuji-x-e2-is-for-theater/) - Reading Time: 4 minutes Fujifilm X-E2, FUJINON XF 55-200mm, ISO 6400, ƒ/5, 1/125NEWS UPDATE!!!This morning I went to Fujifilm.com and discovered there was a firmware update on the Fuji X-E2. Go here if you need to upgrade to the latest Firmware, 4.00.Due to the upgrade and having the opportunity tonight to reshoot the same play, I
- [Fuji X-E2 4.00 Firmware Upgrade](https://picturestoryteller.com/2016/03/19/fuji-x-e2-4-00-firmware-upgrade/) - Reading Time: 4 minutes Fujifilm X-E2, FUJINON XF 55-200mm, ISO 5000, ƒ/4.7, 1/200–Electronic ShutterAs promised, I shot the same theater show as last night and my previous blog post after I updated the firmware.Electronic ShutterWell, one of the first things I fell in love with was the electronic shutter. So I turned the camera to
- [I shoot Theater–Who would have guessed that one?](https://picturestoryteller.com/2016/03/23/i-shoot-theater-who-would-have-guessed-that-one/) - Reading Time: 3 minutes Today it just struck me that I probably have enough content for a Theater category in my portfolio.I have shot theater productions through the years, but it was when my daughter became involved in the theater that had me shoot a lot like a proud dad.Nikon D4, Sigma 24-105mm f/4 DG
- [Photographers need to lead an organization of one](https://picturestoryteller.com/2016/03/25/photographers-need-to-lead-an-organization-of-one/) - Reading Time: 4 minutes Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/4, 1/60Col. Tom Clark, director for Citadel’s Krause Center for Leadership and Ethics, spoke last night to the Atlanta Citadel Club. Clark brought his leadership tool bag, and the first thing he pulled out of the bag was a hammer.When he was a cadet
- [Why ƒ/1.4 isn't always best or one angle the best](https://picturestoryteller.com/2016/03/28/why-ƒ1-4-isnt-always-best-or-one-angle-the-best/) - Reading Time: 2 minutes Fujifilm X-E2, FUJINON XF 18-55mm, ISO 320, ƒ/4, 1/250How often do you photograph the same subject but try and mix it up?I find many young photographers with lenses apertures glued to the wide open to give a shallow depth of field photos.Maybe just closing down the aperture to ƒ/14 versus ƒ/4
- [Protecting Camera from the Rain](https://picturestoryteller.com/2016/04/02/protecting-camera-from-the-rain/) - Reading Time: < 1 minute Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 12800, ƒ/11, 1/15Tonight I got caught across town in NYC with the rain coming down. I tried to get a Taxi and couldn’t get one quick enough, so we took a Manhattan Rickshaw Taxi. It even had a plastic cover which made
- [Nikon D5 with Candlelight Examples](https://picturestoryteller.com/2016/04/04/nikon-d5-with-candlelight-examples/) - Reading Time: 2 minutes Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 65535, ƒ/4, 1/125So here is the setup I tried with my new Nikon D5 tonight. One candle and a small bobblehead soldier.I also left the White Balance on Auto to see how well the camera handled the color.You can click
- [Nikon D4 vs Nikon D5 ISO comparison](https://picturestoryteller.com/2016/04/06/nikon-d4-vs-nikon-d5-iso-comparison/) - Reading Time: 3 minutes Nikon D4, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/1.4, 1/30I shot the chart for those pixel peepers. I was shooting some photos side by side comparison of the D4 to the D5 at different ISOs.I did a custom white balance using the ExpoDisc.Click on the images to see their full
- [Test driving the Nikon D5 with College Baseball](https://picturestoryteller.com/2016/04/09/test-driving-the-nikon-d5-with-college-baseball/) - Reading Time: 3 minutes Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 1400, ƒ/5.6, 1/4000Today I took the D5 for a test drive with college baseball. First, I started shooting the game as I did with my Nikon D4, which used 1/2000 for shutter speed.Also, when I set up
- [Tested the Nikon D5 shooting event: The Citadel's Recognition Day for the Class of 2019](https://picturestoryteller.com/2016/04/10/tested-the-nikon-d5-shooting-event-the-citadels-recognition-day-for-the-class-of-2019/) - Reading Time: 2 minutes Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 1100, ƒ/5.6, 1/4000Today I was covering The Citadel’s Recognition Day for the class of 2019. I love the Nikon D5 for covering events.Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 16000, ƒ/5.6, 1/100I was
- [Independent Photographers Anxiety and How I deal with it](https://picturestoryteller.com/2016/04/11/independent-photographers-anxiety-and-how-i-deal-with-it/) - Reading Time: 5 minutes Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/4, 1/800The Knobs of The Citadel, also known as freshmen, had to walk the gutter to and from class.Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/4, 1/500Only the upper class could use the sidewalks.
- [Nikon D5 shooting Theater](https://picturestoryteller.com/2016/04/13/nikon-d5-shooting-theater/) - Reading Time: 4 minutes Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 4000, ƒ/5.6, 1/100There are specific lighting situations where the latest and most excellent camera will not make all that much difference.Whenever the ISO is around 3200, I believe the differences are not as noticeable at first glance
- [Are you preserving your stories and the stories of your family?](https://picturestoryteller.com/2016/04/15/are-you-preserving-your-stories-and-the-stories-of-your-family/) - Reading Time: 3 minutes Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 9000, ƒ/5.6, 1/400Last night I enjoyed watching my daughter playing the Witch in the musical Into the Woods at her high school.It made me think of my high school musical Lil’ Abner thirty-four years earlier. Here is one
- [Fuji X-E2 the camera system for Live Theater](https://picturestoryteller.com/2016/04/18/fuji-x-e2-the-camera-system-for-live-theater/) - Reading Time: 2 minutes Fujifilm X-E2, FUJINON XF 55-200mm, ISO 1600, ƒ/4.8, 1/100For the last performance of Into The Woods, I shot with my Fuji X-E2. I was shooting with the electronic shutter mode, so it was utterly silent. I also learned from earlier tests that I needed to shoot below 1/100 with this stage
- [PR Case Study with Musical Into the Woods](https://picturestoryteller.com/2016/04/19/pr-case-study-with-musical-into-the-woods/) - Reading Time: 3 minutes Great News!!The PR effort my wife and a few other parents put into the musical Into the Woods helped to sell more tickets.We put this poster up in front of the school, and we had a family driven by the school from Habersham County for the play. So that is almost
- [How to give light to the darkness with volunteers working with NGOs](https://picturestoryteller.com/2016/04/22/how-to-give-light-to-the-darkness-with-volunteers-working-with-ngos/) - Reading Time: 2 minutes Nikon D5, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 400, ƒ/8, 1/100–Neewer TT850, Neewer 433MHz Wireless 16 Channel transmitter [Exposure Bias: -4/6 EV]This morning I was shooting volunteers pulling nails out of 2’x4’s. We started early morning because it was sprinkling and a downpour was coming. Meteorologists were predicting a stormy overcast day.When
- [Testing the Nikon D5 on College Lacrosse](https://picturestoryteller.com/2016/04/23/testing-the-nikon-d5-on-college-lacrosse/) - Reading Time: 3 minutes Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 400, ƒ/5.6, 1/4000The past two days, I shot two Lacrosse games. The Citadel was playing in the SELC Southwest Division tournament.I tried different settings with the camera and still haven’t settled on all my settings.Nikon D5, Sigma
- [Nikon D5 Sports Photos @ 1:1](https://picturestoryteller.com/2016/04/25/nikon-d5-sports-photos-11/) - Reading Time: 2 minutes Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 360, ƒ/5.6, 1/4000While I talked about covering the Lacrosse game, I didn’t show you the files very well. So this is a full frame from the coverage.Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma
- [Are your stories or visuals just flat?](https://picturestoryteller.com/2016/04/26/are-your-stories-or-visuals-just-flat/) - Reading Time: 3 minutes Fujifilm X-E2, Fuji XF 55-200mm, ISO 3200, ƒ/3.9, 1/70Do your stories/photos seem flat to you? I know many times, after working so hard on a story/photo, I feel like the results were not capturing something, but what was I missing?Now when I cover sports, a short story where the winning team
- [Shooting Nikon D5 at an event with ISOs of 66535, 51200, 28800 etc](https://picturestoryteller.com/2016/04/30/shooting-nikon-d5-at-an-event-with-isos-of-66535-51200-28800-etc/) - Reading Time: 3 minutes Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, Neewer TT850, Neewer Wireless 16 Channel Remote, ISO 51200, ƒ/5.6, 1/100This week I was shooting for the first time at high ISO numbers that I would have never used before for an event.The event was in a restaurant/bar where the lighting
- [Are you in a fog trying to find your way?](https://picturestoryteller.com/2016/05/02/are-you-in-a-fog-trying-to-find-your-way/) - In any sport, winning requires recruiting and getting the best people. You then need to practice together and have a game plan against your competition, which you have scouted and prepared to play against. Executing your plan flawlessly will most often give you then win, and mistakes will most likely cost you the game. Many of
- [Nikon D5: Sports Camera Settings](https://picturestoryteller.com/2016/05/04/nikon-d5-sports-camera-settings/) - These are the settings that I use on my Nikon D5 for shooting almost all sports action. Nikon has made it pleasant to allow photographers to save these settings, so they do not have to remember every little setting they like to use for a shooting style. If you go to the menu under the
- [Do you like reading my blog? How about something even better?](https://picturestoryteller.com/2016/05/06/do-you-like-reading-my-blog-how-about-something-even-better/) - I hope that if you read my blog regularly, I may get you excited about having more time with me in a workshop where you can ask questions and have me clarify even more than you get through this blog. I am getting excited about teaching storytelling workshops over the next few months. I am
- [Storyteller tips before you leave for your coverage](https://picturestoryteller.com/2016/05/09/storyteller-tips-before-you-leave-for-your-coverage/) - Reading Time: 4 minutes Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 1800, ƒ/5.6, 1/500Last June, I was in Bucharest, Romania, teaching the Storytellers Abroad Workshop. I will fly to Managua, Nicaragua, to teach the same workshop with my friends Jeff Raymond and James Dockery in just a few days.Let me give you a few tips
- [Shoot some with other photographers so you can grow](https://picturestoryteller.com/2016/05/11/shoot-some-with-other-photographers-so-you-can-grow/) - Reading Time: 3 minutes Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 500, ƒ/8, 1/500Just the other night, our instructors got on a conference call and talked through our plans for one last time before our trip for the Storytellers Abroad workshop in Managua, Nicaragua.The chart was the first draft, and all that pink and
- [Nikon D5 comparing ISO 800 to 66535](https://picturestoryteller.com/2016/05/13/nikon-d5-comparing-iso-800-to-66535/) - Reading Time: 2 minutes Nikon D5, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 800, ƒ/11, 1/200–4 – Alienbees B1600 w/45º reflectors, PocketWizard PlusI shot this group photo of 400 musicians, and to get the most even light, I ended up bouncing 4–Alienbees B1600 strobes with 45º reflectors bouncing off the ceiling. I also used the ExpoDisc
- [Great people photos are about building relationships.](https://picturestoryteller.com/2016/05/16/great-people-photos-are-about-building-relationships/) - Reading Time: 2 minutes Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/1.4, 1/1600Before introducing a subject using your camera to an audience, you must have introduced yourself.Here in Managua, Nicaragua we are teaching photographers/videographers how to make your photos work. Yesterday I watched one student shooting with a Nikon 5300 and 28-300mm lens.
- [Turn your aperture dial to help direct the audience](https://picturestoryteller.com/2016/05/18/turn-your-aperture-dial-to-help-direct-the-audience/) - Reading Time: 2 minutes Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/1.4, 1/800A shallow depth-of-field like ƒ/1.4 that I used here is a great way to force the audience to look where you want them to see.Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 14400, ƒ/11, 1/100Using a deep depth-of-field like
- [Great photos require building relationships.](https://picturestoryteller.com/2016/05/19/great-photos-require-building-relationship/) - Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 2800, ƒ/4, 1/100 We spent time in the small village of San Benito, Nicaragua, helping the students in our Storytelling workshop on how to get access to take those photos that help you show how the people in another culture live. Now we did
- [Enjoying photographing the children of Nicaragua who are changing their family's lives](https://picturestoryteller.com/2016/05/20/enjoying-photographing-the-children-of-nicaragua-who-are-changing-their-familys-lives/) - Reading Time: 3 minutes Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 2200, ƒ/4.5, 1/100Missionary Traci Warner reads to Dominga Psalms 23, who was in her last living hours. Dominga would die later during the night.23 The Lord is my shepherd; I shall not want.2 He maketh me to lie down in
- [Storytelling for NGOs needs to be decisive](https://picturestoryteller.com/2016/05/23/storytelling-for-ngos-needs-to-be-decisive/) - Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/1.4, 1/500 When we need to go out and eat as a family, I often don’t care where to eat, so I ask the family where to eat. Over the years, I have learned that it is easier to get a response if I first pick a
- [What takes place in a Storytellers Workshop?](https://picturestoryteller.com/2016/05/24/what-takes-place-in-a-storytellers-workshop/) - Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 640, ƒ/9, 1/100 The group photo is our Storytellers Abroad Nicaragua team from this past week. Nicaragua was the third workshop. We have been to Lisbon, Portugal, and Bucharest, Romania. Bruce Edgar led us one morning for our devotional. Having devotionals led by the
- [What makes a successful humanitarian photo coverage](https://picturestoryteller.com/2016/05/27/what-makes-a-successful-humanitarian-photo-coverage/) - All my trips overseas have been for humanitarian work. Humanitarian work is concerned with or seeks to promote human welfare. During this past trip to Nicaragua, there were many opportunities to take care of primary healthcare needs. Now, the tricky thing sometimes for a humanitarian photographer is to capture and compel the audience to act.
- [Panel Discussion – FOCUS [Fellowship Of Communicators Uniting Socially]](https://picturestoryteller.com/2016/05/29/panel-discussion-focus-fellowship-of-communicators-uniting-socially/) - I hosted yesterday’s FOCUS [Fellowship Of Communicators Uniting Socially] meeting in Roswell, Georgia. We had a panel discussion of these industry leaders; you can listen to them in the video above. They are discussing the state of the industry and tips they recommend for today’s professional communicator. Dr. Houston Davis serves as the Executive Vice
- [Do you ask your client the right question? Michael Schwarz tells us his thoughts on this question.](https://picturestoryteller.com/2016/05/30/do-you-ask-your-client-the-right-question-michael-schwarz-tells-us-his-thoughts-on-this-question/) - Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 2500, ƒ/3.5, 1/100 During our FOCUS panel discussion, Michael Schwarz said a mouthful in just a couple of minutes. When he was new in the profession, he asked clients, "What do you want me to do?" Later he would discover that wasn't the right question. Listen to
- [Essential Skills for a communications professional – Do you have them?](https://picturestoryteller.com/2016/05/31/essential-skills-for-a-communications-professional-do-you-have-them/) - Dr. Houston Davis, interim president of Kennesaw State University, addressed what he hears the industry wanting from all college graduates. I believe his list applies to the communications professional. Dr. Houston Davis' Essential Skills Critical ThinkingGlobal EngagementInformation Discovery – Able to deal with AmbiguityCommunication Skills – Written & OralAbility to have had an internship, apprenticeship,
- [Are you a Proactive or Reactive Volunteer?](https://picturestoryteller.com/2016/06/02/are-you-a-proactive-or-reactive-volunteer/) - Last night I attended the ASMP Atlanta Chapter meeting, where the executive director Tom Kennedy shared the organization's status. He was here to listen to the members and what they also see as a need for the organization. When we asked the question, "What is the value proposition of ASMP?" is when we found that
- [The Annual Family Photo at the beach](https://picturestoryteller.com/2016/06/06/the-annual-family-photo-at-the-beach/) - Reading Time: 2 minutes Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/16, 1/250–2 Alienbee B1600sIt is that time of year for my family’s annual photo at the beach. We based what we would wear on what most of us had in our closets–white shirts and blue jeans.A couple of problems with the family
- [Nikon D5 capturing the 2nd state park of NC–Fort Macon](https://picturestoryteller.com/2016/06/09/nikon-d5-capturing-the-2nd-state-park-of-nc-fort-macon/) - Reading Time: 3 minutes Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 125, ƒ/8, 1/800I enjoyed taking a little time during my vacation on Emerald Isle Beach to visit Fort Macon State Park. I loved using the Nikon D5 for this adventure with the Sigma 24-105mm ƒ/4 DG OS Art Lens.Nikon D5,
- [Orlando Massacre's Silver Lining](https://picturestoryteller.com/2016/06/13/orlando-massacres-silver-lining/) - Reading Time: 5 minutes Nikon D2X, Sigma 18-50mm f/2.8 EX, ISO 100, ƒ/14, 2 secJames 3:16-18 The Message (MSG)Live Well, Live Wisely13-16 Do you want to be counted wise, to build a reputation for wisdom? Here’s what you do: Live well, live wisely, live humbly. It’s how you live, not how you talk, that counts. Mean-spirited
- [Turning Pro from Amateur Photographer isn't for the faint of heart](https://picturestoryteller.com/2016/06/16/turning-pro-from-amateur-photographer-isnt-for-the-faint-of-heart/) - Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 2000, ƒ/5.6, 1/4000 I reposted a blog I had done a way back that had gotten a lot of positive feedback from the photographic community. Seven Reasons Not to Become a Freelance Professional Photographer was the blog. People shared it 32 times
- [Why pros should help students and young professionals starting out](https://picturestoryteller.com/2016/06/17/why-pros-should-help-students-and-young-professionals-starting-out/) - Reading Time: 4 minutes Robin Nelson speaks to the photojournalism class at Kennesaw State University on Thursday, June 16, 2016. [Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 3200, ƒ/4, 1/100]Clay Asbury, lecturer for photojournalism at Kennesaw State University, asked Robin Nelson and me to speak to his photojournalism class.Clay has been
- [Lesson Planning & Games are Keys to Effective Communication](https://picturestoryteller.com/2016/06/20/lesson-planning-games-are-keys-to-effective-communication/) - Reading Time: 3 minutes Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 360, ƒ/5.6, 1/4000Communications professionals need to know more than the 5 Ws.WhoWhatWhereWhenHowI believe understanding games and educational lesson plans can make you a better communicator. If you do not understand and know the rules of the game, you
- [Do You Know Something or Understand Something?](https://picturestoryteller.com/2016/06/21/do-you-know-something-or-understand-something/) - My education courses were the best classes I took for my master's degree. While journalists need to know their subject well, they must also understand how persons learn to make the storytelling worthwhile. While it is essential to help people with the knowledge, it is very limiting. Knowledge is at the base of learning. The
- [Three Stages of Composition](https://picturestoryteller.com/2016/06/25/three-stages-of-composition/) - photo by: Don Rutledge I learned so much from Don Rutledge, my mentor. He took this photo of an Alaskan family on the tundra welcoming a missionary they called a friend. Don was walking up with the missionary and realized this was the moment. Why does the photo connect? Learn some of the techniques that
- [Stanley talks about Don Rutledge's photos](https://picturestoryteller.com/2016/06/27/stanley-talks-about-don-rutledges-photos/) - photo by: Don Rutledge In my last blog post I talked a little about understanding how to create photos that communicate. In this post I am showing your my mentor Don Rutledge's photos and sharing some of the comments that Don told me as we talked about some of his iconic images. A mother brings
- [Stanley's Compact Lighting kits for the road](https://picturestoryteller.com/2016/06/29/stanleys-compact-lighting-kits-for-the-road/) - Reading Time: < 1 minute Here is my lighting gear for travel when flying.(2) Manfrotto 5001B Nano Black Light Stand – 6.2′ (1.9m)(2) Interfit Metal Umbrella Bracket with Adjustable Flash Shoe(2) Cowboystudio 33-inch Photography Studio Translucent Shoot Through White Umbrella(2) Neewer TT850(2) Neewer 433MHz Wireless 16 Channel Flash Remote Trigger(2) ThinkTank Strobe Stuff(2) MagMod flash modifier systemGitzo GT0531
- [Why Instagram is great for photographers](https://picturestoryteller.com/2016/07/01/why-instagram-is-great-for-photographers/) - Reading Time: 4 minutes Instagram is an online mobile photo-sharing, video-sharing, and social networking service that enables its users to take pictures and videos, and share them either publicly or privately on the app, as well as through a variety of other social networking platforms, such as Facebook, Twitter, Tumblr, and Flickr. – WikipediaHow do
- [Photographers need to understand difference between Captions & Keywords](https://picturestoryteller.com/2016/07/04/photographers-need-to-understand-difference-between-captions-keywords/) - Are you looking for a photo? How do you find what you need? Well, most people look for photos. They need to type a few words into a search window and then look at their results. Two main fields are embedded in photographs that are the principal places search engines look for matches: the Description/Caption
- [Watch background and lighting ratios in your photos.](https://picturestoryteller.com/2016/07/06/watch-background-and-lighting-ratios-in-your-photos/) - When I shoot something in the studio, as simple as this setup is here, I test a few things to be sure all the lights are as I want for the final image. Here is the setup for the photo above: Watch your backgrounds One of the things all photographers need to pay attention to
- [Less is more for the Storyteller](https://picturestoryteller.com/2016/07/10/less-is-more-for-the-storyteller/) - Reading Time: 3 minutes The more I teach, the more I believe you can do much more with much less.To be a successful photographer, you need camera gear, but I believe this is something you acquire over time, not something even if you had unlimited funds to buy everything you think you will ever need.If
- [Monday morning devotional for photographers](https://picturestoryteller.com/2016/07/11/monday-morning-devotional-for-photographers/) - Reading Time: 3 minutes Nikon D4, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 12800, ƒ/5.6, 1/1250There are many reasons in sports they tell you to keep your eye on the ball. However, all of them have something in common. There are many distractions in the game.Studies on golfers showed that
- [My calling to be a photojournalist](https://picturestoryteller.com/2016/07/14/my-calling-to-be-a-photojournalist/) - Reading Time: 4 minutes Nikon D2X, Sigma 18-50mm f/2.8 EX, ISO 800, ƒ/2.8, 1/20Back in high school, I felt a call to be a preacher. For those unfamiliar with this kind of language, I will explain this a little more.A vocation (from Latin vocātiō, meaning “a call, summons”) is an occupation to which a person is specially
- [Tips to get better tourist photos](https://picturestoryteller.com/2016/07/18/tips-to-get-better-tourist-photos/) - Reading Time: 3 minutes Nikon D5, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 4000, ƒ/5.6, 1/500While shooting my photos of the Kilauea Volcano in the Hawaiian Volcano National park, you cannot help but notice everyone else taking pictures.Nikon D5, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/5, 1/500One family was doing this in the
- [Interviewing Techniques for Kona, Hawaii Multimedia Storytellers](https://picturestoryteller.com/2016/07/20/interviewing-techniques-for-kona-hawaii-multimedia-storytellers/) - Reading Time: 4 minutes Nikon D5, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 280, ƒ/8, 1/100When I teach students photography, multimedia, and storytelling, I often reflect on the content.Nikon D5, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 100, ƒ/5.6, 1/1250When I was down at South Point on The Big Island of Hawaii, I saw how
- [Start with the Audience](https://picturestoryteller.com/2016/07/21/start-with-the-audience/) - Reading Time: 2 minutes Fujifilm X-E2, FUJINON XF 18-55mm, Have you ever seen the acronym WIIFM? It stands for What’s In It For Me. It is the essential part of telling a story. But, first, you must understand who the audience is to craft a story that will appeal to their desires.What’s In It For Me, are
- [Protecting my New Nikon D5 Cameras](https://picturestoryteller.com/2016/07/27/protecting-my-new-nikon-d5-cameras/) - I can tell you a few downsides of buying a new camera. First, when it is unique, some changes will be necessary. One of the changes I had to go through was not having my EasyCover for the Nikon D5 to protect it for a couple of months. I just got mine last week. I
- [Travel Photography Tip First Things First](https://picturestoryteller.com/2016/08/03/travel-photography-tip-first-things-first/) - This week, while teaching in the Storytellers Abroad Workshop in Togo, West Africa, I noticed some trends that most students make. We assess the trends of common errors and address those each day. For example, one of the most common themes that almost every day starts with is taking care of the technology before trying
- [Nikon D5 takes on Togo, West Africa](https://picturestoryteller.com/2016/08/04/nikon-d5-takes-on-togo-west-africa/) - Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/1.4, 1/2500 The Nikon D5 is really performing well here in Togo, West Africa. I don't have a lot of technical things to share this time for a blog. I just wanted to share some of the photos I have been getting which is really me
- [Words of Encouragement – Be strong and courageous](https://picturestoryteller.com/2016/08/06/words-of-encouragement-be-strong-and-courageous/) - Our Storytellers Abroad workshop was feeling worn out and stressed yesterday. Everyone, including the instructors, was learning new things and dealing with the difficulties of living in the 3rd World Country of Togo, West Africa. We could not just jump in a car and type in the address we wanted to go to in our
- [Storytellers Abroad to Togo West Africa is wrapping up](https://picturestoryteller.com/2016/08/08/storytellers-abroad-to-togo-west-africa-is-wrapping-up/) - What a week this has been. I am now flying back to Atlanta through JFK airport in New York. By the way, we had around a four-hour delay. Not sure right now which flight I will take to get back to Atlanta. It appears I will miss the scheduled flight. It was delayed, but not
- [Making Emotional Connections with my Camera in West Africa](https://picturestoryteller.com/2016/08/10/making-emotional-connections-with-my-camera-in-west-africa/) - I enjoy meeting people, and finding children around the world captures my attention the most. I think it is because of their curiosity that I get a response when I smile. My two favorite lenses to capture these emotional connections are the Nikon 85mm ƒ/1.8G and the Sigma 35mm ƒ/1.4 DG Art. Since both are
- [“Can we talk here?”](https://picturestoryteller.com/2016/08/12/can-we-talk-here/) - In the words of Joan Rivers, “Can we talk here?” First, if you lost your job and are looking for a new job, go and have lunch or coffee with a successful pro. Take the time to ask the pro, “If you were I, what would you do?” Also, scrape together enough money to pay
- [Teaching Women Reaching Togo – Storytellers Abroad Missions Multimedia Workshop](https://picturestoryteller.com/2016/08/15/teaching-women-reaching-togo-storytellers-abroad-missions-multimedia-workshop/) - A week ago today, I was stuck in the Accra, Ghana airport, waiting for the Delta Airlines computer system to get back online so that we could return home after a week in Tsiko, Togo, West Africa. It was a good week of capturing stories with the help of the Association of Baptists for World
- [Forgiveness and Starting Over - Nyakpo’s Story](https://picturestoryteller.com/2016/08/15/forgiveness-and-starting-over-nyakpos-story/) - Stacey Schuett is one of the participants in the Storytellers Abroad Missions Multimedia Workshop we held in Togo, West Africa. Storyteller Stacey Schuett has been telling the story of Nyakpo, who was born into an African royal family and raised by his grandmother. After his grandmother's passing and a series of difficult trials, Nyakpo came
- [Trials in Togo](https://picturestoryteller.com/2016/08/17/trials-in-togo/) - All the girls jumped into the back of the pickup to ride into the village. On the far left front is Liz Ortiz. Togo was Liz's second trip with Storytellers Abroad Missions Multimedia Workshop. She first joined us in Romania. Liz did a story on Gagl,o who was there when the missionaries first came to
- [Because of God’s Love - Djamila’s Story](https://picturestoryteller.com/2016/08/18/because-of-gods-love-djamilas-story/) - Storyteller's Abroad participant Kathryn Shoaf tells the story of a young woman named Djamila. She is the daughter of an Islamic soldier but found herself torn between two opposing worlds - the familiar traditions of Islam and the unknown Christian faith that her mother had claimed. Then, with guidance from two ABWE teachers, she discovered
- [Freedom From the Fetish - Martouka’s Story](https://picturestoryteller.com/2016/08/19/freedom-from-the-fetish-martoukas-story/) - Storytellers Abroad participant Hannah Teramura works with the voice-over for her video. Teramura tells the story of Martouka. After years of growing up in fetish worship, Martouka Anani fell deathly sick and remembered the gospel he had heard as a child. Even though his parents disowned him from walking away from the fetish religion, he pursued
- [One Test Short. One Dream Reached.](https://picturestoryteller.com/2016/08/20/one-test-short-one-dream-reached/) - Storytellers Abroad participant, Alison Waller, is surrounded by children in a church service as she is capturing her story on Gnoyi. Waller produced this story of Gnoyi’s dream to become a part of the Togolese medical community. Gnoyi failed his high school diploma test. Without his high school diploma, he would never have been able
- [Jeremies Journey](https://picturestoryteller.com/2016/08/21/jeremies-journey/) - Storytellers Abroad participant Cy Hayden is working with Jeremie, his subject, by recording a voice-over. Jeremie did his own voice-over. Jeremie was more comfortable answering the questions in French and then having us translate them into English. Jeremie, who is a Chaplin at the Hopital Baptiste Biblique and a local pastor in Togo. Jeremie almost lost his
- [Removing AIDS Stigma In Togo](https://picturestoryteller.com/2016/08/22/removing-aids-stigma-in-togo/) - Hannah Saxe, one of the Storytellers Abroad participants, has her fan club walking through the village of Aditi-Kope, Togo, West Africa. Hannah did her story on HIV in Togo. Brenda Mastin is a nurse at the Association of Baptists for World Evangelism hospital in Tsiko, Togo. Over the last few years, she and other Togolese colleagues have
- [Passing The Torch In Togo](https://picturestoryteller.com/2016/08/24/passing-the-torch-in-togo/) - Storytellers Abroad participant Brian Funderburke listens to instructor Pat Davison as he works with Brian and the team in advising how to handle the story. Sharon Sedzro was born 3 months premature and weighed less than 4lb (2kg). The doctors told her mother that she would only live if they relied on God. She lived
- [KONDO](https://picturestoryteller.com/2016/08/24/kondo/) - Keziah Khoo, who I met a few years ago when I taught in the School of Photography 1 class of Youth With a Mission in Kona, Hawaii. This Storytellers Abroad Missions Multimedia Workshop was Keziah's second time. She went to Romania last year and this year went to Togo, West Africa. She tells the story of
- [Best time for dusk photos](https://picturestoryteller.com/2016/08/26/best-time-for-dusk-photos/) - Reading Time: 2 minutes Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/8, 1/10The time of day you make a photo can make all the difference. For this exercise, you need to know the time of sunset, which tonight was at 8:13 pm.I took this first photo at 8:00 pm. Just
- [Stanley's Tune-Up Ritual for the Football Season](https://picturestoryteller.com/2016/08/29/stanleys-tune-up-ritual-for-the-football-season/) - Reading Time: 3 minutes Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 51200, ƒ/5.6, 1/1250This past Friday Night and during the day on Saturday, I went through a tune-up. There are two parts to the tune-up.First, since the last football game, I have bought new cameras and needed to
- [Getting a catchlight while shooting at ƒ/1.8 outside](https://picturestoryteller.com/2016/08/31/getting-a-catchlight-while-shooting-at-ƒ1-8-outside/) - Reading Time: 5 minutes Nikon D5, Nikon 85mm ƒ/1.8G, ISO 100, ƒ/1.8, 1/1250I love catchlight in the eyes for portraits. I think it brings out the life and vibrance in a person.To accomplish this, I used flash. Now, I had to figure out how to shoot with a flash at ƒ/1.8 outside in the sunlight.
- [Shooting the Publicity Photo for Shakespeare's Twelfth Night](https://picturestoryteller.com/2016/09/02/shooting-the-publicity-photo-for-shakespeares-twelfth-night/) - Reading Time: 2 minutes Nikon D5, Nikon 85mm ƒ/1.8G, 4 – Alienbees B1600, 4 – PocketWizard Plus, ISO 100, ƒ/5.6, 1/200Another school year and another play for our family. My daughter’s high school is putting on Shakespeare’s Twelfth Night this fall. I just shot the publicity photos.Here is the lighting diagram for the photo above.The
- [Nikon D5 was worth the purchase.](https://picturestoryteller.com/2016/09/05/nikon-d5-was-worth-the-purchase/) - Reading Time: 7 minutes Georgia Bulldog’s Freshman Running Back #35 Brian Herrien Scored his first collegiate touchdown. In contrast, UNC’s Safety #15 Donnie Miles could not stop him during tonight’s Chick-fil-A Kickoff Game on September 3, 2016, at the Georgia Dome. [Nikon D5, Sigma TC-2001 2x, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO
- [Can you tell me what you do?](https://picturestoryteller.com/2016/09/07/can-you-tell-me-what-you-do/) - Photo by Dennis Fahringer If I were to ask you what you do or what does your company do what is your answer? Maybe you start to stumble around trying to find words and even say things like “Well …” One of the greatest struggles to communicate what you do or what your company does
- [The feedback we give to first time Multimedia Storytellers](https://picturestoryteller.com/2016/09/08/feedback-we-give-to-first-time-multimedia-storytellers/) - Reading Time: 5 minutes James Dockery, ESPN editor and co-teacher, is in Lisbon with me as we teach the students multimedia storytelling. [Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/6.4, 1/90]Each time I teach multimedia storytelling, I find myself sitting with the student and talking about what they could do better.This summer, I taught in a program
- [Shot the photo, Now the Poster & The Banner](https://picturestoryteller.com/2016/09/09/shot-the-photo-now-the-poster-the-banner/) - I posted last week how I shot this promotional shot. Here is that link if you missed it. After I took the photo, I created an 11″ x 17″ poster that they could put up around the school and in the community. So if you are around Roswell, Georgia, this next couple of weeks, you will see
- [Who's your Audience?](https://picturestoryteller.com/2016/09/12/whos-your-audience/) - Reading Time: 3 minutes Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 7200, ƒ/5.6, /500When Jimmy Carter became president of the United States in 1977, the world started to hear about being a “Born Again” Christian.Many years later, I would be in seminary, where Wes Black, my youth education professor, opened my eyes to
- [Mr. Robot conjures up the photo style of photojournalist Don Rutledge.](https://picturestoryteller.com/2016/09/12/mr-robot-conjures-the-photo-style-of-photojournalist-don-rutledge/) - Reading Time: 3 minutes Portia Doubleday and Rami Malek in the pilot episode of “Mr. Robot.”I love the depth in the imagery in the cinema-photography. by Don RutledgeI was talking to my long-time friend Ken Touchton on the phone. We had both talked about the TV show Mr. Robot.Watch On-Line Now HereWe were talking about the
- [Understanding Copyright and Cost of doing business isn't the secret to success](https://picturestoryteller.com/2016/09/16/understanding-copyright-and-cost-of-doing-business-isnt-the-secret-to-success/) - Reading Time: 5 minutes Nikon D3S, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, 4–Alienbees B1600, ISO 200, ƒ/11, 1/160For the past 20+ years, the photography community has been pushing for photographers to know their rights. So naturally, copyright is at the top of that list. Right next to it was, you know, the cost of doing
- [Mr. Robot appeals to the cerebral audience–Especially visually](https://picturestoryteller.com/2016/09/19/mr-robot-appeals-to-the-cerebral-audience-especially-visually/) - Reading Time: 3 minutes Fujifilm X-E2, Fuji XF 18-55mm, ISO 400, ƒ/2.8, 1/125Rami Malek picked up the Emmy Award for Outstanding Lead Actor for his role in “Mr. Robot.” Malek had the perfect Elliot line to deliver: “Please tell me you’re seeing this too.” “I play a young man who is, like so many of
- [Get-R-Done is being performance driven](https://picturestoryteller.com/2016/09/23/get-r-done-is-being-performance-driven/) - Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 360, ƒ/1.4, 1/100 Comedian Larry, the Cable Guy, is credited with coining the American phrase Get-R-Done. I will let Larry explain its origin and meaning. I have watched my daughter and her friends Get-R-Done for the last five weeks with Shakespeare's play Twelfth Night. My daughter is
- [Nikon D5 & Fuji X-E2 Shooting Live Theatre](https://picturestoryteller.com/2016/09/26/nikon-d5-fuji-x-e2-shooting-live-theatre/) - Nikon D5, Sigma TC-2001 2x, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 22800, ƒ/5.6, 1/500 I have a daughter in theatre, and I enjoy using my photography to connect with her through her plays and musicals. I have been shooting the latest performance using Nikon D5 and Fuji X-E2. Let me start by
- [Why youth football is so much fun to photograph](https://picturestoryteller.com/2016/09/28/why-youth-football-is-so-much-fun-to-photograph/) - Nikon D5, Sigma TC-2001 2x, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 1800, ƒ/5.6, 1/4000 Youth football is a dream come true for most sports photographers. The games are played mainly during the sunlight, and the access to the action is the best you can get compared to shooting high school varsity football
- [Devotional – Live for today](https://picturestoryteller.com/2016/09/30/devotional-live-for-today/) - Nikon D2X, Sigma 18-50mm f/2.8 EX, ISO 100, ƒ/2.8, 1/125 The life of the freelancer is one of feast and famine. It can produce an untold amount of stress. The significant difference between freelancing and being on staff is as a freelancer; you are all too aware that you are working from project to project.
- [Covering #1 Team in Georgia & #8 Nationally under Friday Night Lights](https://picturestoryteller.com/2016/10/03/covering-1-team-in-georgia-8-nationally-under-friday-night-lights/) - Nikon D5, Sigma TC-2001 2x, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 102400, ƒ/5.6, 1/4000 Friday Night Lights in Georgia were shining not so brightly on Roswell playing Milton. I maxed out my ISO at 102400 most of the night. Here are more photos just from that night and two other games. Roswell
- [Google Analytics can mislead you if you let it](https://picturestoryteller.com/2016/10/04/google-analytics-can-mislead-you-if-you-let-it/) - Georgia Bulldog’s Freshman Running Back #35 Brian Herrien scored his first collegiate touchdown. In contrast, UNC’s Safety #15 Donnie Miles could not stop him during tonight's Chick-fil-A Kickoff Game, September 3, 2016, at the Georgia Dome. [Nikon D5, Sigma TC-2001 2x, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 45600, ƒ/5.6, 1/4000] In the
- [Guest With Camera vs the Guy With Camera](https://picturestoryteller.com/2016/10/07/guest-with-camera-vs-the-guy-with-camera/) - My favorite role at a wedding is that of the guest. GWC in the photo world is often referring to the Guy With a Camera. My favorite camera to use for these situations is my Fuji X-E2. It is small, and everyone doesn’t think of me as the “official photographer.” This is my travel kit.
- [Flash On OR Flash Off](https://picturestoryteller.com/2016/10/12/flash-on-or-flash-off/) - Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 28800, ƒ/4, 1/250 To flash or not to flash that is the question? In the photo above this was done without a flash. Now I have an Alienbees B1600 behind them and one in front. While technically, the one with flashes is better, I still am
- [Do you love your job? You Should!](https://picturestoryteller.com/2016/10/14/do-you-love-your-job-you-should/) - Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 18000, ƒ/5.6, 1/4000 Did I ever tell you how much I love my job? Every assignment is meeting new people, capturing their personalities, and hopefully introducing them to you. I love meeting a teacher that looks like one of the NFL linemen showing the
- [Why I bought the Nikon D5](https://picturestoryteller.com/2016/10/15/why-i-bought-the-nikon-d5/) - When I reach for a camera to shoot an assignment, here are some variables that are important to consider: Can it capture the scene? Is the ISO high enough for the lighting conditions? Is the shutter speed fast enough to freeze moments? Do I have to think about which camera I have in my hand?
- [Pushing the limits of sports photography with Rodeo](https://picturestoryteller.com/2016/10/16/pushing-the-limits-of-sports-photography-with-rodeo/) - Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 64000, ƒ/2.8, 1/2500 These barrel racers exit the gate at full speed and take their horse through a clover-leaf pattern around preset barrels in the fastest time. Keeping up with these animals was challenging. I would shoot when I could see the rider’s face.
- [Working on capturing the mood and place for a community](https://picturestoryteller.com/2016/10/19/working-on-capturing-the-mood-and-place-for-a-community/) - Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/5, 1/320 I am working on a story that requires me to go to a few states and capture some of the cultures in those communities. This week I am in Hyannis, Massachusetts. I cannot think of Hyannis without thinking about the Kennedy
- [Capturing Bangor Maine](https://picturestoryteller.com/2016/10/25/capturing-bangor-maine/) - Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/13, 1/200 I shared earlier about doing travel photography and trying to capture a place and mood. Today I want to share my efforts here in our country's Bangor, Maine area. While Bangor is the biggest city in this area of Maine, people
- [Using the ExpoDisc under Friday Night Lights Football](https://picturestoryteller.com/2016/10/29/using-the-expodisc-under-friday-night-lights-football/) - Another Friday Night Lights game at Roswell High School’s Ray Manus Stadium. Roswell was up 49 – 0 by halftime, so I left early. I am pleased with the dynamic range of the Nikon D5 for shooting at such a high ISO of 64000. The files are suitable, from the highlights to the shadows with detail.
- [I want to cover international conflicts](https://picturestoryteller.com/2016/10/31/i-want-to-cover-international-conflicts/) - Nikon D3s, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 500, ƒ/5.6, 1/2000 Before you take a career jump to become a Conflict Correspondent let me give you some insights that come from many years of studying this for myself. First, I have never covered war. I have many friends who have covered war and conflicts
- [Celebrating Life Through A Funeral](https://picturestoryteller.com/2016/11/04/celebrating-life-through-a-funeral/) - Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 100, ƒ/8, 1/100 Today I was honored to be able to photograph the funeral of a firefighter who served our community for more than 45 years. Here is the official obituary. Charles Edwin Booker of Roswell, Georgia, died Monday, October 31, 2016, in Hospice
- [I Want MORE Civility, So I Don't Unfriend More People.](https://picturestoryteller.com/2016/11/07/i-want-more-civility-so-i-dont-unfriend-more-people/) - Sports might be the last area of civility I see today in our society. Stephen L. Carter, the acclaimed author of The Culture of Disbelief, proves that manners matter to America's future. He says, “Civility represents the sum of all the sacrifices that one makes in a democracy for the sake of living a common life.” Listen to
- [No Longer Available–Now What?](https://picturestoryteller.com/2016/11/09/no-longer-available-now-what/) - Our ice maker stopped working a few weeks ago. I first replaced the ice tray inside the refrigerator. While it worked after the repair, the water wasn’t flowing to it to make the ice. Above is the actual part of the water inlet valve. It controlled the water for ice and got cold water in
- [Wedding Tip Is As Close As Your Smartphone](https://picturestoryteller.com/2016/11/14/wedding-tip-is-as-close-as-your-smart-phone/) - Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 220, ƒ/8, 1/100 I just got back last night from the west coast. I enjoyed shooting a friend's wedding and meeting all of his friends. The weather in Portland was perfect for the wedding. Cool enough that a coat was not too hot to
- [How to use flash and not get a black background](https://picturestoryteller.com/2016/11/15/how-to-use-flash-and-not-get-a-black-background/) - Reading Time: 2 minutes Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 10000, ƒ/5.6, 1/10 – Nikon SB-900One of the most challenging things for many beginners in photography involves shooting in a very dark location with a flash.Cameras will pick the lowest ISO when you use a flash as their default. So
- [The Fuji X-E2 is the perfect travel photography camera](https://picturestoryteller.com/2016/11/20/the-fuji-x-e2-is-the-perfect-travel-photography-camera/) - Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/8, 1/75 Traveling to London, England on a vacation I decided to go very light with my gear. To get photos like this of my family as we travel I wanted something more than the camera on my phone. I wanted to zoom and keep high quality. This
- [More sights of London with my Fuji X-E2](https://picturestoryteller.com/2016/11/22/more-sights-of-london-with-my-fuji-x-e2/) - Fujifilm X-E2, FUJINON XF 18-55mm, ISO 1250, ƒ/5.6, 1/100 I enjoyed seeing the sights in London. But unfortunately, some of the views were just reflections on the sidewalk of the Coke sign in Piccadilly Square in London. There is so much to see in London, and there is not enough time for any tourist. So
- [Harry Potter Warner Brothers Studio Tour London with Fuji X-E2](https://picturestoryteller.com/2016/11/23/harry-potter-warner-brothers-studio-tour-london-with-fuji-x-e2/) - Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/4.5, 1/100 Too look like my wife and daughter are going through Platform 9 3/4 at Kings Crossing train station a person holds the scarf and then lets go. I decided this would be a great time to use my motor drive setting on the Fuji X-E2. I
- [More photos from London with the Fuji X-E2](https://picturestoryteller.com/2016/11/24/more-photos-from-london-with-the-fuji-x-e2/) - Fujifilm X-E2, FUJINON XF 18-55mm, ISO 400, ƒ/4, 1/400 We have been having lots of fun in England this week. Morning full English breakfast at The Orangery at Kensington Palace. My daughter enjoyed her tea. I am just going to add photos here from the last couple of days that I was able to capture
- [London taught me that creating an EXPERIENCE is important in business](https://picturestoryteller.com/2016/11/28/london-taught-me-that-creating-an-experience-is-important-in-business/) - Fujifilm X-E2, FUJINON XF 18-55mm, ISO 6400, ƒ/4.5, 1/220 Your product is part of why people will do business with you in business. Now, if your product is on par with the rest of the industry, then the other thing people are paying for is EXPERIENCE. We just spent our vacation traveling to London for an EXPERIENCE.
- [Storytelling is the biggest form of entertainment](https://picturestoryteller.com/2016/12/04/storytelling-is-the-biggest-form-of-entertainment/) - Nikon D5, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 6400, ƒ/5.6, 1/200 Entertainment is a form of activity that holds the attention and interest of an audience, or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over
- [You ready for snow days?](https://picturestoryteller.com/2016/12/05/you-ready-for-snow-days/) - Nikon D3s, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 5600, ƒ/5.6, 1/8000 Here are some tips that can help you take photos in the snow. First, you can use the scene mode of snow if it exists on your camera. Another option is the beach scene mode. Both of these will get you pretty close.
- [Some of my favorite Sports photos](https://picturestoryteller.com/2016/12/08/some-of-my-favorite-sports-photos/) - Nikon D100, Nikon 24-120mm ƒ/3.5-5.6, ISO 400, ƒ/6.7, 1/180 Georgia Tech’s #2 Isma’il Muhammad slams one early over NC State’s #14 Engin Atsur during play at the Alexander Memorial Coliseum in Atlanta, Georgia, February 13, 2005. The final score was NC State 53 and Georgia Tech 51. Isma’il is one of those photos most players either
- [Wedding photography to me is about emotional moments](https://picturestoryteller.com/2016/12/09/wedding-photography-to-me-is-about-emotional-moments/) - I do not promote myself as a wedding photographer. I have shot many weddings in my career, but today I have been just doing weddings for close friends and family. There was a time I turned down any requests. I am not as fond of shooting weddings because of the number of people posing. I
- [Our London Vacation is over – Now a coffee table book](https://picturestoryteller.com/2016/12/12/our-london-vacation-is-done-now-a-coffee-table-book/) - Book Cover – Buy the book on Blurb.com. I spent much of my weekend creating and designing a coffee table book to remember our trip to London, England, this past Thanksgiving. You see, no one wants to sit at my computer going through all the photos of our trip. No one is that interested in me
- [Do you find online social media and photo tutorials lacking something?](https://picturestoryteller.com/2016/12/14/do-you-find-online-social-media-and-photo-tutorials-lacking-something/) - This photo begs for information. What is ASMP president Theresa CarolSicurezza doing here? What does this have to do with a professional photographyassociation? Last night the ASMP Atlanta/Southeast had their Holiday party at KevinAmes Studio. There was no program, just a time to socialize. Lifetime member Ron Sherman is talking with Leah Overstreet, who just moved to
- [A photograph is a great gift for Christmas – Here some ideas for you](https://picturestoryteller.com/2016/12/23/a-photograph-is-a-great-gift-for-christmas-here-some-ideas-for-you/) - Søren Kierkegaard was a Danish philosopher, theologian, poet, social critic, and religious author widely considered the first existentialist philosopher. Kierkegaard sourly prophesied a banal fate for the newly popularized art of photography. “With the daguerreotype,” he observed, “everyone will be able to have their portrait taken—formerly it was only the prominent—and at the same time,
- [This is the time of year for children](https://picturestoryteller.com/2016/12/26/this-is-the-time-of-year-for-children/) - Fujifilm X-E2, FUJINON XF 55-200mm, ISO 1250, ƒ/4.5, 1/100 This is the time of year we celebrate Jesus being born. This is the time of year we celebrate children. At my church this Christmas eve, there is a unique service for families with small children that we enjoy attending each year. This little boy decided
- [Marketing is no longer about the stuff you make!](https://picturestoryteller.com/2016/12/28/marketing-is-no-longer-about-the-stuff-you-make/) - I like to think of still photography as capturing the emotional moments of a story. These moments, however, need an excellent storyteller to help weave them into a compelling story with text/words. Photographers must remember it isn’t just about the moments that will get them hired. In other words, just having images will lack the
- [My coverage of the Chick-fil-A Peach Bowl FCA Breakfast](https://picturestoryteller.com/2016/12/30/my-coverage-of-the-chick-fil-a-peach-bowl-fca-breakfast/) - The emcee for the event was Ernest Thorwald “Ernie” Johnson Jr. My morning started off early with the annual Chick-fil-A Peach Bowl Fellowship of Christian Athlete’s breakfast. They had surprise guest of Heisman Trophy Winner Hershel Walker being interviewed by Ernie Johnson Jr. at the end of the event. This year the event was moved to
- [My favorite images from the Chick-fil-A Peach Bowl 2016](https://picturestoryteller.com/2017/01/01/my-favorite-images-from-the-chick-fil-a-peach-bowl-2016/) - This sampling of some of my favorite images from the Chick-fil-A Peach Bowl.
- [How I get clean images with my Nikon D5](https://picturestoryteller.com/2017/01/04/how-i-get-clean-images-with-my-nikon-d5/) - Alabama Crimson Tide running back Bo Scarbrough (9) hurdles a Washington Huskies defender during the first quarter in the 2016 CFP semifinal at the Peach Bowl at the Georgia Dome. [Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 45600, ƒ/5.6, 1/4000] Anonymous said...very clean images for such a high
- [Super Simple Headshots](https://picturestoryteller.com/2017/01/10/super-simple-headshots/) - Nikon D5, Nikon 85mm ƒ/1.8G, ISO 100, ƒ/4, 1/200 – [2] Alienbees B1600, White Background & Lastolite Triflector silver/gold kit. KISS – Keep It Simple Stupid Keep your gear as simple as possible so you can concentrate on the people. For this headshot setup, I keep it super simple. Here is the Lastolite-Triflector reflector that I am
- [Treat your Camera like a Pen and you will get better photos!](https://picturestoryteller.com/2017/01/11/treat-your-camera-like-a-pen-and-you-will-get-better-photos/) - Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 1400, ƒ/1.4, 1/200 If photographers would take photos the way, they write, all of their images would most likely be ten times better in quality. So many people pick up their cameras and point and shoot. Just try and do that with writing. Go ahead and try
- [Creating the Publicity Photo for the Musical Oklahoma](https://picturestoryteller.com/2017/01/14/creating-the-publicity-photo-for-the-musical-oklahoma/) - Nikon D5, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 500, ƒ/4, 1/8000 This morning we shot promotion shots for Roswell High School’s Theatre performance of Roger & Hammerstein’s Oklahoma. We were shooting a variety, and then we will pick the one favorite we all have for the 12′ x 8′ banner we will put in front
- [Tip to make your website work for you](https://picturestoryteller.com/2017/01/17/tip-to-make-your-website-work-for-you/) - This is a marketing tip I learned about websites. When people come to your website, they need to know what you do and then have an action item you are encouraging that they take. This is my website, and the action item is at the top of the menu. “FREE Download” is what I want
- [More than just a photographer](https://picturestoryteller.com/2017/01/19/more-than-just-a-photographer/) - Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/1.4, 1/800 I can relate to these boys in so many ways. What they are thinking I am not sure, but they do make me think of feeling alone even tho there are people around me. The reasons these boys may feel isolated is quite different
- [Still Photographers – Showstoppers](https://picturestoryteller.com/2017/01/20/still-photographers-showstoppers/) - Nikon D750, Sigma 24-105mm f/4 DG OS HSM Art, ISO 2200, ƒ/4, 1/80 When you go and experience the Theatre, you see the story's sequencing into moments. Within each scene, there is build to a crescendo, and then all of these different scenes build to a showstopper most of the time. A showstopper is a
- [The How To – 12' x 8' Oklahoma! Musical Banner](https://picturestoryteller.com/2017/01/22/the-how-to-12-x-8-oklahoma-musical-banner/) - This year we are getting our PR for musical Oklahoma! Started much sooner than last year’s production of Into The Woods. About two months before the performance with the 12′ x 8′ banner. Last year we were up just a little more than a month before the performance. Last year the banner was 9′ x
- [Great photos require intentional photographers](https://picturestoryteller.com/2017/01/23/great-photos-require-intentional-photographers/) - Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art, ISO 100, ƒ/4, 1/320 Before you read this post, take a moment and look at all the photos. Then take a moment and think about what you think they are all about. Once you have done that, come back and pick up the reading. Why did
- [Gear recommendations for Spring Sports like Soccer](https://picturestoryteller.com/2017/01/25/gear-recommendations-for-spring-sports-like-soccer/) - The teams are practicing now for Spring soccer and baseball. Here are some tips for getting those action shots for soccer. You need the right gear to get those peak action shots. Your camera phone is just not going to cut it. For most of your action shots, you will need a lens to bring
- [Three Quick Photo Tips](https://picturestoryteller.com/2017/01/27/three-quick-photo-tips/) - A shallow Depth-of-Field can help draw more attention to a subject and diminish things in the background. For this photo, I used my Nikon D5 and Sigma 35mm ƒ/1.4 DG Art lens with the camera set at ISO 100, ƒ/1.4, and 1/100. You must adjust the exposure when shooting on snow or at the beach.
- [Monday Devotional for Photographers – Full-time Ministry](https://picturestoryteller.com/2017/01/30/monday-devotional-for-photographers-full-time-ministry/) - Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/1.4, 1/2500 Capturing moments like this one in Togo, West Africa, is what I thought many years ago would be my full-time career today. During a youth retreat in high school, I responded to what I believed was a call to full-time Christian ministry. My church
- [Be an Anticipator and not a Procrastinator](https://picturestoryteller.com/2017/02/01/be-an-anticipator-and-not-a-procrastinator/) - [NIKON D4, 120.0-300.0 mm f/2.8, Mode = Aperture Priority, ISO 12800, 1/1250, ƒ/5.6, (35mm = 270) Meet recording artist Sydney Rhame. She was a contestant on The Voice a couple of years ago. Here she is singing “Photograph.” By the time Sydney had gotten on the voice, she had already been performing for many years.
- [Headshots](https://picturestoryteller.com/2017/02/03/headshots/) - Nikon D5, Nikon 85mm ƒ/1.8G, ISO 100, ƒ/8, 1/100 I am still shooting those headshots. Here is the diagram for what I did above. I highly recommend the Lastolite Triflector kit silver/Sunfire. I captured all the photos using the CamRanger, transferring the images wirelessly from my Nikon D5 to the Macbook Pro. Here is my digital
- [Hawaii High School State Rodeo at The Parker Ranch](https://picturestoryteller.com/2017/02/06/hawaii-high-school-state-rodeo-at-the-parker-ranch/) - Nikon D5, Nikon 28-300mm f/3.5-5.6G ED VR, ISO 560, ƒ/4.5, 1/4000 Today I had a lot of fun shooting the Hawaii High School Rodeo at Parker Ranch Arena in Waimea on the Big Island of Hawaii. It was fun because I brought the camera and lens that let me get the action shots I wanted. I
- [Ideal lighting for PR Headshots](https://picturestoryteller.com/2017/02/08/ideal-lighting-for-pr-headshots/) - I am teaching a lighting class in Kona, Hawaii, with the Youth With A Mission School of Photography class. This is one of the lighting exercises I do each year. This is teaching the 3:1 Lighting Ratio. I showed the class the final photo and then walked them back through how to get this lighting.
- [Using a flash to spice up the environmental portrait](https://picturestoryteller.com/2017/02/10/using-a-flash-to-spice-up-the-environmental-portrait/) - Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art, ISO 125, ƒ/14, 1/250 The last assignment I gave the class was to do an environmental photo where their flash will improve the situation. Here is the example we did as a class. I took them here and we ended up with this photo of the
- [Shooting Gilley's of Dallas Texas with the Nikon D5](https://picturestoryteller.com/2017/02/15/shooting-gilleys-of-dallas-texas-with-the-nikon-d5/) - Last night I took in Gilley’s of Dallas with a large group. At the end of the night, I was really pleased with my ability to shoot everything without a flash. The reason is the Nikon D5 has such a wide range of ISO. ISO 100–104200 can also be pushed to 3 million ISO. Since
- [Monday morning devotion–Photographer's Humility](https://picturestoryteller.com/2017/02/20/monday-morning-devotion-photographers-humility/) - WHY? While teaching the students of the School of Photography at the University of the Nations campus in Kona, Hawaii, I had them tell me WHY they made a photograph. Asking this question made them quickly realize that they were making a portrait, for example, to capture a person’s personality and communicate it best they
- [SWPJC – Don't wait till Next Year!](https://picturestoryteller.com/2017/02/21/swpjc-dont-wait-till-next-year/) - Dave Black, former speaker at SWPJC SWPJC March 10 – 12 and Student Workshop 9 – 10 “Next Year” is the common thing I always hear from people when I ask them if they are going to Southwestern Photojournalism Conference this year. This is the 25th annual meeting of the conference. The conference has changed through the
- [Cheap and powerful off camera flashes](https://picturestoryteller.com/2017/02/24/cheap-and-powerful-off-camera-flashes/) - I had a lot of fun capturing the brand new Chick-fil-A food truck tested in Athens, Georgia. It was parked in the restaurant parking lot to show their customers, hoping they would book the car for an event. This shot was taken at sunset, with the sun setting behind the truck. To show the truck,
- [Why Execution (Not Ideas) Will Bring You Success](https://picturestoryteller.com/2017/02/27/why-execution-not-ideas-will-bring-you-success/) - You know that God has called you to do photography. You even have a great idea of using photography in a way that others have not thought about doing. It is a great idea. Does this sound like you? Big, powerful ideas are everywhere, and the vast majority will go nowhere. So keeping your big picture
- [Covering a candidates for City Council meeting](https://picturestoryteller.com/2017/03/01/covering-a-candidates-for-city-council-meeting/) - L/R Marie Willsey, Lori Henry, and Shelley Sears are all running for open spots on the City Council and will speak at the Roswell City Council Candidate forum held at the Roswell Community Masjid. [Nikon D5, Sigma 24-105mm f/4 DG OS HSM Art, ISO 2500, ƒ/4, 1/100] I went to the local Masjid in Roswell
- [Success depends on your investment of time](https://picturestoryteller.com/2017/03/05/success-depends-on-your-investment-of-time/) - While Broadway plays rehearse for four to six weeks, most high schools practice for ten weeks. How about you? How long do you prepare? For more than 25 years, I have been a part of the Southwestern Photojournalism Conference, and before that, I served on the Southern Short Course board. I watched each year for
- [Simple Hotshoe Headshot Setup Using MagMod](https://picturestoryteller.com/2017/03/06/simple-hotshoe-headshot-setup-using-magmod/) - While I have shown you this type of photo many times this time I shot it with the cheapest system I could configure. This is the setup. Now here is the list of items for you other than the camera: 2 – Neewer TT850 Flash $114.70 ea2 – Neewer 433MHz Wireless 16 Channel Flash Remote Trigger with Receiver $29.99
- [SWPJC 25 years](https://picturestoryteller.com/2017/03/13/swpjc-25-years/) - Left to Right: Jim Veneman, Bob Carey, Morris Abernathy, Louis Deluca, Ron London, & [Me] Stanley LearyI apologize for the rambling below. It is a stream of consciousness of some of what I experienced this past weekend at the conference. Twenty-five years ago, we didn’t have the ability to FaceTime with each other. We also
- [How Clothes, Color of Outfits, Backgrounds & Lighting Impact the Portrait](https://picturestoryteller.com/2017/03/15/how-clothes-color-of-outfits-backgrounds-lighting-impact-the-portrait/) - When picking clothes for a photo shoot, I have a few tips. For these photos of recording artist Sydney Rhame, we had a few outfits. So here, I will show you how many variables can impact the final images. Solids I recommend wearing solids over patterns. It keeps your eye going to the face rather
- [How to Video Capture more than 29 minutes with a Nikon D5](https://picturestoryteller.com/2017/03/17/how-to-video-capture-more-than-29-minutes-with-a-nikon-d5/) - Last night I photographed, and video captured the show Oklahoma! Just a last-minute push to encourage you, if you are in Roswell, GA, to come and see the play. Runs through the weekend. Go here to buy your tickets or at the door. Why I do, this is a great question. Most all DSLRs that
- [What high school theatre can teach us about Volunteers](https://picturestoryteller.com/2017/03/20/what-high-school-theatre-can-teach-us-about-volunteers/) - Roswell High School had their last show of musical Oklahoma! Yesterday. What a production it was for everyone involved. Our daughter Chelle was in the musical as Aunt Eller, which is why my wife and I were involved as volunteers. While there are many other ways I could talk about being a volunteer, I thought
- [Storytelling Photo vs Point Photo](https://picturestoryteller.com/2017/03/22/storytelling-photo-vs-point-photo/) - Fujifilm X-E2, Fuji XF 55-200mm, ISO 6400, ƒ/4.5, 1/100 "When I take you out in the surrey with the fringe on top!" sings Curly in musical Oklahoma! This photo above is the only time on the stage during the entire musical production at Roswell High School, where the surrey is on stage. This scene captures
- [Changing the background with a simple gel for portraits](https://picturestoryteller.com/2017/03/27/changing-the-background-with-a-simple-gel-for-portraits/) - 1:3 lighting ratio – Nikon D5, Nikon 85mm ƒ/1.8G, ISO 100, ƒ/5.6, 1/200 When I teach lighting, I always teach the 1:3 lighting ratio. After I show how you set up the leading light and the fill, I show them some ways to change the background quickly using gels. Now before I add the gel,
- [How to handle client negotiations](https://picturestoryteller.com/2017/03/29/how-to-handle-client-negotiations/) - The Slam Dunk A Slam Dunk in business is when you exceed the client's expectations. I have made a mistake many times throughout my career of not doing a great job of managing those expectations. We have all had the client call and the bills stacking up, and due to our need to get the
- [Portraits from Nikon D100 in 2002](https://picturestoryteller.com/2017/03/31/portraits-from-nikon-d100-in-2002/) - Nikon D100, Nikon 24-120mm ƒ/3.5-5.6, ISO 200, ƒ/8, 1/180 – 4 Alienbees B1600s I've been looking through some old photos. I started pulling all our pictures of our daughter for a project we are working on. Most photos have been stored on CDs and DVDs, and I am transferring them to a hard drive. I
- [Anticipating a moment requires you to know what to look for in a moment](https://picturestoryteller.com/2017/04/03/anticipating-a-moment-requires-you-to-know-what-to-look-for-in-a-moment/) - [Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 5000, ƒ/5.6, 1/250] If you don't know what you want to capture in a moment, then the odds are that you will not capture that moment. Take this dance scene from the musical Oklahoma! I wanted to capture all the dancers in a peak
- [3 Settings for Sports Photography](https://picturestoryteller.com/2017/04/05/3-settings-for-sports-photography/) - [NIKON D4, 120.0-300.0 mm f/2.8, Mode = Aperture Priority, ISO 12800, 1/1250, ƒ/5.6, (35mm = 270)] Before you snap a photo like this, you must set your camera to the proper settings. 3 Settings: Exposure, Focus, & Motor Drive EXPOSURE Cameras today let you automate the exposure settings and concentrate on getting the moment. You
- [When one photo is needed from an event](https://picturestoryteller.com/2017/04/06/when-one-photo-is-needed-from-an-event/) - This week I have had a few assignments. Each one needed one main photo that would work with an extended caption. While I shot hundreds of photos around these locations, it came down to one main shot: if there was space for just one photo, I had to have one that summarized the event the
- [Shooting my daughter's Senior Photo](https://picturestoryteller.com/2017/04/09/shooting-my-daughters-senior-photo/) - This post contains Amazon affiliate links, which means that if you click on one of the product links, I’ll receive small percentage of sale. This helps cover my costs for blogging. I did some senior pictures of my daughter this weekend for graduation announcements. Here is one of the photos, and here is the lighting
- [Freelancer's Anxiety–Using Faith to Cope](https://picturestoryteller.com/2017/04/11/freelancers-anxiety-using-faith-to-cope/) - A little girl lost in her thoughts while in her family's corn field in Togo, West Africa. [Nikon D5, Sigma 35mm ƒ/1.4, ISO 100, ƒ/1.4, 1/2000] A few things produce such anxiety in my life that physically affect me. Going to the dentist for more than a cleaning creates high pressure in my life. My
- [Touching Moment vs Decisive Moment](https://picturestoryteller.com/2017/04/12/touching-moment-vs-decisive-moment/) - Inside the Artic Circle, 1967: Eskimo child chasing ball. [photo by: Don Rutledge] What a moment this is of a little boy playing with a ball. No matter where you are from in the world, this captures a moment of joy that we all experienced playing ball. "Photography is not like painting," Henry Cartier-Bresson told
- [Learn to say "YES"](https://picturestoryteller.com/2017/04/14/learn-to-say-yes/) - This is Mark Johnson's Advanced Photojournalism Class at UGA's Grady School of Journalism. [Fuji X-E2, 18-55mm, ISO 6400, ƒ/3.2, 1/80] For the past ten years, Mark Johnson has invited me to speak to his advanced Photojournalism Class at UGA on business practices. One of the tips I always share with the class is to Learn
- [Photographer's Monday Devotional: Called to serve](https://picturestoryteller.com/2017/04/17/photographers-monday-devotional-called-to-serve/) - This is a Christian cross at the Masaya volcano, a caldera located in Masaya, Nicaragua, 20 km south of the capital Managua. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 4500, ƒ/4, 1/100] This past week Christians around the world celebrated Easter. A Christian is a follower of Jesus Christ and his teachings. I have been reflecting on how
- [How to capture an Awards Show – Hint it doesn't involve your phone](https://picturestoryteller.com/2017/04/21/how-to-capture-an-awards-show/) - Ramone Nelson from Heritage High School won the best actor for his portrayal of Jean Valjean in Les Miserables at the Shuler Hensley Awards 2017 at the Cobb Energy Center on April 20, 2017. [Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.4, 1/160] Last night we were part of the "LIVE TV AUDIENCE" at the 2017 Shuler
- [Photo Tips: Covering a Meeting](https://picturestoryteller.com/2017/04/25/photo-tips-covering-a-meeting/) - [Nikon D5, Sigma 24-105mm ƒ/4, ISO 51200, ƒ/13, 1/100] Most meetings will have some similar elements. I am showing here some of what I call the photos typical for the bullet list of shots. The first one here is the keynote speaker showing people are listening. Here, I shot at a considerable depth of field
- [Nikon 85mm ƒ/1.8 is perfect for "Selective Focus"](https://picturestoryteller.com/2017/04/28/nikon-85mm-ƒ1-8-is-perfect-for-selective-focus/) - [Nikon D5, Nikon 85mm ƒ/1.8, ISO 5000, ƒ/1.8, 1/100] I love isolating subjects in a room using selective focus. Selective focus is using a limited depth of field to focus sharply on a specific object in a scene while other parts are out-of-focus. The Nikon 85mm ƒ/1.8 is a great lens to use in a
- [Feeling the burden to tell a story](https://picturestoryteller.com/2017/05/01/feeling-the-burden-to-tell-a-story/) - Tim Hawkins – Comedian [Fuji X-E2, 55-200mm, ISO 6400, ƒ/9, 1/100] Tim Hawkins often says in his comedy routines that there are only two things different between himself and the audience when it comes to comedy. First, he has the microphone, and second, talent. Of course, he says this towards the end of his shows
- [Want to get better – Get Critiqued!](https://picturestoryteller.com/2017/05/03/want-to-get-better-get-critiqued/) - Bill Bangham gives one-on-one reviews to the students in School of Photography at the University of Nations located in Kona, Hawaii. [Nikon Coolpix P7000] How would you like for me to go over your work with you and give you some feedback? Professional photographers seek out portfolio reviews to learn what they can do better
- [Fake News & Product Endorsers](https://picturestoryteller.com/2017/05/05/fake-news-product-endorsers/) - Fake News Turn on the news or pick up a newspaper today, and there most likely have been articles about how to spot “Fake News.” Sadly it would help if you did a lot of research sometimes. Some sites intentionally write false, humorous stories under the satire genre. A prime example is An Onion. Many
- [What's your point?](https://picturestoryteller.com/2017/05/07/whats-your-point/) - Nikon D3, 14-24mm, ISO 200, ƒ/13, 1/3 Thinking aloud is a standard and beneficial aspect of human cognitive function. It helps us remember things, work through complicated tasks, and boosts our self-esteem. However, in many situations, thinking out loud is inappropriate, especially when you are the one leading. If you have a goal and objectives
- [Monday Devotional – created in Christ Jesus to do good works](https://picturestoryteller.com/2017/05/08/monday-devotional-created-in-christ-jesus-to-do-good-works/) - Nikon D4, 28-300mm, ISO 100, ƒ/4.5, 1/320 Romans 12:6-8 We have different gifts, according to the grace given to each of us. If your gift is prophesying, then prophesy in accordance with your faith; if it is serving, then serve; if it is teaching, then teach; if it is to encourage, then give encouragement; if
- [Nikon D5 ISO 64000 bails me out with a Rodeo](https://picturestoryteller.com/2017/05/14/nikon-d5-iso-64000-bails-me-out-with-a-rodeo/) - Any camera manufacturer has never sponsored me. Most of what I have gotten from them were gifts they give at trade shows. So, all my comments are just how I feel about my gear. However, I do want to disclose that for the equipment links, while you pay the same price, I get a small
- [Monday Devotion for Photographers: Purpose Driven by God](https://picturestoryteller.com/2017/05/15/monday-devotion-for-photographers-purpose-driven-by-god/) - Proverbs 3:5-6 5 Trust in the Lord with all your heart and lean not on your own understanding; 6 in all your ways submit to him, and he will make your paths straight. One of the most passionate people in the bible was Saul. You may know him by his Roman name of Paul, which
- [Volunteer Mission Trip or NGO Trip: Camera Tips and Storytelling Advice](https://picturestoryteller.com/2017/05/17/volunteer-mission-trip-or-ngo-trip-camera-tips-and-story-tips/) - If you're heading out on a mission trip or NGO project and want to bring back meaningful visuals—whether for your organization or to share with supporters—don’t rely solely on your smartphone. While phones have come a long way, they’re still limited regarding flexibility, control, and storytelling potential. A dedicated camera, even a compact one, gives
- [The photography digital learning curve is now a plateau](https://picturestoryteller.com/2017/05/19/the-photography-digital-learning-curve-is-now-a-plateau/) - Georgia’s #5 Terry Godwin Wide Reciever is tackled by North Carolina’s #90 Naxair Jones defensive tackle after a reception during the Chick-fil-A Kickoff at The Georgia Dome on September 3, 2016. [Nikon D5, Sigma TC-2001 2x, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 40000, ƒ/5.6, 1/4000] The photography digital learning curve has flattened
- [Marking Milestones](https://picturestoryteller.com/2017/05/22/marking-milestones/) - Chelle's graduation from Roswell High School Sometimes when driving on roads, the scenery doesn't change all that much however you do have those mile markers letting you know how far you have come and how far you have to go. High school graduation is one of those milestone markers in our lives that we stop
- [Robin Rayne a Storyteller Chasing Rainbows](https://picturestoryteller.com/2017/05/23/robin-rayne-nelson-a-storyteller-chasing-rainbows/) - Robin Rayne asked the members of the Cherokee Camera Club, “What’s your passion?” The “Deer in Headlights” syndrome is why there are so many responses to this question. There are many ways we are asked this question in our lives. “If you had unlimited money, what would you do?” “If I had unlimited time and resources,
- [Georgia's 6th congressional district special election, 2017](https://picturestoryteller.com/2017/05/24/georgias-6th-congressional-district-special-election-2017/) - Covering a political campaign If you are going to take pictures and use them to help inform people about politics, then you need to know what is going on in politics. I am biased about politics when I am posting on my blog. So this is more editorial view than journalistic. Last night I met Jon
- [Memorial Day – A time to pause](https://picturestoryteller.com/2017/05/26/memorial-day-a-time-to-pause/) - Reading Time: 5 minutes This is my Uncle 2nd Lt. James Stanley Leary, Jr., who was killed on Saipan by the Japanese on July 6, 1944. He is the one standing. Today I went to the Georgia National Cemetery located in Canton, GA. Due to the week’s rain, none of the American flags have been
- [Today's Photos of Memorial Day – Georgia National Cemetery](https://picturestoryteller.com/2017/05/30/todays-photos-of-memorial-day-georgia-national-cemetery/) - Today I went again to the Georgia National Cemetery in Canton, GA. The flags were at all the graves. Family and friends had left flowers for all those who had been buried at the cemetery. Visiting the Georgia National Cemetery is a time for families to tell the stories of their family and close friends.
- [Packing  Solution for Checking Laptop & Cameras on International Flight](https://picturestoryteller.com/2017/05/31/packing-solution-for-checking-laptop-cameras-on-international-flight/) - STREETWALKER® ROLLING BACKPACK V2.0 Thousands of flights and hundreds of thousands of passengers will be affected daily if the United States extends its so-called laptop ban to all international flights. For now, electronic devices more significant than a cellphone are banned from the cabin on flights bound for the United States from 10 airports in
- [Do you know about the Dehaze Effect in Lightroom & PhotoShop?](https://picturestoryteller.com/2017/06/02/do-you-know-about-the-dehaze-effect-in-lightroom-photoshop/) - May 2015, Adobe added to PhotoShop and Lightroom the Dehaze slider. The Dehaze tool helps you quickly reduce or remove haze, joint in many outdoor photos like landscapes. Here is the above photo with the Dehaze at 0 Same photo settings but now Dehaze at +73 Now, if you were like me, you had an editing
- [Time of Day Impacts Your Photo](https://picturestoryteller.com/2017/06/05/time-of-day-impacts-your-photo/) - Leary family reunion at Ocean Isle Beach, NC. We are enjoying our accommodations on the beach front. [Nikon D5, Sigma 24-105mm, ISO 51200, ƒ/5.6, 1/100] Time of day makes a HUGE impact on a photograph. Take a look at these two examples. The photos create two different moods; you may use one over the other
- [Travel Photography: These are a few of my favorite things](https://picturestoryteller.com/2017/06/07/these-are-a-few-of-my-favorite-things/) - Travel photography often catches those elements that create a desire for the place. Often people put photos and paintings of these places in their homes and offices as a way for them to escape for a moment by just soaking in the image. The key to capturing these moments of solitude is they have first
- [When Preparation Meets Opportunity](https://picturestoryteller.com/2017/06/09/when-preparation-meets-opportunity/) - Chelle enjoys the rainbow after all the rain the past couple days at Ocean Isle Beach, NC. [Nikon D5, 14-24mm, ISO 8000, ƒ/22, 1/100] There are times for photographers when you happen to be in the right place at the right time. Last night was one of those times for me. It had been raining
- [When and when not to add light to existing light](https://picturestoryteller.com/2017/06/12/when-and-when-not-to-add-light-to-existing-light/) - Chelle enjoys the rainbow after all the rain the past couple days at Ocean Isle Beach, NC. [Nikon D5, Nikon 14-24mm ƒ/2.8, ISO 8000, ƒ/22, 1/100] Sometimes, you must compose a photo in photography because God has taken care of the light for you. Here is an excellent example of my daughter at the beach
- [Full Disclosure is required and seldom done with photography](https://picturestoryteller.com/2017/06/14/full-disclosure-is-required-and-seldom-done-with-photography/) - When I talk about a product and have been given any compensation, I must inform you about that relationship. This is called full disclosure. It is best that I start the conversation with you upfront, not at the message's end. Sadly, many photographers whom camera manufacturers or software companies compensate for are not fully disclosing
- [Before you tell a story you have to find the story](https://picturestoryteller.com/2017/06/19/before-you-tell-a-story-you-have-to-find-the-story/) - [Nikon D5, 85mm ƒ/1.8, ISO 4500, ƒ/4, 1/100] This is Amar, and his father is the Imam in a Mosque we visited in the Balkans. This is all part of our Storytellers Abroad Multimedia Workshop that I am helping lead in the Balkans, which is part of Eastern Europe. This is our Storytellers Abroad Multimedia
- [Hump Day for Storytellers Abroad Multimedia Workshop in the Balkans](https://picturestoryteller.com/2017/06/21/hump-day-for-storytellers-abroad-multimedia-workshop-in-the-balkans/) - This is one of the largest Mosques in the Balkans, where we lead our Storytellers Abroad Multimedia Workshop. [Fuji X-E2, 18-55mm, ISO 200, ƒ/4, 1/15] Today is hump day and is also our midway point for our Storytellers Abroad Multimedia Workshop we are doing for 12 students in the Balkans. Last night we introduced the
- [Wrapping up editing today for tonight's show for the students](https://picturestoryteller.com/2017/06/23/wrapping-up-editing-today-for-tonights-show-for-the-students/) - Korinna Duke interviews the founder of a Leadership Academy in the Balkans. [Fuji X-E2, 18-55mm, ISO 200, ƒ/9, 1/280] Today is our time. We will show everyone in the class each of the student projects. The students have enjoyed hearing the stories of Global Workers taking the time to develop relationships with the people of
- [Knowing your subject doesn't produce a great story, it is ...](https://picturestoryteller.com/2017/06/26/knowing-your-subject-doesnt-produce-a-great-story-it-is/) - [Fuji X-E2, 18-55mm, ISO 6400, ƒ/4, 1/25] This young boy and his friends were hanging out on a bumper car ride in the Balkans. The boy is looking at me through a reflection of mirrors in the passage. There is a curiosity in his eyes about who is this American with a camera. His look
- [My resources for living with Aspergers](https://picturestoryteller.com/2017/06/28/my-resources-for-living-with-aspergers/) - Great book for those wanting to learn more about Aspergers. This past week I have talked with a few people about Aspergers. I have been transparent through the years about my Aspergers. I have found that this has helped others understand me better and made my interactions with people more productive. Whenever I speak at
- [Theatre is life compacted](https://picturestoryteller.com/2017/07/03/theatre-is-life-compacted/) - [Fuji X-E2, 55-200mm, ISO 4000, ƒ/4.5, 1/200] My daughter is helping teach a summer camp theatre class. This past week the camp was about what in the theatre they call the Triple Threat: Act, Sing, and Dance. This energetic session focused on popular Broadway musicals and plays from Mary Poppins to Matilda and Pippin to Wicked.
- [Remembering the Balkans](https://picturestoryteller.com/2017/07/05/remembering-the-balkans/) - [Fuji X-E2, 18-55mm, ISO 400, ƒ/5, 1/100] It has been over a week since I returned from the Balkans. I have been reviewing my photos and reflecting on my time there. I was not there to shoot photos and come away with a story for myself. I was there to teach a workshop on multimedia
- [What do I charge, and how do I word something with a client?](https://picturestoryteller.com/2017/07/07/what-do-i-charge-and-how-do-i-word-something-with-a-client/) - This is the most helpful software package I own for my business. While I have Adobe Creative Cloud Suite, which I use Lightroom, PhotoShop, and Premier Pro regularly, it is fotoBiz X that runs the business side of my work. Here is a link to the software. I am an affiliate of their program. This
- [How to identify people in large group photos and projects](https://picturestoryteller.com/2017/07/10/how-to-identify-people-in-large-group-photos-and-projects/) - Yesterday, I took a few large group photos. The editors needed to identify everyone in these group photos. Within Lightroom, you can go to "People," which will search for all the faces using face recognition software similar to Facebook. While Lightroom helps you with "face recognition," you must still get everyone's names. So here is
- [Use flash like garlic – A little goes a long way](https://picturestoryteller.com/2017/07/12/use-flash-like-garlic-a-little-goes-a-long-way/) - [Nikon D5, Sigma 35mm ƒ/1.4, ISO 100, ƒ/8, 1/125 – Neewer TT850 flash, Neewer 433MHz Wireless 16 Channel Flash Remote Trigger, MagMod Magsphere] I am one of my favorite customers Raving Fan. For the past 13 years, Chick-fil-A has taken one day a year for customer appreciation day. However, the cows like to call it
- [Mac Users tips on Sharing files with PCs](https://picturestoryteller.com/2017/07/14/mac-users-tips-on-sharing-files-with-pcs/) - I am writing this blog post for Mac users. When formatting a USB drive or even an external hard drive that you intend to share with PC users, knowing there are many ways to format the drive is essential. I will walk you through the steps here, which will let you easily share your files
- [Faith is Distinct from Human Belief](https://picturestoryteller.com/2017/07/17/faith-is-distinct-from-human-belief/) - Fuji X-E2, 18-55mm, ISO 6400, ƒ/4, 1/18 Yesterday I was studying Hebrews 11. As I was reading all the examples of those who had great faith, it struck me that they did not have the scripture as Jews, Christians, or Muslims have today. The chapter continues using the examples of Abel, Enoch, Noah, Abraham, Isaac, Jacob, and Sarah.
- [You can't handle the truth](https://picturestoryteller.com/2017/07/21/you-cant-handle-the-truth/) - A small outreach group has started in the bush village of Sabtenga. The oldest man in a hat was Musanai Zemnai, the Chief of the Young People, who welcomed the group. [Nikon D2X, Sigma 18-50mm ƒ/2.8, ISO 400, ƒ/2.8, 1/350] I grew up singing in Baptist churches, "Blessed Assurance." The refrain went like this: This
- [Drew Gibson Country-Blues Song-Writer](https://picturestoryteller.com/2017/07/24/drew-gibson-country-blues-song-writer/) - Drew Gibson plays at The Crimson Moon in Dahlonega, GA with Dave Hadley playing the steel guitar. [Fuji X-E2, 18-55mm, ISO 6400, ƒ/4, 1/45] Last night we drove up to Dahlonega, GA, to see one of my wife's friends from college in Richmond, VA play at The Crimson Moon. Drew Gibson plays a country-blues style
- [No more fumbling through the camera bag for a lens](https://picturestoryteller.com/2017/07/28/no-more-fumbling-through-the-camera-bag-for-a-lens/) - Working with photo assistants taught me that you must communicate clearly with them. Every photographer has a different system for doing things. If you work with the same assistant all the time, you are at an advantage over those of us who need to hire different assistants from time to time. I am not so
- [Most photographers are introverts and introverts need community](https://picturestoryteller.com/2017/07/31/most-photographers-are-introverts-and-introverts-need-community/) - [Nikon D5, Sigma 35mm ƒ/1.4, ISO 100, ƒ/1.4, 1/1000] photo by: Robin Rayne Nelson I have taken many personality tests, all of which have me somewhere on the introvert scale. Now some have me as a borderline extrovert but never a strong socialite. On the Myers-Briggs test, I am an INFP. INFP personalities are true
- [Screeching Red-tailed Hawk was my alarm clock today](https://picturestoryteller.com/2017/08/02/screeching-red-tailed-hawk-was-my-alarm-clock-today/) - I woke up this morning to screeching in our backyard. Sometimes this is the squirrels, and other times, it is the chipmunks, but today it was this Red-tailed Hawk. Let me walk you through this photo shoot that was more about reacting to the moment than having planned to be shooting a hawk this morning.
- [Where my inspiration comes from](https://picturestoryteller.com/2017/08/04/where-my-inspiration-comes-from/) - [Nikon D5, Nikon 28-300mm ƒ/3.5-5.6, ISO 100, ƒ/5, 1/4000 – Alienbees B1600, Triggered with Pocketwizards] When I took this photo, I was doing all I could to capture the look of musical Oklahoma! in Roswell, Georgia, at a friend's horse farm. I didn't get paid at all for this photo shoot. However, I put as
- [Monday Devotional: Do you see the milk and honey or the difficulties?](https://picturestoryteller.com/2017/08/07/monday-devotional-do-you-see-the-milk-and-honey-or-the-difficulties/) - [Fuji X-E2, Fuji 18-55mm, ISO 640, ƒ/5, 1/100] It is back to the grindstone for many this Monday. Are you excited or depressed about your day? I'll be honest with you I am struggling. This is written for me as much as to share with you today. If you are like me, there are parts
- [It is August are you going back to school?](https://picturestoryteller.com/2017/08/09/it-is-august-are-you-going-back-to-school/) - [Nikon D3, 24-120mm, ISO 200, ƒ/11, 1/250 – Alienbees B1600 for fill flash] This week, it is back to school for college students and other schools in Georgia. Monday morning, my drive took longer because all the school buses were picking up children to take them to their first day of school. In many ways,
- [Monday Devotional: Importance of community](https://picturestoryteller.com/2017/08/14/monday-devotional-importance-of-community/) - Each year, a new class of cadets starts a new one at The Citadel. They come in, many of them being self-reliant, and many already understand the importance of community. Still, the process of the Knob year for the cadets is to integrate them into the corps of cadets. “Do you think the Clemson students
- [There’s no such thing as winning an argument](https://picturestoryteller.com/2017/08/16/theres-no-such-thing-as-winning-an-argument/) - Three different ethnic backgrounds, but all of them are friends. As a business owner I know first hand about how important a relationship with customers is over me being right. Certain brands have "Raving Fans" because those businesses are thinking of the customer and doing all they can to meet the needs of their customers
- [The Power of Photo + TXT](https://picturestoryteller.com/2017/08/18/the-power-of-photo-txt/) - When you post a photograph with text, you have increased the value of your photo by more than sevenfold. Here is a great example that I did on Memorial Day: the text was needed to understand the photo. A coin left on a headstone let’s the deceased soldier’s family know that somebody stopped by
- [Monday Devotional: Help me overcome my unbelief!](https://picturestoryteller.com/2017/08/21/monday-devotional-help-me-overcome-my-unbelief/) - Airborne School First Jump of school Leap of Faith A leap of faith is believing in or accepting something outside the boundaries of reason. "Thinking can turn toward itself to think about itself, and skepticism can emerge. But this thinking about itself never accomplishes anything." Søren Kierkegaard says thinking should serve by thinking something. Kierkegaard
- [Godox V860IIN + Godox X1NT: GETTING A NATURAL FILL LIGHT FEEL](https://picturestoryteller.com/2017/08/23/godox-v860iin-godox-x1nt-getting-a-natural-fill-light-feel/) - GODOX X1-N FEATURES Godox 2.4GHz RF Radio SystemRange – 100m +Flash Modes – iTTL / M / OFFHSS to 1/8000thSecond Curtain SyncFEC / FEB – 1/3rd Increments (±3 Stops)FEL (Flash Exposure Lock)Manual Flash – 1/128 – 1/1 Output (1/3rd Increments)Remote Flash Zoom (Auto / Manual) (Global for All Groups Only)Group Mode – 5 Groups A
- [Monday Devotional – Photographer you are the "Greener Grass"](https://picturestoryteller.com/2017/08/28/monday-devotional-photographer-you-are-the-greener-grass/) - I am photographing Jeff Raymond, James Dockery, and Pat Davison at our Storytellers Abroad Multimedia Workshop in the Balkans this summer. Last night my wife and I were out to dinner with another photographer and their spouse. We had discussed how to market yourself as a photographer at events like Chamber of Commerce hosts. Dorie,
- [Dentistry & Photography have a lot in common](https://picturestoryteller.com/2017/08/30/dentistry-photography-have-a-lot-in-common/) - This x-ray I got online in creative commons of a dental implant with a sinus lift. I am going through that process right now. The tooth to the right with a post inside the tooth after a root canal is what failed and started the process. Because they had to pull it, I asked to
- [Photographer please listen to understand my problems before telling me your solution](https://picturestoryteller.com/2017/09/01/photographer-please-listen-to-understand-my-problems-before-telling-me-your-solution/) - Nikon D750, 28-300mm, ISO 7200, ƒ/5.3, 1/100 I believe that photographers either jump to the assumption of false equivalence or don't listen to the client and try to understand their perspective. False equivalence is a logical fallacy in which two opposing arguments appear to be logically equivalent when they are not. Often photographers are too
- [Chick-fil-A Kickoff Game, the first college football game to ever be played in the new Mercedes-Benz Stadium](https://picturestoryteller.com/2017/09/04/chick-fil-a-kickoff-game-the-first-college-football-game-to-ever-be-played-in-the-new-mercedes-benz-stadium/) - Alabama running back Damien Harris (34) blocks a punt. No.1 Alabama defeated No. 3 Florida State 24-7 in the Chick-fil-A Kickoff Game, the first college football game ever to be played in the new Mercedes-Benz Stadium. [Nikon D5, Sigma 120-300mm ƒ/2.8, TC-2001, ISO 14400, ƒ/5.6, 1/2000] Yesterday, I had the privilege of shooting the brand's
- [Shooting the Chick-fil-A Kickoff with Nikon D5: ISO 5600 to ISO 40000](https://picturestoryteller.com/2017/09/06/shooting-the-chick-fil-a-kickoff-with-nikon-d5-iso-5600-to-iso-40000/) - What did I learn from my first game in the Mercedes-Benz Stadium? If I had taken the time before the game and pulled up the last game in the Georgia Dome in Adobe Lightroom, I would have had the exposure to compare. In my last game at the Georgia Dome, I shot the Nikon D5
- ["With my iPhone we need to face the sun," said the golfer](https://picturestoryteller.com/2017/09/08/with-my-iphone-we-need-to-face-the-sun-said-the-golfer/) - [Nikon D5, Sigma 35mm ƒ/1.4, Godox V860IIN, ISO 100, ƒ/5.6, 1/640] I was contracted to cover a golf tournament at East Lake Golf Club in Atlanta, Georgia. One of the guys told me we needed to turn everyone around and have them face the sun to get the photo. The executive director, taking me by
- [Monday Devotional: Finding Peace in the Storm](https://picturestoryteller.com/2017/09/11/monday-devotional-finding-peace-in-the-storm/) - While Hurricane Charlie or Irma may not have impacted you, you will face trials. Each of us will have a time when some test of our faith will be challenged. I think seeing these disasters these past few weeks and watching the news gives everyone hope when you see people helping each other. That is
- [Nikon D5 + Sigma 120-300mm ƒ/2.8 S – A Winning Combination](https://picturestoryteller.com/2017/09/14/nikon-d5-sigma-120-300mm-ƒ2-8-s-a-winning-combination/) - Between the photographer and the subject, the camera and lens combination will give the photographer the ability to capture what they desire or fail. When I started shooting football in 1983 at East Carolina University as part of the student newspaper and yearbook staff, I could not have gotten most of these photos due to
- [Monday Devotional: Celebrating the life of Anacleto Rapping](https://picturestoryteller.com/2017/09/18/monday-devotional-celebrating-the-life-of-anacleto-rapping/) - This Sunday, I lost a good friend Anacleto Rapping to colon cancer. Because of my faith in Jesus, I believe in the afterlife and heaven. I think one day we will be reunited. While I will miss Anacleto, I didn't want us to hold onto him and have him suffer in pain. Today Anacleto is
- [Can you look at my website and give me feedback?](https://picturestoryteller.com/2017/09/20/can-you-look-at-my-website-and-give-me-feedback/) - Ring Weekend for the seniors at The Citadel [Nikon D3S, Sigma 120-300mm ƒ/2.8, ISO 12800, ƒ/5.6, 1/60] It is pretty standard for me to get an email saying, "I have been working on a website. I want your feedback." I go to their websites and find over and over that there is no rhyme or
- [Looking back to 2004 with the Nikon D100](https://picturestoryteller.com/2017/09/23/looking-back-to-2004-with-the-nikon-d100/) - Thirteen years ago, I had been shooting with my new Nikon D100 for just a few years. This was my first digital capture DSLR camera. My daughter and I drove to Americus, Georgia, to photograph the Habitat for Humanity International's Global Village & Discovery Center for Disney's Family Magazine. For the past few days, I have
- [The Compassionate Photographer Understands Eye Contact](https://picturestoryteller.com/2017/09/25/the-compassionate-photographer-understands-eye-contact/) - If you are in the service industry, you are most likely trained and understand the importance of eye contact. Eye Contact is an essential part of using practical communication skills. People are more likely to comply when more eye contact is used. Eye Contact establishes a connection between the person. Eye contact also tells us
- [Shooting sports inside with bad lighting](https://picturestoryteller.com/2017/09/27/shooting-sports-inside-with-bad-lighting/) - I am often asked to go to places and photograph where the lighting is just not that great. One of the worst places to go is to gyms. The reason is that they often use Fluorescent or Silver Halide lights that require you to shoot above 1/60 shutter speed if you are trying to freeze
- [When a visiting professional comes to your college class ...](https://picturestoryteller.com/2017/09/29/when-a-visiting-professional-comes-to-your-college-class/) - For the past nine to ten years, I have made a journey to Mark Johnson's Advanced Photojournalism class at the Grady School of Journalism on the campus of the University of Georgia. I present how to make a living as a photographer each time. During this last visit, three of Mark's former students I work
- [Use different lenses to get variety of looks for a client](https://picturestoryteller.com/2017/10/01/use-different-lenses-to-get-variety-of-looks-for-a-client/) - [Nikon D5, Sigma 35mm ƒ/1.4, ISO 900, ƒ/1.4, 1/100] What lenses do you take on a job? I might take all I can, but a better question might be which ones you try to use the most. One lens I have loved to use a lot these past couple of years is the Sigma 35mm
- [First step of editing is culling](https://picturestoryteller.com/2017/10/04/first-step-of-editing-is-culling/) - He was spraying bug spray for protection during the parade for Corps Day Weekend at The Citadel in Charleston, SC. [Nikon D3, Sigma 120-300mm, 2X, ISO 200, ƒ/4, 1/1250] Too many photographers do not spend enough time editing their photos. Editing has many different stages of the process. The very first step is that of
- [Face Expressions – The Nuance For Great Photos](https://picturestoryteller.com/2017/10/09/face-expressions-the-nuance-for-great-photos/) - The Summerall Guards perform half-time at the Parent’ss Weekend football game at The Citadel in Charleston, SC. [Nikon D5, Sigma 120-300mm ƒ/2.8 S, Sigma TC-2001, ISO 1000, ƒ/5.6, 1/4000] Knowing your subject gives you insights into what makes a better photo than any photo. My son was a Summerall Guard at the Citadel in the
- [Covering a church service with video and stills](https://picturestoryteller.com/2017/10/11/covering-a-church-service-with-video-and-stills/) - Praise band singing at the Summerall Chapel on the Citadel Campus. [Nikon D5, Sigma 24-105mm ƒ/4 Art, ISO 7200, ƒ/4, 1/100] This past Sunday, my wife Dorie Griggs was asked to give the message for Parent's Weekend at the Summerall Chapel on The Citadel by Chaplain to the Corps of Cadets and Director of Religious
- [Setting Goals and Achieving them brings BIG smiles](https://picturestoryteller.com/2017/10/12/setting-goals-and-achieving-them-brings-big-smiles/) - The best moments for celebration are when we have set goals that took a great deal of effort to achieve. At The Citadel, there is the fourth class system. The purpose of the Fourth Class System at The Citadel is to provide a base upon which a fourth class cadet may develop those qualities essential to
- [Shadowing Robin Nelson being shadowed while covering Atlanta Pride Parade](https://picturestoryteller.com/2017/10/15/shadowing-robin-nelson-being-shadowed-while-covering-atlanta-pride-parade/) - Robin Nelson encouraged me for years to cover the Atlanta Pride Parade. Each year UGA's Photojournalism students are asked by their teacher Mark Johnson to shadow a working professional photojournalist. Kayla Renie contacted Robin to follow her shooting. Robin suggested she follow her at the Atlanta Pride Parade. The mission of the Atlanta Pride Committee
- [The California Honeydrops play at Terminal West in Atlanta, Georgia](https://picturestoryteller.com/2017/10/19/the-california-honeydrops-play-at-terminal-west-in-atlanta-georgia/) - On trumpet, the California Honeydrops' Lech Wierzynski plays with Ben Malament on the washboard at Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm, ISO 6400, ƒ/5.6, 1/200] For my wife's birthday, we went to Terminal West, a concert venue in Atlanta, Georgia, to hear The California Honeydrops play. I am thrilled I brought my Nikon
- [Fresh Eyes to Old Photos](https://picturestoryteller.com/2017/10/20/fresh-eyes-to-old-photos/) - Rodeo at Parker Ranch, Waimea, The Big Island of Hawaii [Nikon D750, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/1000] Every once in a while, I like to go back through older photo shoots and look through them. I sometimes find photos I glanced over that are much better than I first noticed. I use the software
- [Jam Sessions are great examples of healthy friendships.](https://picturestoryteller.com/2017/10/23/jam-sessions-are-great-examples-of-healthy-friendships/) - The California Honeydrops play at Terminal West in Atlanta, Georgia. [Nikon D5, 28-300mm ƒ/3.5-5.6, ISO 25600, ƒ/5.6, 1/200] One of the most fun things I ever did in my years of playing trumpet was sit in on a JAM Session. A jam session is a relatively informal musical event, process, or activity where musicians, typically
- [The real purpose of a "Thank You Note"](https://picturestoryteller.com/2017/10/25/the-real-purpose-of-a-thank-you-note/) - Photography Students or Wannabe Photographers I realized that I need to connect the dots for many of you on how to start your career from those already in the profession. First, this is not about photography skills but about developing relationships that can help you grow professionally. While I love to teach photography skills such
- [Photographing Friday Night Lights at a small country high school](https://picturestoryteller.com/2017/10/28/photographing-friday-night-lights-at-a-small-country-high-school/) - I had a lot of fun covering my nephew's high school football game. The oldest is a senior and played; the youngest was dressed if they ever needed him. Like all small-town high school football, the lighting for these games is not great. I covered high school football in these small towns in 1984 for
- [Photographers it isn't about the gear](https://picturestoryteller.com/2017/11/02/photographers-it-isnt-about-the-gear/) - Togo, West Africa [Nikon D5, Sigma 24-105mm, ISO 2800, ƒ/4, 1/100] How people approach photography these days has me very disappointed. There is way too much emphasis on gear and techniques. While you must master your equipment and learn strategies, they are not the purpose of photography. The essential purpose of photography is communication. Few
- [Blessed to cover Islamic Speakers Bureau's Change Makers Award, Gala](https://picturestoryteller.com/2017/11/06/blessed-to-cover-islamic-speakers-bureaus-change-makers-award-gala/) - I had the pleasure of photographing The Islamic Speakers Bureau of Atlanta Gala, where they gave four Awards to those who have impacted Atlanta. The ISB seeks to build bridges between Muslims and the wider community. The thing about my job is sometimes; I want to pinch myself to see if it is really what
- [Looking for the shot](https://picturestoryteller.com/2017/11/08/looking-for-the-shot/) - This is the brand new Chick-fil-A at the bottom of the Ferris Wheel Skyview and along the tracks of the Atlanta Street Car in Downtown Atlanta, GA. [Nikon D5, Nikkor 14-24mm, ISO 400, ƒ/8, 1/500] I was trying to find the proper perspective to capture the new Chick-fil-A in a container at the base of
- [Your Camera Takes Great Photos](https://picturestoryteller.com/2017/11/13/your-camera-takes-great-photos/) - The camera that takes great pictures How often do you feel insulted when some say your camera takes excellent pictures? The reason so many people think this is because they treat photography like a commodity. They believe it is mainly the gear that takes photos. When you give those people a Nikon D5, they will
- [Photographers should be like Firefighters](https://picturestoryteller.com/2017/11/15/photographers-should-be-like-firemen/) - Roswell Fire Department [Nikon D5, Sigma 24-105mm ƒ/4, ISO 7200, ƒ/4, 1/100] I have two fellow photojournalists that I love to hire when I need help. One is Robin Nelson, and the other is Michael Schwarz when meeting tight deadlines. What all three of us have in common are newspaper and wire service backgrounds. I
- [The heart and mind are the true lens of the camera](https://picturestoryteller.com/2017/11/20/the-heart-and-mind-are-the-true-lens-of-the-camera/) - Daddy Daughter Date Night at the Memphis Zoo [Nikon D5, Nikkor 14-24mm ƒ/2.8, ISO 3200, ƒ/4, 1/15 – Godox V860IIN + Godox X1NT] “Photography is not like painting,” Henry Cartier-Bresson told the Washington Post in 1957. “There is a creative fraction of a second when taking a picture. Your eye must see a composition or an
- [True Thanksgiving Requires True Sadness](https://picturestoryteller.com/2017/11/27/true-thanksgiving-requires-true-sadness/) - This is the Macchiato I was drinking at a restaurant during our Storytellers Abroad Multimedia Workshop in the Balkans. A Caffé Macchiato or Espresso Macchiato is a shot or two of espresso, with just a small amount of steamed milk that “marks” the espresso, though in some regions, the steamed milk comes first, and the
- [Sports Action That "POP!"](https://picturestoryteller.com/2017/12/04/sports-action-that-pop/) - I had a lot of fun this weekend shooting some soccer shots. This is one of my favorite images from the day. I am lying on the ground shooting with my 14-24mm Nikon lens at 14mm. The guy landed on me once; it might have been with this photo. As Robert Capa said, "If your
- [The First Snow of Winter 2017 in Roswell, Georgia](https://picturestoryteller.com/2017/12/09/the-first-snow-of-winter-2017-in-roswell-georgia/) - Roswell Fire Department is monitoring a tree whose branches are in the transformer, causing some arcing from power lines. [Nikon D5, Sigma 24-105mm ƒ/9, ISO 81275, ƒ/4, 1/100] Just two days ago, the local television stations were predicting 1" to 2" of snow possible in metro Atlanta. As you see in the first photo, we
- [What is an "Image Library" photo shoot?](https://picturestoryteller.com/2017/12/12/what-is-an-image-library-photo-shoot/) - Do you have an “image library” for your organization? What is an “image library”? It is a pool of pictures that you commission that will be used in many different ways for mainly internal and external communications. Sometimes, but rarely are they used for advertising. Today many of those with “image libraries” are hosting these
- [Over the digital learning curve and on a plateau](https://picturestoryteller.com/2017/12/18/over-the-digital-learning-curve-and-on-a-plateau/) - First Snow for Winter 2017 in Roswell, Georgia. Christmas Tree with our Magnolia tree in the backyard. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 400, ƒ/14, 1/40 – Godox V860IIN with MAGMOD MagSphere] One of the biggest things to ever hit photography was the move to digital. No matter how experienced you were in photography if
- [Breaking Tradition to experience Christmas in Sparta, New Jersey](https://picturestoryteller.com/2017/12/21/breaking-tradition-to-experience-christmas-in-sparta-new-jersey/) - Christmas in Sparta, New Jersey. [Fujifilm X-E3, 18-55mm, ISO 12800, ƒ/4, 1/60] We are celebrating Christmas in Sparta, New Jersey, this year. This is my wife's hometown. She hasn't been home to celebrate Christmas since 1985. We have spent many years together with my family in North Carolina. Joey is my brother-in-law, and while eating
- [How To: Christmas family photo where everyone will look great - Even pets!](https://picturestoryteller.com/2017/12/28/how-to-christmas-family-photo-where-everyone-will-look-great-even-pets/) - Christmas Family Photo [Nikon D5, Sigma 24-105mm ƒ/4, ISO 400, ƒ/8, 1/200 – (2) Godox V860IIN + Godox X1NT with MAGMOD MagSphere] This is a family photo we did this year of our family with my wife's family. One of our son's couldn't be there and had to work with a new job. To get
- [Chick-fil-A Peach Bowl Highlights](https://picturestoryteller.com/2018/01/02/chick-fil-a-peach-bowl-highlights-2/) - [Nikon D5, Sigma 120-300mm ƒ/2.8, ISO 8000, ƒ/2.8, 1/4000] Every year I cover the Chick-fil-A Peach Bowl. These games have been some of the most watched in the Bowl Series. Many close games and big upsets have taken place. This year it was a match-up between the SEC and the AAC conferences. The University of
- [Sharing my own struggle with depression related to storytelling](https://picturestoryteller.com/2018/01/05/sharing-my-own-struggle-with-depression-related-to-storytelling/) - Witchdoctor and his family in Togo, West Africa [Nikon D5, Sigma 35mm ƒ/1.4 DG Art, ISO 100, ƒ/1.4, 1/2500] I believe that many journalists look for validation that the work they are doing is essential. I sure do look for it myself. I want to know that I am making a difference. However, I believe
- [Shooting High Speed Sync with Fuji X-E3 & Flashpoint Zoom Li-on R2 TTL](https://picturestoryteller.com/2018/01/08/shooting-high-speed-sync-with-fuji-x-e3-flashpoint-zoom-li-on-r2-ttl/) - Blue Bird on my Bird-feeder in Roswell, GA [Fujifilm X-E3, 55-200mm, ISO 1000, ƒ/4.8, 1/200 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter] Before Christmas, my friend Dennis Fahringer forwarded me a special Adorama had on their Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter. The flash was $119, and
- [What are your "Business New Year’s Resolutions?"](https://picturestoryteller.com/2018/01/09/what-are-your-business-new-years-resolutions/) - One of my wife and I's favorite photos of our daughter Chelle. She has her first Shirley Temple drink at the beach. Her expression of how much fun she was having and that we had this experience with her and the photo now helps us remember that moment like it just happened. This is the
- [The Catch-22 of finding work for the freelancer](https://picturestoryteller.com/2018/01/12/the-catch-22-of-finding-work-for-the-freelancer/) - 2017 SOP1 Group Photo–L/R Juan Carlos Sanchez De Fuentes, Thema Black, Daisy Wang, Fred Tesone, Hayley Webb, Michael Gellerstedt, Laurelee Martens, Chance Punahele Ortiz,Heather Morse, & Dennis Fahringer. Also featuring Keiko the dog. [Fuji X-E2, Fuji 18-55mm, ISO 200, ƒ/9, 1/80] A month from now I will be back in Kona, Hawaii to teach the
- [Don't raise Cain in your business](https://picturestoryteller.com/2018/01/15/dont-raise-cain-in-your-business/) - Story of Cain and Abel [Fujifilm X-E3, 18-55mm, ISO 1000, ƒ/4, 1/200] Yesterday, when I was in my Sunday School class, we studied the story of Cain and Abel. While I have read this story repeatedly since I was a little child, I come to the scripture a little differently each time. Life experiences and
- [What birds can teach us](https://picturestoryteller.com/2018/01/22/what-birds-can-teach-us/) - American Gold Finch [Fujifilm X-E3, 55-200mm, ISO 8000, ƒ/10, 1/280 – Flashpoint Zoom Li-on R2 TTL & Flashpoint R2 TTL transmitter] The past few weeks have been bitterly cold for our community in Roswell, Georgia. While we didn't have a lot of snow, it stayed on the ground longer than usual due to the freezing
- [Family Visual Historian](https://picturestoryteller.com/2018/01/24/family-visual-historian/) - I am my family's visual historian. I take photos and give them away to my family all the time. Thanks to social media, there is a good chance these may be seen and enjoyed more than when I shot the film, and they went into a family photo album. While I am not working on

## Pages

- [Stanley Leary](https://picturestoryteller.com/stanley-leary-6/) - I'm Stanley Leary. I'm a photographer, storyteller, teacher and communicator. For more than 40 years, I've been trying to understand one simple question: How do we tell stories that matter to the people who need to hear them? Photography is one of the tools I use to answer that question—but it isn't the whole story.
- [Depth of Field & Lens Selection](https://picturestoryteller.com/depth-of-field-lens-selection/) - This is the setup I am using for my first set of photos. Here is the assignment: 4 images with the same composition, altering the aperture and focal length1. Widest focal length, widest aperture (~ f/3.5)2. Widest focal length, aperture between f/11-f/223. Longest focal length, widest aperture (~ f/4.5-5.6)4. Longest focal length, aperture between f/11-f/22
- [Resizing in Adobe Bridge and Compressing Your Folder](https://picturestoryteller.com/resizing-in-adobe-bridge-and-compressing-your-folder/) - Batch Resizing Open your folder in Adobe Bridge and select all the images (Command-A). Go to Tools -> Photoshop -> Image Processor. (This will launch Adobe Photoshop, so that it will take a few moments.) If it is missing, uninstall Photoshop and reinstall it. Restart Bridge, and you should be fine. In the Image
- [Copying, Renaming and Batch Captioning in Adobe Lightroom & Bridge](https://picturestoryteller.com/copying-renaming-and-batch-captioning-in-adobe-bridge/) - Here is a video walking you through all the steps, and below are some screenshots. Open Lightroom While it is open, insert your camera's SD Memory Card into the computer. When you do that, this screen will pop up [above]. Be sure you select your card. If you do, the photos will pop up in
- [Manual Exposure](https://picturestoryteller.com/manual-exposure/) - This is the time when little girls and boys are learning to play America’s favorite pastime, baseball. Some of our family's favorite pictures are the ones I took while our kids were playing baseball. In 1996, I was shooting Fujifilm Provia transparency film at ISO 100. When you put this into the camera, it sets
- [Captions](https://picturestoryteller.com/captions/) - Good captions have five basic elements: Who What Where When Why The first sentence needs to have the first four items in it – who, what, where, and when. The second sentence explains why this photo is essential to the viewer. Quotes can be used in the second sentence or in a third if it
- [One Face, One Story](https://picturestoryteller.com/one-face-one-story/) - Here are some photos I have taken to help tell someone's story. For all your work, you must give me a complete story on the person in the caption. Use this link for how to write a complete caption. I put this together more for photo ideas than for the captions. Please write the captions
- [Audio Package](https://picturestoryteller.com/audio/) - Audio Averaged in with QuizzesTell a story in 45 seconds, using long, medium, and detailed sounds Here is how you edit the Audio using Adobe Premiere Pro CC The main thing you need to work on is a story. Here are some tips to help you recognize a good story and the parts you need.
- [Features](https://picturestoryteller.com/features/) - Assignment: Two feature photos – slice of life images that share what it’s like living, working, or studying on the UGA campus. Feature – Images and subjects that don’t fit in Spot News, General News, Sports, or Illustration. Typically found in moments or slices of life. Pictorial images – images that show graphic and aesthetic
- [My Mentor, Don Rutledge](https://picturestoryteller.com/my-mentor-don-rutledge/) - Photographer Don Rutledge, who told the story of missions through his camera lens for several generations of Southern Baptists, died on Feb. 19, 2013. He was 82. First in the United States and eventually throughout the world, Rutledge captured quiet moments of humanity and mission ministry in hundreds of classic photographs taken for the Home
- [Newsletter Signup](https://picturestoryteller.com/newsletter-signup/) - Join the NewsletterGet monthly updates delivered straight to your inbox. Sign up to stay in the loop!
- [Contact](https://picturestoryteller.com/contact/)
- [Partial Client List](https://picturestoryteller.com/partial-client-list/)
- [Private Lessons](https://picturestoryteller.com/private-photography-lessons/) - As an experienced storytelling and brand building teacher, Stanley has taught at various reputable institutions, such as Grady College of Journalism and Mass Communication at the University of Georgia, Athens, Ga.; The University of the Nations, Kona, Hawaii; Reinhardt College, Waleska, Ga.; Berry College, Rome, Ga.; Portfolio Center, Atlanta, Ga.; and Dallas (Texas) Baptist University.
- [Testimonials](https://picturestoryteller.com/testimonials-about-stanley-learys-work/) - “Stanley Leary has been a key consultant on our team as we built a strategic corporate communications function at Chick-fil-A, Inc. He is uniquely talented and versatile, with a deep understanding of how to use communications to connect with an audience. He is an excellent photographer, of course, but he is much more than that.
- [Bio](https://picturestoryteller.com/bio/) - Leary is seasoned communication professional with a talent for crafting compelling stories that resonate with audiences. He has worked with many clients, including Chick-fil-A, Newell-Rubbermaid, Kimberly-Clark, Coke, Georgia Tech, and The Carter Center. With a focus on storytelling that highlights how companies positively impact people's lives, Leary's work has taken him across the United States
- [Workshops](https://picturestoryteller.com/workshops/) - Honduras Multimedia Storytelling Workshop Dates: October 29th – November 5th, 2016 Come with us to the remote area of Agalta Valley in Central Honduras. We will be staying at Rancho el Paraiso, a 1,400-acre working ranch. You can learn to milk a cow if you like and watch the milking of the herd of cattle
- [Top Blog Posts Over Time](https://picturestoryteller.com/top-blog-posts/)
- [Introduction to Photojournalism Syllabus (Spring 2019) UGA](https://picturestoryteller.com/jour-3330-introduction-to-photojournalism-syllabus-spring-2019/) - Back in Fall 2018 and Spring 2019 I taught Intro to Photojournalism at the University of Georgia. I was helping them out for one year as they were hiring a Phd. Professor position and needed help until the search was done. This is the syllabus for the Spring Semester. I cannot thank Mark E. Johnson
- [Birds](https://picturestoryteller.com/birds/)
- [Multimedia Package](https://picturestoryteller.com/multimedia-package/) - This was one of my early slide shows I did on Chick-fil-A's Daddy Daughter Date Night, back February 7, 2009. Because this was Public Relations piece and not Photojournalism I used music. I did not get natural sounds that would have improved this package a great deal. I had started doing Slide Shows online in
- [My Gear](https://picturestoryteller.com/my-gear/) - CamerasLensesLightingVideoBagsMiscellaneous Cameras Nikon Z6 Fuji X-E3 Fuji X-E2 Lenses Nikon 14-24mm ƒ/2.8 Nikon 28-300mm ƒ/3.5-5.6 Nikon 60mm Macro ƒ/2.8 Nikon 85mm ƒ/1.8 Sigma 8mm ƒ/3.5 Acratech Spherical Panoramic Head for Sigma 8mm f/3.5 Fisheye Lenses Sigma 24-105mm ƒ/4 Sigma 35mm ƒ/1.4 Sigma 70-200mm ƒ/2.8 Sigma 120-300mm ƒ/2.8 Sport LensCoat for Sigma 120-300mm Sport Sigma 2x
- [JOUR 3330: Introduction to Photojournalism Syllabus (Fall 2018)](https://picturestoryteller.com/jour-3330-introduction-to-photojournalism/) - Grady College of Journalism & Mass Communication Friday 9:05 – 11:00, 11:15-1:10 Office Hours: Friday 8 a.m. - 9 a.m. or by appointment Stanley Leary JAMES.LEARY@uga.edu This class We are here to learn how to communicate visually. We will do this by learning the mechanics of your digital camera and by learning how to compose
- [Tips for Better Photos](https://picturestoryteller.com/tips-for-better-photos/) - Fill this out and also be registered to get the PDF on Tips for Better Photos and also to get our monthly e.Newsletter
- [News Package](https://picturestoryteller.com/news-package/) - These photos are not captioned. The purpose here is to show you what to look for in a variety of images. Often when I am doing a photo package on an event I am doing a skyline shot because the audience often wants to know where in the world something is taking place. In a
- [Contact](https://picturestoryteller.com/contact-2/) - Roswell, Georgia [Metro Atlanta] Telephone:404.786.4914 stanley@stanleyleary.com
- [About](https://picturestoryteller.com/about-2/) - This is an example of an about page. Unlike posts, pages are better suited for more timeless content that you want to be easily accessible, like your About or Contact information. Click the Edit link to make changes to this page or add another page.

## Galleries

- [Bald Eagle](https://picturestoryteller.com/bwg_gallery/bald-eagle/)
- [No Kings 3-29-26](https://picturestoryteller.com/bwg_gallery/no-kings-3-29-26/)
- [Ole Timers Dinner 2026](https://picturestoryteller.com/bwg_gallery/ole-timers-dinner-2026/)
- [Maria & Chris Wedding](https://picturestoryteller.com/bwg_gallery/maria-chris-wedding/)
- [Family Photos Thanksgiving 2025](https://picturestoryteller.com/bwg_gallery/family-photos-thanksgiving-2025/)
- [RICS 2025](https://picturestoryteller.com/bwg_gallery/rics-2025/)
- [Georgia Tech vs Auburn Women’s Softball Exhibition Game](https://picturestoryteller.com/bwg_gallery/georgia-tech-vs-auburn-womens-softball-exhibition-game/)
- [Education 10-22-25](https://picturestoryteller.com/bwg_gallery/education-10-22-25/)
- [No Kings 10-18-25](https://picturestoryteller.com/bwg_gallery/no-kings-10-18-25/)
- [Z9 Sports Settings](https://picturestoryteller.com/bwg_gallery/z9-sports-settings/)
- [ISB Atlanta Distinguished Leadership Award 2025](https://picturestoryteller.com/bwg_gallery/isb-atlanta-distinguished-leadership-award-2025/)
- [Real Estate Final Images](https://picturestoryteller.com/bwg_gallery/real-estate-final-images/)
- [2nd Annual Heroes, Hummers & Hops](https://picturestoryteller.com/bwg_gallery/2nd-annual-heroes-hummers-hops/)
- [9/11 2025](https://picturestoryteller.com/bwg_gallery/9-11-2025/)
- [Aflac Kickoff Games 2025](https://picturestoryteller.com/bwg_gallery/aflac-kickoff-games-2025/)
- [Fire Pushin](https://picturestoryteller.com/bwg_gallery/fire-pushin/)
- [Fireworks 2025](https://picturestoryteller.com/bwg_gallery/fireworks-2025/)
- [Roswell Pride Parade](https://picturestoryteller.com/bwg_gallery/roswell-pride-parade/)
- [Fifth Annual Cops 'N Cars Show](https://picturestoryteller.com/bwg_gallery/fifth-annual-cops-n-cars-show/)
- [Ole Timers Dinner](https://picturestoryteller.com/bwg_gallery/ole-timers-dinner/)
- [Investiture](https://picturestoryteller.com/bwg_gallery/investiture/)
- [Chick-fil-A Peach Bowl 2025-2](https://picturestoryteller.com/bwg_gallery/chick-fil-a-peach-bowl-2025-2/)
- [Chick-fil-A Peach Bowl 2025](https://picturestoryteller.com/bwg_gallery/chick-fil-a-peach-bowl-2025/)
- [Real Estate](https://picturestoryteller.com/bwg_gallery/real-estate/)
- [Veterans Day 2024](https://picturestoryteller.com/bwg_gallery/veterans-day-2024/)
- [RFD New Fire Officer Swearing-In Ceremony](https://picturestoryteller.com/bwg_gallery/rfd-new-fire-officer-swearing-in-ceremony/)
- [Roswell Football 10-25-24](https://picturestoryteller.com/bwg_gallery/roswell-football-10-25-24/)
- [FCM](https://picturestoryteller.com/bwg_gallery/fcm/)
- [Knolan Benfield](https://picturestoryteller.com/bwg_gallery/knolan-benfield/)
- [Fourth of July 2024 Fireworks](https://picturestoryteller.com/bwg_gallery/fourth-of-july-2024-fireworks/)
- [Elite Academy Dance](https://picturestoryteller.com/bwg_gallery/elite-academy-dance/)
- [Portfolio March 2023](https://picturestoryteller.com/bwg_gallery/portfolio-march-2023/)
- [Citizens Fire Academy](https://picturestoryteller.com/bwg_gallery/citizens-fire-academy/)
- [Stacie Holmes and Micah Still Wedding-2](https://picturestoryteller.com/bwg_gallery/stacie-holmes-and-micah-still-wedding-2/)
- [Faith And The City](https://picturestoryteller.com/bwg_gallery/faith-and-the-city/)
- [Red-Shouldered Hawk](https://picturestoryteller.com/bwg_gallery/red-shouldered-hawk/)
- [Poetry @ Tech](https://picturestoryteller.com/bwg_gallery/poetry-tech/)
- [Theater Promotion Shots](https://picturestoryteller.com/bwg_gallery/theater-promotion-shots/)
- [Theater Performance](https://picturestoryteller.com/bwg_gallery/theater-performance/)
- [RFD Doll House Fire](https://picturestoryteller.com/bwg_gallery/rfd-doll-house-fire/)
- [RCS Pools & Spa](https://picturestoryteller.com/bwg_gallery/rcs-pools-spa/)
- [The Little Mermaid](https://picturestoryteller.com/bwg_gallery/the-little-mermaid/)
- [Pearlines 80th Birthday](https://picturestoryteller.com/bwg_gallery/pearlines-80th-birthday/)
- [Football Examples](https://picturestoryteller.com/bwg_gallery/football-examples/)
- [1973 Forest Park High School 50th Reunion](https://picturestoryteller.com/bwg_gallery/1973-forest-park-high-school-50th-reunion/)
- [Headshots 8-22-23](https://picturestoryteller.com/bwg_gallery/headshots-8-22-23/)
- [No Shame Theatre 8-18-23](https://picturestoryteller.com/bwg_gallery/no-shame-theatre-8-18-23/)
- [Steve Dull Retirement](https://picturestoryteller.com/bwg_gallery/steve-dull-retirement/)
- [Mark Miller Retirement](https://picturestoryteller.com/bwg_gallery/mark-miller-retirement/)
- [Emotions](https://picturestoryteller.com/bwg_gallery/emotions/)
- [Candice Mays & Ebenezer Abolarin Wedding](https://picturestoryteller.com/bwg_gallery/candice-mays-ebenezer-abolarin-wedding/)
- [Naomi Beth Regalia Photos](https://picturestoryteller.com/bwg_gallery/naomi-beth-regalia-photos/)
- [Atlanta Mayor's Iftar Dinner 2023](https://picturestoryteller.com/bwg_gallery/atlanta-mayors-iftar-dinner-2023/)
- [Jesse Hill Jr](https://picturestoryteller.com/bwg_gallery/jesse-hill-jr/)
- [Roswell Ole Timer's Dinner](https://picturestoryteller.com/bwg_gallery/roswell-ole-timers-dinner/)
- [Photos of the Year 2022](https://picturestoryteller.com/bwg_gallery/photos-of-the-year-2022/)
- [HSS Test With Godox V860IIN](https://picturestoryteller.com/bwg_gallery/hss-test-with-godox-v860iin/)
- [HSS TEST](https://picturestoryteller.com/bwg_gallery/hss-test/)
- [Sports](https://picturestoryteller.com/bwg_gallery/sports/)
- [Canvassing](https://picturestoryteller.com/bwg_gallery/canvassing/)
- [Food](https://picturestoryteller.com/bwg_gallery/food/)
- [1040 Lake Drive](https://picturestoryteller.com/bwg_gallery/1040-lake-drive/)
- [Kickoff Game 2022](https://picturestoryteller.com/bwg_gallery/kickoff-game-2022/)

## Gallery tags

- [Waimea](https://picturestoryteller.com/bwg_tag/waimea/)
- [HI_96743](https://picturestoryteller.com/bwg_tag/hi_96743/)
- [66-1304_Mamalahoa_Hwy](https://picturestoryteller.com/bwg_tag/66-1304_mamalahoa_hwy/)
- [College_Lacrosse](https://picturestoryteller.com/bwg_tag/college_lacrosse/)
- [Kickoff](https://picturestoryteller.com/bwg_tag/kickoff/)
- [College_Football](https://picturestoryteller.com/bwg_tag/college_football/)
- [football](https://picturestoryteller.com/bwg_tag/football/)
- [champions_club](https://picturestoryteller.com/bwg_tag/champions_club/)
- [Florida_State](https://picturestoryteller.com/bwg_tag/florida_state/)
- [South_Carolina](https://picturestoryteller.com/bwg_tag/south_carolina/)
- [Operator](https://picturestoryteller.com/bwg_tag/operator/)
- [Chick-fil-A_Bowl](https://picturestoryteller.com/bwg_tag/chick-fil-a_bowl/)
- [Competition](https://picturestoryteller.com/bwg_tag/competition/)
- [Dunking](https://picturestoryteller.com/bwg_tag/dunking/)
- [Dunk](https://picturestoryteller.com/bwg_tag/dunk/)
- [Log_Cabin](https://picturestoryteller.com/bwg_tag/log_cabin/)
- [Basketball](https://picturestoryteller.com/bwg_tag/basketball/)
- [Men39s_College_Basketball](https://picturestoryteller.com/bwg_tag/men39s_college_basketball/)
- [College_Basketball](https://picturestoryteller.com/bwg_tag/college_basketball/)
- [Home](https://picturestoryteller.com/bwg_tag/home/)
- [Georgia](https://picturestoryteller.com/bwg_tag/georgia/)
- [Elderly](https://picturestoryteller.com/bwg_tag/elderly/)
- [Country](https://picturestoryteller.com/bwg_tag/country/)
- [Stanley_Leary](https://picturestoryteller.com/bwg_tag/stanley_leary/)
- [workshop](https://picturestoryteller.com/bwg_tag/workshop/)
- [snot_fruit](https://picturestoryteller.com/bwg_tag/snot_fruit/)
- [Vision_Trip](https://picturestoryteller.com/bwg_tag/vision_trip/)
- [Storytellers_Abroad_Multimedia_in_Missions](https://picturestoryteller.com/bwg_tag/storytellers_abroad_multimedia_in_missions/)
- [Storytellers_Abroad_Multimedia_in_Missions_workshop](https://picturestoryteller.com/bwg_tag/storytellers_abroad_multimedia_in_missions_workshop/)
- [planning](https://picturestoryteller.com/bwg_tag/planning/)
- [Storytellers_Abroad](https://picturestoryteller.com/bwg_tag/storytellers_abroad/)
- [SAMMW](https://picturestoryteller.com/bwg_tag/sammw/)
- [Peru](https://picturestoryteller.com/bwg_tag/peru/)
- [Sports_Sponsorships](https://picturestoryteller.com/bwg_tag/sports_sponsorships/)
- [Marketing](https://picturestoryteller.com/bwg_tag/marketing/)
- [Events](https://picturestoryteller.com/bwg_tag/events/)
- [Chick-fil-A_Kickoff](https://picturestoryteller.com/bwg_tag/chick-fil-a_kickoff/)

## Gallery Share

- [Image](https://picturestoryteller.com/bwg_share/image/)

## Categories

- [Adobe Lightroom](https://picturestoryteller.com/category/adobe-lightroom/)
- [AF Settings](https://picturestoryteller.com/category/af-settings/)
- [alienbees](https://picturestoryteller.com/category/alienbees/)
- [backgrounds](https://picturestoryteller.com/category/backgrounds/)
- [business](https://picturestoryteller.com/category/business/)
- [DAM](https://picturestoryteller.com/category/dam/)
- [Depth-of-Field](https://picturestoryteller.com/category/depth-of-field/)
- [Digital Asset Management](https://picturestoryteller.com/category/digital-asset-management/)
- [Digital Workflow](https://picturestoryteller.com/category/digital-workflow/)
- [Don Rutledge](https://picturestoryteller.com/category/don-rutledge/)
- [fill-flash](https://picturestoryteller.com/category/fill-flash/)
- [Flash](https://picturestoryteller.com/category/flash/)
- [Group photos](https://picturestoryteller.com/category/group-photos/)
- [headshot](https://picturestoryteller.com/category/headshot/)
- [headshots](https://picturestoryteller.com/category/headshots/)
- [High ISO](https://picturestoryteller.com/category/high-iso/)
- [lighting](https://picturestoryteller.com/category/lighting/)
- [Lightroom](https://picturestoryteller.com/category/lightroom/)
- [Mentor](https://picturestoryteller.com/category/mentor/)
- [Model Releases](https://picturestoryteller.com/category/model-releases/)
- [multimedia](https://picturestoryteller.com/category/multimedia/)
- [Nikon D2X](https://picturestoryteller.com/category/nikon-d2x/)
- [Nikon D2Xs](https://picturestoryteller.com/category/nikon-d2xs/)
- [Nikon D3](https://picturestoryteller.com/category/nikon-d3/)
- [Nikon D3s](https://picturestoryteller.com/category/nikon-d3s/)
- [Nikon D4](https://picturestoryteller.com/category/nikon-d4/)
- [Nikon D4s](https://picturestoryteller.com/category/nikon-d4s/)
- [Nikon D5](https://picturestoryteller.com/category/nikon-d5/)
- [Nikon D750](https://picturestoryteller.com/category/nikon-d750/)
- [Nikon TTL](https://picturestoryteller.com/category/nikon-ttl/)
- [Off Camera Flash](https://picturestoryteller.com/category/off-camera-flash/)
- [Passport photos](https://picturestoryteller.com/category/passport-photos/)
- [Photography](https://picturestoryteller.com/category/photogaphy/)
- [photojournalism](https://picturestoryteller.com/category/photojournalism/)
- [PhotoShop](https://picturestoryteller.com/category/photoshop/)
- [Portraits](https://picturestoryteller.com/category/portraits/)
- [pricing](https://picturestoryteller.com/category/pricing/)
- [shutter speed](https://picturestoryteller.com/category/shutter-speed/)
- [Social Media](https://picturestoryteller.com/category/social-media/)
- [Sports](https://picturestoryteller.com/category/sports/)
- [Still Life](https://picturestoryteller.com/category/still-life/)
- [stock photography](https://picturestoryteller.com/category/stock-photography/)
- [storyline](https://picturestoryteller.com/category/storyline/)
- [storyteller](https://picturestoryteller.com/category/storyteller/)
- [storytelling](https://picturestoryteller.com/category/storytelling/)
- [Strobes](https://picturestoryteller.com/category/strobes/)
- [studio lighting](https://picturestoryteller.com/category/studio-lighting/)
- [studio photography](https://picturestoryteller.com/category/studio-photography/)
- [studio strobes](https://picturestoryteller.com/category/studio-strobes/)
- [Taxes](https://picturestoryteller.com/category/taxes/)
- [teaching](https://picturestoryteller.com/category/teaching/)
- [telephoto](https://picturestoryteller.com/category/telephoto/)
- [telephoto lens](https://picturestoryteller.com/category/telephoto-lens/)
- [tent lighting](https://picturestoryteller.com/category/tent-lighting/)
- [testimonials](https://picturestoryteller.com/category/testimonials/)
- [The Decisive Moment](https://picturestoryteller.com/category/the-decisive-moment/)
- [Theatre](https://picturestoryteller.com/category/theatre/)
- [Travel](https://picturestoryteller.com/category/travel/)
- [Tripod](https://picturestoryteller.com/category/tripod/)
- [umbrella modifier](https://picturestoryteller.com/category/umbrella-modifier/)
- [video](https://picturestoryteller.com/category/video/)
- [visual storytelling](https://picturestoryteller.com/category/visual-storytelling/)
- [volleyball photography](https://picturestoryteller.com/category/volleyball-photography/)
- [war photography](https://picturestoryteller.com/category/war-photography/)
- [Websites](https://picturestoryteller.com/category/websites/)
- [wedding](https://picturestoryteller.com/category/wedding/)
- [Wedding photography](https://picturestoryteller.com/category/wedding-photography/)
- [White Balance](https://picturestoryteller.com/category/white-balance/)
- [Wi-Fi](https://picturestoryteller.com/category/wi-fi/)
- [Wide Angle Lens](https://picturestoryteller.com/category/wide-angle-lens/)
- [wildlife photography](https://picturestoryteller.com/category/wildlife-photography/)
- [window light](https://picturestoryteller.com/category/window-light/)
- [workshops](https://picturestoryteller.com/category/workshops/)
- [NikonZ6](https://picturestoryteller.com/category/nikonz6/)
- [Nikon Z9](https://picturestoryteller.com/category/nikon-z9/)
- [Topaz Sharpen AI](https://picturestoryteller.com/category/topaz-sharpen-ai/)
- [Flambient](https://picturestoryteller.com/category/flambient/)
- [Education](https://picturestoryteller.com/category/education/)
- [Gear Tips](https://picturestoryteller.com/category/gear-tips/)
- [Teaching & Workshops](https://picturestoryteller.com/category/teaching-workshops/)
- [Personal Stories](https://picturestoryteller.com/category/personal-stories/) - Personal Stories That Move People to Action Personal stories are the most powerful tool an organization has — but only when they’re told well. Over the past 40+ years working as a visual storyteller, consultant, and instructor, I’ve learned that most organizations don’t struggle because they lack good work. They struggle because they don’t know how to uncover and shape the stories already inside their mission. This collection of articles explores what makes a personal story resonate — whether you’re a nonprofit leader, missionary, business owner, or creative trying to communicate impact. You’ll find lessons from the field, reflections from real assignments, and practical insights on how to move from documenting activity to revealing meaning. If you’re here because you want your communication to connect more deeply — not just inform but inspire — you’re in the right place. And if you’d like help identifying and shaping the strongest stories inside your organization, let’s talk. The right story, told well, can change everything.

## Tags

- [Aspergers](https://picturestoryteller.com/tag/aspergers/)
- [Autism](https://picturestoryteller.com/tag/autism/)
- [Storyteller](https://picturestoryteller.com/tag/storyteller/)
- [Photography](https://picturestoryteller.com/tag/photography/)
- [video](https://picturestoryteller.com/tag/video/)
- [missions](https://picturestoryteller.com/tag/missions/)
- [storytelling workshop](https://picturestoryteller.com/tag/storytelling-workshop/)
- [multimedia](https://picturestoryteller.com/tag/multimedia/)
- [storytelling](https://picturestoryteller.com/tag/storytelling/)
- [#MultimediaWorkshop](https://picturestoryteller.com/tag/multimediaworkshop/)
- [#Storytellingworkshop](https://picturestoryteller.com/tag/storytellingworkshop/)
- [#peru](https://picturestoryteller.com/tag/peru/)
- [Audience Engagement](https://picturestoryteller.com/tag/audience-engagement/)
- [Journalism](https://picturestoryteller.com/tag/journalism/)
- [Public Relations](https://picturestoryteller.com/tag/public-relations/)
- [#headshots](https://picturestoryteller.com/tag/headshots/)
- [#portraits](https://picturestoryteller.com/tag/portraits/)
- [lighting](https://picturestoryteller.com/tag/lighting/)
- [business tips](https://picturestoryteller.com/tag/business-tips/)
- [#sports photography](https://picturestoryteller.com/tag/sports-photography/)
- [social media](https://picturestoryteller.com/tag/social-media/)
- [making an impact](https://picturestoryteller.com/tag/making-an-impact/)
- [Website](https://picturestoryteller.com/tag/website/)
- [Creating Website](https://picturestoryteller.com/tag/creating-website/)
- [Meta](https://picturestoryteller.com/tag/meta/)
- [Metadata](https://picturestoryteller.com/tag/metadata/)
- [Personal Stories](https://picturestoryteller.com/tag/personal-stories/) - Personal Stories That Move People to Action Personal stories are the most powerful tool an organization has — but only when they’re told well. Over the past 40+ years working as a visual storyteller, consultant, and instructor, I’ve learned that most organizations don’t struggle because they lack good work. They struggle because they don’t know how to uncover and shape the stories already inside their mission. This collection of articles explores what makes a personal story resonate — whether you’re a nonprofit leader, missionary, business owner, or creative trying to communicate impact. You’ll find lessons from the field, reflections from real assignments, and practical insights on how to move from documenting activity to revealing meaning. If you’re here because you want your communication to connect more deeply — not just inform but inspire — you’re in the right place. And if you’d like help identifying and shaping the strongest stories inside your organization, let’s talk. The right story, told well, can change everything.
- [Business of Photography](https://picturestoryteller.com/tag/business-of-photography/)
- [Storytelling Techniques](https://picturestoryteller.com/tag/storytelling-techniques/)
- [Gear Tips](https://picturestoryteller.com/tag/gear-tips/)
- [Teaching & Workshops](https://picturestoryteller.com/tag/teaching-workshops/)
- [Mac OS](https://picturestoryteller.com/tag/mac-os/)
- [Sports](https://picturestoryteller.com/tag/sports/)
- [Photojournalism](https://picturestoryteller.com/tag/photojournalism/)
- [marketing](https://picturestoryteller.com/tag/marketing/)
- [White Balance](https://picturestoryteller.com/tag/white-balance/)
- [Spot Metering](https://picturestoryteller.com/tag/spot-metering/)
- [aperture](https://picturestoryteller.com/tag/aperture/)
- [post processing](https://picturestoryteller.com/tag/post-processing/)

## Gallery Tags

- [Chick-fil-A_Kickoff](https://picturestoryteller.com/bwg_tag/chick-fil-a_kickoff/)
- [Events](https://picturestoryteller.com/bwg_tag/events/)
- [Marketing](https://picturestoryteller.com/bwg_tag/marketing/)
- [Sports_Sponsorships](https://picturestoryteller.com/bwg_tag/sports_sponsorships/)
- [Stanley_Leary](https://picturestoryteller.com/bwg_tag/stanley_leary/)
- [Country](https://picturestoryteller.com/bwg_tag/country/)
- [Elderly](https://picturestoryteller.com/bwg_tag/elderly/)
- [Georgia](https://picturestoryteller.com/bwg_tag/georgia/)
- [Home](https://picturestoryteller.com/bwg_tag/home/)
- [Log_Cabin](https://picturestoryteller.com/bwg_tag/log_cabin/)
- [College_Basketball](https://picturestoryteller.com/bwg_tag/college_basketball/)
- [Men39s_College_Basketball](https://picturestoryteller.com/bwg_tag/men39s_college_basketball/)
- [Basketball](https://picturestoryteller.com/bwg_tag/basketball/)
- [Dunk](https://picturestoryteller.com/bwg_tag/dunk/)
- [Dunking](https://picturestoryteller.com/bwg_tag/dunking/)
- [Competition](https://picturestoryteller.com/bwg_tag/competition/)
- [Chick-fil-A_Bowl](https://picturestoryteller.com/bwg_tag/chick-fil-a_bowl/)
- [Florida_State](https://picturestoryteller.com/bwg_tag/florida_state/)
- [South_Carolina](https://picturestoryteller.com/bwg_tag/south_carolina/)
- [champions_club](https://picturestoryteller.com/bwg_tag/champions_club/)
- [Operator](https://picturestoryteller.com/bwg_tag/operator/)
- [football](https://picturestoryteller.com/bwg_tag/football/)
- [College_Football](https://picturestoryteller.com/bwg_tag/college_football/)
- [Kickoff](https://picturestoryteller.com/bwg_tag/kickoff/)
- [College_Lacrosse](https://picturestoryteller.com/bwg_tag/college_lacrosse/)
- [66-1304_Mamalahoa_Hwy](https://picturestoryteller.com/bwg_tag/66-1304_mamalahoa_hwy/)
- [HI_96743](https://picturestoryteller.com/bwg_tag/hi_96743/)
- [Waimea](https://picturestoryteller.com/bwg_tag/waimea/)