Photojournalist Instagram Feeds I Follow

Eugene Richards

He is a photographer, writer, and filmmaker, was born in Dorchester, Massachusetts in 1944. After graduating from Northeastern University with a degree in English, he studied photography with Minor White. In 1968, he joined VISTA, Volunteers in Service to America, a government program established as an arm of the so-called” War on Poverty.”  Following a year and a half in eastern Arkansas, Richards helped found a social service organization and a community newspaper, Many Voices, which reported on black political action as well as the Ku Klux Klan.  Photographs he made during these four years were published in his first monograph, Few Comforts or Surprises: The Arkansas Delta.

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"I was driving away from the cotton gin in Widener when I caught sight of an elderly woman sitting out alone on her porch. I introduced myself, then asked her her name; it was Viola Perkins. When I asked Mrs. Perkins if I could take her picture, she smiled, either happy to be having a visitor or too polite to refuse me. I took two photos. The first is of the 78-year-old woman sitting rather stiffly with her hands folded in her lap. The second photograph is a reflection of her face in a window. It shows a loosened door hinge, a bit of sky, the stumps of a dead tree, and a red stop sign that looks to be backwards, so you’re not quite sure if it’s real." -Widener, AR 2010 #eugenerichards #photoville #pho #documentary #arkansas #reflection

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Gary S. Chapman

Because impacting lives matters, Gary helps organizations tell their stories visually. He has covered humanitarian stories in more than 70 countries around the world, helping groups create awareness, express their vision and build their community. You can trust him to bring an honest, photojournalistic approach to your commercial, corporate, editorial, or non-profit assignments.

William Albert Allard

The son of a Swedish immigrant, William Albert Allard studied at the Minneapolis School of Fine Arts and the University of Minnesota with the hope of becoming a writer. Transferring to the University of Minnesota after only a year, he enrolled in the journalism program. He graduated in 1964 with a double major in journalism and photography…

Looking for work in the field of photojournalism, Allard met Robert Gilka, then National Geographic’s director of photography, while in Washington, D.C., and was offered an internship. His most notable work as an intern included his photographs of the Amish for an article entitled “Amish Folk: Plainest of Pennsylvania’s Plain People,”(published in August 1965). It is said to be regarded as landmark in the photographic evolution of National Geographic. His work led to a full-time position with the magazine.

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Crenshaw, Mississippi, 1968// In 1968 I was assigned to photograph the “Poor Peoples March” that was to start in the Deep South and end up in Washington DC. A reporter and I went to a gathering of African Americans in the area of Crenshaw, Mississippi who were supposed to leave for Washington in a day or two. The people were crowded together under a a huge canvas tent where we met the Irbys, a nice family who agreed to let us follow them back to their home later, an aged wooden tenant house sitting in the midst of vast cotton fields. But before we left the tent, I made a few portraits of some of the family but mostly of Hank, who was 17 at the time. The details in the portrait of Hank are so important probably because they are really imperfections, something one might change or correct of one we’re going to do a serious portrait session. Little details like the part of an under shirt that shows. How the top button of his shirt is buttoned tight, the second button is loose. And there are small flecks of blue paint on his shirt that echo the color of his sweater. His well worn cap is tilted just so. The wall of the tent behind him provides background color that blends so well with his dark eyes, his brown skin. His gaze at me is just slightly apprehensive but accepting. Although unstudied, it’s probably as hones and direct a portrait as I’ve ever made. @thephotosociety @natgeo @natgeocreative @leica_camera @leicacamerausa #portraitphotography #filmphotography #60s #1960s #south #kodachrome #leica #mississippi

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Randy Olson

Randy’s 30+ National Geographic projects have taken him to almost every continent. National Geographic Society published a book of his work in 2011 in their Masters of Photography series. Olson was the Magazine Photographer of the Year in the 2003 Pictures of the Year International (POYi) competition, and was also awarded POYi’s Newspaper Photographer of the Year in 1991—one of only two photographers to win in both media in the largest photojournalism contest operating continuously since World War II.

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There are six great aquifers in the world. In North America our great aquifer is the Ogallala—it stretches from South Dakota to the Texas panhandle. Twenty percent of our food and 40 percent of our beef rely on the aquifer. It’s unfortunate that we’ve pumped the equivalent of two Lake Eries out, setting the stage for a new desert in the Texas panhandle and southern Kansas in the immediate future. The aquifer recharges at different rates. Nebraska wins the water lottery; it is the only place you can see Ogallala water at the surface. The Ogallala takes a long time to recharge in Texas, where there are the most wells, the least regulation, the hottest temperatures (even before climate change), and the slowest recharge. Entire communities in this area are already running out of water. Scarcity of water, fragile infrastructure, small dust bowls, the family farm crisis, Big Ag, and global urbanization leave some behind with few options. Small towns are disintegrating around their residents. There is rampant meth and opioid addiction in some of these places. If your hot water heater breaks, there isn’t anyone in your entire county that can fix it. I am from the Midwest, and the pain rural folks have gone through showed up this election. I saw this frustration first-hand working on the Ogallala aquifer story that ran in the August 2016 issue of National Geographic, but I never thought the level of frustration of these communities would manifest itself in this way. @natgeo @natgeocreative @thephotosociety

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Lynsey Addario

An American photojournalist, Lynsey, takes us to through the raw nooks and corners of the world with her photographs, building a visually pleasureful experience for us to witness the world through her eyes.

Ed Kashi

Documenting the on-going mayhem at Syria, Kashi a photojournalist, filmmaker and lecturer through his Instagram is portraying the world of Syrian refugees, oozing of emotions and getting us up, close, and personal with their misery amongst the others.

Robin Rayne

Documentary photojournalist, filmmaker and writer. A unique perspective on society.

Joanna B. Pinneo

Ted Scripps Fellow, Environmental communications, mentor and instructor Joanna Pinneo’s photos tell stories with tenderness & insight.

DAVID TURNLEY

Winner of the Pulitzer Prize, is Inspired by Family, Passion, Love, Purpose, Respect, and Dignity as he Photographs around the World!

Peter Turnley

Peter Turnley is renown for his photography of the realities of the human condition. His photographs have been featured on the cover of Newsweek 43 times and are published frequently in the world’s most prestigious publications. He has worked in over 90 countries and has witnessed most major stories of international geo-political and historic significance in the last thirty years. His photographs draw attention to the plight of those who suffer great hardships or injustice. He also affirms with his vision the many aspects of life that are beautiful, poetic, just, and inspirational.

David Alan Harvey

Born in San Francisco, David Alan Harvey was raised in Virginia. He discovered photography at the age of 11. Harvey purchased a used Leica with savings from his newspaper route and began photographing his family and neighborhood in 1956.

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Dancers prep at the Hanoi Opera House #vietnam

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