Nikon D5 Setting with the Atomos Ninja Blade

Disclosure: Please note that links to merchants posted on this blog may be an affiliate link which means that I may receive a commission from any purchases made using the affiliate link. This is at no additional cost to you.

For video capture I attached to my Nikon D5 using the HDMI output the Atomos Ninja Blade 5″ HDMI On-Camera Monitor & Recorder.

Why did I do this is a great question. Most all DSLRs that record video have a 30 minute time limit. I understand this has to do with avoiding a double tax in some countries.

So how do you record a musical as I did that goes an hour and half for just the first Act? This is where the Atomos Ninja Blade comes to the rescue.

Atomos Ninja Blade 5″ PRODUCT HIGHLIGHTS

Key Features
– 325DPI, 5″ IPS 1280 x 720 capacitive touchscreen monitor/recorder.
– Waveform RGB & luma parade, vectorscope with zoom, and test pattern generator.
– Adjustable gamma, contrast and brightness.
– HDMI input and output.
– Real-time monitoring, playback, playout to a PC or Mac with QuickTime, and edit logging.
– Focus peaking, 0-100% zebra, and two modes of false color monitoring.
– Records 10-bit, 4:2:2 in ProRes or DNxHD.
– S-Log / C-Log recording.
– Trigger REC/STOP from camera (Canon, Sony, ARRI, Panasonic, RED, JVC)
– Timecode from camera. [Nikon has no timecode]
– 2.5″ HDD/SSD media storage.

It records up to 1080 30p/60i resolution via HDMI to an available HDD or SSD using either Apple’s ProRes or Avid’s DNxHD codecs. Recording at 10-bit with 4:2:2 color sampling, this unit provides you a monitoring and recording solution in one compact battery powered unit.

Now I bought the ADATA Technology 256GB Ultimate SU800 SATA III 2.5″ Internal SSD card.

Here are the Settings for Nikon D5

Set your frame size and frame rate in the Movie Shooting Menu. Whatever you set here is what will come out of the HDMI connection. I use 1080p/24.

1080p/24. 1080p/24 is a resolution and framerate indicative of Hollywood movies on Blu-ray discs. 1080p is the resolution, implying a full HD resolution of 1,920 by 1,080 pixels. The “P” stands for “Progressive.” which means each frame has all the pixels listed.

Next go to the Pencil Menu/Custom Setting Menu and select the C Timers/AE Lock and toggle to right.

Pick the C4 Monitor off delay and then toggle right again.

Go to the bottom Live view and toggle right once again.

Set this to No Limit. Now you can just click menu button to get out of the menu.

Select video on the Live View and push the button. Now to record on the Atomos Ninja just tap the REC button.

When you do that there will be a red line around the screen and red light on the right side of the recorder. The only thing limiting your time is the size of your hard drive.

This setup worked great for a two and half hour performance of Oklahoma.

Fuji X-E2, Fuji XF 55-200mm, ISO 1600, ƒ/4.7, 1/100

While the Nikon D5 will record 4K I don’t need this most of the time, so the Atomos Ninja Blade 5″ was perfect.


If however you would like to record at 4K you can get the Atomos Shogun Flame 7″ 4K HDMI/12-SDI Recording Monitor. They make other higher end models as well.

If you are not a video shooter and are more of a stills shooter then for capturing video you need to be a little more hands on technically.

What I mean by this is that the exposure and sound vary through a production and you may need to adjust this as you are recording.

With the Nikon D5 attached to the Atomos Ninja Blade using the HDMI port just siphons this off before it hits the H.264 encoder and you are recording in ProRes format. This isn’t really recording in RAW video but more like a TIFF file than say a JPEG.

Now I cannot share the Oklahoma! video because of copyright. [I am recording it for the Shuler Awards in Georgia]

The cool thing is right now you can buy the Atomos Ninja Blade 5″ for $395 without a hard drive which gives you the 5″ monitor. I would recommend buying a SSD hard drive of your choice in size.

Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x, ISO 5000, ƒ/5.6, 1/250

There are three more performances for me to tweak my exposure and sound on to capture the best quality possible out of my setup. At the same time each performance traditionally gets better each time.

Fujifilm X-E2, Fuji XF 55-200mm, ISO 2000, ƒ/5, 1/100

By the way Aunt Eller is my daughter Chelle. This is her senior year and last production. She also taught the choreography to the cast.

Fuji X-E2, Fuji XF 55-200mm, ISO 1000, ƒ/4.5, 1/100

I hope these tips will help you thinking of ways to use your DSLR to do more than just take photos. I know I wanted to use the high quality CMOS chip to get a wonderful keepsake video of our daughter to cherish for the rest of her life.

Fake News & Product Endorsers

Fake News

Turn on the news or pick up a newspaper today and there most likely have been articles about how to spot “Fake News”. Sadly you must do a lot of research sometimes.

Some sites intentionally write false, humorous stories under the satire genre. A prime example is The Onion. Many people realize The Onion is a satirical publication. But if there’s any doubt, it’s pretty clear if you click on the site’s “About Us” tab.

One of the easiest ways to figure out if a news story is legitimate or not is to check it against the stories posted on other reputable sites.

If sites like The New York Times, CBS or CNN are running the same story, it’s likely true.

Here are some tips that many of these stories all say to look for:

1. Pay attention to the domain and URL
2. Read the “About Us” section
3. Look at the quotes in a story
4. Look at who said them
5. Check the comments
6. Reverse image search

Camera Gear for Football Games

Product Endorsers

First I have many friends who are affiliated with Nikon, Canon, Sigma, Fuji and Sony. Most of them do a great job of letting you know they are affiliated with these companies. I listen to them and take their advice many times. One of my favorites through the years is Bill Fortney. Formerly Bill was a Nikon Representative. Today he is retired but now a Fuji X-Photographer and does incredible work.

However nothing ticks me off more lately in the photography industry than those photographers who are not forth coming with their affiliations with manufactures. Actually the Federal Trade Commission doesn’t like it at all either and will come after you.

Here’s the golden rule behind all of the FTC’s guidelines: if money is changing hands, obvious disclosure must occur in-ad.

As a person reading blogs and articles you need to really be careful in this industry. As a whole I find many who are compensated in some way are not disclosing this to you as the reader.

Endorsers will seldom talk about other gear that may work as well or even better than what they are recommending. You just see their wonderful work and think if I buy that piece of gear I can shoot like them.

While I am first to say it is always the photographer and not the gear that is the main factor in getting a great photo, there are times where camera gear will let you make a photo otherwise not possible.

What I think is the bottom line is I want those photographers who are endorsing a product to be sure that the audience is aware that they have stepped into the Manufacturer’s Show Room when they are reading the comments.

Photographers who are being endorsed when they tweet they need to generally start the tweet with the words “Ad:”. This applies whether you’re using Sponsored Tweets, Promoted Posts, etc. or using paid evangelists or spokespeople who are promoting on your behalf.

This is a great post showing examples of how and not to Tweet.

Corporate sponsors like Nikon, Canon, Sony, Sigma or any other business expect you to be their representative to the public. All of them have you signing some sort of an agreement for which you will be compensated in some way.

Sponsorships for photographers can be huge for no other reason than it shows a major manufacturer that is also endorsing you. This is great for marketing purposes.

At this moment I have and have never had a relationship for where I have been compensated for by a company other than recently when I signed up to be an Amazon Affiliate. However the only way I make money is if someone clicks on my link and buys something. While I may make a very small percentage of the sale the cost to the consumer is the same.

One of my favorite corporate sponsored photographers is Bill Fortney. He was always telling people he worked for Nikon and then gives you advice. Sometimes he would be really honest and even say while I work for Nikon I would buy this instead. Now if he did this too much I am sure Nikon would have fired him. Bill had actually found a way to be a transparent Nikon representative that made me listen more to him and take a lot of advice of his. I felt like he was really looking out for me.

How to know if someone is a Sponsor

1. Find their website and see if they are listed as

a. Nikon Ambassador
b. Canon Explorers of Light
c. Sony Artisan
d. Fuji X-Photographers
e. Sigma Pros

2. Do they post material without revealing their affiliation

a. Tweets
b. Facebook
c. Instagram

I don’t care how great a photographer’s work is, be careful in listening to any photographer who is being compensated for promoting any gear, software or product of any kind.

My advice to you is before you buy gear based on a pro’s recommendation know if they are endorsed and receive compensation of any sort from that manufacturer. If they are, then look for some users who are not endorsed and see what they are saying. Most of the online camera stores now have comments section that often is more revealing of gear than these spokespersons.

Feeling the burden to tell a story

Tim Hawkins – Comedian [Fuji X-E2, 55-200mm, ISO 6400, ƒ/9, 1/100]
Tim Hawkins often says in his comedy routines that there are only two things different between himself and the audience when it comes to comedy.

First he has the microphone and second talent. Of course he says this towards the end of his shows after you have been laughing so hard that you have been crying.

BAREBACK RIDING–The Cobb County Classic Rodeo @ Jim R. Miller Park in Marietta. [Nikon D5, Sigma 120-300mm ƒ/2.8 DG OS HSM | S, ISO 64000, ƒ/2.8, 1/1600]
Often at the root of a calling to do something is a passion for it. I think cowboys who get on bucking horses and bulls must have a real passion for the sport.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/500]
For many of my photojournalist friends we all have met people and felt like there story must be told. This burning within our hearts is when we realize that if we don’t tell the story no one will.

I am seeing now more than at any other time photojournalist after photojournalist who cannot find anyone who will support them to do a story that self funds the coverage of the story.

During the 1960s, Eugene Richards was a civil rights activist and VISTA (Volunteers in Service to America) volunteer. Richards’ published photographs are mostly intended as a means of raising social awareness, have been characterized as “highly personal” and are both exhibited and published in a series of books.

Just a couple years ago he was speaking about finding a story that had to be told. No one would underwrite the coverage. After he did it himself the photos were too disturbing for any publication to take it on.

He would then publish the work as a book with his son. This with other examples like his have always opened other doors later for more work, but the calling to do the work was personal.

Southwestern Photojournalism Conference planning meeting at Patrick Murphy-Racey’s home located in Knoxville, TN [Fuji X-E2, 18-55mm, ISO 6400, ƒ/7.1, 1/75]
This past weekend I was part of the planning meeting for the Southwestern Photojournalism Conference. Patrick Murphy-Racey asked us all to go around the room and tell of a heart and head moment that we could share from the conference that impacted our lives.

Pat shared how close he was to giving up and going into another industry when he came to conference where Eugene Richards spoke about his passion for subjects compelled him to do a story even if no one would pay him.

Bill Bangham, Eugene Richards and Stanley Leary at the SWPJC. [Nikon Coolpix P7000, ISO 1600, ƒ2.8, 1/60]
Pat felt like he had just been taken out to the shed for a good whipping. He realized that he couldn’t stop and would find a way to continue.

Today because of that reignited passion Pat is a Sony Artisan and his shooting and speaking schedule has him busy once again.

The Southwestern Photojournalism Conference is the conference for those who believe photojournalism to be a calling and the act of bearing witness to be important.

All those biblical stories of people hearing God calling them are calls that require them to take a “Leap of Faith”. That is an act of believing in or attempting something whose existence or outcome cannot be proved. You are moving into often unchartered waters.

This is so true for the photojournalist who feels called. You see if the story has been told then you are not needed. But to tell a story that hasn’t been told requires you to take many risks.

Fight the good fight of faith; take hold of the eternal life to which you were called, and you made the good confession in the presence of many witnesses.
– 1 Timothy 6:12
To this you were called, because Christ suffered for you, leaving you an example, that you should follow in his steps.
– 1 Peter 2:21

Nikon 85mm ƒ/1.8 is perfect for “Selective Focus”

[Nikon D5, Nikon 85mm ƒ/1.8, ISO 5000, ƒ/1.8, 1/100]
I love isolating subjects in a room using selective focus. Selective focus is the use of limited depth of field to focus sharply on a specific object in a scene, while other parts are clearly out-of-focus.

[Nikon D5, Nikon 85mm ƒ/1.8, ISO 2500, ƒ/1.8, 1/100]
The Nikon 85mm ƒ/1.8 is a great lens to use in a social function like I was covering here. It really helps throw the background out of focus and keep your eyes focused on the subject that you have picked out of the room.

[Nikon D5, Nikon 85mm ƒ/1.8, ISO 3600, ƒ/1.8, 1/100]
Now I love to have layering as in this photo. There is the lady in the foreground and the lady in the background that are out of focus while the subject is super sharp.

[Nikon D5, Nikon 85mm ƒ/1.8, ISO 3200, ƒ/1.8, 1/100]
By shooting over a person’s shoulder I am giving some context as to who the subject is talking to or listening to in these photos. So while the aperture of ƒ/1.8 is using selective focus you can still add information that is secondary to the main subject.

Try and always have the eye closest to the camera in focus when using this technique. Many of today’s cameras have a focusing mode that locks in on eyes.

With the Nikon D5
Auto-area AF: The camera automatically detects the subject and selects the focus point; if a face is detected, the camera will give priority to the portrait subject. The active focus points are highlighted briefly after the camera focuses; in AF-C mode, the main focus point is displayed after the other focus points have turned off.

While this is a great way to shoot an event, please don’t only shoot this way for an event. Always use more than one aperture setting. Vary your depth-of-field so you have a variety of types of photos to give to your client.


Photo Tips: Covering a Meeting

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 51200, ƒ/13, 1/100]
Most meetings will have some similar elements. I am showing here some of what I call the photos I would call typical for the bullet list of shots to get.

The first one here is the keynote speaker showing there are people listening. Here I shot at a large depth-of-field to be sure you can see the crowd.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 4000, ƒ/13, 1/100]
Now I always back up in the corner of a room and try to capture the entire room. Most meeting planners like to have this for the following years for planning purposes. They can see the room layout and make plans for the following year’s meeting.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 1600, ƒ/4, 1/100]
At many meetings there is an Expo. In these situations I have tight shots, medium shots and then this is what I look for as the one shot to show what happens. You have multiple conversations going on all through the room. I think this helps capture why someone would like to attend the meeting for all the networking opportunities.

[Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.8, 1/55]
Usually there are panels of speakers. The important thing is not just to show an element in a meeting, but rather to capture a moment. Here you have the speaker gesturing and passionate with the other panelist having some reaction. This is better than all the panelist just sitting there waiting to speak for example.

[Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.8, 1/50]
Look for audience participation. This comes in many forms. Show them listening and look for that body language that captures them in thought. It shows that the content of the meeting is engaging.

[Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.8, 1/80]
Shoot tight and medium shots to show the engagement.

[Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.4, 1/80]
Ah yes the questions. Here I not only show the person questioning, but those around him.

[Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.7, 1/75]
Also isolate the questioner. I did include just a little of the room participants here.

[Fuji X-E2, 55-200mm, ISO 2000, ƒ/3.8, 1/100]
The powerpoint presentations can prove difficult due to the light value on the screen compared to the speaker. But I do try and compress this from shooting from the side for more pleasing interesting shot than straight on. However, with that said I actual still shoot straight on, but the key is the give the client variety.

[Fuji X-E2, 55-200mm, ISO 5000, ƒ/4.8, 1/100]
Don’t just get a person behind the podium. Look for gestures and a face expression that captures their passion for the subject.

[Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.5, 1/55]
There are certain photos that communicate the conference leaders over the speakers. This is a good example of where one of the event planners stands up to give a few comments.

My tip for every photo you take of people is to capture the body language and face expressions that help to tell part of the story.

Besides looking for the aesthetics be sure to vary your aperture to include more and less in the situations. With today’s cameras and the high ISO’s they can capture you can treat a conference room like an outdoor scenic shot where everything is in focus or you may want to direct the eyes using selective focus.

Photographing The Citadel’s Rifle Legion Drill Team in a ballroom.

The Citadel’s Rifle Legion Drill Team performs for the Project GO meeting held at the Francis Marion Hotel in downtown Charleston, SC.
[Nikon D5, Sigma 24-105mm ƒ/4, ISO 10000, ƒ/5.6, 1/250]

Disclosure: Please note that links to merchants posted on this blog may be an affiliate link which means that I may receive a commission from any purchases made using the affiliate link. This is at no additional cost to you.

I am in Charleston, SC covering a meeting where The Citadel’s Rifle Legion Drill Team performed.

The Citadel Rifle Legion Drill Team is an all-class co-educational drill team at The Citadel. Members of the Legion are essentially volunteers from the corps of cadets who wish to not only further a proficiency in drill, but also to represent the Citadel and the state of South Carolina through a developed expertise which forms from being on the team. The team also strives to promote community service as much as possible and takes part in many parades, performances, and special details throughout South Carolina and the neighboring states.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 6400, ƒ/5.6, 1/250]
Now to capture the team inside in a large ballroom I had very little light. So I used my Nikon D5 with ISO 10000 to be able to capture them using available light. I shot at 1/250 shutter to somewhat freeze them, but did want a little movement with the rifles to show they were spinning them and throwing them to each other.

[Nikon D5, Sigma 24-105mm ƒ/4, ISO 5600, ƒ/5.6, 1/250]
To get a good skin tone I used the ExpoDisc to get a custom white balance.



How to capture an Awards Show – Hint it doesn’t involve your phone

Ramone Nelson from Heritage High School won best actor for his portrayal of Jean Valjean in Les Miserables at the Shuler Hensley Awards 2017 at the Cobb Energy Center on April 20, 2017. [Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.4, 1/160]
Last night we were part of the “LIVE TV AUDIENCE” at the 2017 Shuler Hensley Awards Show which is for Georgia High School Musical Theatre.

We were blown away by the performance of Heritage High School’s Les Miserables.

Most of the other families were not getting these photos because their Smart Phones just do not get well exposed photos from far away. When they crop in the photos start to follow apart because the resolution of the photo is dropping. Next it is difficult for them to set the white balance and control the exposure. Now the very best they can do if they really know what they are doing is get good exposed photos. However they cannot see  or recognize their kid because the phone’s lens couldn’t reach them.

Heritage High School won the Overall Production Award for “Les Miserables” at the Shuler Hensley Awards. [Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.2, 1/400]
I use the Fuji X-E2 coupled with the Fuji 55-20mm. Here is the latest versions of that camera if you want to buy it.


I receive a commission from any purchases made using the affiliate link. This is at no additional cost to you.

We started the evening with the Red Carpet where our daughter Chelle and her friend Camile came in together.

Shuler Hensley Awards [Nikon D5, Sigma 24-105mm ƒ/4, ISO 1250, ƒ/5.6, 1/1250]
I was photographing this event like every other parent there with a camera.

Our daughter and Joe Pitts from her high school were chosen by the school to represent them in the ensemble which performed the opening number and the closing.

Joe Pitts from Roswell High School is on the far right with the puppet during the Shuler Hensley Awards. [Fuji X-E2, 55-200mm, ISO 6400, ƒ/4, 1/250]
I shot with my Fuji X-E2 because I wanted a quiet camera while in the audience. It did a great job.

My daughter far right with Shuler Hensley center during the opening ensemble number of the Shuler Hensley Awards. [Fuji X-E2, 55-200mm, ISO 6400, ƒ/4.8, 1/300]
I chose to shoot the performance on tungsten white balance setting. This way as the light color changed it would look like the audience saw it rather than the auto white balance trying to correct it.

Shuler Hensley Awards [Fuji X-E2, 55-200mm, ISO 4000 ƒ/4.8, 1/400]
Don’t rely on your phone to take the photos of everything you want to preserve for your family memories. Buy a camera that is designed for theater, sports or something else you need to capture.


Travel photography tips for your next vacation

Lisbon, Portugal [Nikon D4, Nikon 28-300mm ƒ/3.5-5.6, ISO 800, ƒ/9, 1.3 – On Tripod]
For me the second most fun thing to do other than traveling the world and meeting new people is having photos to share with others about my travels.

I hope you are making some vacation plans for your summer. Here are some tips for you to capture your vacation and keep them for the years to come to help you remember your travel and also to share with others.

Which Camera?

Here are three solutions I recommend: 1) The Point & Shoot; 2) The Mirrorless Camera; & 3) The DSLR

The Point & Shoot
Me shooting the Nikon P7000. It comes with a versatile 28-200mm lens ranges wide to capture landscapes, zooms in to get close to the action. ISO up to 6400 and 5-way VR Image Stabilization System.

This is the newest version the Nikon P7800. Click on image to buy. This link takes you to Amazon and I get percentage of sale. You pay the same price.


Now the advantage of a point and shoot is size.

The Mirrorless Camera
This is my mirrorless travel kit. Fuji X-E2, 18-55mm and 55-200mm lenses.

This is the newest version the Fuji X-E2s. Click on image to buy. This link takes you to Amazon and I get percentage of sale. You pay the same price.



Nikon D750

I recommend the Nikon D750 with the Nikon 28-300mm as a small kit that will let you capture just about anything. Also many prefer the Nikon 24-120mm ƒ/4 since it is a fixed aperture.

What to look for in all three cameras:

  1. High ISO of at least ISO 6400 or higher
  2. If only one lens then I recommend zoom that covers 28-200mm range.
  3. Buy extra batteries
  4. Buy multiple Memory Cards
Use two hands to stabilize the camera

Now the Fuji X-E2 and the Nikon D750 both had wifi that let me upload to my phone using their Apps and then to post immediately to my social media. Very cool!

Keep your camera steady

When taking photos the #1 problem is motion blur. Hold the camera still and SQUEEZE the shutter release. Don’t punch it.

Sometimes when I am really excited to be somewhere I will take my shutter speed and crank it up to be sure my photos are sharp and not blurry from camera motion. The rule is your shutter speed should be at least the the fraction of second of the lens’ focal length.

When I am excited I will use a faster shutter speed of 1/250 or 1/500 to avoid motion blur.

Talk to people

James Dockery is talking to lady on the streets in Portugal on our Storytellers Abroad Workshop

Don’t stand across the street with the longest lens you have and take pictures of people on the other side of the street. Do go up and introduce yourself. Tell them why you want to take their photo. I just love your outfit. I really like the things you are selling.

Lisbon Mission Storytelling Abroad Workshop. [Fuji X-E2, 18-55mm, ISO 400, ƒ/3.6, 1/800]
While taking portraits of people are great, be sure to back up as well and take over all shots to help capture the place you traveled so far to go and see.

Lisbon Mission Storytelling Abroad Workshop [Fuji X-E2, 18-55mm, ISO 400, ƒ/11, 1/500]
Notice my shutter speeds are a little higher than maybe necessary. I was just grabbing shots and didn’t want them to be unusable due to camera movement.

Lisbon Mission Storytelling Abroad Workshop [Fuji X-E2, 18-55mm, ISO 6400, ƒ/2.8, 1/80]
Also get super close. Take photos of the food you are eating and how it is served. There are traditions that are different from where you grew up.

[Fuji X-E2, 18-55mm, ISO 6400, ƒ/5, 1/300]
Don’t forget to capture things like the jewelry that is sold in the market as well as a closeup.

[Fuji X-E2, 18-55mm, ISO 500, ƒ/5.6, 1/500]
Be careful when you get super close. Your Depth-of-field will shrink. So the part of the photo that is in focus from front to back will get so shallow at an aperture of ƒ/1.4 it can look out of focus. Here I shot the flower at ƒ/5.6. I could have easily shot at ƒ/11 and the background would have still been out of focus.

Carry extra batteries

Carry Extra memory cards

Carry them with you during the day

Every night be sure to recharge your camera batteries. Each morning be sure to remember to pack the extra batteries and memory cards in some small case you can put in a pocket or a backpack.

Carry Pocket Size Moleskin Notebook

Get a good notebook. Mine stands up really well to living in my pocket for a few weeks, no matter what I might be doing.

Carry a good pen

The pen must write with a very high level of reliability on the pocket notebooks that I use. “Dud” pens aren’t acceptable, nor are pens that sometimes choose to write only at a certain angle. These pens need to be faithful and reliable, always writing when I pull one out to jot down a note.

I write down things like the location where I have been during the day. If I talk to someone then I write their name down. Sometimes I get business cards and stick them in the notebook.

This is the screen shot of my software PhotoMechanic that I use to embed the text into each photo.

My workflow maybe quite different than yours, but I take time to be sure I put in the IPTC the location as well as some caption information so I can share this when I post a photo on social media and it also helps me remind me where I have been and seen.

Book Cover – Buy the book on

Shoot for a coffee table book

While you may not do one every time having something in mind will help you capture more variety.

Check out the link on the book above. You can see a preview of the book without purchasing online. Here is a blog post on producing a book I wrote earlier.

You can see how I combined some text with the photos to help me remember all we saw.

These are just some of the tips and while there are many other things to share about shooting, I hope this gets you started and excited about your travel plans this summer.

Photographer’s Monday Devotional: Called to serve

This is a Christian cross at the volcano at Masaya which is a caldera located in Masaya, Nicaragua, 20 km south of the capital Managua. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 4500, ƒ/4, 1/100]
This past week Christians around the world celebrated Easter. A Christian is a follower of Jesus Christ and his teachings.

I have been reflecting on how my faith is impacting how I live.

This is a shepherd boy in Soubakamedougou, Burkina Faso, West Africa. [Nikon D2X, Sigma 18-125mm ƒ/3.5-5.6, ISO 100, ƒ/5.6, 1/125]
What I have been thinking about is how Jesus came to earth and taught us how to live and did so by teaching us to deal with the most difficult of situations.

Matthew 5:38-48

Eye for Eye
38 “You have heard that it was said, ‘Eye for eye, and tooth for tooth.’[a] 39 But I tell you, do not resist an evil person. If anyone slaps you on the right cheek, turn to them the other cheek also. 40 And if anyone wants to sue you and take your shirt, hand over your coat as well. 41 If anyone forces you to go one mile, go with them two miles. 42 Give to the one who asks you, and do not turn away from the one who wants to borrow from you.

Love for Enemies
43 “You have heard that it was said, ‘Love your neighbor[b] and hate your enemy.’ 44 But I tell you, love your enemies and pray for those who persecute you, 45 that you may be children of your Father in heaven. He causes his sun to rise on the evil and the good, and sends rain on the righteous and the unrighteous. 46 If you love those who love you, what reward will you get? Are not even the tax collectors doing that? 47 And if you greet only your own people, what are you doing more than others? Do not even pagans do that? 48 Be perfect, therefore, as your heavenly Father is perfect.

The time that Jesus was here on earth the Jews were under the rule of the Romans and treated much like slaves. Jesus also didn’t come as a warrior and take on the Romans. He used the opportunity to teach us how to live under the rule of others.

Most of us really are not in positions of authority over others. After now having run my own business for more than fifteen years I am more aware of this than ever. I am very much like a servant to my clients.

These verses in Matthew 5:38-48 remind me of how Jesus was teaching us the power of serving in the midst of being mistreated.

Women carry their wares into market in the bush village of Sabtenga, Burkina Faso, West Africa. [Nikon D2X, Sigma 18-50mm ƒ/2.8, ISO 100, ƒ/2.8, 1/1000]

Luke 11:46

Jesus replied, “And you experts in the law, woe to you, because you load people down with burdens they can hardly carry, and you yourselves will not lift one finger to help them.

Jesus also talked to those in positions of power and pointed out how they create burdens for people and yet do nothing to help them. 

What I find interesting in the scripture is that Jesus appeals to each person’s heart to do the right thing and doesn’t use the power play to change them.

A little boy in Nicaragua. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 560, ƒ/4, 1/100]
I am thankful for my faith. I am thankful for having Jesus Christ as a teacher. As I read the scriptures I realize that these are not stories of way back when, but rather examples that help me live today.

No matter how much I am struggling due to others I still must take on these burdens with love. It is only through our love of those who persecute us do we truly live out the Christian faith.

Man with his son and horse in the downtown of San Benito, Nicaragua. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 200, ƒ/9, 1/100]
I often feel like this man on his cart being pulled by a horse that is surrounded by cars. I feel the burden of trying to live with so little often while it appears those around me are in such luxury.

Family photo taken while on vacation in 2002 at Sawgrass Resort in Ponte Vedra, Florida. [Nikon D100, Nikon 24-120mm ƒ/3.5-5.6, ISO 200, ƒ/5.6, 1/180]
Then I am reminded of what a wonderful family I have and the vacations we have taken.

Got $2200? In this world, you’re rich. Assets (not cash) of $2200 per adult place a person in the top 50% of the world’s wealthiest.

If you have sufficient food, decent clothes, live in a house or apartment, and have a reasonably reliable means of transportation, you are among the top 15% of the world’s wealthy.

If you earn $25,000 or more annually, you are in the top 10% of the world’s income-earners.

If you earn more than $50,000 annually, you are in the top 1% of the world’s income earners.

What is really cool about Jesus is he taught us how to live no matter our status. His instructions if we choose to obey them will change our lives from the inside out rather than from the outside in.

Here are couple verses about obedience to Christ teachings for the Christian:

Romans 2:6-8

6 God “will repay each person according to what they have done.” 7 To those who by persistence in doing good seek glory, honor and immortality, he will give eternal life. 8 But for those who are self-seeking and who reject the truth and follow evil, there will be wrath and anger.

John 14:15

15 “If you love me, keep my commands.

A woman in prayer in Togo, West Africa. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 8000, ƒ/4, 1/100]

Romans 8:26

26 In the same way, the Spirit helps us in our weakness. We do not know what we ought to pray for, but the Spirit himself intercedes for us through wordless groans.

We have been given Jesus as an example of how to live within this world. He showed us how to pray, because I think he understood how this life we live is so complicated that we need God to navigate it each day.

Jesus taught us to “love your enemies and pray for those who persecute you” and the only way to do this is in my opinion through a lot of prayer.

J. K. Rowling wrote in Harry Potter and the Deathly Hallows, “Help will always be given at Hogwarts to those who ask for it.”

Long before the writings of J. K. Rowling was the Gospel writer Mark writing to Christians who said, “Therefore I tell you, whatever you ask for in prayer, believe that you have received it, and it will be yours.”


Learn to say “YES”

This is Mark Johnson’s Advanced Photojournalism Class at UGA’s Grady School of Journalism. [Fuji X-E2, 18-55mm, ISO 6400, ƒ/3.2, 1/80]
For the past ten years or so Mark Johnson has invited me to speak to his advanced Photojournalism Class at UGA on business practices.

One of the tips I always share with the class is Learn To Say YES.

I learned about how to say yes from my friend Tony Messano who is a creative director as well as voice over talent. This one tip had a major impact on my life in so many ways.

Tony was not advocating becoming a “Yes Man” where you are agreeing to “anything” regardless of how crazy or stupid – and sometimes illegal – it is. You still will say no to things that ethically you disagree with doing.

Patrick Murphy-Racey keeps things positive for his clients by solving their problems rather than becoming a problem. [Nikon D5, Sigma 24-105mm ƒ/4, ISO 100, ƒ/4, 1/160]
Tony was advocating that we turn ourselves into problem solvers for our clients and bosses, rather than becoming a problem.

The way this whole topic came up in the first place with Tony was over me trying to deal with clients that kept on saying since you are here can you do _______. Tony helped me to see how to take this request and not only meet the request but make more money.

I learned how to price for the project and then when this type of request came up I could say “Yes”. Yes I can make that happen, however since this wasn’t part of the proposal and is outside the scope of it I just need to charge XYZ for the additional work.

The way I had been handling these requests or similar variations for my whole life up to then was responding with a “NO”.

What Tony helped me to understand was that when I was saying no I wasn’t really helping the client at all. If they still needed it done then they would find someone who could make it happen and often then I would no longer be used for future projects.

Why do I want to say no?

Before I could say yes I learned I needed to know why I wanted to say no.

When I was in a staff job I often said no because I didn’t have time with all the other things on my plate. As a freelancer I was saying no because they were asking for more without offering more pay.

Had I learned this tip earlier in my career I would have become a more valuable team member. When someone would ask me to do something I would now be saying how I really want to help them. I would be saying YES–IF.

Yes I can make that happen for you if you can tell me which of these other projects I can delay or not do to be able to take on this extra work.

As a freelancer I am saying YES–IF you decide what on the list we were shooting comes off because I don’t have time to do all you have or I might be saying yes if you agree to the extra XYZ cost.

On the far right at the computer is Akili Ramsess, executive director for NPPA, who is reviewing the work on a student at the Southwestern Photojournalism Student Workshop. What I like here is not just that Akili is helping and the student is engaged, but it reminds me that others are watching us help.

Let the client say NO

Tony said my goal is to say yes as much as I can and to be sure the client is the one saying no and not me.

As the freelancer the client asks me to do something and my response is I would love to help you. The additional cost to make this happen is XYZ. Just sign right here to the changes on the contract and I will make it happen.

The client will then respond by great or no we cannot afford to do that. If they really have to have this done then you are not the reason it gets done, they don’t have the resources to make it happen or maybe the request then no longer important.

As a staff person I am not asking for more money. I am basically taking the burden of what is on my plate and the difficulties to make it happen back onto their plate.

My boss asks me to take photos of their event and in the past I would have said no I am already booked. I now say I am already covering another event at the same time. I am more than willing to cover this event if you need me to. Which event do you want me to cover and would you like me to get another photographer to cover the event I cannot cover?

Seeing this photo of my daughter with Bell from Beauty and the Beast reminds me of how the Beast had to change and learn to love. The latest movie really gives us the back story of how self centered the man was and why he was turned into a Beast. He said no to the old lady rather than helping her.

Saying No makes you a problem–Saying Yes Makes you a problem solver.

Every time you say no the person requesting your help will now have to find someone else. Had you said yes their problem is solved.

Today when I get a request for something and I am already booked, I always offer to find someone for them. One of the best ways to keep those clients coming back is to handle the booking of the photographer and have the photographer work as a subcontractor for you. This way they show up shoot the project and you handle the billing. This way they continue to come back to you.

Another tip I share with the students is about how to network. I tell them to act like a freshman and not a senior. Here is a previous blog post that I did explaining this tip for you.


A side note about speaking to the class is I get to spend time with Mark Johnson. Every time I go I have lunch with Mark and each time I learn so much.

This time I listened and watched how Mark works really hard to present content to the students in a positive manner. He doesn’t speak down to the students. He challenges them in a way that he is also communicating that he know they are able to do whatever he is asking of them.

It is a joy to visit UGA and spend time with the students and Mark.