Looking back to 2004 with the Nikon D100

Learning to make bricks are Anna Roberts (left age 7), Brandon Roberts (2nd left age 10), Shaquaja Washington (3rd age 8) and Caleb Edge (age 10) at the Habitat for Humanity International’s Global Village & Discovery Center in Americus, Georgia. [Nikon D100, Sigma 18-125mm, ISO 200, ƒ/8, 1/180]
Thirteen years ago I had been shooting with my new Nikon D100 for just a couple of years. This was my first digital capture DSLR camera.

My daughter and I drove down to Americus, Georgia to photograph the Habitat for Humanity International’s Global Village & Discovery Center for Disney’s Family Magazine.

For the past few days I have been going through my old CDs and DVDs looking through my work. In good light everyone of my digital cameras was pretty outstanding as compared to my days of shooting film.

Enjoying the Tanzania House are Brandon Roberts (left age 10) Anna Roberts (age 7), Shaquaja Washington (right age 8) and Caleb Edge (right age 10), at the Habitat for Humanity International’s Global Village & Discovery Center in Americus, Georgia. [Nikon D100, Sigma 18-125mm, ISO 200, ƒ/4.8, 1/80]
In doors with that first Nikon D100 I was using flash more than I would have to do today. But the results were just great.

Learning to make bricks are Anna Roberts (left age 7), Shaquaja Washington (2nd age 8), Caleb Edge (3rd age 10) and Brandon Roberts (age 10) at the Habitat for Humanity International’s Global Village & Discovery Center in Americus, Georgia. [Nikon D100, Sigma 18-125mm, ISO 200, ƒ/8, 1/180]
The lens I used on this camera was the Sigma 18-125mm, which wasn’t super sharp but did great with that camera. I loved not having to carry a lot of lenses.

Tatiana Suarez, tour guide shows how to make bricks like they do in many third world countries to Anna Roberts (blue shirt age 7), Brandon Roberts (solid dark blue age 10) Caleb Edge (checkered shirt age 10), and Shaquaja Washington (pink shirt age 8) at the Habitat for Humanity International’s Global Village & Discovery Center in Americus, Georgia. [Nikon D100, Sigma 18-125mm, ISO 200, ƒ/3.5, 1/2500]
I was shooting pretty wide with the 18mm on a DX cropped sensor. So I was only shooting about 27mm if it was an FX sensor. It would be a few years before Nikon introduced the full sensor.

Tatiana Suarez, tour guide shows the Sri Lanka house to Brandon Roberts (front age 10), Anna Roberts (middle age 7) and Caleb Edge (back age 10) at the Habitat for Humanity International’s Global Village & Discovery Center in Americus, Georgia. [Nikon D100, Sigma 18-125mm, ISO 200, ƒ/8, 1/250]
For those of you wanting to do a great day trip I cannot say enough about the Habitat for Humanity International’s Global Village & Discovery Center. You can see how people live all over the world and how Habitat builds different houses depending on the country.

David Bottomley, tour guide shows how they are building an example of the homes built by Habitat International in Mexico using a new light weight brick made of aluminum and concrete to Anna Roberts (blue shirt age 7), Brandon Roberts (solid dark blue age 10) Caleb Edge (checkered shirt age 10), and Shaquaja Washington (pink shirt age 8) at the Habitat for Humanity International’s Global Village & Discovery Center in Americus, Georgia. [Nikon D100, Sigma 18-125mm, ISO 200, ƒ/4.8, 1/1600]
Here the kids are seeing brick made of aluminum and concrete, which is what they have used in Mexico.

Caleb Edge (left age 10) and Brandon Roberts (right age 10) run by the Malawi House on the left and the Kenya House behind them at the Habitat for Humanity International’s Global Village & Discovery Center in Americus, Georgia. [Nikon D100, Sigma 18-125mm, ISO 200, ƒ/6.7, 1/640]
I think this is one of the great day trips for families to see how the rest of the world lives.

Caleb Edge (front left age 10), Brandon Roberts (back left age 10), Anna Roberts (front Right age 7), and Shaquaja Washington (back right age 8) at the Habitat for Humanity International’s Global Village & Discovery Center in Americus, Georgia. [Nikon D100, Sigma 18-125mm, ISO 200, ƒ/6.7, 1/400]
Kids and adults get to see actual streets scenes, homes and other things like school rooms in different countries.

David Bottomley, tour guide shows the African Schoolhouse is a new experience for Anna Roberts (blue shirt age 7), Brandon Roberts (solid dark blue age 10) Caleb Edge (checkered shirt age 10), and Shaquaja Washington (pink shirt age 8) at the Habitat for Humanity International’s Global Village & Discovery Center in Americus, Georgia. [Nikon D100, Sigma 18-125mm, ISO 200, ƒ/6.7, 1/180]
When I was shooting fill flash outside with that Nikon D100 I had to shoot at 1/180 to not see the shutter curtain.

While the cameras today are much better I believe that no matter the camera if you know what you are doing you can get some great photos.

David Bottomley, tour guide shows the Global Village to Anna Roberts (blue shirt age 7), Brandon Roberts (solid dark blue age 10) Caleb Edge (checkered shirt age 10), and Shaquaja Washington (pink shirt age 8) at the Habitat for Humanity International’s Global Village & Discovery Center in Americus, Georgia. [Nikon D100, Sigma 18-125mm, ISO 200, ƒ/4.8, 1/1250]

Monday Devotional: Celebrating the life of Anacleto Rapping

Anacleto Rapping
Treat your neighbors like celebrities and celebrities like your neighbors.
-Anacleto Rapping

This Sunday I lost a good friend Anacleto Rapping to colon cancer. Because of my faith in Jesus I believe in the after life and heaven. I believe one day we will be reunited.

Revelation 21:4

4 ‘He will wipe every tear from their eyes. There will be no more death’ or mourning or crying or pain, for the old order of things has passed away.”

While I will miss Anacleto I didn’t want us to hold onto him and have him suffer in pain. Today Anacleto is no longer suffering, but I believe in the presence of God.

I met Anacleto at Southwestern Photojournalism Conference many years ago. Here was the bio we had posted in 2015 when he was one of the speakers.


Anacleto Rapping
Los Angeles, California 

Anacleto Rapping has placed his passion for storytelling at the heart of every picture he has taken over a more than three-decade professional career.

As a staff photographer at the Los Angeles Times for two decades, Rapping brought us four Presidential campaigns, five Olympic Games, three World Cup Soccer tournaments, three Academy Award shows and countless breaking news stories and sporting events. His gift for visually capturing historic moments broadened his understanding of world and national events and afforded him the chance to chronicle news events as they unfolded throughout the United States as well as in foreign locales such as South Africa, Australia, Papua New Guinea, Indonesia, Singapore, Guatemala, Mexico and Canada.

While at the Los Angeles Times, Rapping shared three Pulitzer Prizes for team coverage in news, and individually he received a Pulitzer nomination for his photography at the 1996 Summer Olympics in Atlanta.

Rapping has taught and developed classes across the Brooks Institute Visual Journalism curriculum including International Documentary, Portraiture, Sports Photography, Picture Story and Advanced Lighting. He currently teaches photography and shoots freelance for editorial and commercial clients. Rapping continues to tell life’s stories, using his camera to portray the profound relationships between people and their environments.

Visit his website at www.arapping.com


One year we were both in Nashville for a college media workshop. I was covering the event and Anacleto was helping teach.

While Anacleto was teaching I walked up on the stage behind him, Gary Fong, and Jim Veneman to get a nice photo of the students listening to him. Well in seconds of me coming on stage the entire room started to laugh and look at me.

Only as Anacleto could do it he used his soft voice to explain how he had told everyone that he had been watching me cover the event. He said at some point Stanley is going on the stage to get some photos from behind the speakers–so just watch and see when it happens.

Then just a minute after he said this I had come from another room and walked in and up on the stage.

This is a great insight into how Anacleto taught. He didn’t just tell the students here is a shot list and you do it. He taught them not just what they needed to do to cover an event, but he also was teaching the students the power of observation.

Anacleto also was teaching the ability to anticipate.

When I teach a long week workshop I like to Skype in a few of my friends and this helps break up the teaching and reminds the students to develop friendships with other photographers.

Anacleto was one I always loved to Skype in with the classes.

One of the topics that Anacleto liked to talk about was access. To get great photos you need access. Now he often talked about how credentials didn’t always work all that well. He talked about how being kind and courteous to everyone you meet will give you great access.

He talked about being back stage at the Oscars and how during the practices he talked to the guards and all the people backstage. Because he had developed those friendships those people not only let him through because they recognized him, but also alerted him to things going on that made for great photos.

Anacleto Rapping on far left and Joanna Pinneo on far right review a student’s portfolio at the Southwester Photojournalism Conference.

Anacleto loved to help others grow. I often watched Anacleto search out students at the workshops and ask to see their work. He knew they were probably too scared to ask and he wanted to break that ice.

Now Anacleto wasn’t so kind to make everyone feel like they were awesome photographers. Anacleto gave constructive criticism and also asked lots of questions during those portfolio reviews.

Anacleto also wasn’t one of those that only showed up at workshops if he was paid to be there. I saw Anacleto come to the Southwestern Photojournalism workshop almost every year, except this past year when the cancer returned.

Those students who showed Anacleto their work the previous year would go and find him to show him their progress. He was their mentor.

Anacleto loved watching others enjoying life.

Whenever I would meet up with Anacleto he always would take a moment and change his demeanor and ask in the most caring way I know–”How are you doing?”

I once had the privilege of hiring Anacleto to shoot the Rose Bowl for Chick-fil-A. This was the first time I saw how he worked for a client. I felt so comfortable with Anacleto throughout the process and he delivered wonderful images.

I came across this poem which Anacleto seemed to have lived by.

Life is an echo.
What you send out,
comes back.
What you sow,
you reap.
What you give,
you get.
What you see in others,
exists in you.

 

Monday Devotional: Help me overcome my unbelief!

Airborne School First Jump of school

Leap of Faith

A leap of faith is the act of believing in or accepting something outside of the boundaries of reason.

“Thinking can turn toward itself in order to think about itself and skepticism can emerge. But this thinking about itself never accomplishes anything.” Søren Kierkegaard says thinking should serve by thinking something. Kierkegaard wants to stop “thinking’s self-reflection” and that is the movement that constitutes a leap. He’s against people thinking about religion all day without ever doing anything. But he’s also against external shows and opinions about religion and in favor of the internal movement of faith. He says, “where Christianity wants to have inwardness, worldly Christendom wants outwardness, and where Christianity wants outwardness, worldly Christendom wants inwardness.” – Wikipedia

I am part of a Sunday School class where we love to ask those taboo questions. The questions which are really often embedded in our logical thinking minds of trying to work out our faith.

This one piece of scripture is one of my most favorite, because I can so relate to the boys father talking to Jesus.

Mark 9:23-25

23 “‘If you can’?” said Jesus. “Everything is possible for one who believes.”

24 Immediately the boy’s father exclaimed, “I do believe; help me overcome my unbelief!”

25 When Jesus saw that a crowd was running to the scene, he rebuked the impure spirit. “You deaf and mute spirit,” he said, “I command you, come out of him and never enter him again.”

Jumping out of a perfectly good airplane is just something I will probably never do. Watching my son jump at Fort Benning was something to behold.

Airborne School First Jump of school

As a freelancer I continue to find like all business owners that I am often praying to God, “I do believe; help me overcome my unbelief!”

Like the farmer who has planted his crop and to be caught in a draught is how many freelancers feel. How will I feed my family and what will I do?

Most farmers plant different crops in different fields and while one crop is weak they have something. But if the weather is really bad they can lose it all. This is why farmers learn to store up during those great times to weather the bad times.

This is why all accountants tell their customers to have six months of reserves saved. This way if something bad happens you have a cushion to pay all your bills for six months.

Let’s just be real. Many of us are often having life happen and we are looking at our bills and seeing the revenue stream just doesn’t seem like it is there. We are doing all we can to cut down on those expenses.

If you are in this position then you are like most of mankind. While some may have the financial resources they are lacking something. They too feel desperate for different reasons.

Proverbs 19:21
Many are the plans in a person’s heart, but it is the LORD’s purpose that prevails.

I am always looking into the future to see how it will meet the needs of the present. I can never really see the future like God. The hardest thing for me to do is to put my trust in God, who knows the future.

God wants me to be working each day and doing something. Faith is not sitting and letting God do it all, but trusting that he is with us and walks with us and wants the best for us.

Pray today, Dear Lord, I do believe; help me overcome my unbelief!

There’s no such thing as winning an argument

Three different ethnic backgrounds, but all of them are friends.

As a business owner I know first hand about how important a relationship with customers is over me being right.

The reason certain brands have “Raving Fans” is because those businesses are thinking of the customer and doing all they can to meet the needs of their customers with solutions they can provide.

One of the most difficult things I struggle with when looking out for the best interests of a client is when I know that a client is going to suffer because of a decision they are making.

In the 1980’s I remember quite clearly my uncle, Knolan Benfield, discovering using a projector to show clients their family portraits.

Knolan Benfield in a bank lobby with his display of the pastors of the churches in Hickory, North Carolina.

He was watching way too many people select 11×14 prints for their walls when they really needed often a 40×60 to do justice to the print.

Knolan was able to help people understand that he wasn’t trying to make more money off a bigger print, but really believed that prints in a typical living room on the wall needed to be a certain size to be appreciated.

He had a watch and a clock in the room where he would project images. By having the smaller clock face most obvious they would often squint to tell the time. Then he would point out the other clock where the size of the face was larger.

Then Knolan would project the photos on a screen. The projector lens was a zoom so he could adjust the size of the image for the clients to see. Having them sit in chairs that were about the same distance from their walls of their house customers would then pick the size they liked. Knolan even had frames to show with the photo once they chose the size.

A headshot could be a lot smaller than say a large family outdoor group photo, because when you make the face the size of a clock for telling time then you have a good guide that helps to guide the customer.

Even with this show and tell customers would choose smaller images when they saw the price difference. The hard costs prevented my uncle from giving them what they really wanted and needed to enjoy the photo they had already invested a great deal to make.

At this point Knolan had to choose the relationship over being right. If he pushed to show how wrong they were then the relationship would dissolve and while they might still buy the smaller print they wouldn’t be back for more photos in the future.

I worked very hard taking these photos of people from around the world. I wanted you to get to know them. They are all God’s children. None of them should be treated like White Supremacist do.

You cannot be profitable in business if you do not treat everyone with honor, dignity and respect. You cannot look down on your customers. You must be able to look them in the eye.

I believe if the United States wants to survive they must learn to act like the small business owner. They must work to embrace everyone they come in contact with.

There are some really great things that will come from someone who puts relationships first.

One of the best things that come from dealing with people you disagree with is that it is quite challenging. When you are passionate about your ideas and beliefs it makes it quite difficult for you to be willing to listen. I have found time and time again that I have done a really poor job of thinking of all the ramifications of my thoughts. Having someone challenge me is in the end a good thing for me.

Your critical thinking cannot be selfish or it is flawed. When grounded in fair-mindedness and intellectual integrity, it is more balanced.

When others disagree with your ideas take it to heart and understand why an idea may not be supported by them. This respect of others ideas means you are really trying to see the other’s perspective. When you really learn to do this well it doesn’t mean you will end up agreeing with them, but you are able to see why they have a different perspective.

This is my uncle James Stanley Leary during WWII as part of Anti-Facists disrupting a large gathering of ethnic supremacists on Saipan.

The past few days Donald Trump has done a great deal of Mansplaining to the public through the media. Trump again blames ‘both sides’ for Charlottesville violence, spurring outrage. Our military fought against regimes that have believed in ethnic cleansing.

Throughout history different groups have been persecuted. Very seldom are they able to stop the violence. The Indian people were not allowed to turn their crops into fabric by the British. They were beaten if they even owned a spinning wheel. It was Gandhi who used non-violence to show the world how they were being treated by the British.

Martin Luther King used peaceful protests to show how white supremacist would torture them in the streets.

I was at an event where in the audience was The Honorable Maynard Jackson, Jr. He commented in a discussion that what was needed most to combat racism was whites standing up for their black friends.

I think he was right. Everyone needs to speak out against injustice that is like what we saw in Charlottesville. We also need to hold our president accountable for the role of the presidency, which is to unify our nation and not divide it as his words are doing now.

We cannot allow to happen to the United States what happened in Germany after World War I that allowed for a White Supremacist movement that caused World War II. It is hard to say with exact certainty how many people were killed during World War II, but estimates vary between 50 million to over 80 million. One thing that everybody agree with is that it has been the deadliest war ever, wiping out around 3 percent of the world population at the time.

You see the Nazi’s were allowed to pursue winning their argument rather than about building relationships.

 

You can’t handle the truth

In the bush village of Sabtenga a small outreach group has been started. The oldest man in a hat was Musanai Zemnai, the Chief of the Young People, who is welcoming the group. [Nikon D2X, Sigma 18-50mm ƒ/2.8, ISO 400, ƒ/2.8, 1/350]
I grew up singing in Baptist churches “Blessed Assurance”. The refrain went like this:

This is my story, this is my song,
praising my Savior all the day long;
this is my story, this is my song,
praising my Savior all the day long.

The words of this song are key to the photojournalist’s ethics. We are not there to tell our story, but rather the subjects story. As long as the subject is honest with the journalist then they must reciprocate.

[Nikon D2X, Sigma 15-30mm ƒ/3.5-4.5, ISO 400, ƒ/4, 1/160]
When I was visiting the Chief among the young people of the bush village in Sabtenga I took many different photos of him.

[Nikon D2X, Sigma 18-50mm ƒ/2.8, ISO 100, ƒ/2.8, 1/500]
While I ended up with a variety of photos that I could use it was imperitive on me to pick those photos that helped to tell his story.

[Nikon D2X, Sigma 18-50mm ƒ/2.8, ISO 400, ƒ/4, 1/640]
Often the photojournalist is limited to just one photo, so which one is the one photo?

[Nikon D2X, Sigma 18-50mm ƒ/2.8, ISO 400, ƒ/2.8, 1/400]
How a journalist arrives at the photo is one of determining the storyline. Often the journalist will pull together a narrative using the photos in a certain sequence to tell the subjects story.

Look at these different photos here and pick which photo you think is the best photo for the story.

[Nikon D2X, Sigma 70-200mm ƒ/2.8, ISO 400, ƒ/2.8, 1/180]
[Nikon D2X, Sigma 70-200mm ƒ/2.8, ISO 400, ƒ/2.8, 1/180]
[Nikon D2X, Sigma 70-200mm ƒ/2.8, ISO 400, ƒ/2.8, 1/180]
I hope you took your time and looked at each one closely. Most of those who may read this will have picked a photo.

If you picked a photo and would run this photo you have now just violated the ethics of photojournalism.

The question you should have been asking is what is the story and which photo does the best job of telling the story. Since you didn’t know the story then you must say I cannot choose without knowing the storyline.

What are the code of ethics? Here is the National Press Photographers Association code of ethics.

Code of Ethics

Visual journalists and those who manage visual news productions are accountable for upholding the following standards in their daily work:

  1. Be accurate and comprehensive in the representation of subjects.
  2. Resist being manipulated by staged photo opportunities.
  3. Be complete and provide context when photographing or recording subjects. Avoid stereotyping individuals and groups. Recognize and work to avoid presenting one’s own biases in the work.
  4. Treat all subjects with respect and dignity. Give special consideration to vulnerable subjects and compassion to victims of crime or tragedy. Intrude on private moments of grief only when the public has an overriding and justifiable need to see.
  5. While photographing subjects do not intentionally contribute to, alter, or seek to alter or influence events.
  6. Editing should maintain the integrity of the photographic images’ content and context. Do not manipulate images or add or alter sound in any way that can mislead viewers or misrepresent subjects.
  7. Do not pay sources or subjects or reward them materially for information or participation.
  8. Do not accept gifts, favors, or compensation from those who might seek to influence coverage.
  9. Do not intentionally sabotage the efforts of other journalists.

Ideally, visual journalists should:

  1. Strive to ensure that the public’s business is conducted in public. Defend the rights of access for all journalists.
  2. Think proactively, as a student of psychology, sociology, politics and art to develop a unique vision and presentation. Work with a voracious appetite for current events and contemporary visual media.
  3. Strive for total and unrestricted access to subjects, recommend alternatives to shallow or rushed opportunities, seek a diversity of viewpoints, and work to show unpopular or unnoticed points of view.
  4. Avoid political, civic and business involvements or other employment that compromise or give the appearance of compromising one’s own journalistic independence.
  5. Strive to be unobtrusive and humble in dealing with subjects.
  6. Respect the integrity of the photographic moment.
  7. Strive by example and influence to maintain the spirit and high standards expressed in this code. When confronted with situations in which the proper action is not clear, seek the counsel of those who exhibit the highest standards of the profession. Visual journalists should continuously study their craft and the ethics that guide it.

But we are not journalists!!!!

We have to protect our __________

You may have inserted into that blank your organization or even the subject. You feel like you know how best to help people by not telling the complete story. The audience just will not understand.

Just remember that you put yourself on a very high horse just like in the movie

Could “we the people” handle a bit more of the truth? One would certainly like to think so.

When you get in the way of “truth” you have changed the narrative. You have robbed the subject of “their story” and replaced it with “your story” or “your organizations story”.

Maya Angelou said, “There is no greater agony than bearing an untold story inside of you.”

When it is finally shared do you want to be the one person that altered the story in any way that could diminish it’s power?

What do I charge and how do I word something with a client?

This is the most useful software package I own for my business. While I have Adobe Creative Cloud Suite which I use Lightroom, PhotoShop and Premier Pro regularly, it is fotoBiz X that runs the business side of my work. Here is a link to the software. I am a affiliate of their program. This is an affiliate link which means that I receive a commission from any purchases made using the affiliate link. This is at no additional cost to you.


Now for years I knew about the software, but I didn’t use it. I couldn’t figure out the advantages of the software.

Now many years later I regret having not purchased this earlier. Experience started to teach me that I needed help.

When you first open the program you should go to setup and put in your information and if you have a logo put that in as well.

They show you examples of what it will look like on a #10 envelop or on a invoice.

One thing you will need early on is a model release.

Under “Forms and Releases” you will find five difference templates. There is one for:

Adult Model Release
Minor Model Release
Photographer’s Portfolio Release
Property Release
Simplified Adult Release

It will drop your name or company name into the form and then you can just print it out.

Another problem I was always running into was how do you word your cover letters, late payment letters and even a copyright violation letter? Well the software comes with a lot of email templates that you can use and modify for your correspondence uses.

A question I often had early on and continue today having is what to charge for certain uses. The fotoBiz comes with fotoQuote which will help you with knowing what you should charge not only for a stock use, but also in assignment work. Here is a link to just buy fotoQuote.


fotoQuote was just updated to version 7. This includes social media use now in the latest version.

It has also video and all the possible ways you might want to use it. Now while you may not always get the prices they recommend, these are the prices many are getting in the industry.

By having this information of prices you now have a better idea of the range of a job and what you can quote. I have learned that fotoQuote has helped me more than anything in getting a better idea of a low medium and high price for a job. I just give clients three prices most of the time.

The low, medium and high price quote is based on uses that the client can get as well as how long they may use the images. Without fotoQuote I really didn’t have any idea on how to offer three different prices.

fotoBiz also helps you with creating estimates which then can easily be transformed into the invoice with just a click. You can always just create the invoice as well.

When you sell a stock image the software lets you embed a thumbnail into the invoice with all the information about the sale. It will ask if you want a reminder on your calendar when the usage is up. This way you can then write a letter not to remind the people time is up, but to write a letter asking if they want to extend it with estimates for extending the usage.

You can download the demo and try it for 14 days free of charge. fotoBiz is just $299. This is not a subscription based software. You own it and can use it forever.

I can tell you that this is a software that will help empower the freelancer to know what to charge and help you communicate with your prospects and clients in putting together estimates, invoices and even email correspondence.

FotoBiz® has a 30-day money-back guarantee, so what do you have to lose?

Here is a video showing you how it works.

 

My resources for living with Aspergers

Great book for those wanting to learn more about Aspergers.

Disclosure: Please note that links to merchants posted on this blog may be an affiliate link which means that I may receive a commission from any purchases made using the affiliate link. This is at no additional cost to you.

This past week I have talked with a few people about Aspergers. I have been transparent through the years about my Aspergers. I have found that this has helped others understand me better and made my interactions with people more productive.

Anytime I speak to workshops I like to tell my story and I am surprised that almost every time that I do someone comes up saying they have it or have a family member with Aspergers.

I have been asked to talk to family members and help them understand Aspergers a little better.

This is just some of the books I have on Aspergers and recommend that anyone wanting to learn more get some of these books.

Asperger syndrome is a condition on the autism spectrum, with generally higher functioning. People with this condition may be socially awkward and have an all-absorbing interest in specific topics. Communication training and behavioral therapy can help people with the syndrome learn to socialize more successfully.

I believe that Teddy Roosevelt’s quote is one that is key for those with Aspergers to understand as key to their success in living with Aspergers.

“People won’t care how much you know until they know how much you care.”

The turning point for me to start what I call the path to improved social skills was when I realized I wanted relationships with people and was able to acknowledge it wasn’t so much the other person’s responsibility to understand me as it was for me to understand them.

I believe that most people with Aspergers have a subject interest that when overlapped with people can be the place where social skills are best developed.

For me that subject was photography. To get better I sought out experts. I just happened to stumble upon a subject and mentors that would help me more than I would ever realize with Aspergers.

My mentor Don Rutledge and my uncle Knolan Benfield told me how to improve my photos of people required me to understand body language. Lucky for me I had majored in Social Work which was my first real introduction to learning how to read people.

In Social Work I had to be trained in interview skills. We were video taped and analyzed ourselves with the help of teachers and classmates as to if we were not just listening with our ears, but our eyes.

I do not remember all the videos I saw on the topic while in college, but it was a good number. Then many of the professors I had would also demonstrate and help us learn to pay attention to the nuances.

When later after I had graduated from college and was working with Don Rutledge it was his instruction that really helped me take this to a different level.

We were shooting film when I worked with Don. He would take my contact sheets and his to go frame by frame to explore body language and helping me to see how to find the moments that had the most emotion and impact. Little did I know I was being taught what was my largest struggle up to this time. I had struggled all my life with reading situations and knowing that people were sending me visual cues in our interactions.

I do not know many subjects that will let you get to the core issues of what a person with Aspergers struggles with more than one that requires you to not just recognize body language but also to predict it than photojournalism.

If you have Aspergers or your friend and family member does and you want to learn more here are some books I have read that all helped me learn more. Each one comes from a different perspective. Some are not about Aspergers but about reading people and body language. Those books will help you as well.

I love a few TV Shows where the main characters in my opinion exhibit Aspergers. The Big Bang Theory with the character Sheldon is a great show to watch a person struggling with relationships.

I just came across a Netflix show from the BBC Doc Martin that the main character has extremely poor social skills.

This is a great movie about Aspergers. By the way all these links are to Amazon and I get a small percentage of the sale, but the costs are no different for you.

Here are the books I recommend.

With all these resources I still struggle. While I do care for others I am not always moved to empathy as quickly as I should be. Often my empathy is too mechanical in the way it plays out.

My biggest supporter is my wife Dorie who has helped me grow way beyond where I was when we first met. I have many friends today that know that after getting to know me I am caring.

My greatest wish is to one day be known as a compassionate person that is always looking for ways to serve people.

How about you? Do you want to known for what you know or for how much you care?

Today’s Photos of Memorial Day – Georgia National Cemetery

I saw many who would just sit and stay for a while near their loved ones resting place at Georgia National Cemetery in Canton, Georgia. [Nikon D5, Sigma 24-105mm, ISO 250, ƒ/16, 1/100]
Today I went again to the Georgia National Cemetery in Canton, GA. The flags were at all the graves. Family and friends had left flowers for all those who been buried at the cemetery.

Nikon D5, Sigma 24-105mm, ISO 100, ƒ/5.6, 1/250

Visiting the Georgia National Cemetery is a time for families to tell the stories of their family and close friends who gave of their lives for our freedoms to their children, so that they too will understand what Memorial Day is all about.

Nikon D5, Sigma 24-105mm, ISO 140, ƒ/14, 1/100

Many headstones had multiple flower arrangements. This one also had a Challenge Coin. A challenge coin is a small coin or medallion (usually military), bearing an organization’s insignia or emblem and carried by the organization’s members. Traditionally, they are given to prove membership when challenged and to enhance morale. In addition, they are also collected by service members. In practice, challenge coins are normally presented by unit commanders in recognition of special achievement by a member of the unit. They are also exchanged in recognition of visits to an organization.

Nikon D5, Sigma 24-105mm, ISO 140, ƒ/13, 1/100

Flower, coins, military airborne patches, an American flag and hand drawn art adorn this grave. This is where you see the impact of service that it has on the whole community. Comrades leave the patches. Coins for those to remember whom also served with them. Flowers left by the family or friends and drawings from the children to say how much they miss their soldier.

Nikon D5, Nikon 85mm ƒ/1.8G, ISO 220, ƒ/1.8, 1/8000

Memorial Day was a response to the unprecedented carnage of the Civil War, in which some 620,000 soldiers on both sides died. The loss of life and its effect on communities throughout the country led to spontaneous commemorations of the dead.

Nikon D5, Nikon 85mm ƒ/1.8G, ISO 220, ƒ/1.8, 1/8000

In 1971, the Monday Holiday Law shifted Memorial Day from May 30 to the last Monday of the month.

Nikon D5, Sigma 24-105mm, ISO 100, ƒ/5.6, 1/250

This is what Memorial Day is all about. Taking the time to remember the sacrifices of those who gave of their lives in service to our country so that we might enjoy the freedoms of our democracy.

Nikon D5, Sigma 24-105mm, ISO 100, ƒ/5.6, 1/320

On May 30, 1868, President Ulysses S. Grant presided over the first Memorial Day ceremony at Arlington National Cemetery—which, until 1864, was Confederate General Robert E. Lee’s plantation.

Nikon D5, Sigma 24-105mm, ISO 100, ƒ/7.1, 1/250

Families all from all over the country came to pay respects to their loved ones this Memorial Day at the Georgia National Cemetery.

Monday Devotional – created in Christ Jesus to do good works

Nikon D4, 28-300mm, ISO 100, ƒ/4.5, 1/320

Romans 12:6-8

We have different gifts, according to the grace given to each of us. If your gift is prophesying, then prophesy in accordance with your faith;  if it is serving, then serve; if it is teaching, then teach;  if it is to encourage, then give encouragement; if it is giving, then give generously; if it is to lead, do it diligently; if it is to show mercy, do it cheerfully.

Everyone is unique and yet we are all called. We have been given talents and gifts that are to be used and when we do bless the communities in which we live.

Ephesians 2:10

For we are God’s handiwork, created in Christ Jesus to do good works, which God prepared in advance for us to do.

Sometimes I think we have an idea that to be called we must have some supernatural talent and be one of the Marvel characters we see on the big screen.

Nikon D100, 70-200mm, ISO 800, ƒ/2.8, 1/125

Often our calling is one of just being a friend and listening to another person who has something they need to share.

Nikon D3, 85mm, ISO 560, ƒ/1.6, 1/100

Today you may just be preparing for what is to come tomorrow. Studying is an act of serving. You are sharpening those skills so that when you are called to act you can do so with quality of work.

Nikon D2X, 18-125mm, ISO 100, ƒ/5.6, 1/125

Sometimes our jobs are just to tend to the flock, like this shepherd. Whatever our role is today we need to embrace that role.

Nikon D3S, 28-300mm, ISO 12800, ƒ/3.8, 1/1600

Most of my days are filled with listening to clients and spending my time trying to understand their needs. Once that is understood I then look for ways to help tell their stories using visuals and words to capture moments that engage their audience.

Fuji X-E2, 18-55mm, ISO 6400, ƒ/2.8, 1/6

Isaiah 40:31

but those who hope in the Lord
will renew their strength.
They will soar on wings like eagles;
they will run and not grow weary,
they will walk and not be faint.

Nikon D4, 120-300mm w/ 2X, ISO 6400, ƒ/10, 1/2000

Want to get better – Get Critiqued!

Bill Bangham gives one-on-one reviews to the students in School of Photography at the University of Nations located in Kona, Hawaii. [Nikon Coolpix P7000]
How would you like for me to go over your work with you and give you some feedback?

Professional photographers seek out portfolio reviews to learn what they can do better and also to hopefully get work.

National Geographic Photographer Joanna Pinneo reviews a portfolio during the Southwestern Photojournalism Conference. [Nikon Coolpix P7000]
Getting your photos reviewed is probably one of the best ways to learn and grow.

Tiare Nuualiitia (foreground) and Maile Powell listen to some of Stanley’s instructions for lighting project for School of Photography 1 in Kona, Hawaii. Photo by Dennis Fahringer

Having your work reviewed can be a real nail biter for sure. While I was teaching in Kona, Hawaii Dennis Fahringer took this photo of the students listening to me.

Each one of the students would be talking to me later about how difficult the assignments were, but now on the other side of them are grateful for the assignment.

Stanley’s Tips for a Portfolio Review

Let your work speak for itself. Please don’t tell people all about the photos, if the photo doesn’t do a good job of that on it’s own then maybe it shouldn’t be in the portfolio. If the person looking at the photos wants to know more they will ask.

Listen for what is not said as much as what is said. Often when reviewing a new photographer’s work I am looking desperately for something good in the midst of snapshots. I want to encourage you, but I don’t want you to think everything is great either. If I don’t say anything about a photo, believe me it is because I am not impressed. If you ask me I might try to find something good to say, however, if you are fishing for compliments your work isn’t that good.

Portfolio review isn’t about praise of your work. If your work is the greatest of all time then maybe you will get a WOW and I wish I had your portfolio comment. You should be looking for pointers on what to do next time to make the photo better.

Millimeters are critical for great photos. One example of how a millimeter can make or break a photo is just the difference in the camera’s point of view and the subject’s eyes. Just tad bit high and you look down at the subject. Eye level with the subject is something quite different than just a little lower and looking up. As you get better this is what you are looking for the little things to improve your work.

There are stages of growth in photography. Early in your career you may need some really basic tips to help improve your photography. At this point someone talking to you about a millimeter of difference will not help you. You have a lot of work to do before they can talk to you about those differences.

Establish a relationship if possible. You need to pick people to review your work that you can go back to later and show them again. They will be able to then see your growth and frankly if you paid attention.

Ask always if you can follow up and how. Plan to go out and shoot as soon as you can after your review. Work on the tips they pointed out to you and then somehow get them to see your revisions in that portfolio. You might just need to show them one project you are working on and get their feedback.

You never arrive at the top. There is always room for growth. Always seek out feedback on your work for the rest of your career. If you are not growing then you are dying.

Anacleto Rapping (far left) and Joanna Pinneo (far right) review a student’s work at the workshop. [Nikon P7000]
If you want me to review your work we can do this a few ways. We can meet in person and I look over your work or we can do it by Skype or by phone. I just need you to share a link of photos with me if we are not in person.

Just contact me. Cost is $125 an hour. Maybe you want to get a friend to do it with you and split the cost. That is fine with me as well.